30 résultats
réf. DADAX1442483776New unknown
réf. SONG1302931806Used: Good unknown
réf. DADAX0271025115New unknown
réf. DADAX0415945259New unknown
réf. DADAX0415945240New unknown
réf. DADAX0439698324New unknown
réf. DADAX1411666321New unknown
réf. DADAX0570090342New unknown
réf. DADAX1593155972New unknown
réf. BN46686Goliath. Goliath unknown
2012réf. ND20318809Bridgestone Multimedia Group LLC 2012-09-01. dvd. Like New. 7x5x7. Bridgestone Multimedia Group, LLC unknown
réf. 0965378519.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 10368Paperback. Very Good. Paperback Very Good Bright tight no marks noted shelfwear and a little handling to wraps paperback
2012réf. BN75077Goliath 2012. 2012. High Gloss Dolls Erotic Latex Fashion Goliath unknown
2024réf. BN634598Goliath 2024. 2024. HOT BARE-NAKED BEAUTIES: Nude Photography without Limits HOT BARE-NAKED BEAUTIES: Nude Photography without Limits Goliath Goliath unknown
2013réf. BN129919Goliath 2013. 2013. Hardcover. 215 x 145 mm. Fotograf Jim Weathers zeigt in diesem aufwendig produzierten Bildband die gelungene Kombination von Bondage und Fetischkleidung. Eine Pflichtlektüre für Bondage-Fans und alle die auf Latex Leder PVC und Nylons stehen. Fesselnd bis zum letzten Bild! Kinky Bondage Obsession - Best of the Bondagecafe Jim Weathers Goliath Zusatzinfo: 550 High Quality Color Fotos Sprache: englisch; französisch; deutsch; italienisch; spanisch Maße: 215 x 145 mm Einbandart: gebunden Kunst Fotokunst BDSM Bildband Bondage Bondagecafe Erotik Erotikkunst Fotografie Fesseln Fetisch Fetischismus Fotobildband Glamour glänzend Latex Leder PVC Seile Sexy ISBN-10: 3-936709-56-4 / 3936709564 ISBN-13: 978-3-936709-56-8 / 9783936709568 Fotokunst BDSM Bildband Bondage Bondagecafe Erotik Erotikkunst Fotografie Fesseln Fetisch Fetischismus Fotobildband Glamour glänzend Latex Leder PVC Seile Sexy Kinky Bondage Obsession - Best of the Bondagecafe Goliath Fotograf Jim Weathers zeigt in diesem aufwendig produzierten Bildband die gelungene Kombination von Bondage und Fetischkleidung. Eine Pflichtlektüre für Bondage-Fans und alle die auf Latex Leder PVC und Nylons stehen. Fesselnd bis zum letzten Bild! Kinky Bondage Obsession - Best of the Bondagecafe Jim Weathers Goliath Zusatzinfo: 550 High Quality Color Fotos Sprache: englisch; französisch; deutsch; italienisch; spanisch Maße: 215 x 145 mm Einbandart: gebunden Kunst Fotokunst BDSM Bildband Bondage Bondagecafe Erotik Erotikkunst Fotografie Fesseln Fetisch Fetischismus Fotobildband Glamour glänzend Latex Leder PVC Seile Sexy ISBN-10: 3-936709-56-4 / 3936709564 ISBN-13: 978-3-936709-56-8 / 9783936709568 Goliath hardcover
2016réf. BN77036Goliath 2016. 2016. New Fashion Nudes Goliath unknown
réf. 3957300185.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976réf. 237671976. Bill Foster Black Goliath comic archive 1976 comprising the complete five issue Marvel series centered on an African American biochemist whose scientific expertise is inseparable from his superhero identity. Foster had entered the Marvel universe in The Avengers No. 32 in 1966 as a scientist assisting Hank Pym and later duplicated Pym's growth process gaining the ability to increase his body to giant scale. By 1976 Marvel placed him at the center of his own title as a Stark Industries research scientist working in Los Angeles four years after Luke Cage became the first Black superhero to headline a Marvel comic. Black Goliath. New York: Marvel Comics Group 1976. Complete run of five stapled comic books in color pictorial wrappers Nos. 1 through 5 published February through November 1976. Tony Isabella writes the first issue with Chris Claremont taking over for Nos. 2 through 5; George Tuska pencils the first three issues followed by Rich Buckler and Keith Pollard. 