1879Best.-Nr. 126381Leipzig & Berlin: C.F. Peters 1879. Hardcover. Very Good. Sheet music. Four volumes bound together each volume with its own front cover and pagination. Quarto. 54; 50; 60; 62pp. Half black calf black cloth boards with gilt trim along the calf gilt bands along the spine creating six compartments with "piano" stamped in gilt in the second compartment from the top. Boards and spine worn the front cover of the first volume is detached and laid in each volume with a music shop stamp on the front cover very good with the music clean. Instrumental pieces for piano. 1 Liszt: Chapelle Sixtine; Bülow: Op. 19 - Tarantella; Tausig: Transcription von Rich. Wagner's Kaisermarsch; Rubinstein: Op. 23 No. 2 Concert-Etude 2 Raff Op. 93 - Dans la nacelle; Raff Op. 105 No. 3 - Troisieme Eglogue; Raff Op. 105 No. 4. - Quatrieme Eglogue; Raff Op. 105 No. 5 - Cinquieme Eglogue; Raff Op. 92 - Capriccio; Raff Op. 79 - Cachoucha Caprice 3 Transcriptionen von Alfred Jaell: No. 1: Nicolai - Lustigen Weiber von Windsor; No. 2: Mendelssohn - Hochzeitsmarsch; No. 3: Wagner - Lohengrin und Tannhäuser; No. 4: Bellini - Norma 4 Transcriptionen von Alfred Jaell: No. 1: Gounod - Faust-Walzer; No. 2: Meyerbeer - Afrikanerin Romance der Ines; No. 3: Meyerbeer - Afrikanerin Chor der Bischöfe; No. 4: Meyerbeer - Afrikanerin Arie des Nelusko; No. 5 Gounod - Romeo und Julie. C.F. Peters hardcover books
1983Best.-Nr. Q-0874512646Brandeis University Press 1983-11-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! Brandeis University Press paperback
2000Best.-Nr. Q-0739002732Alfred Music 2000-03-01. Plastic Comb. New. New. In shrink wrap. Looks like an interesting title! Alfred Music unknown
2007Best.-Nr. SONG0548046255Kessinger Publishing 2007-07-25. hardcover. Used: Good. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
Best.-Nr. 452825Novello. Hardcover. Good. Felix Mendelssohn Bartholdy's Oratorio "St. Paul" in vocal scoreWith a a separate accompaniment for the organ or pianoforte by the composer.This edition has been revised by Mr. Vincent Novello.Bound in green leather in generally good condition and solid although the edges and spine show significant wear. Undated but believed to be late 19th century 1870-1880. Copyright A� Novello Novello hardcover
Best.-Nr. 459734Augener Ltd. Hardcover. Good. Mendelssohn Songs without words Solo piano music Augener's edition 5060 1909 edition. Some bumping and wear to boards some page edge discolouration pages clear and unmarked. Augener Ltd hardcover
1986Best.-Nr. Q-0500050155W W Norton & Co Inc 1986-02-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! W W Norton & Co Inc hardcover
1850Best.-Nr. 35288London: Ewer & Co 1850. Folio. Disbound. 1f. recto title within decorative borderprinted in light red verso blank 13 i blank pp. Engraved. Small embossed stamp of English musicseller Etherington to foot of title. Minor offsetting. First English edition. MWV U158 p. 344. Catalogue of the Mendelssohn Papers in the Bodleian Library III 771. Not in Krause or Hoboken. One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown
1858Best.-Nr. 36212Leipzig: Breitkopf & Härtel PN 5286 1858. Folio. 1 title 2 blank 3-19 pp. Lithographed. Small oval publisher's stamp and Scharfenberg & Luis New York musicseller's stamp to foot of title. Disbound. Slightly worn; title detached; music seller's stamp very slightly cropped at lower edge. First Edition later issue. MWV 08. Krause 157 first issue. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 5286] unknown
1877Best.-Nr. 35155Leipzig: Breitkopf & Härtel PN M.B.122 Kl.A 1877. Folio. Original publisher's full dark red cloth with titling gilt to upper within decorative blindstamped border titling gilt to spine; dark ivory endpapers. 1 title 2-83. i blank pp. Engraved. Text in German. With "Breitkopf & Härtels Musikbücher Nr. 181" to head of upper wrapper. With Hungarian translation in ink along with marked cuts to No. 6. Terzett "O wie verschweig' ich." In the series "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger Serie 15. Grössere weltiche Gesangwerke. Klavier-Auszug." From the Breitkopf edition of Mendelssohn's Complete Works No. 122. Together with: Heimkehr aus dem Fremde. Libretto. Leipzig: Breitkopf & Härtel 1885. 16mo. Original publisher's light gray printed wrappers. 