SULTAN MURAD IV, (Ottoman sultan), (1612-1649).; Edited by HALIL SAHILLIOGLU, YUNUS ZEYREK.MareMagnum
1 764 résultats
2012New New Persian Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In Persian and a short abstract in English. 2 volumes in 1 (488 p.), ills. Rouzname-ye Safar-e Sultan Murad IV be Iravan va Tabriz: The journal of Sultan Murad IV's campaignsof Yerevan and Tabri, 1044-45 AH / 1635 AD. & Manzelname-ye Baghdad: The gazetteer of the Baghdad invasion, 1048-49 AH/ 1638-39 AD. Edited and introductions by Yunus Zeyrek, Halil Sahillioglu. Introduced, annotated, attachments and translated from original Ottoman TUrkish texts in Persian by Dr. Nasrollah Salehi.= Rûznâmah-'i safar-i Sultân Murâd-i chahârum bih Iravân va Tabrîz (1044-1045 H.Q.). & Manzil'nâmah-'i Sultân Murâd-i chahârum bih Baghdâd (1048-1049 H.Q.). (Iran & Ottoman History Series 3).
2012New New Persian Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In Persian and a short abstract in English. 535 p., ills. and plates of facsimiles. Majmou-e rasâ'el va lavâyeh tahdid-e hudûd-e Irân va Osmânî: Treatises on the demarcation of the Iranian-Ottoman boundary, 907-1309 / 1501-1891. Edited and introduced by Dr. Nasrollah Salehi.= Majmû'a-i rasâ'il va lawâyih-i tahdîd-i hudûd-i Irân wa 'Utmânî 907-1309 hijrî-i qamarî. (Iran & Ottoman History Series 6). Contents: Rouzname-ye safar-e Sultan Murad IV be Iravan va Tabriz.; Journal of Sultan Murad IV's campaigns of Yerevan and Tabriz.; Manzelname-ye Baghdad.; Gazetteer of the Baghdad invasion.; Manzil'nâmah-'i Sult?ân Murâd-i chahârum bih Baghdâd (1048-1049 H.Q.). Two books in one.
2013New English Paperback. Roy. 8vo. (24 x 17 cm). In English. [iv], 98 p., color and b/w ills. Twisted law versus documented history: Geoffrey Robertson's opinion on genocide against proven facts. Edited by Cynthia Jane Hyman. ISBN: 9780850341272. Signed by Aya.
2013New English Paperback. Roy. 8vo. (24 x 17 cm). In English. [iv], 98 p., color and b/w ills. Twisted law versus documented history: Geoffrey Robertson's opinion on genocide against proven facts. Edited by Cynthia Jane Hyman. ISBN: 9780850341272.
1931Very Good Turkish Contemporary cloth bdg. Saved original cover on cloth's face. 12mo. (16,5 x 12,5 cm). In Turkish. 75 p. No author. A historical study on Armenian 'Dashnak' and Kurdish 'Khoybun' organizations. Six copies in OCLC: 1030918427. First Edition. Extremely rare.
2010New English Paperback. Large8vo. (22 x 21 cm). In English. 176 p., color and b/w ills. Speaking to one another: Personal memories of the past in Armenia and Turkey. Wish they hadn't left. Whom to forgive? What to forgive?
1891Very Good Armenian In contemporary black cloth bdg. No gilt on cloth. [4], 275, [1] p. Ownership signature in Ottoman script as 'Doctor Cemil, Bayburd'. [A COMPARATIVE ARMENIAN DICTIONARY from ARMENIAN to OTTOMAN TURKISH] Yndarzak barraran Hayeree tatskeren. Abikean was an Armenian prolific lexicographer and linguist. Editions in OCLC has 160 p. This Edition not in OCLC.