1 Isabella Tony. Black Goliath No. 1. February 1976. Foster returns to Los Angeles and assumes the Black Goliath identity while balancing superhero activity with his position at Stark Industries. The cover introduces him at full giant scale above a street battle and announces "Action Packed First Issue!" while the text identifies a "new super hero in town" establishing both his physical power and his movement into a solo title. 2 Claremont Chris. Black Goliath No. 2. April 1976. "White Fire Atomic Death!" places Foster against Atom Smasher with Warhawk also entering the conflict. The issue moves directly into the series' recurring concern with technological and radiological threats placing Foster's scientific background against forms of power produced through weaponry and experimentation. 3 Claremont Chris. Black Goliath No. 3. June 1976. Vulcan attacks in connection with dangerous Stark Industries technology drawing Foster's professional environment directly into the superhero plot. The cover asks whether "Big Man Goliath" can stop Vulcan as the two collide in a densely staged urban battle. 4 Claremont Chris. Black Goliath No. 4. August 1976. Black Goliath vs. the Stilt Man. The story continues the conflict over stolen Stark technology with Stilt Man providing a physically exaggerated counterpart to Foster's own altered scale. The cover reduces the encounter to "Fifteen Feet of Fighting Fury" and "When Giants Clash!" while extending the series' emphasis on corporate science and weaponized invention. 5 Claremont Chris. Black Goliath No. 5. November 1976. After Stilt Man attacks Foster with a Z Ray Black Goliath Celia and her nephew are displaced to the alien world Kirgar. The cover places Foster amid armored and extraterrestrial opponents under the line "You may be a giant in your world Goliath but in mine. you are merely one more vanquished foe" carrying the final issue from Los Angeles based technological conflict into science fiction adventure. The complete run belongs to Marvel's mid 1970s expansion of Black superhero characters while giving Foster a professional identity distinct from many contemporary street based heroes. His authority derives not only from size and strength but from his position as a trained biochemist first connected to Hank Pym's laboratory work and later employed within Stark Industries. The shift from Tony Isabella to Chris Claremont after the first issue also moves the title rapidly from its Los Angeles premise into a broader Marvel science fiction register culminating in the Kirgar storyline before cancellation after No. 5. Light edge and handling wear to wrappers with minor rubbing and small creases; covers remain bright staples intact and interiors generally clean. Overall very good condition. A complete 1976 record of Marvel placing an African American scientist at the center of his own superhero title with professional expertise experimental technology and physical power defining Bill Foster's brief solo series. unknown
2015réf. 64091Goliath Books. Near Fine. 2015. First. Paperback. 3936709106 . 6 X 1 X 9 inches; 100 pages . Goliath Books paperback
2020réf. BN68501Goliath 2020. 2020. Private Pornographie in Nazi-Deutschland Hans von Bock Goliath unknown
2012réf. BN110139Goliath 2012. 2012. Hardcover. Sexy Dessous Girls Sexy Dessous Girls Goliath hardcover
réf. BN165424Spurensuche: Autoindustrie Bremen. Borgward Goliath und Lloyd Autos aus Bremen Band 5 Hardcover Spurensuche: Autoindustrie Bremen. Borgward Goliath und Lloyd Autos aus Bremen Band 5 Hardcover Spurensuche: Autoindustrie Bremen. Borgward Goliath und Lloyd Autos aus Bremen Band 5 Hardcover hardcover
réf. ria9783948450632_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
2024réf. __3948450633Goliath Publishing 2024. Hardcover. New. 255 pages. 8.50x5.50x1.50 inches. Goliath Publishing hardcover