10 815 résultats
1925réf. 2263310Berlin, P. Cassirer, 1925. Gr.-4to. 39, (3) S., 65 Tafeln in Lichtdruck m. je 1 Deckblatt mit Angaben von Künstler, Titel und Aufbewahrungsort. OLwdbd (leicht angestaubt u. berieben).
Original watercoloured pen-and-ink drawing within ruled ink borders, sheet size 347 x 275 mm. Matted (510 x 400 mm). Charming, early watercoloured drawing of a Neapolitan street vendor of maccaroni. Unsigned and undated, but attributable by its style to the Neapolitan artist active ca. 1820 who signed some of his works "Raimo". - Margins a little dust-stained, but very attractive.
1820Gestochene Kupferplatte (142:177 mm). Schön gestochene Madonna mit Kind, beide einen Rosenkranz haltend. Zum Kupferstecher Lodovico Prosseda vgl. A. M. Comanducci (Dizionario illustrato dei pittori, disegnatori e incisori italiani; Milano 1970ff.) und L. Servolini (Dizionario illustrato degli incisori italiani; Milano 1955).
réf. 500298778Sans date.
réf. 500298777Sans date.
réf. 500298775Sans date.
réf. 500298774Sans date.
réf. 14084Grande eau-forte originale non signée en couleurs sur papier Japon (dimensions de la feuille : 450 x 277 mm), représentant une femme brune nue allongée.Présentée sous passe-partout crème 600 x 400 mm prêt à être encadré, la vue étant protégée par un Rhodoïd.Pli central vertical d'origine (planche double pliée dans l'ouvrage), très bon état par ailleurs.
1750réf. 13939Une des très belles vues de Rome . Ficacci 897. Retirage par la Chalcographie. En feuille Très bon Rome Chalcographie 1750/1759 40 x 30 cm
1789Grande incisione ad acquaforte (cm. 55 x 42) realizzata da Giorgio Hackert sul quadro del fratello Philipp: rappresenta il porto di Taranto. Gli Hackert lavorarono molto in Italia e all’epoca di quest’incisione, probabilmente non di molto posteriore al 1789, data del quadro, erano pittore e incisore di corte presso Ferdinando IV. Il quadro è nel museo della Reggia di Caserta. Negli ultimi anni del secolo sono numerosi i porti italiani ritratti da Philipp: la didascalia recita “Preso dal quadro originale che fu parte della collezione dei porti delle due Sicilie ordinata da S.M. il Re. Ottime condizioni, molto raro. A big etching engraved by Georg Hackert on a painting of his brother Philipp: the subject is Taranto’s port. Hackert brothers worked in Italy for a long time, and at this etching time, around 1789 (it’s the painting year), they were painter and engraver of the Ferdinand’s Court, in Caserta (where the painting is still in the collection). Many Italian ports were painted by Philipp in the late XVIII, when the king asked him to do a recognition (and a series of paintings) of southern Italy coast. Very good conditions, much rare.
2018Acquaforte elettrochimica / Electrochemical etching. L'incisione è stata realizzata presso la Kansas State University (Manhattan, Kansas) Timbro a secco dell'Artista. Firma, titolo e numerazione a matita. Esemplare p.d.a.. Cm 30,5x22,5 (Foglio 53x38). . . Ottimo (Fine). . Edizione originale di 25 es. numerati e firmati . .
1852VOLUME ONE ONLY. RARE annotated Italian translation of the Hebrew Bible by Antonio Martini (1720-1809) - an Italian Biblical scholar and Archbishop of Florence, whose translation of the Bible into Italian, formally approved by the papacy, was widely used in Italy for about two centuries. This volume contains the following books: Pentateuch (Genesis, Exodus, Leviticus, Numbers, Deuteronomy), Joshua, Judges, Samuel 1&2, Kings 1&2, Chronicles 1&2 (Books of Chronicles/Paralipomenon), Ezra, Tobias, Ruth, Judith, Esther, Books of the Maccabees 1&2, Job. Contains a color frontispiece and b&w full-page illustrations. 255x160mm. 1301 pages. Quarter-leather marbled board rebound Hardcover with gilt label on spine. Cover rubbed and scratched. Cover edges and corners bumped and peeling. Spine rubbed and dirty/stained. Spine edges bumped. Spine front hinge cracked, partly tattered and glued. Spine rear hinge wrinkled. Front whitepage creased. Front whitepage upper corner slightly torn. Pages lightly yellowing and partly age stained. Several p[ages bottom corner wrinkled. Few pages slightly age-stained. Page edges rough cut as published. Pages yellowing and slightly wavy. [SUMMARY]: This extremely rare edition of an influential and popular Italian translation of part of the Old Testament with commentaries, is otherwise in good condition. The beautiful prints are in good condition and ready for framing! PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1813réf. 7476BBZürich, Orell Füssli, 1813-1814. 8°. (3) Bl., 281 S., (3) Bl., 268 S., mit 4 Kupferstichen und 1 frontis. Halblederband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild 2 Bände.
1813réf. 7476BB2 Bände. Zürich, Orell Füssli, 1813-1814. 8°. (3) Bl., 281 S., (3) Bl., 268 S., mit 4 Kupferstichen und 1 frontis. Halblederband der Zeit.
réf. 101742Jean-Pierre Huguet Carnets des Sept Collines Jean-Pierre Huguet, Carnets des Sept Collines (N°28), 2007, 47 p., broché, environ 23x12cm, exemplaire numéroté 39/100, avec une estampe en fontispice signée de Roger Blachon, dédicacé par Eric Halphen, bon état.