1870Very Good Turkish, Ottoman (1500-1928) Original 1/3 leather bdg. Decorative cloth boards with crescent and star and tughra. Roy. 8vo. (23 x 16 ccm). In Ottoman script. 271 p. AH 1286 = AD 1870. Karakaszâde was born in Bursa and died in Edirne. One sheikhsof the Jalvatiyya order. His works are "Nûru'l-Hüdâ li men Ihtidâ" and "Serh-i Risâle-i Hâce Cihan" and "Mürettebât Divan", which talk about mysticism and morality and are written on the old Ottoman inscription, but were written with some humble and extreme views. This book includes history of the mystic orders and tradition of Islamic and Turkish sufism. According to some claims this work by him is a plagiarist from 'Menâkibnâme-i Hâce Cihan ve Netice-i Can' by Vahidî. One copy in OCLC with mistake of author's name: 39817913.; Özege 15570. First Edition. Rare.
1924Very Good French Paperback. Folio. (34 x 25 cm). In French. 15 p. 7 p. Stains on pages and cover. [SHEET MUSIC] Ire Valse pour piano Op. 83 par. Marie-Auguste Massacrié-Durand was a French music publisher, organist, and composer. Durand was born in Paris and studied at the Paris Conservatoire with François Benoist. He started as an organist in 1849 in Saint-Ambroise, then at St. Genevieve, St. Roch and St. Vincent de Paul (1862-74). Together with Louis Schoenewerk and other sponsors, Durand founded the company Durand-Schoenewerk & Cie. in December 1869 and acquired the important catalogue of the Paris music publisher Gustave Flaxland (1821-1895), which had grown from approximately 1,200 titles in 1847 to 1,400 titles in 1869. This included the French rights to the early Wagner operas. Following a dispute, the company dissolved on 18 March 1885 and was sold at auction in May 1896. Auguste Durand and Louis Schoenewerk bought the firm in its entirety, and they reconstituted the company with Durand's son Jacques (1865-1928). In November 1891, Jacques replaced Schoenewerk and the name changed to A. Durand & fils. Jacques assumed control of the company in 1909 when his father died, and brought in his cousin Gaston Choisnel (d. 1921) as a partner. Durand became an expert in the publication of works by French composers including Victorin de Joncières, Edouard Lalo, Jules Massenet, Claude Debussy, Camille Saint-Saëns, Maurice Ravel, Albert Roussel and Paul Dukas. The company also published the French editions of Tannhäuser, The Flying Dutchman and Lohengrin by Richard Wagner and many editions of old masters including, in particular, a complete critical edition of Rameau edited under the initial direction of Saint-Saëns. Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré. [.]. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 3 p. [SHEET MUSIC] Ztin aponoa zou: N. Kokkinou.; Serenate d'amore: G. Ingenito.; Mi Lizmoniz: E. di Capua.; I. Petalouda: N. Kokkinou. Di Azma kai Klidekumvalon. Sotiri Christides [sic. Christidis] who is an contemporary of Andria, started music publications in 1905's. Christides published on almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operets' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). Hemay be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
1951Fine Armenian Paperback. Cr. 8vo. (20 x 14 cm). In Armenian. 320 p. Pages partly uncut. Zspanaki vray. Wep. [= No above]. Two copies in OCLC 504891019. First and Only Edition.
1970Fine Armenian Paperback. Cr. 8vo. (20 x 14 cm). In Armenian. 320 p. Pages partly uncut. Chatrav khaghats'voghy. [= Schachnovelle]. Translated to Armenian by R. Chattechian. The Royal Game (also known as Chess Story; in the original German Schachnovelle, "Chess Novella") is a novella by the Austrian author Stefan Zweig written in 1941, the year before the author's death by suicide. First Armenian Edition of 'Schachnovelle' by Stefan Zweig. Armenian title means 'how to play'. Published by Istanbul Armenians. Not in OCLC.
