1791réf. 373866Worcester: Isaiah Thomas 1791. First Edition of Isaiah Thomas's Folio Bible. 50 engraved plates. 4 460; 2 461-1012pp. Text in two columns. 2 vols. Folio. Contemporary calf panelled in gilt and blind spine with raised bands in six compartments tooled in gilt on either side of each band red and black morocco labels expert repairs. Moderate to heavy foxing repaired tears to text leaves and plates. First Edition of Isaiah Thomas's Folio Bible. 50 engraved plates. 4 460; 2 461-1012pp. Text in two columns. 2 vols. Folio. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution" Wright. Dubbed "the Baskerville of America" by Benjamin Franklin Isaiah Thomas issued a folio and a quarto Bible almost simultaneously. Published immediately after the ratification of the Bill of Rights the folio edition arguably his magnum opus opens with a note from Thomas situating it as an important accompaniment to this national development: "The civil authority hath set an example of moderation and candor to all Christians by securing equal privileges to all; and it must be their ardent and united wish independently of foreign aid to be supplied with copies of the sacred Scriptures the foundation of their Religion - a religion which furnishes motives to the faithful performance of every patriotic civil and social duty." In preparing the work Thomas compared the language of "not less than eight" significant English Bibles most but not all of which were printings of the King James translation and then had every page of the present edition examined by "the Clergymen of Worcester and . other capable persons." In keeping with his patriotism all the plates are by American engravers an expensive undertaking: the majority by Joseph Seymour with others by John Norman Samuel Hill and Amos Doolittle. It is unusual to find complete copies with all fifty plates. The plate list often lacking is present in this copy. The work was issued either in one volume or in two volumes as here the latter including an additional general title page for the second volume bound in as a cancel. A celebrated American Bible from one of the young country's most important printers. Evans 23186; Hills 29; ESTC W4497; Sabin 5172; Wright Early American Bibles pages 74-88 Isaiah Thomas unknown books
1839réf. 52150Philadelphia: Bagster & Marshall 1839. First American edition. Hardcover. Good . Octavo. 6 10 778pp. Pointed Hebrew text in two columns the New Testament with only vocal marks. Continuous pagination in Arabic numerals; but separate Hebrew pagination for the Old and New Testaments. Contemporary three-quarter calf over pebbled cloth boards; spine with raised bands ruled and lettered in gilt. Decorative endleaves. Covers rubbed with wear at spine caps and corners. Library pressure stamp at title bookplate and pocket at paste-downs. A good ex-library copy with very clean fresh text throughout. First American edition of this Hebrew Bible earlier published by Samuel Bagster at London in 1835; it contains the first printing of the New Testament in Hebrew translation to appear in the United States. That translation was prepared by the philologist William Greenfield 1799-1831 the editorial superintendent of the British and Foreign Bible Society and first published by Samuel Bagster at London in 1831 D&M no. 5186. In preparing his revised Hebrew version Greenfield was allowed to utilise the London Jews' Society Hebrew New Testament published at London between 1813 and 1817 D&M no. 5170. Among the earliest publications of the society founded in 1809 this version was itself based upon Elias Hutter's Hebrew translation of the New Testament published at Nuremberg in 1599 D&M no. 5111. Prepared by a group of scholars under the supervision of Thomas Fry and William Bengo Collyer this London Jews' Society edition employed only biblical words and translated Old Testament quotations from the Greek not citing them directly from the Hebrew Scriptures. The editor of the New Testament version in the present work appears to have had a notable gift for languages. William Greenfield began his Hebrew studies as a young man while apprenticed to a bookbinder taking lessons from one of his co-workers a Jew with some learning who had been described as "a reader of the law in the synagogue" ODNB. Greenfield subsequently left the business in 1824 in order to devote himself to languages and biblical criticism. His defence of the Serampore Mahratta version of the New Testament in response to an 1829 article in the Asiatic Journal brought him to the attention of the British and Foreign Bible Society who then hired him to superintend their editiorial department. "During his nineteen months in the society's service Greenfield wrote on twelve European five Asiatic one African and three American languages and acquired considerable knowledge of Peruvian African-English Chippeway and Berber" ODNB. His revision of the Hebrew New Testament earlier published by the London Jews' Society was among the last works he undertook for the British and Foreign Bible Society along with the revision of the Modern Greek Psalter as it went through the press. Provenance: Bookplate and other markings including withdrawal stamp of the Library of the Garrett Theological Seminary Evanston Illinois. Full title in Hebrew: ספר הקדש ×•×”×•× תורה × ×‘×™××™× ×•×›×ª×•×‘×™× ×’× כתבי ברית החדשה נעתק מלשון יונית ×ל לשון עברית Philadelphiae: Sumptibus Bagster et Marshall in via vulgo dicta Chestnut Street ad Repositorium Bibliorum Sacrorum etc. quae in linguis antiquis et hodiernis edita sunt. Anno erae Judaicae I rev. C; rev. C DXCIX. References: Goldman Hebrew Printing in America no. 6: "This was the first New Testament published in Hebrew in America." ODNB: "Greenfield William" Gordon Goodwin revised by H. C. G. Matthew. J. R. Marcus "Jewish Americana a Supplement to A. S. W. Rosenbach An American Jewish Bibliography" in: Monographs of the American Jewish Archives 1954 no. 1 no. 164. Cf. Darlow & Moule nos. 5111; 5170; 5186. Bagster & Marshall hardcover books
