1 781 résultats
1851réf. 36208Leipzig: Breitkopf & Härtel PN 7899 1851. Folio. Original publisher's brown wrappers with titling within decorative border. 1f. recto title verso blank 3-93 i blank pp. Engraved. Text in German and French. Scharfenberg & Luis New York handstamp to blank lower margin of upper wrapper and again to lower margin of title along with publisher's stamp. Wrappers quite worn and chipped; spine reinforced with tape. Slightly browned; edges of some leaves chipped. First Edition later issue. MWV M16 p. 213. Krause 8. Catalogue of the Mendelssohn Papers in the Bodleian Library III 316. Not in Hoboken. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7899] unknown books
1818réf. 278783Wien: Schmid 1818. Boards. Good. 435 pp. frontispeice portrait of Mendelssohn tipped in and illustration on title page new blue boards and new endpapers and hinges some dog eared pages Sepher Nethivoth Hashalom more commonly known as the Bi'ur is Moses Mendelssohn's revolutionary translation of the Pentateuch. Mendelsson translated the Pentateuch into German using Hebrew characters while the commentary was composed in Hebrew. The commentary aimed to explain the translation choices made by Mendelssohn and drew heavily on traditional medieval Jewish Bible commentators.Kestenbaum entry Was originally published in 1783 OCLC Number: 937074293 Schmid hardcover
réf. PHIL2471Wien Mich. Schmidl's sel. Witwe & Jg. Klang 1838. gr.-8°. Gest. Front.-Portr. nach A. Graff 2 Bl. 1016 S. 4 Bl. schwarzer Orig.-Halblederband mit goldgepr. Rückentitel u. Romantiker Rückenverz. mit goldgepr. Fileten umlauf. Marmorschnitt das Porträt mäßig stockfleckig ansonsten überaus frisch und wohlerhalten. Goed. IV/149123; Meyer Mendelssohn 67; Hirschberg 52. Erste rechtmäßige Gesamtausgabe unter Einschluß der Briefe u. Übersetzungen hrsg. von Franz Gräffer. Wien, Mich. Schmidl's sel. Witwe & Jg. Klang 1838. unknown
1997réf. DADAX0521573831Cambridge University Press 1997-05-13. First Edition. hardcover. New. 6.50x1.00x9.50. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
1860réf. 7582234 pieces full page titles with decorative text full page music advertisements. Mendelssohn's The Wedding March; Handel's Dead March in Saul; Les Hirondelles Variations Brillantes; Songs: Another Day Silcher's The Mill Wheel English Version Sullivan's The Lost Chord; Overtures: The Bohemian Girl Zampa Der Freischutz Nicolai's The Merry Wives of Windsor Rossini's Guillaume Tell; Airs: Scotch English French Irish Welsh German; Joy Bells; Blumenlied; "The Robin's Return" Caprice; Home Sweet Home; Suite de Danses - No.2 and No.3; Andante in G; Sullivan's The Absent Minded Beggar ; Sydney Smiths' The Lily of the Valley Mazurka; The Last Rose of Summer; Olden Times - March Antiqute; Sousa's The Washington Post March; Air; Les Cloches du Monastere; 'Home' Air; Handel's The Harmonious Blacksmith; March for Piano Solo Published by Joseph Williams, B. Williams, Howey & Co, Boosey & Co; Augener & Co and others hardcover
réf. 6h10259Friedrich Maurer Verlag Bln. 1783. XII/354 Seiten mit einer Titel- und einer Schlussvignette Halbleder auf 4 Schmuckbünden und mit einem Rückenschildchen bestossen/etwas fleckig und gebräunt/Name auf Titel und Vorsatz. - gutes Exemplar - unknown
réf. 9a274Voß Bln. 1771. XXII S./278 S. mit 1 in Kupfer gestoch. Frontispiz sowie 1 Titelvignette original Leder bst./alte Magnalien auf Vorsatz/Rücken gering einger. unknown
réf. elala2765Frankfurt & Leipzig: 1791. 8vo. pp. xii 371. woodcut tailpiece & title vignette. contemporary quarter calf spine richly gilt covers rubbed flyleaves wanting inkstain on title some foxing throughout Frankfurt & Leipzig: 1791 unknown
1877réf. 31871Paris: S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland 1877. Hardcover. g. Folio. Half calf over marbled paper covered boards with gold lettering on spines. Remarkable collection of 8 musical scores from some of the most acclaimed composers of the 18th and 19th centuries. Each volume contains the musical score for each of the instruments featured in the various Quatuors First volume: Piano; Second volume: Violin; Third volume: Alto; Fourth volume: Cello. Moderate rubbing along edges of binding and on spines. Minor and sporadic foxing throughout. Title pages in French. Bindings in overall good- to good interior in good to very good condition. S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland hardcover
1877réf. 31871Paris: S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland 1877. Hardcover. g. Folio. Half calf over marbled paper covered boards with gold lettering on spines. Remarkable collection of 8 musical scores from some of the most acclaimed composers of the 18th and 19th centuries. Each volume contains the musical score for each of the instruments featured in the various Quatuors First volume: Piano; Second volume: Violin; Third volume: Alto; Fourth volume: Cello. Moderate rubbing along edges of binding and on spines. Minor and sporadic foxing throughout. Title pages in French. Bindings in overall good- to good interior in good to very good condition. S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland hardcover books
