1 818 résultats
2004réf. DADAX1843711079Bloomsbury Publishing PLC 2004-11-01. hardcover. New. 5.50x0.69x8.50. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Publishing PLC hardcover
1840réf. 28338AB1840. London Ewer / Addison / Beale and others c.1840 - 1863. Folio. c 180 pages. Modern Hardcover beautiful half morocco with gilt lettering on spine and marbled paper covered boards. Original Softcover engraved scores bound in. Very good condition with only minor signs of external wear. Only three of the scores with some tears one with a dampstain ! Overall an extremely attractive compilation of Mendelssohn's work in a recent mster-binding. Highly collectable and a beautiful gift ! Ask for multiple images. paperback
1979réf. BIBLIO-48993Mansell Publishing Ltd London first edition thus1979. 4 vols cloth gilt cover titles 4to 29 cm. xxx 664 ix 781 ix 784 ix 862 pp. This set comprises Vol 1. A-C; Vol 2. D-Kn; Vol 3. Ko-Ra; Vol 4. Re-Z. . Original Mendelssohn titles are included in abbbreviated form. The geographic coverage extends beyond South Africa including Namibia Botswana Lesotho and Swaziland. Top edges a trifle duststained otherwise Near Fine. Introductory material is in both English and Afrikaans. Mansell Publishing Ltd, London, first edition thus,1979 hardcover
2018réf. x-1138552763Taylor & Francis 2018. Hardcover. New. 242 pages. 9.21x6.14x1.18 inches. Taylor & Francis hardcover
réf. alb438a6e1e2a80e508Mendelsohn A. L. On the Strengthening of Memory. In Russian /Mendelson A. L. Ob ukreplenii pamyati. 4th edition. Leningrad Pravda. 1930. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. The delivery of this book might be delayed beyond the usual timeframe due to extended processing and preparation before shipment, and faster shipping opSKUalb438a6e1e2a80e508
réf. albc4b42109d4abf839Mendelsohn A.L. Marriage Choice and the Improvement of the Human Race. Eugenic Considerations. In Russian /Mendelson A.L. Brachnyy vybor i uluchshenie chelovecheskoy rasy. Evgenicheskie soobraeniya. Reproduction of the 1930 edition. Leningradskaya Pravda. 1930. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. The delivery of this book might be delayed beyond the usual timeframe due to extended processing and preparation before shipment, and faster shipping options are not offered. Please inform us if you need the order by a certain date or have a deadline. SKUalbc4b42109d4abf839
réf. alb5d252f55b47909fbMendelsohn A.L. Shyness and Fighting it. In Russian /Mendelson A.L. Zastenchivost i borba s ney. Leningrad Leningrad Pravda 1928. 32 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb5d252f55b47909fb.
réf. albbed8aa88868eca73Mendelsohn A.S. Cost and Price. In Russian /Mendelson A.S. Stoimost i tsena. Theoretical Essay. Moscow. Publishing House of Economic Literature 1963. 118 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbbed8aa88868eca73.
1985réf. BN425190Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag Günther Holzboog 1985. 1985. Schriften zum Judentum IV Gesammelte Schriften; Teil: Bd. 101. Schriften zum Judentum IV Gesammelte Schriften; Teil: Bd. 101. Moses Mendelssohn Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag (Günther Holzboog) unknown
1789Mm 115x180 Volume di pp. LI-440, legatura in mezza pelle, 4 incisioni, fioriture nel testo, tracce di macchia al taglio superiore di alcune pp. Ex-libris al contropiatto anteriore. Opera in buone condizioni.
