168 résultats
réf. 4499Milano, schwarz editore, 1960, collana di storia e cultura 2 volumes in 8 reliure toile de l'éditeur sous jaquette illustrée et emboîtage
réf. 46451Paris : Le Terrain Vague. Directeur : Gérard Legrand. Un volume (24x31,5 cm) agrafé, 12 pages. Bon état. Comprend le manifeste "Des biscuits pour la route" publié à l'occasion de l' Exposition Internationale du Surréalisme à la Galerie Daniel Cordier. Bief fut lancée après la prise du pouvoir par le général De Gaulle. La revue comptera 12 numéros en 11 livraisons de novembre 1958 à avril 1960.
réf. 46450Paris : Le Terrain Vague. Directeur : Gérard Legrand. Un volume (24x31,5 cm) agrafé, 12 pages. Bon état. Bief fut lancée après la prise du pouvoir par le général De Gaulle. La revue comptera 12 numéros en 11 livraisons de novembre 1958 à avril 1960.
réf. 23760P., Seghers, Poètes d’aujourd’hui n° 18, 1950, petit in-12, br., 226 p. Edition originale.
1957réf. 010783Paris Librairie Jean-Jacques Pauvert 1957 In-12 carré Broché, couv. illustrée Ed. originale
1976réf. 1253131976 Editions Payot, Paris - 1976 - In-8 broché - 346 pages
réf. 51-7298Paris: Editions Savelli 1977. . 8vo. 13.3 x 23cm. 79pp Original wraps. Expertise by Amaury BONNETAIN Paris: Editions Savelli, 1977. paperback
réf. 46444Paris : Le Terrain Vague. Directeur : Gérard Legrand. Un volume (24x31,5 cm) agrafé, 8 pages. Légère pliure centrale sinon bon état. Bief fut lancée après la prise du pouvoir par le général De Gaulle. La revue comptera 12 numéros en 11 livraisons de novembre 1958 à avril 1960.
1966réf. 511911Paris: Editions Pierre Seghers 1966. Softcover. Very Good. First revised edition. Text in French. 16mo. 229pp. Illustrated with black and white photographic plates. Pictorial wrappers. Rubbing and creases on wraps very good. Editions Pierre Seghers unknown books
1950réf. 002498Paris Seghers 1950 In-12 carré Broché, couv. illustrée Edition originale
1950réf. 9094Paris Seghers, Poètes d'aujourd'hui no 18 1950 In-12 carré, illustré, 226p. et 2 f. Couverture illustrée.
1969réf. 185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown books
1967réf. 27808Paris: Seghers. 1967. First Edition; First Printing. Softcover. Wraps in glassine Near fine with a trace of wear at top edge; glassine is very good with rough top edge. No. 337 of 350 press-numbered copies.; Small 4to 9" - 11" tall; 57 pp . Seghers paperback books
1961réf. 25433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown books
1961réf. 161033Paris: Editions Denoel 1961. Softcover. G Has average age overall creased outer spine; pages are fairly clean. Color pictorial wraps French flaps 317 pp. 17 BW illus. Text is in French. Considers a 20-year history of surrealistic art. Includes 17 examples. Editions Denoel paperback books
réf. 37449Lausanne, La Guilde du Livre 1950, 280x220mm, broché. Bon exemplaire.
1969réf. 185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
1950réf. 37449Lausanne : La Guilde du Livre 1950. broché. BEDOUIN J.-L.Noir d’ivoire. Photos de Michel Huet. Lausanne La Guilde du Livre1950 280x220mm photos en héliogravure broché. Couverture rempliée. Bon exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance La Guilde du Livre unknown
1961réf. 93367Paris: Denoel 1961. Paperback. An unopened copy with mild creasing to spine; overall very good. Small quarto in glossy color illus wraps; 325 pages: illustrations; 21 cm. In French. / Art. Surrealism. surréalisme. Denoel paperback
1961réf. 25433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
1880réf. 145371880. Albumen photograph "Biskra. Fantasia Arabe" circa 1880s-1890s depicting a group of mounted Algerian horsemen charging across the desert near Biskra during the period of French colonial rule. Approximately a dozen riders gallop across the foreground with rifles and swords raised while a Bedouin encampment scattered palms and the mountains surrounding the Biskra oasis appear in the distance. The image captures the speed and spectacle of the fantasia a traditional North African equestrian display involving coordinated riding weapons and demonstrations of martial skill. Inscribed in the negative "2090. Biskra. fantasia arabe." A photograph bearing the same title and negative number is held by the École Nationale Supérieure des Beaux-Arts in Paris and attributed to J. Geiser of Algiers a prominent photographer of colonial Algeria.Approximately 7" x 9". Strong image with excellent detail in the riders encampment and surrounding landscape. An evocative visual document relevant to French colonialism in North Africa Algerian history Orientalist photography Indigenous cultural representation and nineteenth-century military and equestrian traditions. Biskra became an important destination for European travelers artists soldiers and photographers during the nineteenth century and images of its desert landscape and Indigenous population circulated widely within the visual culture of French colonial Algeria. Photographs of the fantasia were especially popular because they combined genuine regional traditions of horsemanship with the dramatic exotic imagery sought by European audiences. As a result such photographs function both as records of Algerian social and equestrian culture and as examples of the colonial and Orientalist lens through which North Africa was presented to the West.Light wear consistent with age; very good condition. unknown books
1885réf. 145461885. Vintage original albumen photograph of a Colonial French Algeria Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown books
1885réf. 145461885. Vintage original albumen photograph of a Colonial French Algeria Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown
1880réf. 145371880. Albumen photograph "Biskra. Fantasia Arabe" circa 1880s-1890s depicting a group of mounted Algerian horsemen charging across the desert near Biskra during the period of French colonial rule. Approximately a dozen riders gallop across the foreground with rifles and swords raised while a Bedouin encampment scattered palms and the mountains surrounding the Biskra oasis appear in the distance. The image captures the speed and spectacle of the fantasia a traditional North African equestrian display involving coordinated riding weapons and demonstrations of martial skill. Inscribed in the negative "2090. Biskra. fantasia arabe." A photograph bearing the same title and negative number is held by the École Nationale Supérieure des Beaux-Arts in Paris and attributed to J. Geiser of Algiers a prominent photographer of colonial Algeria.Approximately 7" x 9". Strong image with excellent detail in the riders encampment and surrounding landscape. An evocative visual document relevant to French colonialism in North Africa Algerian history Orientalist photography Indigenous cultural representation and nineteenth-century military and equestrian traditions. Biskra became an important destination for European travelers artists soldiers and photographers during the nineteenth century and images of its desert landscape and Indigenous population circulated widely within the visual culture of French colonial Algeria. Photographs of the fantasia were especially popular because they combined genuine regional traditions of horsemanship with the dramatic exotic imagery sought by European audiences. As a result such photographs function both as records of Algerian social and equestrian culture and as examples of the colonial and Orientalist lens through which North Africa was presented to the West.Light wear consistent with age; very good condition. unknown
réf. DADAX0198265476New unknown