1.837 Ergebnisse
2005Best.-Nr. Q-1423403770DURAND 2005-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! DURAND paperback
2001Best.-Nr. 238221Dr Ludwig Reichert Verlag 2001. 1st. hardcover. New. 11x8x0. Dr Ludwig Reichert Verlag hardcover
Best.-Nr. 2298180823105Edition Eulenberg. Paperback. Very Good. Nice looking book has minor edge wear.has name on inside cover page. Edition Eulenberg paperback
Best.-Nr. 3772815219.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1972Best.-Nr. N2018Stuttgart: Friedrich Frommann 1972. Original Cloth. Very Good. 8vo. CXIXpp German text386pp Hebrew text. Gesammelte Schriften Band 14. A very good and clean copy. Friedrich Frommann hardcover
1957Best.-Nr. 15071London: The Holland Press/Arco Publications 1957 One of 500 copies. Reprint of the 1910 edition. Cloth. Two volumes quarto. Bindings a little soiled front hinge of Vol. I starting to crack. A very good set. Contains 10000 entries in a great languages. The Holland Press/Arco Publications, hardcover
Best.-Nr. 1032921799 Edition: Berlin Voss. Very Good. 1799. Hardcover. 0332206963 . All text in Gothic German fraktur. Leather spine with raised bands on boards leather corners well worn shelf wear to all edges. Book is firm in binding 198 pages red text blocks. Front endpaper neatly removed. Free of any markings not ex-library. ; 16mo 6" - 7" tall; 198 pages . Berlin Voss hardcover
1974Best.-Nr. N2016Stuttgart: Friedrich Frommann 1974. Original Cloth. Very Good. 8vo. CLXXXIII516pp. German text.Gesammelte Werke Band 7. A very good and clean copy. Friedrich Frommann hardcover
1957Best.-Nr. 15071London: The Holland Press/Arco Publications 1957 One of 500 copies. Reprint of the 1910 edition. Cloth. Two volumes quarto. Bindings a little soiled front hinge of Vol. I starting to crack. A very good set. Contains 10000 entries in a great languages. The Holland Press/Arco Publications, hardcover books
Best.-Nr. 179008Cambridge MA: Maurizio-Martino Publishers. Reprint. Hardcover. Very Good/No Dj. 8vo. 2 volume set bound in red/gilt cloth one of 175 reprint copies with a descriptive introduction by I.D.Colbin in very good near-new condition Maurizio-Martino Publishers hardcover
1957Best.-Nr. 10119London: The Holland Press Arco Publications 1957. 2nd Edition . Hardcover. Very Good/Very Good. 4to - over 9¾ - 12" tall. 2 Volumes Complete. Large Heavy Books Hardcovers In Djs. Facsimile Edition Of First Edition 1910. Not Xlib. No Marks Inside. The Holland Press, Arco Publications hardcover
1969Best.-Nr. 306757New York: Alfred A. Knopf 1969. Hardcover. Fine/Very Good. First edition trade issue. Illustrated by Warren Chappell. Music by Felix Mendelssohn. Oblong thin quarto. Fine in very good dustwrapper with age-toning near the spine. Alfred A. Knopf hardcover
1969Best.-Nr. 6302KNOPF. NY 1969. Fine. 1969. First Edition. Hardcover. Fine in a Vg. dj. Several short edge tears in dj. Chip & shelfwear at base of rear panel . KNOPF. NY 1969 hardcover
1969Best.-Nr. 306757New York: Alfred A. Knopf 1969. Hardcover. Fine/Very Good. First edition trade issue. Illustrated by Warren Chappell. Music by Felix Mendelssohn. Oblong thin quarto. Fine in very good dustwrapper with age-toning near the spine. Alfred A. Knopf hardcover books
Best.-Nr. 3863827279.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2023Best.-Nr. x-1503636348Stanford Univ Pr 2023. Hardcover. New. 288 pages. 9.00x6.00x0.91 inches. Stanford Univ Pr hardcover
2007Best.-Nr. 2412030443xbvkBerlin, Förderverein für die evangelische Grunewaldgemeinde e.V, 2000, 2001*, 2002, 2007. 201; 202; 168; 153 Seiten, mit vielen fotografischen Abbildungen. - Verschiedenfarbige, identisch fotogr. illustrierte Original-Umschlagkartons mit Deckeltitel; 4to.(ca. 30 x 21 x 4 cm; ca. 2,5 kg.).