1529réf. 66850Lyons: Per Johanem Crespin 1529. BIBLE IN LATIN. Lyons: Per Johanem Crespin 1529. Second Crespin edition reprinted from the 1527 edition. Folio 13 15/16 x 10 inches; 354 x 252 mm. 304 leaves 18 CCLXVIII 18 leaves. Complete with final blank leaf. Gothic type. Text in double columns within rule borders. Title printed in red and black with small woodcut of St. Jerome repeated three times in the text with Jerome's prefaces within a four-part woodcut border showing God the Father and two angels in a tympanum the six days of Creation and the Last Supper. Large six-part Creation woodcut at the beginning of Genesis half-page woodcut of King Solomon at the beginning of Proverbs full-page Nativity woodcut at the beginning of the New Testament and 121 small text woodcuts including twenty-three repetitions: ninety-one Old Testament woodcuts within strip borders including eight repetitions and thirty New Testament woodcuts without borders including fifteen repetitions. Decorative woodcut initials. The Eusebian canons leaves D1-D3 are printed in red and black in a red architectural framework. Contemporary pigskin over wooden boards roll-tooled in blind to a panel design. Lacking clasps. Original index tabs. Binding worn with some loss of pigskin on upper corner of front cover. Title soiled lower margin of first few leaves wormed and frayed with some loss to woodcut title border a few short marginal tears some mostly marginal dampstaining minor worming to lower inner margins a few inkstains slight discoloration throughout. Despite these minor flaws this is a beautiful example of a French woodcut Bible completely unsophisticated. Contemporary ink inscription on back pastedown dated 1534 contemporary ink inscription on the recto of D4 beneath the Nativity cut eighteenth- or nineteenth-century inscription on title: B.V. Maria in Fürstenfeld. Some early underlining and coloring of woodcuts in red. A few early ink marginalia. Housed in a custom quarter brown morocco clamshell case. The illustrations follow the schema of the Sacon Bibles printed in Lyons in 1518 and 1521. Crespin's blocks with the exception of the Creation are close copies of those used in Jacques and Jean Mareschal's Lyons Bibles of 1523-1541 as is the layout of the text within ruled columns. The borders for the Old Testament blocks include a strip with the initials "PBA." Fairfax Murray French 36. Harvard French 66. Not in Brunet Rothschild Darlow and Moule. HBS 66850. $9500. Per Johanem Crespin unknown books
1577réf. 53814London imprinted by R. Jugge Printer to the Queenes Majestie cum privilegio Regiae Maiestatis1577. Bishops' version 1577 The Bishops' Bible also known as the "Treacle Bible" because of its translation of Jeremiah 8:22: "Is there not treacle at Gilead". IMPERFECT: LACKS FIRST TITLE PAGE PREFACE and 2 PAGES from THE WHOLE SCRIPTURE. First page is a Prayer then 3 pages of The Whole Scripture followed by 6 leaves of Kalendar then The Order Howe 1 page then 2 pages Proper Lessons then 3 pages Certain Godly and Comfortable Prayers then 24 leaves of The Book of Common Prayer leaves: 35 1-103 1 - blank; title to 2nd part 106-252; title to 3rd part 254-500 581-592 the jump in pagination 500-581 is the same in all copies nothing is missing; New Testament leaves: title 2-127 last page with colophon and publisher's device. Psalmes: title pages: 4 1-99 page 99 misplaced in final section; Final section Veni Creator Song of 3 Children etc: 14 of 16 lacks A1. Small 4to bound in eights approximately 205 x 155 mm 8 x 6 inches slightly cropped affecting some running titles dated title page to New Testament and Psalms divisional titles to the second and third parts of the Old Testament and to the Apocrypha. 1 half page woodcut of the Garden of Eden 1 full page of the 12 tribes and the Tabernacle 3 maps in the text and 2 full page maps historiated initials pages ruled in red collation: pi6 -pi1-3 and pi6 6 2 misnumbered 3 4 A-C8 A-Z8 Aa-Hh8 Ii4 KK-Zz8 Aaa-Sss8 Ttt4; A-P8 Q6. The NT is followed by The Metric Psalms printed in London by John Daye 1577. Bound in old panelled calf rebacked with raised bands gilt title and date boards cornered in decorated brass with a single boss small central decorated brass lozenge with single boss to both boards probably the covers with brass bosses are as issued at the time decorated brass clasps not matching and partially renewed at some time ornate gilt monogram to both boards: "C C" early endpapers retained. Inner paper hinges strengthened neatly with paper strip ex Cheshunt College library with armorial bookplate on front pastedown stamped "Withdrawn" ink name with date 1748 on front endpaper faint inscription on 2nd blank endpaper 2 small rusty marks with hole at centre on first 2 endpapers caused by nails in clasps similar smaller marks on rear endpapers first page of prelims pi4 - A prayer is dusty and stamped in red at top and bottom with the college name small brown stain on pages 141 verso -142 recto no loss of legibility another on 255 verso - 256 obscuring a few words large pale brown stain on 176 verso no loss small piece missing from lower corner of Nnn1 with loss of a few words a large lower corner missing from D6 135 x 75 mm 5" x 3" that is St. Luke Chapters IV and V worming to lower margins of NT leaves 21-39 sometimes touching bottom line of text loss of 2 words on both sides of leaves 27 and 29 handling signs to NT margins large pale water stain to NT leaves 23 to 105 small closed tear to lower corner of NT leaf 78 no loss outer margins of final 2 leaves tatty no loss of text. A few other minor faults. A good copy of an Elizabethan Bible. Last page of Revelation: Imprinted at London by Richard Jugge Printer to the Queenes Majestie cum privilegio Regiae Maiestatis. Jugge's device with the motto: Omne Bonu Supernae below. Darlow and Moule Historical Catalogue of Holy Scripture Volume 1 pages 85-86 No.112; A.S. Herbert The English Bible 1525-1961 page 85 No.150; ESTC No: S5108; Old Bibles by J.R. Dore page 262 states: "This Bible is also particularly interesting from its being the last Bible ever printed by Richard Jugge. This makes the words placed over his printer's device on the last page so significant cogita mori." He died in the same year 1577. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. Postage at cost and all parcels sent fully tracked and fully insured. London, imprinted by R. Jugge, Printer to the Queenes Majestie, cum privilegio Regiae Maiestatis,1577. hardcover