2005réf. x-1843711079Thoemmes Pr 2005. Hardcover. New. 1789 ed edition. 212 pages. 9.00x5.75x1.00 inches. Thoemmes Pr hardcover
1830réf. 28108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." ". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown
1833réf. 29636Bonn: N. Simrock PN 3045 1833. Folio. Unbound. Violino 1mo: 1 title 2-13 i blank Violino 2do: 11 i blank Viola 1ma: 11 i blank Viola 2da: 11 i blank Violoncello: 11 i blank pp. Engraved throughout. Slightly worn and browned; binder's hole to upper inner margin; early manuscript initial "A" and the number "5" to first page of music of each part. First Edition. Scarce. Wehner p. 275. Catalogue of the Mendelssohn papers III 634. Hoboken 10 144. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." "Of the two string quintets the first op. 18 in A begins with a graceful Mozartian theme somewhat reminiscent of the Clarinet Quintet K581. The use of fugal writing and in the original minuet intricate double canons imbued the first version of this work with a severely academic quality; in 1832 Mendelssohn replaced the minuet with the emotionally charged Intermezzo in memory of Eduard Ritez." R. Larry Todd in Grove Music Online. N. Simrock [PN 3045] unknown
1830réf. 28108Leipsic: Breitkopf & Härtel PN 4980 1830. Folio. Disbound. Violino 1: 1f. title 3 "Thema": song op. 9 no. 1 for voice and piano 4-13 i blank pp.; Violino 2: 9 i blank pp.; Viola: 10 pp.; Violoncello: 8 pp. Title lithographed; music engraved. Somewhat soiled and foxed; dampstained and with binder's holes to inner margin; contemporary signature "Lemke" in ink trimmed and "2" in manuscript at upper right corner of title; "F. Mendelssohn" in ink in another hand to upper right corner of first page of each part. First Edition. MWV R22 p. 276. Hoboken 10 132 spelled "Quator" and with publisher's handstamp to title. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." ". Between 1827 and 1847 he composed six string quartets and had begun work on a seventh at the end of his life. The first two op. 13 in A minor 1827 and op. 12 in Eb 1829 show a rapprochement with the late quartets of Beethoven. To the Swedish musician Adolf Lindblad Mendelssohn explained his concern for the organic relationship of the various movements to the whole. In op. 13 the quintessential thematic material is drawn from the lied Frage op. 9 no. 1 with explicit quotations from the song in the outer and more hidden references in the inner movements of the quartet." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 4980] unknown books
1833réf. 29636Bonn: N. Simrock PN 3045 1833. Folio. Unbound. Violino 1mo: 1 title 2-13 i blank Violino 2do: 11 i blank Viola 1ma: 11 i blank Viola 2da: 11 i blank Violoncello: 11 i blank pp. Engraved throughout. Slightly worn and browned; binder's hole to upper inner margin; early manuscript initial "A" and the number "5" to first page of music of each part. First Edition. Scarce. Wehner p. 275. Catalogue of the Mendelssohn papers III 634. Hoboken 10 144. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber." "Of the two string quintets the first op. 18 in A begins with a graceful Mozartian theme somewhat reminiscent of the Clarinet Quintet K581. The use of fugal writing and in the original minuet intricate double canons imbued the first version of this work with a severely academic quality; in 1832 Mendelssohn replaced the minuet with the emotionally charged Intermezzo in memory of Eduard Ritez." R. Larry Todd in Grove Music Online. N. Simrock [PN 3045] unknown books
1968réf. 376391London: Holland Press 1968. Third Edition Limited. Hardcover. 2 Volumes. Fine cloth copies in a near-fine very slightly edge-dulled dust wrappers now mylar-sleeved. Remains particularly well-preserved overall; tight bright clean and strong.Limited to 300 copies. Physical description: 2 volumes. Subjects: South Africa History. South Africa; Bibliography. Transvaal South Africa; Bibliography. London: Holland Press hardcover
1870réf. 241691870 Felix Mendelssohn Songs Without Words Romantic Piano MUSIC German Lieder Felix Mendelssohn was a 19th-century Romantic composer known for his symphonies famed oratorios chamber music and incidental music. One of his most recognized works perhaps his most iconic is 'Songs Without Words'. In 1829 Mendelssohn began working a series of piano solo works which were similar in style to the German 'lieder' or song; however Mendelssohn instead of including a vocal line had the melody played by the piano itself thus making these songs 'songs without words'. This edition of Mendelssohn's famed 'Songs' includes the 5 of the books each with six songs along with a number of separate piano works that were not organized with an opus number. Works found in this edition include: <!-- if !supportLists-->· <!--endif-->Book 2 Op. 30 <!-- if !supportLists-->· <!--endif-->Book 4 Op. 53 <!-- if !supportLists-->· <!--endif-->Book 5 Op. 62 <!-- if !supportLists-->· <!--endif-->Book 6 Op. 67 <!-- if !supportLists-->· <!--endif-->Book 7 Op. 85 <!-- if !supportLists-->· <!--endif-->Likely not by Mendelssohn – these 3 do not appear in complete lists of Mendelssohn works <!-- if !supportLists-->o <!--endif-->Andante in F-sharp minor Fr. 1.50 <!-- if !supportLists-->o <!--endif-->Allegro Vivace in E major <!-- if !supportLists-->o <!--endif-->"Barcarola" Allegro non troppo A major <!-- if !supportLists-->· <!--endif-->Scherzo in B minor WoO 2 Item number: #24169 Price: $499 MENDELSSOHN Felix Songs Without Words London: Chez J.A. Novello Bonn bei N. Simrock ca. 1870. Details: <!-- if !supportLists-->· <!--endif-->Collation: complete with all pages <!-- if !supportLists-->o <!--endif-->Each musical piece with separate pagination <!-- if !supportLists-->· <!--endif-->Language: German <!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure <!-- if !supportLists-->· <!--endif-->Size: ~13in X 10in 33cm x 25cm Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! 24169 Photos available upon request. J.A. Novello Bonn bei N. Simrock hardcover