Best.-Nr. A9780521573832Hardback. New. Mendelssohn's Philosophical Writings published in 1761 brings the metaphysical tradition to bear on the topic of 'sentiments' defined as knowledge or awareness by way of the senses and helped propel its author to the forefront of the Berlin Enlightenment. hardcover
1850Best.-Nr. 35287Leipzig: Breitkopf & Härtel PN 8228 1850. Folio. Original publisher's blue printed wrappers. 1 title 2-31 i blank pp. Engraved. Provenance Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title. Wrappers somewhat worn and soiled; partially split at spine. Light thumbing throughout; small dampstain to upper blank margin. First Edition. MWV U159 p. 344. Hoboken 10 273. Not in Krause or the Catalogue of the Mendelssohn Papers in the Bodleian Library. One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid 1930s; he was best known for the music he composed for the Greek plays performed there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN 8228] unknown
1849Best.-Nr. 36217London: J. Alfred Novello . 69 Dean Strt. Soho & 24 Poultry PN 550 1849. Folio. Unbound. 1f. recto title verso blank 41 i publisher's catalogue pp. Engraved throughout. With "Novello's Edition of the Works of Felix Mendelssohn Bartholdy Op. 42" printed to head of title. Publisher's blindstamp to title dated "20 9 49" 20 September 1849. Slightly worn; small edge tears; minor soiling to outer leaves; abrasion to final leaf with small hole; significant tear to pp. 5/6 with no loss. Scarce early edition. MWV A15. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. J. Alfred Novello ... 69, Dean Strt. Soho, & 24, Poultry [PN 550] unknown
1852Best.-Nr. 35154Leipzig: Breitkopf & Härtel PN 7884 1852. Folio. Original publisher's light blue wrappers. 1f. recto title verso blank 3-51 i blank pp. Engraved. Vocal incipits in German and French. Overture with plate number 7899 from the piano-vocal score. With publisher's catalog "Felix Mendelssohn Bartholdy's grössere Gesang-Werke" to verso of lower wrapper. Wrappers somewhat worn soiled and split. Slightly worn and browned; occasional foxing. First Edition later issue of this arrangement. MWV M16 p. 213. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7884] unknown
1850Best.-Nr. 36199Leipzig: Breitkopf & Härtel PN 4980 1850. Folio. Unbound as issued. 1 title 2 blank 3-13 i publisher's catalogue; 9 i blank; 10; 8 pp. Engraved. The first page of the first violin part page 3 contains the song "Ist es Wahr" for voice and piano; the violin part begins on page 4. Wrappers slightly worn. Minor stain to title. Re-issue of the first edition of 1830. MWV R22 p. 276. Krause 177. Not in Hoboken. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber . . Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole . In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
1850Best.-Nr. 35287Leipzig: Breitkopf & Härtel PN 8228 1850. Folio. Original publisher's blue printed wrappers. 1 title 2-31 i blank pp. Engraved. Provenance Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title. Wrappers somewhat worn and soiled; partially split at spine. Light thumbing throughout; small dampstain to upper blank margin. First Edition. MWV U159 p. 344. Hoboken 10 273. Not in Krause or the Catalogue of the Mendelssohn Papers in the Bodleian Library. One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid 1930s; he was best known for the music he composed for the Greek plays performed there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN 8228] unknown books
1849Best.-Nr. 36217London: J. Alfred Novello . 69 Dean Strt. Soho & 24 Poultry PN 550 1849. Folio. Unbound. 1f. recto title verso blank 41 i publisher's catalogue pp. Engraved throughout. With "Novello's Edition of the Works of Felix Mendelssohn Bartholdy Op. 42" printed to head of title. Publisher's blindstamp to title dated "20 9 49" 20 September 1849. Slightly worn; small edge tears; minor soiling to outer leaves; abrasion to final leaf with small hole; significant tear to pp. 5/6 with no loss. Scarce early edition. MWV A15. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. J. Alfred Novello ... 69, Dean Strt. Soho, & 24, Poultry [PN 550] unknown books
1852Best.-Nr. 35154Leipzig: Breitkopf & Härtel PN 7884 1852. Folio. Original publisher's light blue wrappers. 1f. recto title verso blank 3-51 i blank pp. Engraved. Vocal incipits in German and French. Overture with plate number 7899 from the piano-vocal score. With publisher's catalog "Felix Mendelssohn Bartholdy's grössere Gesang-Werke" to verso of lower wrapper. Wrappers somewhat worn soiled and split. Slightly worn and browned; occasional foxing. First Edition later issue of this arrangement. MWV M16 p. 213. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7884] unknown books