1930réf. 21655Paris: F.L. Schmied 1930. Schmied François-Louis. Small folio 14-1/16 in x 11-1/8. 76 pp. Illustrated with twelve double-page and four single-page colored wood engravings. One of 155 copies printed on Madagascar paper plus 10 for collaborators and 7 on japon. Nasti B15. Full red morocco bound with the pages tipped to hinges cover with a central design after motifs in the book tooled in gilt on inlays of black and maroon morocco dentelles tooled in gilt and with gilt corner onlays gold and black silk moiré endsheets edges rough-gilt bound by Schmied signed on the front turn-in "F.L.S." Chemise and new matching slipcase. Light marginal foxing but in excellent condition.Schmied bound only books of his own creation choosing above all the books of his great years.The subjects of his designs come from the books themselves" Ray The Art Deco Book in France pp. 101-102. "In the introductory note.Théo Schmied points out the natural happiness of the interconnection between his father's cultural tendencies and art of the book and the world of the Near East as it is filtered by the 'inspired' Mardrus translations.throwing light on the the two fundamental aesthetic coordinates we need in order to understand how the details are made subordinate by the elegant decorative unity expressed by the plates that is the purity of the Egyptian graphic art and the will of the Italian primitives. The layout shows either a text harmoniously arranged in respect of double and single plates of various size or a text framed by rules forming a variety of geometrical patterns and decorated by bout de lignes in sienna. The illustrations mainly show subdued and delicate pastel colours" - Nasti. F.L. Schmied unknown
1930réf. 21655Paris: F.L. Schmied 1930. Schmied François-Louis. Small folio 14-1/16 in x 11-1/8. 76 pp. Illustrated with twelve double-page and four single-page colored wood engravings. One of 155 copies printed on Madagascar paper plus 10 for collaborators and 7 on japon. Nasti B15. Full red morocco bound with the pages tipped to hinges cover with a central design after motifs in the book tooled in gilt on inlays of black and maroon morocco dentelles tooled in gilt and with gilt corner onlays gold and black silk moiré endsheets edges rough-gilt bound by Schmied signed on the front turn-in "F.L.S." Chemise and new matching slipcase. Light marginal foxing but in excellent condition.Schmied bound only books of his own creation choosing above all the books of his great years.The subjects of his designs come from the books themselves" Ray The Art Deco Book in France pp. 101-102. "In the introductory note.Théo Schmied points out the natural happiness of the interconnection between his father's cultural tendencies and art of the book and the world of the Near East as it is filtered by the 'inspired' Mardrus translations.throwing light on the the two fundamental aesthetic coordinates we need in order to understand how the details are made subordinate by the elegant decorative unity expressed by the plates that is the purity of the Egyptian graphic art and the will of the Italian primitives. The layout shows either a text harmoniously arranged in respect of double and single plates of various size or a text framed by rules forming a variety of geometrical patterns and decorated by bout de lignes in sienna. The illustrations mainly show subdued and delicate pastel colours" - Nasti. F.L. Schmied unknown books
1633réf. 61362Kiøbenhaffn Melchior Martzan og Salomon Sartor 1632- 1633. Folio. Bound in a splendid recent full calf pastish binding with five raised bands. Gilt floral ornamentation to spine and boards ruled in gilt. End-papers renewed. First 10 leaves with marginal repairs. A few leaves in the New Testament last part closely trimmed in upper margin occassionally touchly text. Last 10 leaves with marginal repairs. Internally with occassional miscolouring and brownspotting but an overall nice copy. Engraved title-page and the engraved portrait of Christian IV all by the royal engraver Simon the Pas. Without the half-title which merely contains the printed words "BIBLIA / Paa Danske" which is almost never present. 21 - not counting the engraved title-page and the portrait 353 i.e. 354 due to the erroneous double pagination 353 226 159 ff. A nice copy of the scarce first edition of the last i.e. the third of the Danish folio-bibles known as "Christian IV's Bible" being a slightly revised edition of the Bible of 1589 Frederik II's Bible. Christian IV is the most famous Danish king ever to have lived and the Christian IV bible is extremely sought-after. The numerous woodcut illustrations are the same that were used for the Frederik II's Bibel from 1589. The four engraved leaves - the portrait and the three title-pages - are by Simon de Pas. Despite already having two beautiful folio-bibles Denmark's supply of Bibles was insufficient for the nation's needs. In many parishes only the church had a copy with a few more in the homes of the wealthy. This shortage was particularly severe in Norway due to its distance from the capital which limited the benefits of initiatives from the King. Funds were raised from churches in Zealand and Norway with Norway contributing generously. Two printers Melchior Martzan and Salomon Sartor were employed with Martzan overseeing corrections and sales. Norwegian churches' significant contributions were rewarded with copies equivalent to their donations while Zealand's lesser contributions received no compensation. Biblioteca Danica I 9. Thesaurus II 378. Birkelund 41. Darlow and Moule 3160. hardcover
1633réf. 61362Kiøbenhaffn, (Melchior Martzan og Salomon Sartor), (1632-) 1633. Folio. Bound in a splendid recent full calf pastish binding with five raised bands. Gilt floral ornamentation to spine and boards ruled in gilt. End-papers renewed. First 10 leaves with marginal repairs. A few leaves in the New Testament (last part) closely trimmed in upper margin, occassionally touchly text. Last 10 leaves with marginal repairs. Internally with occassional miscolouring and brownspotting, but an overall nice copy. Engraved title-page and the engraved portrait of Christian IV, all by the royal engraver Simon the Pas. Without the half-title, which merely contains the printed words ""BIBLIA / Paa Danske"", which is almost never present. (21 - not counting the engraved title-page and the portrait), 353 (i.e. 354 due to the erroneous double pagination 353), 226, 159 ff.