1780réf. 43258Carlsruhe: im Verlag der Schmiederischen Buchhandlung 1780. No Date 1780s. Period laquered boards with leather spine label. 12mo. XXIV 278; 283 pages. In German. Title translates as “Writings.” Includes 2 different title vignettes 1 on each title page. Goedeke IV 1 488 6. Meyer 108; Dorn 105-107; Holzmann/Bohatta Deutsches Anomymen-Lexikon IV no. 1559. Early printing of Mendelssohn’s second work in which he "began his formulation of a new psychological theory that stressed the autonomy of aesthetics logic and ethics relative to each other." Merriam-Webster's Encyclopedia of World Religions p. 710. Contents: Vol. 1. Vorrede. I. Ueber die Empfindungen. II. Gespräche; Vol. 2. I. Rhapsodie oder Zusätze zu den Briefen über die Empfindungen. II. Ueber die Hauptgrundsätze der schönen Künste und Wissenschaften. III. Ueber das Erhabene und Naive in den schönen Wissenschaften. IV. Ueber die Wahrscheinlichkeit. Also includes bibliographical references. Included within these is a series of writings on aesthetics which influenced Lessing and Schiller with Lessing noting“We have to thank him Mendelssohn for the true theory of mixed sensations.” Moses Mendelssohn Moses of Dessau; 1729–1786 was a philosopher of the German Enlightenment in the pre-Kantian period early Maskil and a renowned Jewish figure in the 18th century. Mendelssohn was fluent in German and Hebrew and learned Latin Greek English French and Italian. His early teachers were young broadly educated Jews and he met the writer and dramatist G.E. Lessing 1754 and a deep and lifelong friendship developed between them. Throughout his life he worked as a merchant while carrying out his literary activities and widespread correspondence in his free time. In 1754 Mendelssohn began to publish – at first with the assistance of Lessing – philosophical writings and later also literary reviews. He also started a few literary projects for example the short-lived periodical Kohelet Musar in order to enrich and change Jewish culture and took part in the early Haskalah. In 1763 he was awarded the first prize of the Prussian Royal Academy of Sciences for his work Abhandlung über die Evidenz in metaphysischen Wissenschaften "Treatise on Evidence in Metaphysical Knowledge". However when the academy elected him as a member in 1771 King Frederick II refused to ratify its decision. In 1769 he became embroiled in a dispute on the Jewish religion and from then on he confined most of his literary activity to the sphere of Judaism. His most notable and enduring works in this area included the translation into German and commentary on the Pentateuch Sefer Netivot ha-Shalom "Book of the Paths of Peace" 1780–83 and his Jerusalem: oder Ueber religiöse Macht und Judenthum "Jerusalem or On Religious Power and Judaism" 1783 this work the first polemical defense of Judaism in the German language and one of the pioneering works of modern Jewish philosophy. An active intermediary on behalf of his own people in difficult times and a participant in their struggle for equal rights he was at the same time a forceful defender of the Enlightenment against the opposition to it which gained strength toward the end of his life. In the midst of a literary battle against one of the leading figures of the counter-Enlightenment he died in 1786 EJ. SUBJECTS: Philosophy -- Early works to 1800. Philosophie -- Ouvrages avant 1800. Philosophy. OCLC: 1352546328. Light wear to original boards more so at spine but solid and attractive light spotting as expected About Very Good- Condition an attractive 18th Century copy. B KH-10-31. Carlsruhe: im Verlag der Schmiederischen Buchhandlung unknown
1979réf. 79015Hildesheim / New York: Olms 1979. Hardcover. Reprint of the 1764-1767 Leipzig edition in 14 volumes here reissued in 12 volumes plus appendix and register bound in 6 books. Text in German. In very good condition. See picture. ISBN 1: 3487066602 2: 3487066610 3: 3487066629 4: 3487066637 5: 3487066645 6: 3487066653 Olms hardcover
1772réf. 43257Paris et Bayeux chez Saillant et Lepelley 1772. 