168 résultats
réf. DADAX0415439027New unknown
réf. 050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 1949 Paris La Hune (diffuseur)
Paris, Denoël, 1961. In-8, broché, couverture illustrée rempliée, non coupé, 325 pp. 17 reproductions photographiques hors-texte.
réf. 18726Paris, Denoël, 1961. In-8, broché, couverture illustrée rempliée, non coupé, 325 pp.
réf. 43025Seghers, Poètes d'aujourd'hui, 1972, 191 pp., broché, dos insolé, bon état.
1976réf. R160183525SEGHERS. 1976. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Intérieur frais. 187 Pages - Quelques planches photos en noir et blanc. . . . Classification Dewey : 841-Poésie
1950réf. 166381950 un volume, broché (paperback) in-douze Editeur (16,5 x 9,5 cm), dos et couverture verte et blanche imprimée et illustrée en noir et blanc d'un dessin de Max Ernst (front cover printed and illustated), toutes tranches lisses (all edges smoothes), avec quelques planches hors-texte de photos, dessins, fac-similés. 226 pages, 1950 Paris Pierre Seghers Editeur,
1966réf. 161976Editions Pierre Seghers Editions Pierre Seghers, 1966. Collection Poètes d'aujourd'hui. In-12 carré broché de 228 pages, photos en noir et blanc dans le texte. Bon état
réf. R200114379Seghers. Non daté. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos frotté, Quelques rousseurs. 187 pages. Annotation sur la page de garde.. . . . Classification Dewey : 841-Poésie
1966réf. 47825Couverture souple. Broché. 228 pages.
1980réf. 133932Couverture souple. Broché. 188 pages.
1950réf. 202883Couverture souple. Broché. 228 pages. Papier bruni.
1961réf. R160183670SEGHERS. 1961. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 203 Pages - Quelques planches photos en noir et blanc. . . . Classification Dewey : 841-Poésie
1972réf. R240148908Seghers. 1972. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 358 pages. accroc sur le dos, traces de mouillures sur la couverture.. . . . Classification Dewey : 841-Poésie
1967réf. 005009Paris Seghers 1967 In-8 Broché Edition originale
1983réf. R160183531SEGHERS. 1983. In-12. Broché. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 206 Pages - Frontispice en noir et blanc - Quelques planches photos en noir et blanc - Dos insolé. . . . Classification Dewey : 928-Ecrivains
1970réf. R260185085SEGHERS. 1970. In-12. Broché. Etat d'usage, Couv. convenable, Dos fané, Quelques rousseurs. 187 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte.. . . A l'italienne. Classification Dewey : 841-Poésie
réf. 52683Eds Seghers In-12-carre 230pp. illustr. photos Nb-0204 unknown
réf. PJH55654Editions Denoel Paris 1961. Ownership Signature of Roger Cardinal and with comments in his hand throughout and on rear endpaper VG in slightly rubbed publishers decorated wrappers creased on spine.Illustrated.1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Editions Denoel (Paris) 1961 unknown
réf. 1654Photos de Michel Huet. P. Hoa-qui 1950. Grand in-4, 100 pages. Demi chagrin noir, dos à 2 gros nerfs, couvertures illustrées conservées.
réf. 105.111Lausanne, La Guilde du Livre, 1950 22 x 28, sans pagination, broché, couverture rempliée, bon état (couverure légèrement défraîchie).
réf. 10528Lausanne Lausanne, la Guilde du livre, 1950. In-4, cartonnage souple. Couverture défraîchie (bords frottés, petite déchirure sans manque).
1900réf. 145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life. Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel. Modern colonization of Middle East and North Africa was dominated by France Italy and Britain with France administering Algeria Morocco and Tunisia under varying forms of rule. Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown books
1900réf. 145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life. Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel. Modern colonization of Middle East and North Africa was dominated by France Italy and Britain with France administering Algeria Morocco and Tunisia under varying forms of rule. Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown
réf. SONG1845192699Used: Good unknown