1990réf. 3051FBLuzern, Faksimile-Verlag, 1990. Groß-4°. 38 x 33 cm. 680; 407 Seiten. Faksimileband: Weißer Original-Lederband auf vier Bünden in Original-Schmuckkassette in prachtvoller Ausstattung mit Gold- und Blindprägung und Metallbeschlägen. Kommentarband: Original-Halblederband mit schwarzgeprägtem Rückentitel und Deckelbezug aus Leinen im Original-Schuber mit Bezug aus kaschiertem Leinen. [12 Warenabbildungen]
réf. 121550Paris Imprimerie Royale For the British and Foreign Bible Society 1827. . First edition two parts in one vol. the complete Bible 996 pp. Old Testament 7pp. errata; 318 pp. New Testament 3pp. errata large 4to 26 x 21 cm; text printed entirely in Ottoman Turkish Osmanli in vocalised Arabic typeface bookplates removed from lower board internally clean and crisp condition; contemporary blind-tooled calf edges and spine ends skillfully repaired overall a very handsome copy. Scarce first complete Ottoman Turkish Bible. Scarce complete first Ottoman Turkish edition of the Bible published in paris. Based on the translation of Wojciech Bobowski known as Ali Bey 16101675 and referred to as the 'Kitab'i Mukaddes' Holy Bible this text was the first complete Turkish translation of the Bible including both the Old and New Testaments and became the basis for later Turkish translations used by Armenian and Greek Christians. The text was printed in Arabic character with full vocalisation in an edition of 5000 copies of the complete Bible and 2000 issues of the New Testament printed separately. The aesthetic and elegant type are notably those used by the Imprimerie Royale in Paris reminiscent of many important early Arabic and Turkish publications from Napoleonic Egypt at the turn of the nineteenth-century. In 1820 J.D. Kieffer became the first Agent of the B.F.B.S. in France and in the same year he began a thorough revision of Ali Bey's translation of the Bible comparing it with the original texts as well as with the standard English French and German versions. The translation of this edition of the New Testament was carefully revised in view of the criticism passed on the 1819 edition of the same apparently the earliest Arab-Turkish edition of the New Testament in Osmanli. For more information on see Darlow and Moule 9456. Paris, Imprimerie Royale [For the British and Foreign Bible Society], 1827. unknown
réf. 125590London Imprinted at London by the Deputies of Christopher Barker Printer to the Queenes Most Excellent Majestie 1599 circa 1600. . Two works in 1 vol.; 4to 23.5 x 18 cm; ruled in red throughout woodcut general and New Testament titles letterpress general title with woodcut vignette numerous further in-text woodcut illustrations including map of the Holy Land to verso of NT 3A2 Esther i. 1 'seven and twen- ty prouinces' 'Proverbers' in headline of 2E verso the errors in Song of Solomon v. 3 Isaiah xxxvi. 12 and Matthew xxiv. 50 corrected without the Apocrypha as issued bound with the Psalmes as called for by ESTC occasional light toning a little frayed at edges later endpapers; 17th-century gilt-panelled goatskin the covers with lozenge centrepieces formed of decorative swirls and floral tools enclosed within double gilt roll borders the cornerpieces of urns issuing flowers rebacked preserving the original spine which has been paid down corners and edges restored a very good example. A particularly luxurious example of this quarto edition of the Geneva Bible ruled in red throughout and bound in seventeenth-century gilt-panelled goatskin. This is the second of a number of Geneva Bibles which were printed under a false imprint in the Low Countries during the first half of the seventeenth century. The text follows Laurence Tomson's 1539-1608 revision of the New Testament but adopts the translation of the Huguenot divine Francois du Jon's Franciscus Junius for the Book of Revelation. These were apparently the first English Bibles to omit the Apocrypha and were likely printed for use by English Puritans resident on the continent - 'a body who were even more Calvinistic than their fellow-religionists in England though the number of copies that have found their way into England seems to prove that they were not unacceptable to their brethren in this country' Rev. Nicholas Pocock 'Some Notices of the Genevan Bible' The Bibliographer vol. iii 1883 pp29-30. ESTC S101809 & S101812; STC 2nd ed. 2175 & 2499.2; Herbert 249; DM 189; Lea Wilson's no. 5 London, Imprinted at London by the Deputies of Christopher Barker, Printer to the Queenes Most Excellent Majestie, 1599 [circa 1 unknown
1607réf. 099568London: Imprinted at London by Robert Barker. 1607. 1607. Book measures 33x22.cm. Large 8vo possibly quarto. First work. The booke of common prayer with the Psalter or Psalmes of Dauid of that translation which is appointed to be vsed in churches. Signatures complete A4 B-G6.In two columns roman.ESTC Citation No. S123397. Second work. The Bible that is the holy Scriptures contained in the Old & New Testament. 4 294 294-299 301-361 1 359-362 361-444 135 7 leaves : ill. maps woodcuts. Signatures complete par.4 A-3L6 3M-3O8 3P-5E6 5F4. ESTC Citation No.S122320. Third work. The vvhole booke of psalmes· Collected into English meeter by Thomas Sternhold Iohn Hopkins and others conferred with the Hebrewe with apt notes to sing them with all. Set foorth and allowed to be sung in all churches of all the people together and after morning and euening prayer as also before and after sermons: and moreouer in priuate houses for their godly solace and comfort laying apart all vngodly songs and ballads which tend onely to the nourishing of vice and corrupting of youth. Collation 2 114 6 Signatures: A-K6 L1 LACKING L2. Some pagination errors but the first two works appear to be complete the third work lacking the last leave. Bound in period or early full calf panelled boards raised bands ornate gilt tooling within compartmets full gilt edges marble endpapers. At some time the binding has been repaired retaining most of the original spine repair to boards. Generally a very attractive early binding. Internally occasional minor blemish or tear. Pages in very good clean condition. A very nice Bible. Full Calf. Very Good. Large 8vo. Imprinted at London by Robert Barker. 1607. Hardcover
