1 821 résultats
1974réf. BN427412Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag Günther Holzboog 1974. 1974. Schriften zum Judentum I Gesammelte Schriften; Teil: Bd. 7. Schriften zum Judentum I Gesammelte Schriften; Teil: Bd. 7. Moses Mendelssohn Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag (Günther Holzboog) unknown
1957réf. 22rgThe Holland Press London/ Arco Publications 1957. Limited 2nd Edition. Hardcover. Very Good/Good. Two volumes complete. Unnumbered copies of a limited edition of 500 copies. From the library of Edna and Frank Bradlow the Africana bibliophiles and historians. Mild-mannered copies. Volume I: 1008 pages. Included an ex-libris adhesive plate for Sidney Mendelssohn. The dustjacket is worn about all edges and seams. It is scuffed marked. It is also comfortable and secure. Linen coloured boards neat sturdy and sound. The pagetrims have some shelving marks. The contents have some occasional blots of foxing some pages have freckles of foxing along the top trims. They are otherwise tight clean clear confident most conscientious and diligent certain amenable. Volume II: The dustjacket has a clear cellophane protective cover. The dj has wear about the edges some shelving creases and scuffing and marks. It is otherwise secure and sure. The linen covered boards are healthy sound sure. The paper trims have some light shelving marks. The pages are clean clear healthy assured confident diligent neat orderly assiduous amenable. Please note that due to the weight of the books should they need be posted to the outside of South Africa extra postal charges may be required. fk. Our orders are shipped using tracked courier delivery services. The Holland Press, London/ Arco Publications hardcover
1831réf. 40960Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Disbound. 1f. recto title verso blank 3-11 i blank pp. Engraved. With London agents "J.B. Cramer Addison & Beale" to foot of title. Contemporary diamond-shaped label of Swiss bookseller F. I. Rothlin to foot of title. Slightly worn browned and soiled; first and last leaves partially detached; Rothlin label very slightly trimmed at foot. First Viennese edition without Berlin agent "Ad. Mt. Schlesinger" to title. Scarce. Weinmann Mechetti p. 52. Hoboken 10 135 a later issue. Not in Krause. Pietro Mechetti qm Carlo [PN 2133] unknown
1831réf. 40960Vienne: Pietro Mechetti qm Carlo PN 2133 1831. Folio. Disbound. 1f. recto title verso blank 3-11 i blank pp. Engraved. With London agents "J.B. Cramer Addison & Beale" to foot of title. Contemporary diamond-shaped label of Swiss bookseller F. I. Rothlin to foot of title. Slightly worn browned and soiled; first and last leaves partially detached; Rothlin label very slightly trimmed at foot. First Viennese edition without Berlin agent "Ad. Mt. Schlesinger" to title. Scarce. Weinmann Mechetti p. 52. Hoboken 10 135 a later issue. Not in Krause. Pietro Mechetti qm Carlo [PN 2133] unknown books
1785réf. PNDilMEN56Troppau: Joseph Georg Trassler 1785. 1785. 2 Volumes. 8vo. pp. 268; 167 1. contemporary bds. some scattered foxing. cfRand I 369. Troppau: Joseph Georg Trassler, 1785. unknown
1791réf. PNDädMEN98Carlsruhe: Schmiederischen Buchhandlung 1791. 1791. 8vo. pp. 5 p.l. 52 224. woodcut title vignette. later marbled bds. rubbed front joint & extremities bit chipped light dampstaining throughout. Mendelssohn's dialogue on immortality in imitation of Plato's Phaedo was first published in 1767. Leben und Charakter des Socrates which occupies pp. 52 at the beginning is chiefly based on the Life of Socrates by J.C.Cooper. cfRand I 369. Carlsruhe: Schmiederischen Buchhandlung, 1791. unknown