1897Very Good Turkish, Ottoman (1500-1928) Original decorative black cloth bdg. 12mo. (17,5 x 11,5 cm). In Turkish with Armenian letters. 206 p. "Armenian letters used by Ottoman Armenians and Gregorian Kipchaks have differences in terms of spelling and writing style. Also in terms of word existence, borrowed words from the Slavic language in Gregorian Kipchak Turkish are more. Arabic and Persian words, on the other hand, are partly seen in some works. However, Armenian words are very limited. It is seen that a differentiating language according to the region and quality of the work is used in the works by Armenians under Ottoman rule. In such works, there are Arabic and Persian words along with the Anatolian accents. Writing Turkish texts with Armenian letters is come across in manuscripts after the 14th century and in pressed works after the 18th century. Armenian books started to be pressed in printing houses after the beginning of the 16th century. The first Turkish book with Armenian letters was pressed in Venice in 1876 by Sivasli Mikhitar, the founder of the Union of Mikhitarists. The number of the pressed books is quite a lot. Works written in Armenian Turkish and letters in Ottoman lands are generally categorized into five groups. These are the works of Armenian poet-singers (asug), written literary works, translations, newspapers, journals, and epitaphs. It is possible to classify this classification with a more general approach by also including Kipchak areas as such: literary works (it is possible to consider this as oral and written works), dictionaries, and works on language, translations, legal documents, historical works, and periodicals.". (Source: On Turkish Texts With Armenian Letters, Özkan). Krisdosçin siyreti. Miracles of Jesus Christ. First Edition. Stepanyan 1183.
2020New English Original bdg. HC. 4to. (30 x 24 cm). Edition in English. 325 p., b/w and color ills. The Constantinople years. February 07 - May 10 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. Alexis Gritchenko, (1883-1977) was part of the modern art scene and exhibited with avant-garde artists including Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin and many others. Gritchenko was also an art critic and published articles, books; delivered public lectures, and taught in an art school. He decided to escape the civil war which followed the Russian Revolution of 1917. Leaving Moscow, he arrived in Istanbul in November 1919. Although the two years Gritchenko spent in Istanbul coincided with the occupation of the city, the Ottoman capital provided the artist with a relatively safe refuge until he left in 1921. On his arrival, he was instantly attracted by the colors and dynamism of Istanbul. He recorded his impressions of the vibrant ports, markets, sacred spaces, and majestic monuments while wandering through the streets, notepad, pen and brush in hand. Looking at his vast corpus of Istanbul works, one can retrace the cultural and social imprint of those turbulent years through the eyes of a visitor. Now, 100 years after the visit of Gritchenko to Istanbul, a great part of the works the artist created in the city, a collection of watercolors, gouaches, sketches, and oil paintings have been compiled into the book Alexis Gritchenko - The Constantinople Years. More than 150 works have been included in the publication alongside articles by art historians Vita Susak and Aysenur Gu?ler, detailing the artist's life and technique, as well as the connections and friendships he formed during his stay in Istanbul, including those between him, Ibrahim Çalli, and Namik Ismail.
2020New Turkish Original bdg. HC. 4to. (30 x 24 cm). Edition in Turkish. 328 p., b/w and color ills. Istanbul yillari. 07 Subat - 10 Mayis 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. The Constantinople years. February 07 - May 10 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. Alexis Gritchenko, (1883-1977) was part of the modern art scene and exhibited with avant-garde artists including Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin and many others. Gritchenko was also an art critic and published articles, books; delivered public lectures, and taught in an art school. He decided to escape the civil war which followed the Russian Revolution of 1917. Leaving Moscow, he arrived in Istanbul in November 1919. Although the two years Gritchenko spent in Istanbul coincided with the occupation of the city, the Ottoman capital provided the artist with a relatively safe refuge until he left in 1921. On his arrival, he was instantly attracted by the colors and dynamism of Istanbul. He recorded his impressions of the vibrant ports, markets, sacred spaces, and majestic monuments while wandering through the streets, notepad, pen and brush in hand. Looking at his vast corpus of Istanbul works, one can retrace the cultural and social imprint of those turbulent years through the eyes of a visitor. Now, 100 years after the visit of Gritchenko to Istanbul, a great part of the works the artist created in the city, a collection of watercolors, gouaches, sketches, and oil paintings have been compiled into the book Alexis Gritchenko - The Constantinople Years. More than 150 works have been included in the publication alongside articles by art historians Vita Susak and Aysenur Gu?ler, detailing the artist's life and technique, as well as the connections and friendships he formed during his stay in Istanbul, including those between him, Ibrahim Çalli, and Namik Ismail.