1700réf. 184779Antwerp i.e. Amsterdam: Chez Pierre Mortier 1700. Thou shalt not make unto thee any graven image First edition first issue of this superbly illustrated work with the final plate in the first issue "avant les clous" state. The 214 engravings were done by such prominent artists as Bernard Picart Jan Luyken and Gerard Hoet. The translation is generally agreed to be by David Martin 1639-1721 a Huguenot refugee living in Amsterdam although the work is more commonly known as "Mortier's Bible" after the Dutch cartographer 1661-1711 who published it. The five double-page maps bound at the rear of Volume II include depictions of the Holy Land the Mediterranean lands of the patriarchs and apostles the route of the Exodus complete with parted Red Sea and the world itself. During the production process the final plate was broken and hastily repaired: copies produced after the repair show the impression of the nails used to hold the plate together. These are known as "après les clous" "after the nails". 2 vols folio 419 x 276 mm pp. xiv 282 8; xxii 154 20. Engraved frontispieces 214 plates 5 engraved bifolia maps 3 bifolia letterpress tables engraved headpieces initials and vignettes to title pages. Contemporary red morocco spines ruled and decorated in gilt and with twin green morocco labels covers panelled and with turn-ins in gilt marbled endpapers edges gilt green silk bookmarker. Light bumping and wear infrequent minor foxing to contents: a very good copy. Brunet III pp. 199-200; Cohen & De Ricci pp. 489-490; Querard V p. 575 ref. unknown
1584réf. 096038London: Imprinted at London : By Christopher Barker printer to the Queenes most excellent Maiestie Anno 1584. 1584. Bishops Bible. ESTC Citation No. S674. STC 2nd ed. 2141. Collation signature complete a1-c8 a1-cccc8 in 8s dddd4 Psalmes a6-l6m4. one signature in 7 but complete 1 full page plate Adam & Eve text map 1 full page map engraved titles. Book measures 11 x 8 inches. A1 title page chipped lacking section of margin in places with loss of engraved area title laid down dd6cc6bbb2ddd2vvv8yyy7zzz1 these pages have short tears mainly single tear with very minor loss of text or the odd letter 8 other pages have closed short tears. Occasional annotations in a early hand some margins trimmed with loss of lettering some other minor defects. Bound in recent full calf panelled boards raised bands leather title label full gilt edges new endpapers. Internally some staining to Psalmes. Pages in very good condition throughout. A very nice copy. Very Good Plus. Large 8vo. Imprinted at London : By Christopher Barker, printer to the Queenes most excellent Maiestie, Anno 1584. hardcover
réf. 371476Amsterdam: Joseph Jacob and Abraham the sons of Solomon Proops 5522. Titled printed in red and black. 2 178 2 179-332 10 Introduction etc. 2 160 2 161-350pp. Publisher's introduction and other preliminaries misbound preceding the later Prophets. Folio 15-7/8x10 inches. Nineteenth or early 20th century half morocco and marbled paper boards rear joint splitting worn at joints and head and tail of spine. Foxing principally to the title tear to the final text leaf. Provenance: General Theological Seminary bookplate. Titled printed in red and black. 2 178 2 179-332 10 Introduction etc. 2 160 2 161-350pp. Publisher's introduction and other preliminaries misbound preceding the later Prophets. Folio 15-7/8x10 inches. Besides being the first bi-lingual edition in Hebrew and Spanish this edition is the first Hebrew book whose publication was financed by an American - Abraham Mendes de Castro 1689-1762 of Curaçao - intended for use in the West Indies with the sale proceeds to benefit the Jewish communities of Jerusalem and Hebron. Cowley 102; Darlow & Moule 5156; Zedner 102; not in Steinschneider or Roest Joseph, Jacob and Abraham, the sons of Solomon Proops unknown
1554réf. 6212Lyon: Jean de Tournes 1554. First edition. Octavo 6 3/4 x 4 3/4 inches; 171 x 121 mm. . 16 1152 76 pp bound without the last two blank leaves as in most copiese.g. Mortimer OCLC. The penultimate leaf had only a fleuron at the foot of the page and the final leaf was blank. Arabesque title border and 198 with 1 repeat woodcuts in the text by Bernard Salomon. Title-page with faint early ink "ex-Libris petri ------ at top blank margin. Title-page expertly cleaned some occasional mainly marginal faint foxing otherwise a superb example of this wonderfully illustrated mid sixteenth-century Latin Bible. Bound ca. 1880 by Chambolle-Duru in full brown crushed levant morocco spine with five raised bands lettered in gilt gilt ruled board edges decorative gilt turn-ins marbled endpapers all edge gilt. Armorial bookplate "In Memori: Weiler Bibliotheca Trautner Falkiana" on verso of front free endpaper. First De Tournes Latin Bible based on Robert Estienne's text and beautifully illustrated with 198 woodcuts by Bernard Salomon. "Considerable work could be done on Salomon's sources for these cuts. The Expulsion from Paradise suggests Holbein's version; the New Testament shows some dependence on the set owned by Sébastien Gryphius. the Apocalypse blocks are enlarged copies of the fine Janot Apocalypse. But the cumulative effect of Salomon's carefully detailed scenes is that of an individual contribution to Bible illustration. Particularly interesting from the point of view of technique are the night scenes in Exodus and the storm over Noah's ark. In this 1554 Bible the New Testament blocks are printed with arabesque strip borders at the sides. Arabesque and type ornament headpieces." Mortimer Contents include: Old Testament; Psalms; New Testament Epistles Acts; Index Testimoniorum & Index Epistolarum. Robert I Estienne 1503-1559 was a French protestant printer and scholar born into a printmaking family. He would take over his family's Paris firm in 1526 where he printed significant works in Latin Greek Hebrew and other languages. His 1531 Thesaurus linguae latinae is considered a major milestone in lexicography. Despite his many commissions for the King religious tensions forced Estienne to flee to Geneva. This bible was illustrated by Bernard Salomon c.1508-1561 a French artist who is known for engravings and illustrations. Although little is known about his life his art reveals stylistic influences from Mannerism and the School of Fontainebleau executed in a detailed and small scale. Salomon is known to have collaborated with the printer Jean de Tournes and produced decoration for emblem books bibles and classic texts. Many of his engravings also appear as source material for art objects such as a Faience plate at the MET featuring the Sacrifice of Noah. Brunet I 876 & Supplement I 125; Darlow & Moule 6134 note; Mortimer French no. 81. Jean de Tournes unknown