1953réf. 032862Amsterdam: Stichting Physica 1953. First Separate Edition . Soft cover. Near Fine. Frontispiece Group Photograph. Pp 745-908. Publisher's Wrappers Printed In Gray. Photographic Plate Of Group Participants At Front With Each Identified. Text In English Including Extensive Comments By Participants On Each Of The Papers. First Printing. The Personal Copy Of Conference Participant Jan Korringa Not Marked As Such But With His Marker At His Article.Just A Touch Of Wear Browning To Spine. Stichting Physica paperback
1974réf. BN427412Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag Günther Holzboog 1974. 1974. Schriften zum Judentum I Gesammelte Schriften; Teil: Bd. 7. Schriften zum Judentum I Gesammelte Schriften; Teil: Bd. 7. Moses Mendelssohn Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag (Günther Holzboog) unknown
1957réf. 22rgThe Holland Press London/ Arco Publications 1957. Limited 2nd Edition. Hardcover. Very Good/Good. Two volumes complete. Unnumbered copies of a limited edition of 500 copies. From the library of Edna and Frank Bradlow the Africana bibliophiles and historians. Mild-mannered copies. Volume I: 1008 pages. Included an ex-libris adhesive plate for Sidney Mendelssohn. The dustjacket is worn about all edges and seams. It is scuffed marked. It is also comfortable and secure. Linen coloured boards neat sturdy and sound. The pagetrims have some shelving marks. The contents have some occasional blots of foxing some pages have freckles of foxing along the top trims. They are otherwise tight clean clear confident most conscientious and diligent certain amenable. Volume II: The dustjacket has a clear cellophane protective cover. The dj has wear about the edges some shelving creases and scuffing and marks. It is otherwise secure and sure. The linen covered boards are healthy sound sure. The paper trims have some light shelving marks. The pages are clean clear healthy assured confident diligent neat orderly assiduous amenable. Please note that due to the weight of the books should they need be posted to the outside of South Africa extra postal charges may be required. fk. Our orders are shipped using tracked courier delivery services. The Holland Press, London/ Arco Publications hardcover
1831réf. 40960Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Disbound. 1f. recto title verso blank 3-11 i blank pp. Engraved. With London agents "J.B. Cramer Addison & Beale" to foot of title. Contemporary diamond-shaped label of Swiss bookseller F. I. Rothlin to foot of title. Slightly worn browned and soiled; first and last leaves partially detached; Rothlin label very slightly trimmed at foot. First Viennese edition without Berlin agent "Ad. Mt. Schlesinger" to title. Scarce. Weinmann Mechetti p. 52. Hoboken 10 135 a later issue. Not in Krause. Pietro Mechetti qm Carlo [PN 2133] unknown
1831réf. 40960Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Disbound. 1f. recto title verso blank 3-11 i blank pp. Engraved. With London agents "J.B. Cramer Addison & Beale" to foot of title. Contemporary diamond-shaped label of Swiss bookseller F. I. Rothlin to foot of title. Slightly worn browned and soiled; first and last leaves partially detached; Rothlin label very slightly trimmed at foot. First Viennese edition without Berlin agent "Ad. Mt. Schlesinger" to title. Scarce. Weinmann Mechetti p. 52. Hoboken 10 135 a later issue. Not in Krause. Pietro Mechetti qm Carlo [PN 2133] unknown books
1785réf. PNDilMEN56Troppau: Joseph Georg Trassler 1785. 1785. 2 Volumes. 8vo. pp. 268; 167 1. contemporary bds. some scattered foxing. cfRand I 369. Troppau: Joseph Georg Trassler, 1785. unknown
1791réf. PNDädMEN98Carlsruhe: Schmiederischen Buchhandlung 1791. 1791. 8vo. pp. 5 p.l. 52 224. woodcut title vignette. later marbled bds. rubbed front joint & extremities bit chipped light dampstaining throughout. Mendelssohn's dialogue on immortality in imitation of Plato's Phaedo was first published in 1767. Leben und Charakter des Socrates which occupies pp. 52 at the beginning is chiefly based on the Life of Socrates by J.C.Cooper. cfRand I 369. Carlsruhe: Schmiederischen Buchhandlung, 1791. unknown