1970Very Good Armenian Paperback. Cr. 8vo. (20 x 14 cm). In Armenian. 32 p., b/w ills. Hayeren parergneroi Adis Harmandian: Yev ir yergery. Adiss Harmandian was a Lebanese-Armenian pop singer. He was born Avedis Harmandian on 14 January 1945 in Beirut, Lebanon from Armenian genocide survivours. His stage name Adiss is a derivative of his given name. His career began in the 1960s, and his first single was the song "Dzaghigner", which quickly gained popularity among Lebanese and diaspora Armenians. Harmandian is considered a pioneer of the estradayin genre of Armenian music. Songs in the genre, such as Harmandian's own "Nouné" or "Karoun Karoun" are primarily sung in Armenian, and were influential in the formation of Armenian identity in Lebanon, the Middle East and throughout the Armenian diaspora. Harmandian has released 29 albums and around 400 songs and has received numerous awards, both abroad and in Armenia. During the Lebanese Civil War, Harmandian emigrated to the United States and resided in Los Angeles, CA. This book includes his life, memoir and lyrics. Not in OCLC.
2016New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 79, [1] p. A new discourse, dialogue and democracy against discrimination ASULIS. Translated by Liz Erçelik Amado, Irazca Geray. Founded under the Hrant Dink Foundation, ASULIS Discourse, Dialogue, Democracy Laboratory has been designed as an interdisciplinary space to engage from experimental studies and research in the field of discourse studies to conduct discussions on methods to combat discrimination as well as discriminatory discourse and its consequences. The word asulis, which is composed of the combination of the verbs asel (to say) and lsel (to listen) in Armenian and commonly used as conversation and chat was chosen as the name of the laboratory. ASULIS represents a first in Turkey in terms of an organization to engage in activities on discourse studies. The gathering resources on discriminatory discourse, hate speech, discourse analysis, etc. for the ASULIS Collection established under the Hrant Dink Foundation Library is still in process. The first ASULIS report is prepared with the main support of Open Society Foundation and contributions of Istanbul Policy Center and Danish Ministry of Foreign Affairs' MyMedia Programme based on its preparation process during the 2014-2015 period. The sections of the report include short definitions of different concepts (such as hate speech, discriminatory discourse and dangerous speech), the research conducted on hate speech between 2009-2015 by the Foundation, suggestions for the laboratory's methods and areas of work based on the meetings and panels organized during its preparatory process as well as the vision, mission and structure of ASULIS.
1891Good Turkish, Ottoman (1500-1928) Modern very decorated full leather bdg. Tear and missing on imprint page; also first two pages, however only two words are missing, slightly toned on pages. Foolscap 8vo. (17,5 x 11,5 cm). In Ottoman script and Armenian. [8], 94 p. Talîm-i lisân-i Ermeni. The Tanzimat reforms from 1839 stimulated Armenian cultural activity in Constantinople and the port city of Smyrna (now, Izmir). The number of Armenian titles printed in the Ottoman capital grew exponentially throughout the next few decades. By the mid-nineteenth century Constantinople had regained its status as "the World Capital of the Armenian Book" for a new span of 40 years. Thereafter, the fortunes of Armenian book publishing in Constantinople became hostage to political developments in the Ottoman Empire. Armenian printing stagnated during the repressive regime of Sultan Abdülhamid II, but rebounded immediately after the 1908 Revolution. It almost ground to a halt during the First World War, yet it was rejuvenated immediately after the Ottoman defeat. After Constantinople (renamed Istanbul in 1930) was integrated into the Turkish Republic established by Mustafa Kemal Atatürk, Armenian cultural freedoms were curtailed, the total number of Armenian books published declined, although the city still remains an important center of Armenian-language book printing outside Armenia. This is a small and extremely rare Armenian linguistic book printed for the Ottoman / Turkish learners. OCLC: 1004312309 / 780182928.; Özege 19657. First and Only Edition.