1795réf. 6211London: R. Bowyer 1795. First thus. Near Fine. Two large quarto volumes 12 1/2 x 9 3/4 inches; 318 x 248 mm. Unpaginated. Text in double columns. With two copper-engraved title-pages with a separate title-page for the New Testament and sixty-two plates including two frontispieces from the works of Dürer Rembrandt Van Dyck Rubens and others. Lower corner of 3H3 possible paper-fault torn away with no loss of text. Some foxing to a few of the plates otherwise remarkably bright and fresh. Contemporary English full dark blue straight-grained morocco. Covers with two gilt borders surrounding blind-stamped Greek key design. Spines with five double raised bands ruled in gilt blind-stamped Greek key design and lettered in gilt in compartments. Board-edges decorated in blind elaborate gilt decorated turn-ins gray liners and endleaves all edges gilt. Gift signature to front flyleaf in volume one dated 1841 and a tipped-in square of paper with another nineteenth century gift inscription. Some light scuffing to the boards otherwise near fine. A spectacular example of the large paper edition this Bible sometimes called the "Killer Bible" for its typographical error in Mark 7 verse 27: "Let the children be killed" rather than "filled." It was richly illustrated by James Fittler 1758-1835 an esteemed British engraver of portraits and landscapes who served as marine engraver to King George III. He produced illustrations for the Boydell Shakespeare and Dibdin's Aedes Althorpinae. In this edition Fittler based his engravings on Old Master paintings befitting the gravity of the text. The printer Thomas Bentley produced large editions for Thomas Macklin Rudolph Ackermann and Paul Colnaghi all publishers of plate books; he also printed several of the earliest books for the Roxburghe Club. ESTC lists three editions of the Bowyer and Fittler Bible: this one which ESTC describes as the large paper edition; the regular two-volume quarto edition also 1795; and a: two-volume twelvemo edition 1796 which was issued in parts. ESTC T95050. Near Fine. R. Bowyer unknown
1550réf. 67900En Leon i.e. Strassburg: en Casa de Sebastian Grypho i.e. Augustin Fries 1550. BIBLE IN SPANISH; ENZINAS Francisco de. First Edition in Spanish of Ecclesiasticus BIBLE IN SPANISH. ENZINAS Francisco de translator. Ecclesiastics. Libro de Jesus Hiio de Syrach qu'es llamado el Ecclesiastico. traduzido de Griego en lengua Castellana En Leon i.e. Strassburg: en Casa de Sebastian Grypho i.e. Augustin Fries 1550. First edition in Spanish of Ecclesiasticus. Small octavo 6 x 3 5/8 inches; 151 x 91 mm. 3 109 leaves. With numerous woodcut initials. With an imitation Gryphius woodcut device printed in reverse on title. We could only locate 3 copies at libraries Cambridge Madrid and Copenhagen. No other copy besides this present copy has been at auction in the past 50 years. Early 19th-century mottled sheep. Boards tooled in gilt. Spine stamped in gilt. With red morocco spine label lettered in gilt. Board edges tooled in gilt. Marbled endpapers. Some minor dampstaining mainly to lower blank margin of preliminaries. Signature G is toned. Leaves O3 and O4 with marginal paper repair not affecting text. Final leaf is toned and has a near invisible paper repair not affecting text. Overall a very good copy. "A native of Burgos educated at Louvain and Wittenberg Francisco de Enzinas 1518-52 was a humanist scholar and Protestant convert who produced the first Spanish version of the New Testament printed in 1543 in Antwerp. He formed a partnership with the Strassburg printer Augustin Fries to publish Spanish translations of Greek classics and the remainder of the Bible of which he was only able to complete Psalms Ecclesiasticus Job and Proverbs before his death. Baudrier VIII 241 not having seen or located a copy citing Brunet supplement II 712" "Even before the complete edition of Castellio's Latin Bible appeared Enzinas who had already produced a Spanish Bible New Testament in Antewerp in 1543 had translated the Psalter the Wisdom of Solomon Jesus Sirach present copy and the book of Job into Spanish. All of these appeared with the false address 'En Leon en casa de Sebastian Grypho' though they were in fact his translations from manuscript versions of Castellio's edition. Enzinas continued to work on his translations until his death on 30 December 1552. He had planned to have his Spanish Bible printed in Geneva but this fortunately for Calvin never came to pass." Gilly Spanien und der Basler Buchdruck pp. 342-9 510-11. Found in Sebastian Castellio 1515-1563: Humanist and Defender of Religious .By Hans R. Guggisberg Bruce Gordon. "FRIES Augustine: printer in Zurich and Strasburg began to print at the former place about 1540. In 1547 he printed two books in English by John Hooper Heitz p. 39. Soon after this he moved to Strasburg and there printed among other things several works in Spanish by Franzisco de Enzinas in 1550 and 1551 Wiffen I pp 179 etc." A Century of the English Book Trade: Short Notices of All Printers. By Edward Gordon Duff. HBS 67900. $8500. en Casa de Sebastian Grypho [i.e. Augustin Fries] unknown