1944réf. 64302422London: George Allen & Unwin Ltd. 1944. Book. Fair. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. 192 pages including index and an appendix listing contemporary personalities in Japan and Japanese-Occupied Asia. "The present study falls into two sections which are complementary. The first deals with machinery and methods and endeavours to give as full and detailed a survey as is possible of the various government organs directing and controlling political warfare the structure of the Japanese press the organisation of Japanese broadcasting the functioning of censorship and the extent to which education science literature the arts and the cinema are being employed for purposes of propaganda both in the Japanese homeland and in the wider area of the conquered empire. The second part deals. with the aims and policies of Japanese propaganda and attempts to give an outline of the way in which the machinery sketched in the first part is being operated." - from introduction. Prior owner's name and pencil erasure atop front endpaper else unmarked. Minor adhesive residue upon back endpaper possibly from bookplate or pocket removal. Evidence of small sticker removal at base of front board. No library markings per se. Above average wear and soiling to red cloth boards. Spine sunned but its gilt lettering remains legible. Bit of foxing to endpapers. Binding intact. Good working copy. George Allen & Unwin Ltd. Hardcover
réf. Frommann-9783772815218frommann-holzboog Verlag e.K. German. Hardcover. New. IX 392 p. 150 ill. 24 colored 175 x 248 cm. Contents: Texte und Bildmaterial zu I. Moses Mendelssohn in Bildnissen II. Fromet Mendelssohn geb. Gugenheim III. Mendelssohns Zeitgenossen IV. Frontispize und Titelblätter V. Mendelssohns Handschrift VI. Aufenthalte und Reisen VII. Varia Zeittafel. This third supplementary volume presents the majority of those Mendelssohn portraits which were done up to 1800. In addition to well-known paintings there are also reproductions of previously unreleased and unnoticed portrayals. Contemporaries of Mendelssohn are introduced in portraits and in short biographies. frommann-holzboog Verlag e.K. hardcover
réf. Frommann-9783772815218frommann-holzboog Verlag e.K. German. Hardcover. New. IX 392 p. 150 ill. 24 colored 175 x 248 cm. Contents: Texte und Bildmaterial zu I. Moses Mendelssohn in Bildnissen II. Fromet Mendelssohn geb. Gugenheim III. Mendelssohns Zeitgenossen IV. Frontispize und Titelblätter V. Mendelssohns Handschrift VI. Aufenthalte und Reisen VII. Varia Zeittafel. This third supplementary volume presents the majority of those Mendelssohn portraits which were done up to 1800. In addition to well-known paintings there are also reproductions of previously unreleased and unnoticed portrayals. Contemporaries of Mendelssohn are introduced in portraits and in short biographies. frommann-holzboog Verlag e.K. hardcover
1972réf. N2798Hildesheim: Gerstenberg 1972. Original Cloth. Very Good. 12mo. 1972-1976. Spines slightly discoloured. Upper edge with some foxing. A very good and clean copy. Rcken leicht verschossen. Oberer Schnitt etwas stockfleckig. Ein sonst sehr gutes und frisches Set. Gerstenberg hardcover
1969réf. 382375New York: Alfred A. Knopf 1969. Hardcover. Very Good/Very Good. First edition trade issue. Illustrated by Warren Chappell. Music by Felix Mendelssohn. Oblong thin quarto. Foxing on the boards thus very good in very good or better dustwrapper with a couple very small nicks and tears. Signed by Updike. Alfred A. Knopf hardcover
1969réf. 382375New York: Alfred A. Knopf 1969. Hardcover. Very Good/Very Good. First edition trade issue. Illustrated by Warren Chappell. Music by Felix Mendelssohn. Oblong thin quarto. Foxing on the boards thus very good in very good or better dustwrapper with a couple very small nicks and tears. Signed by Updike. Alfred A. Knopf hardcover books
réf. DADAX0754666522New unknown
1969réf. 407523-LI19London : Holland Press 1969. 3. Hardcover. Good. Original gilt lettered brown cloth gilt lettered spine dust jacket 10081139 pages 4to.; Several tears in both dust jackets repaired with tape. London : Holland Press hardcover
1971réf. BN426769Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag Günther Holzboog 1971. 1971. Schriften zur Philosophie und Ästhetik I. Gesammelte Schriften: Band 1 Schriften zur Philosophie und Ästhetik I. Gesammelte Schriften: Band 1 Moses Mendelssohn Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag (Günther Holzboog) unknown
1976réf. 162885Hildesheim: H. A. Gerstenberg 1972-1976. Frakturdruck. Mit dem Bildnis des Verfassers in Band 1. 8° (17,5-22,5 cm). Orig.-Leinenbände mit goldgeprägten Titeln auf Deckeln und Rücken. [Hardcover / fest gebunden].