1920Very Good Turkish, Ottoman (1500-1928) Original 10 b/w photos and photocards of Diyarbakir and Aleppo showing mostly their architectural works. 9x14 cm / 14x11 cm. Some of them has descriptive text on verso in modern and Ottoman Turkish with posted ones as well. 1-) Sen û Ben Bastion (Stamped and sealed). 2-) An architectural detail of bastion walls decorations. 3-) A view of Diyarbakir city including some buildings. 4-) An early rare photograph showing bastions and mosque. 5-) Bastions at the East. 6-) A rare view of a mosque from unidentified district with houses, children and streets. 7-) Regional School of Arts (Bölge San'atlar Okulu) in Diyarbakir. 8-) A Roman architectural work. 9-) "Alep panorama la citadelle", A city panorama of Aleppo. 10-) "Jardin public - Alep Ph. Archo." - Public garden from Aleppo.
1989Fine French Paperback. Cr. 8vo. (19 x 13 cm). In French. 15 p., many ills. Lettres encourageantes. OCLC 950879481.
1924Very Good Greek, Modern (post 1453) Paperback. Folio. (32 x 25 cm). In Greek. 4 p. [SHEET MUSIC] Se mia trellin Zanthoula. Lyrics by D. Tzeretapoulou. Music by N. Kokkinou. Sotiri Christides [sic. Christidis] who is contemporary of Andria, started music publications in the 1905's. Christides published in almost all the areas of music under the captions in Greek and Ottoman languages. He published some various Turkish marches and operettas' scores besides Western music. He gave as the address 'Edition S. Christides: Grand Rue de Pera, 215, Constantinople). He may be stated that he published almost 1000 musical scores [.]. (Source: Musical publications from Ottoman Empire up today, 1876-1986.; BÜLENT ALANER).
2009Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. [xv], 454 p. The Armenian question. Basic knowledge and documentation.
2017New English Paperback. Roy. 8vo. (24 x 17 cm). Edition in English. 515 p., color and b/w ills. Mimar Sinan's Istanbul.
2021New English Paperback. Cr. 8vo. (20 x 14 cm). In English. 104 p. Mîrzâ Makhdûm was one of the most interesting characters of Ottoman history. He was a high-ranking bureaucrat in the Safavid State, but after taking refuge in the Ottoman Empire, he began a career as a judge in Diyarbakir, Tripoli and Haramayn in the late sixteenth century. He lived with a dilemma not only in the countries in which he lived, but also in his family life. Since, his mother's side is Sunni, his father's side is Shi'a. His work on the Qizilbash titled Al-Nawâkid li-Bunyân al-Rawâfid is crucial to understand the era. This study indicates the identity crisis of Mîrzâ Makhdûm via investigating the Sunni-Shia conflict through the eyes of a scholar and tries to understand how a scholar from Iran has reached high ranks in the Ottoman Empire. Also, this study provides an exciting opportunity to understand the Safavid policy in the sixteenth century, the bureaucracy in the ilmiye class and the attitude of the Ottoman bureaucrats towards the Safavid scholars.
2016New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 261 p., color and b/ ills. Kayseri with its Armenian and Greek cultural heritage.= Ermeni ve Rum kültür varliklariyla Kayseri. Introduction by Zeynep Oguz. The book traces the buildings that have been left behind by the Armenian and Greek communities of Kayseri through statistical information and visual sources, and, as such, presents a glimpse into the region's sociocultural past. The 'photograph' of this cultural heritage as it exists in 2015 attests to how Kayseri that we know today is a product of historical complexity, and cultural, ethnic, and religious diversity. At the end of 19th century, non-Muslims constituted one-third of the population of the Kayseri Province, and a significant number of their buildings have unexpectedly withstood to this day despite destruction that they were exposed to. However, this buildings are deteriorating at an alarming pace. The cultural heritage of the peoples who have been forcefully expelled from their homelands should not be neglected, but should instead be protected like other cultural heritage and provided with the conditions necessary for its survival. These are crucially important for the processes of facing the past. This work in your hands was prepared with the hope that it may contribute to efforts in this direction.