réf. 06244Paris: Printed by P. Didot Sen. and sold by W. Edwards and Sons Halifax 1791. A Superb Early Edwards of Halifax Vellum Binding with an Edwards Fore-Edge Painting FORE-EDGE PAINTING. EDWARDS OF HALIFAX binder and artist. BIBLE IN ENGLISH. The Book of Common Prayer and Administration of the Sacraments and other Rites and Ceremonies of the Church according to the use of the Church of England: Together with the Psalter or Psalms of David. Paris: Printed by P. Didot Sen. and sold by W. Edwards and Sons Halifax 1791. Twelvemo 5 5/8 x 3 3/8 inches; 143 x 86 mm. ii title-page verso blank xxii preface & table 408 pp. With a fine contemporary fore-edge painting by Edwards of Halifax. The scene is St. Martin's Church Canterbury and shows the single figure of a cemetery worker seated on the ground and behind him a row of grave stones Full contemporary vellum covers bordered in dark blue with Greek key pattern enclosing a decorative gilt border. Smooth spine elaborately decorated in gilt with dark blue stained spine labels lettered in gilt. Gilt decorated board edges and turn-ins pink marbled endpapers all edges gilt. A wonderful example of an Edwards of Halifax ' Fore-Edge' painting on a book originally bound and sold by Edwards of Halifax. Neat ink gift inscription on second front blank "Eliz. Buckle. / April 2 1818." Provenance: Elizabeth Buckle; Tony Hattersley. Tony Hattersley was a renowned English antiquarian bookseller who retired to a giant granite mansion hidden up the valley behind Whitby Dracula's landing place. His books were sold by Bonham's in two parts. Part 1 11/09/07. Paris: Printed by P. Didot Sen. and sold by W. Edwards and Sons, Halifax, 1791 unknown
réf. 371476Amsterdam: Joseph Jacob and Abraham the sons of Solomon Proops 5522. Titled printed in red and black. 2 178 2 179-332 10 Introduction etc. 2 160 2 161-350pp. Publisher's introduction and other preliminaries misbound preceding the later Prophets. Folio 15-7/8x10 inches. Nineteenth or early 20th century half morocco and marbled paper boards rear joint splitting worn at joints and head and tail of spine. Foxing principally to the title tear to the final text leaf. Provenance: General Theological Seminary bookplate. Titled printed in red and black. 2 178 2 179-332 10 Introduction etc. 2 160 2 161-350pp. Publisher's introduction and other preliminaries misbound preceding the later Prophets. Folio 15-7/8x10 inches. Besides being the first bi-lingual edition in Hebrew and Spanish this edition is the first Hebrew book whose publication was financed by an American - Abraham Mendes de Castro 1689-1762 of Curaçao - intended for use in the West Indies with the sale proceeds to benefit the Jewish communities of Jerusalem and Hebron. Cowley 102; Darlow & Moule 5156; Zedner 102; not in Steinschneider or Roest Joseph, Jacob and Abraham, the sons of Solomon Proops unknown books
1795réf. 6211London: R. Bowyer 1795. First thus. Near Fine. Two large quarto volumes 12 1/2 x 9 3/4 inches; 318 x 248 mm. Unpaginated. Text in double columns. With two copper-engraved title-pages with a separate title-page for the New Testament and sixty-two plates including two frontispieces from the works of Dürer Rembrandt Van Dyck Rubens and others. Lower corner of 3H3 possible paper-fault torn away with no loss of text. Some foxing to a few of the plates otherwise remarkably bright and fresh. Contemporary English full dark blue straight-grained morocco. Covers with two gilt borders surrounding blind-stamped Greek key design. Spines with five double raised bands ruled in gilt blind-stamped Greek key design and lettered in gilt in compartments. Board-edges decorated in blind elaborate gilt decorated turn-ins gray liners and endleaves all edges gilt. Gift signature to front flyleaf in volume one dated 1841 and a tipped-in square of paper with another nineteenth century gift inscription. Some light scuffing to the boards otherwise near fine. A spectacular example of the large paper edition this Bible sometimes called the "Killer Bible" for its typographical error in Mark 7 verse 27: "Let the children be killed" rather than "filled." It was richly illustrated by James Fittler 1758-1835 an esteemed British engraver of portraits and landscapes who served as marine engraver to King George III. He produced illustrations for the Boydell Shakespeare and Dibdin's Aedes Althorpinae. In this edition Fittler based his engravings on Old Master paintings befitting the gravity of the text. The printer Thomas Bentley produced large editions for Thomas Macklin Rudolph Ackermann and Paul Colnaghi all publishers of plate books; he also printed several of the earliest books for the Roxburghe Club. ESTC lists three editions of the Bowyer and Fittler Bible: this one which ESTC describes as the large paper edition; the regular two-volume quarto edition also 1795; and a: two-volume twelvemo edition 1796 which was issued in parts. ESTC T95050. Near Fine. R. Bowyer unknown books
1554réf. 6212Lyon: Jean de Tournes 1554. First edition. Octavo 6 3/4 x 4 3/4 inches; 171 x 121 mm. . 16 1152 76 pp bound without the last two blank leaves as in most copiese.g. Mortimer OCLC. The penultimate leaf had only a fleuron at the foot of the page and the final leaf was blank. Arabesque title border and 198 with 1 repeat woodcuts in the text by Bernard Salomon. Title-page with faint early ink "ex-Libris petri ------ at top blank margin. Title-page expertly cleaned some occasional mainly marginal faint foxing otherwise a superb example of this wonderfully illustrated mid sixteenth-century Latin Bible. Bound ca. 1880 by Chambolle-Duru in full brown crushed levant morocco spine with five raised bands lettered in gilt gilt ruled board edges decorative gilt turn-ins marbled endpapers all edge gilt. Armorial bookplate "In Memori: Weiler Bibliotheca Trautner Falkiana" on verso of front free endpaper. First De Tournes Latin Bible based on Robert Estienne's text and beautifully illustrated with 198 woodcuts by Bernard Salomon. "Considerable work could be done on Salomon's sources for these cuts. The Expulsion from Paradise suggests Holbein's version; the New Testament shows some dependence on the set owned by Sébastien Gryphius. the Apocalypse blocks are enlarged copies of the fine Janot Apocalypse. But the cumulative effect of Salomon's carefully detailed scenes is that of an individual contribution to Bible illustration. Particularly interesting from the point of view of technique are the night scenes in Exodus and the storm over Noah's ark. In this 1554 Bible the New Testament blocks are printed with arabesque strip borders at the sides. Arabesque and type ornament headpieces." Mortimer Contents include: Old Testament; Psalms; New Testament Epistles Acts; Index Testimoniorum & Index Epistolarum. Robert I Estienne 1503-1559 was a French protestant printer and scholar born into a printmaking family. He would take over his family's Paris firm in 1526 where he printed significant works in Latin Greek Hebrew and other languages. His 1531 Thesaurus linguae latinae is considered a major milestone in lexicography. Despite his many commissions for the King religious tensions forced Estienne to flee to Geneva. This bible was illustrated by Bernard Salomon c.1508-1561 a French artist who is known for engravings and illustrations. Although little is known about his life his art reveals stylistic influences from Mannerism and the School of Fontainebleau executed in a detailed and small scale. Salomon is known to have collaborated with the printer Jean de Tournes and produced decoration for emblem books bibles and classic texts. Many of his engravings also appear as source material for art objects such as a Faience plate at the MET featuring the Sacrifice of Noah. Brunet I 876 & Supplement I 125; Darlow & Moule 6134 note; Mortimer French no. 81. Jean de Tournes unknown books