1f. recto title verso blank 12 2 pp. publisher's catalogue of piano-vocal scores and libretti with additional publisher's catalogue to verso of upper and recto and verso of lower wrapper. Together with: An invitation to the 1931 production of the opera from the Budapest Choral and Orchestra Association Ének- és Zenekaregyesűlet partially laid down to front free endpaper signed by István Eisler for the commissioning group and with his name in ink along with a date of December 1930 to upper outer corner and handstamp of Hungarian publisher/musicseller Rózsavölgyi és társa dated December 12 1930 to lower outer corner of endpaper. Later printing. MWV L6 p. 196. Heimkehr aus der Fremde a Liederspiel in 1 act to a libretto by Karl Klingemann was given a private premiere in Berlin on 26 December 1829. The first public performance took place in Leipzig on 10 April 1851. "Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN M.B.122 Kl.A] unknown
1850Best.-Nr. 35288London: Ewer & Co 1850. Folio. Disbound. 1f. recto title within decorative borderprinted in light red verso blank 13 i blank pp. Engraved. Small embossed stamp of English musicseller Etherington to foot of title. Minor offsetting. First English edition. MWV U158 p. 344. Catalogue of the Mendelssohn Papers in the Bodleian Library III 771. Not in Krause or Hoboken. One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co unknown books
1858Best.-Nr. 36212Leipzig: Breitkopf & Härtel PN 5286 1858. Folio. 1 title 2 blank 3-19 pp. Lithographed. Small oval publisher's stamp and Scharfenberg & Luis New York musicseller's stamp to foot of title. Disbound. Slightly worn; title detached; music seller's stamp very slightly cropped at lower edge. First Edition later issue. MWV 08. Krause 157 first issue. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 5286] unknown books
1877Best.-Nr. 35155Leipzig: Breitkopf & Härtel PN M.B.122 Kl.A 1877. Folio. Original publisher's full dark red cloth with titling gilt to upper within decorative blindstamped border titling gilt to spine; dark ivory endpapers. 1 title 2-83. i blank pp. Engraved. Text in German. With "Breitkopf & Härtels Musikbücher Nr. 181" to head of upper wrapper. With Hungarian translation in ink along with marked cuts to No. 6. Terzett "O wie verschweig' ich." In the series "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger Serie 15. Grössere weltiche Gesangwerke. Klavier-Auszug." From the Breitkopf edition of Mendelssohn's Complete Works No. 122. Together with: Heimkehr aus dem Fremde. Libretto. Leipzig: Breitkopf & Härtel 1885. 16mo. Original publisher's light gray printed wrappers. 1f. recto title verso blank 12 2 pp. publisher's catalogue of piano-vocal scores and libretti with additional publisher's catalogue to verso of upper and recto and verso of lower wrapper. Together with: An invitation to the 1931 production of the opera from the Budapest Choral and Orchestra Association Ének- és Zenekaregyesűlet partially laid down to front free endpaper signed by István Eisler for the commissioning group and with his name in ink along with a date of December 1930 to upper outer corner and handstamp of Hungarian publisher/musicseller Rózsavölgyi és társa dated December 12 1930 to lower outer corner of endpaper. Later printing. MWV L6 p. 196. Heimkehr aus der Fremde a Liederspiel in 1 act to a libretto by Karl Klingemann was given a private premiere in Berlin on 26 December 1829. The first public performance took place in Leipzig on 10 April 1851. "Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN M.B.122 Kl.A] unknown books
Best.-Nr. 0364719850.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008Best.-Nr. SONG3795765285Eulenburg 2008-03-15. paperback. Used: Good. 6.25x0.35x8.80. Buy with confidence. Excellent Customer Service & Return policy. Eulenburg paperback
Best.-Nr. B9781165460458New. unknown
Best.-Nr. 0805231234.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2010Best.-Nr. DADAX1160682313Kessinger Publishing 2010-02-23. hardcover. New. 6.00x1.31x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1978Best.-Nr. Q-0739003658Alfred Music 1978-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1975Best.-Nr. Q-0486231844Dover Publications 1975-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1975Best.-Nr. Q-0486231364Dover Publications 1975-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
Best.-Nr. 35337490like new. unknown
Best.-Nr. 35337490-nnew. unknown
2016Best.-Nr. AME_9780719097171manchester u.pr 2016. 1ST. Hardcover. New/New. _ manchester u.pr hardcover
Best.-Nr. 0486290328.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