1976réf. 2138477Hildesheim: H. A. Gerstenberg 1972-1976. Frakturdruck. Mit dem Bildnis des Verfassers. 8° (17,5 x 12,5 cm). Orig.-Leinenbände mit goldgeprägten Titeln auf Deckeln und Rücken. [Hardcover / fest gebunden].
1877réf. 36206Leipzig: Breitkopf & Härtel PN 8335 1877. Folio. Original publisher's dark brown wrappers with titling within decorative border. 1 recto title verso blank 3-57 i blank pp. Engraved. Wrappers slightly worn and soiled. Occasional light foxing; some leaves detached and frayed at edges. First Edition of this arrangement. MWV L6 p. 196. Rare no copies located outside of Germany. Not in Krause the Catalogue of the Mendelssohn Papers in the Bodleian Library or Hoboken. Heimkehr aus der Fremde to a libretto by Karl Klingemann was first performed privately in Berlin on 26 December 1829; its first public performance took place in Leipzig on 10 April 1851. "Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 8335] unknown
1843réf. 36196Leipzig: Breitkopf & Härtel PN 6929 1843. Oblong folio. Disbound. 1 lithographic title within decorative floral border 2 blank 3-17 pp. Engraved. Small oval publisher's stamp to lower margin of title; early signature in pencil to lower outer corner. Slightly worn and soiled; trimmed; spine and inner margins of outer leaves reinforced with paper tape; publisher's stamp incomplete. First Edition. Published in the same year as editions in France and England with precedence unestablished. MWV SD26 K104 103 93 106 114 and 108. Hoboken 10 228 title illustrated on p. 117. Krause 122. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 6929] unknown
réf. 33196083-nnew. unknown
réf. 33196083like new. unknown
1877réf. 36206Leipzig: Breitkopf & Härtel PN 8335 1877. Folio. Original publisher's dark brown wrappers with titling within decorative border. 1 recto title verso blank 3-57 i blank pp. Engraved. Wrappers slightly worn and soiled. Occasional light foxing; some leaves detached and frayed at edges. First Edition of this arrangement. MWV L6 p. 196. Rare no copies located outside of Germany. Not in Krause the Catalogue of the Mendelssohn Papers in the Bodleian Library or Hoboken. Heimkehr aus der Fremde to a libretto by Karl Klingemann was first performed privately in Berlin on 26 December 1829; its first public performance took place in Leipzig on 10 April 1851. "Mendelssohn's deft command of orchestral colour is evident throughout the work and his ability to create charming effects with the simplest of means is impressive." Clive Brown in Grove Dictionary of Opera "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 8335] unknown books
1843réf. 36196Leipzig: Breitkopf & Härtel PN 6929 1843. Oblong folio. Disbound. 1 lithographic title within decorative floral border 2 blank 3-17 pp. Engraved. Small oval publisher's stamp to lower margin of title; early signature in pencil to lower outer corner. Slightly worn and soiled; trimmed; spine and inner margins of outer leaves reinforced with paper tape; publisher's stamp incomplete. First Edition. Published in the same year as editions in France and England with precedence unestablished. MWV SD26 K104 103 93 106 114 and 108. Hoboken 10 228 title illustrated on p. 117. Krause 122. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 6929] unknown books
1944192 pages including index and an appendix listing contemporary personalities in Japan and Japanese-Occupied Asia. "The present study falls into two sections which are complementary. The first deals with machinery and methods and endeavours to give as full and detailed a survey as is possible of the various government organs directing and controlling political warfare, the structure of the Japanese press, the organisation of Japanese broadcasting, the functioning of censorship, and the extent to which education, science, literature, the arts and the cinema are being employed for purposes of propaganda, both in the Japanese homeland and in the wider area of the conquered empire... The second part deals... with the aims and policies of Japanese propaganda, and attempts to give an outline of the way in which the machinery, sketched in the first part, is being operated." - from introduction. Prior owner's name and pencil erasure atop front endpaper else unmarked. Minor adhesive residue upon back endpaper, possibly from bookplate or pocket removal. Evidence of small sticker removal at base of front board. No library markings per se. Above average wear and soiling to red cloth boards. Spine sunned but its gilt lettering remains legible. Bit of foxing to endpapers. Binding intact. Good working copy. Book
réf. 61053Leipzig 1880 Hardback. 2 Vols. Librtary Stamp. Good Condition Leipzig, 1880 hardcover