1550réf. 67900En Leon i.e. Strassburg: en Casa de Sebastian Grypho i.e. Augustin Fries 1550. BIBLE IN SPANISH; ENZINAS Francisco de. First Edition in Spanish of Ecclesiasticus BIBLE IN SPANISH. ENZINAS Francisco de translator. Ecclesiastics. Libro de Jesus Hiio de Syrach qu'es llamado el Ecclesiastico. traduzido de Griego en lengua Castellana En Leon i.e. Strassburg: en Casa de Sebastian Grypho i.e. Augustin Fries 1550. First edition in Spanish of Ecclesiasticus. Small octavo 6 x 3 5/8 inches; 151 x 91 mm. 3 109 leaves. With numerous woodcut initials. With an imitation Gryphius woodcut device printed in reverse on title. We could only locate 3 copies at libraries Cambridge Madrid and Copenhagen. No other copy besides this present copy has been at auction in the past 50 years. Early 19th-century mottled sheep. Boards tooled in gilt. Spine stamped in gilt. With red morocco spine label lettered in gilt. Board edges tooled in gilt. Marbled endpapers. Some minor dampstaining mainly to lower blank margin of preliminaries. Signature G is toned. Leaves O3 and O4 with marginal paper repair not affecting text. Final leaf is toned and has a near invisible paper repair not affecting text. Overall a very good copy. "A native of Burgos educated at Louvain and Wittenberg Francisco de Enzinas 1518-52 was a humanist scholar and Protestant convert who produced the first Spanish version of the New Testament printed in 1543 in Antwerp. He formed a partnership with the Strassburg printer Augustin Fries to publish Spanish translations of Greek classics and the remainder of the Bible of which he was only able to complete Psalms Ecclesiasticus Job and Proverbs before his death. Baudrier VIII 241 not having seen or located a copy citing Brunet supplement II 712" "Even before the complete edition of Castellio's Latin Bible appeared Enzinas who had already produced a Spanish Bible New Testament in Antewerp in 1543 had translated the Psalter the Wisdom of Solomon Jesus Sirach present copy and the book of Job into Spanish. All of these appeared with the false address 'En Leon en casa de Sebastian Grypho' though they were in fact his translations from manuscript versions of Castellio's edition. Enzinas continued to work on his translations until his death on 30 December 1552. He had planned to have his Spanish Bible printed in Geneva but this fortunately for Calvin never came to pass." Gilly Spanien und der Basler Buchdruck pp. 342-9 510-11. Found in Sebastian Castellio 1515-1563: Humanist and Defender of Religious .By Hans R. Guggisberg Bruce Gordon. "FRIES Augustine: printer in Zurich and Strasburg began to print at the former place about 1540. In 1547 he printed two books in English by John Hooper Heitz p. 39. Soon after this he moved to Strasburg and there printed among other things several works in Spanish by Franzisco de Enzinas in 1550 and 1551 Wiffen I pp 179 etc." A Century of the English Book Trade: Short Notices of All Printers. By Edward Gordon Duff. HBS 67900. $8500. en Casa de Sebastian Grypho [i.e. Augustin Fries] unknown books
réf. 06244Paris: Printed by P. Didot Sen. and sold by W. Edwards and Sons Halifax 1791. A Superb Early Edwards of Halifax Vellum Binding with an Edwards Fore-Edge Painting FORE-EDGE PAINTING. EDWARDS OF HALIFAX binder and artist. BIBLE IN ENGLISH. The Book of Common Prayer and Administration of the Sacraments and other Rites and Ceremonies of the Church according to the use of the Church of England: Together with the Psalter or Psalms of David. Paris: Printed by P. Didot Sen. and sold by W. Edwards and Sons Halifax 1791. Twelvemo 5 5/8 x 3 3/8 inches; 143 x 86 mm. ii title-page verso blank xxii preface & table 408 pp. With a fine contemporary fore-edge painting by Edwards of Halifax. The scene is St. Martin's Church Canterbury and shows the single figure of a cemetery worker seated on the ground and behind him a row of grave stones Full contemporary vellum covers bordered in dark blue with Greek key pattern enclosing a decorative gilt border. Smooth spine elaborately decorated in gilt with dark blue stained spine labels lettered in gilt. Gilt decorated board edges and turn-ins pink marbled endpapers all edges gilt. A wonderful example of an Edwards of Halifax ' Fore-Edge' painting on a book originally bound and sold by Edwards of Halifax. Neat ink gift inscription on second front blank "Eliz. Buckle. / April 2 1818." Provenance: Elizabeth Buckle; Tony Hattersley. Tony Hattersley was a renowned English antiquarian bookseller who retired to a giant granite mansion hidden up the valley behind Whitby Dracula's landing place. His books were sold by Bonham's in two parts. Part 1 11/09/07. Paris: Printed by P. Didot Sen. and sold by W. Edwards and Sons, Halifax, 1791 unknown books
1543réf. 93041543 Tiguri excudebat C. Froschoverus (Christoph Froschauer),anno 1543 .1 volume in-folio (24 x 38 cm), [4] bl. + [35] + [1] bl. + 387 ff (en réalité 775 pp.) + [2] bl. + 98 ff (en réalité 197 pp.) + 114 ff. (en réalité 228 pp.) + [39] + [2] bl. pp. Magnifiques lettrines illustrées en tête de chaque livre, quelques-unes, au début de l'ouvrage, ont été anciennement aquarellées.Très belle reliure en plein veau marron clair moucheté, dos à 6 nerfs ornés, pièce de titre en veau brun et lettres dorées. Petit manque à la coiffe supérieure, autrement ouvrage en très très bon état. Intérieur comme neuf.