1944réf. 64302422London: George Allen & Unwin Ltd. 1944. Book. Fair. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. 192 pages including index and an appendix listing contemporary personalities in Japan and Japanese-Occupied Asia. "The present study falls into two sections which are complementary. The first deals with machinery and methods and endeavours to give as full and detailed a survey as is possible of the various government organs directing and controlling political warfare the structure of the Japanese press the organisation of Japanese broadcasting the functioning of censorship and the extent to which education science literature the arts and the cinema are being employed for purposes of propaganda both in the Japanese homeland and in the wider area of the conquered empire. The second part deals. with the aims and policies of Japanese propaganda and attempts to give an outline of the way in which the machinery sketched in the first part is being operated." - from introduction. Prior owner's name and pencil erasure atop front endpaper else unmarked. Minor adhesive residue upon back endpaper possibly from bookplate or pocket removal. Evidence of small sticker removal at base of front board. No library markings per se. Above average wear and soiling to red cloth boards. Spine sunned but its gilt lettering remains legible. Bit of foxing to endpapers. Binding intact. Good working copy. George Allen & Unwin Ltd. Hardcover
réf. Frommann-9783772815218frommann-holzboog Verlag e.K. German. Hardcover. New. IX 392 p. 150 ill. 24 colored 175 x 248 cm. Contents: Texte und Bildmaterial zu I. Moses Mendelssohn in Bildnissen II. Fromet Mendelssohn geb. Gugenheim III. Mendelssohns Zeitgenossen IV. Frontispize und Titelblätter V. Mendelssohns Handschrift VI. Aufenthalte und Reisen VII. Varia Zeittafel. This third supplementary volume presents the majority of those Mendelssohn portraits which were done up to 1800. In addition to well-known paintings there are also reproductions of previously unreleased and unnoticed portrayals. Contemporaries of Mendelssohn are introduced in portraits and in short biographies. frommann-holzboog Verlag e.K. hardcover
réf. Frommann-9783772815218frommann-holzboog Verlag e.K. German. Hardcover. New. IX 392 p. 150 ill. 24 colored 175 x 248 cm. Contents: Texte und Bildmaterial zu I. Moses Mendelssohn in Bildnissen II. Fromet Mendelssohn geb. Gugenheim III. Mendelssohns Zeitgenossen IV. Frontispize und Titelblätter V. Mendelssohns Handschrift VI. Aufenthalte und Reisen VII. Varia Zeittafel. This third supplementary volume presents the majority of those Mendelssohn portraits which were done up to 1800. In addition to well-known paintings there are also reproductions of previously unreleased and unnoticed portrayals. Contemporaries of Mendelssohn are introduced in portraits and in short biographies. frommann-holzboog Verlag e.K. hardcover
1787réf. 6593Bern: in der Hallerschen Buchandlung 1787. Soft cover. Good. 8vo 152 x 95mm. 60pp. Modern wrappers margins trimmed close occasional spots lightly browned; front wrap loose but present. A satire on the Berlin academy written jointly by Lessing and Moses Mendelssohn criticizing the philosophical system of Alexander Popeís Essay on Man 1733-1734. Lessing German writer critic and dramatist was one of the most outstanding representatives of the Enlightenment era. His plays and theoretical writings often witty and ironic substantially influenced the development of German literature. In 1755 the collaborative work of Lessing and his friend philosopher Moses Mendelssohn anonymously appeared in the form of this provocative treatise Pope ein Metaphysiker! Pope as a Metaphysician. The controversial treatise dissected the subject of a contest at the Prussian Royal Academy. The two friends wrote it to confirm that there cannot be a true comparison between a poetic and a philosophic conception. Bern: in der Hallerschen Buchandlung paperback
1972réf. N2798Hildesheim: Gerstenberg 1972. Original Cloth. Very Good. 12mo. 1972-1976. Spines slightly discoloured. Upper edge with some foxing. A very good and clean copy. Rcken leicht verschossen. Oberer Schnitt etwas stockfleckig. Ein sonst sehr gutes und frisches Set. Gerstenberg hardcover
1969réf. 382375New York: Alfred A. Knopf 1969. Hardcover. Very Good/Very Good. First edition trade issue. Illustrated by Warren Chappell. Music by Felix Mendelssohn. Oblong thin quarto. Foxing on the boards thus very good in very good or better dustwrapper with a couple very small nicks and tears. Signed by Updike. Alfred A. Knopf hardcover
1969réf. 382375New York: Alfred A. Knopf 1969. Hardcover. Very Good/Very Good. First edition trade issue. Illustrated by Warren Chappell. Music by Felix Mendelssohn. Oblong thin quarto. Foxing on the boards thus very good in very good or better dustwrapper with a couple very small nicks and tears. Signed by Updike. Alfred A. Knopf hardcover books
1969réf. 407523-LI19London : Holland Press 1969. 3. Hardcover. Good. Original gilt lettered brown cloth gilt lettered spine dust jacket 10081139 pages 4to.; Several tears in both dust jackets repaired with tape. London : Holland Press hardcover