1927réf. 5026Lithographie originale d’Auguste Chabaud, rehaussée à la main par l’artiste. Il n’y aurait eu que 25 exemplaires de cette lithographie. 1927. 1927 25 cm x 19cm.
1927réf. 5027Lithographie originale d’Auguste Chabaud, rehaussée à la main par l’artiste. Il n’y aurait eu que 25 exemplaires de cette lithographie.1927. 1927 25 cm x 19cm
1927réf. 5028Lithographie originale d’Auguste Chabaud, rehaussée à la main par l’artiste. Il n’y aurait eu que 25 exemplaires de cette lithographie.1927. 1927 25 cm x 19cm
1786réf. 376505Venezia 1786. Ora la prima volta con le stampe pubblicate. Engraved title page with vignette. Engraved Title portrait and 24 leaves of plates XIII page of text. Frontispiece & 15 engraved plates. 1 vols. Folio. Quarter morocco and green boards. Binding showing signs of wear. Interior with light foxing but overall Near Fine. Bookplate of C. W. H. Sotheby. Ora la prima volta con le stampe pubblicate". Engraved title page with vignette. Engraved Title portrait and 24 leaves of plates XIII page of text. Frontispiece & 15 engraved plates. 1 vols. Folio. Including engravings after the works of great Venetian Renaissance painters Giorgione Titian Tintoretto Zelotti and Veronese. With Titian's frescoes for the exterior of the Fondaco dei Tedeschi in Venice which have since perished. Also with engravings after the great draftsman Parmigianino. Antonio Maria Zanetti is known as a printmaker for his contributions to the style of chiaroscuro woodcuts as well as for his career as an art dealer and collector. Girolamo Francesco Zanetti was a historian and philologist known for being the first to publish one of the oldest Venetian chronicles the Chronicon Altinate. OCLC 272605179. Provenance: Bookplate of C. W. H. Sotheby d.1887 of Ecton Hall Northampton England unknown books
1786réf. 376505Venezia 1786. Ora la prima volta con le stampe pubblicate. Engraved title page with vignette. Engraved Title portrait and 24 leaves of plates XIII page of text. Frontispiece & 15 engraved plates. 1 vols. Folio. Quarter morocco and green boards. Binding showing signs of wear. Interior with light foxing but overall Near Fine. Bookplate of C. W. H. Sotheby. Ora la prima volta con le stampe pubblicate". Engraved title page with vignette. Engraved Title portrait and 24 leaves of plates XIII page of text. Frontispiece & 15 engraved plates. 1 vols. Folio. Including engravings after the works of great Venetian Renaissance painters Giorgione Titian Tintoretto Zelotti and Veronese. With Titian's frescoes for the exterior of the Fondaco dei Tedeschi in Venice which have since perished. Also with engravings after the great draftsman Parmigianino. Antonio Maria Zanetti is known as a printmaker for his contributions to the style of chiaroscuro woodcuts as well as for his career as an art dealer and collector. Girolamo Francesco Zanetti was a historian and philologist known for being the first to publish one of the oldest Venetian chronicles the Chronicon Altinate. OCLC 272605179. Provenance: Bookplate of C. W. H. Sotheby d.1887 of Ecton Hall Northampton England unknown
1820réf. 274021820 Lithographie de Charles Motte; Date: 1820–36; rare
1870réf. 800Vingt eaux-fortes par VAN OSTADE, Charles Jacque et Subercase Librairie à estampes Jules Maury & cie (sans date, vers 1870) format : 25 x 30 cm, couverture cartonnée, premier plat orné d'une gravure contrecollée, 15 pages de texte d'Arsène Houssaye suivies de 20 eaux-fortes. tiré à seulement 100 exemplaires couverture salie, manque au bas du dos, mors fendu sur 5 cm, une dédicace en page de titre sinon bon état, très bel état des eaux-fortes.
réf. R200137791Braun & Cie. non daté. In-Folio. En feuillets. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 6 pages en feuillets additionnées de 30 planches de reproductions en noir et blanc en feuillets, jaquette conservée abimée - papier jauni, coins frottés, rousseurs et taches sur la jaquette, dos de la jaquette déchiré. Avec Jaquette. . . Classification Dewey : 769-Estampes
194945 + [2] pp. tekst + 40 platen buiten tekst, losbladig (zoals uitgegeven), 34cm., in linnen opbergdoos van uitgever (licht verkleurd), beperkte oplage van 555 exemplaren: dit is één der 55 pers- en presentexemplaren, gedrukt op luxe-papier, goede staat, tekst en platen in zeer goede staat, [bevat een overzicht van de Vlaamse graveerkunst van de 16e tot de 20e eeuw], S97506
1949réf. S97506Brussel, Simon Stevin 1949 45 + [2] pp. tekst + 40 platen buiten tekst, losbladig (zoals uitgegeven), 34cm., in linnen opbergdoos van uitgever (licht verkleurd), beperkte oplage van 555 exemplaren: dit is één der 55 pers- en presentexemplaren, gedrukt op luxe-papier, goede staat, tekst en platen in zeer goede staat, [bevat een overzicht van de Vlaamse graveerkunst van de 16e tot de 20e eeuw], S97506