1st French-language edition. Period full leather binding with gilt spine and red edges with original marbled endpapers 8vo. Includes frontis copperplate etching. XXIV 342 1 pages. “Traduit de l’Allemand par M. Junker de l’Académie des Belles-Lettres de Goettingen.” This first French edition appeared 5 years after the first German edition of 1767 "Phaedon or On the Immortality of the Soul" Phaedon Oder Ueber Die Unsterblichkeit Der Seele In Drey Gespraechen is one of Mendelssohn's 1729-1786 most famous publications establishing his reputation as the "German Socrates of Berlin." It is a philosophical interpretation of the Platonic dialogue "Phaedo" and is preceded by a biography on "The Life and Character of Socrates." The important German-Jewish philosopher was one of the most important representatives of the Enlightenment in Prussia and throughout Germany. Mendelssohn's Phaedon is a “classic of rational psychology on the immortality of the human soul a defining work by this leading enlightenment philosopher who launched the Jewish thinking of the modern age" with his tribute to Socrates modeled on Plato's dialogue the Phaedo. Mendelssohn used Plato's famous dialogue the Phaedo as a model to publish Phädon oder über die Unsterblichkeit der Seele. With this seminal work "he reached the heights of fame" Wigoder Dictionary of Jewish Biography 342. The work unites Mendelssohn's "paean to Socrates with an elaboration of the dreadful personal moral and political implications if a person's life is her 'highest good'… This 'classic of rational psychology' as Dilthey put it also contains an argument for the simplicity and immortality of the human soul explicitly singled out for criticism by Kant in the 2nd edition of the Critique of Pure Reason. Mendelssohn supports the notion that the soul is simple and thus indestructible by noting that certain features of the soul namely the unifying character of consciousness and the identity of self-consciousness cannot be derived from anything composite whether those composite parts be capable or not of thinking… As for the human soul's fate after death Mendelssohn appeals to divine goodness and providence which perhaps explains why following the publication of the Phaedo he finds himself needing to revisit the proofs for God's existence" Stanford Encyclopedia. According to Mendelssohn’s modern biographer Alexander Altmann “The work that would establish Mendelssohn's world-wide renown and win him the title 'the German Socrates' was the dialogue Phaedon which was published in 1767. In this work he presented Socratic wisdom from the mouth of the ancient philosopher but in the language of the Enlightenment that is in his own words as a modern philosopher. The work drew both praise and criticism but was on the whole popular in intellectual circles. It demonstrates Mendelssohn's unique ability as a Jew to be comfortable in the realm of both classical and enlightened philosophy not to mention languages. David Sorkin remarks ‘What is ironic is that Mendelssohn was known and revered as much for the quality of his prose as for his thought.” Mendelssohn was himself often referred to as the German Plato or the German Socrates. And “As a Jew living in Germany Moses Mendelssohn 1729-1786 stands at a pivotal point in the history of Jewish emancipation in Europe. There were Jews before him who had access to the corridors of power in Germany and elsewhere in Europe but Mendelssohn represents the first to be socially accepted to a significant extent within enlightened German culture without converting. He not only conformed to the culture of the German Enlightenment in many ways but also helped shape the culture through his philosophical contributions. At the same time Mendelssohn refused to turn away from traditional Judaism. He attempted to become a full- fledged member of society during the emergence of modern Europe while remaining a proponent of Judaism as a revealed religion. Moreover he sought to use his place of influence to encourage Jewish acculturation in Germany and to speak on behalf of the emancipation of Jewish people…. The traditional mentality of the European Jews prior to Mendelssohn's time included a kind of resignation to the incompatibility of Jewish learning and 'worldly' philosophy. This resignation contributed to Jewish cultural isolation. Alfred Jospe describes the conundrum in which a Jew found himself if he wished to enter the culture of the non-Jewish world: The Jew could gain access to the culture of the world only by rebelling against the traditional repudiation of all mundane wisdom. It is just at this point that Mendelssohn broke the mold. He not only acquired modern German culture but did so by means of his understanding of and contributions to the philosophy that shaped that culture. In his monumental biographical study Alexander Altmann focuses as much on Mendelssohn's philosophy and his answers to contemporary critics as he does on the details of the events and influences of his life. Altmann states with appropriate admiration that “Considering the state of degradation in which the Jewish population lived in eighteenth-century Germany. Mendelssohn's rise to fame and his acceptance into the republic of letters was an amazing feat of personal achievement.” The amazing feature of Mendelssohn's achievement is that he accomplished it as an avowedly traditional Jew. Mendelssohn has been rightly described as a rabbinic scholar but he made his reputation in non-Jewish intellectual circles as a literary critic and philosopher….with the help of both Gotthold Lessing and the Berlin publisher Friedrich Nicolai he was accepted into the inner circle of the Berlin Aufklärung. His essays reviews and translations earned him tremendous status among German intellectuals. The favorable comparison made by Lessing between the quintessential German poet Goethe and Mendelssohn is a mark of the esteem in which he was held. ‘Lessing told Friedrich Heinrich Jacobi that once Goethe regained his reason he would be hardly more than an ordinary man. At the very same time he said of Mendelssohn that he was the most lucid thinker the most excellent philosopher and the best literary critic of the century’" Clark 2005. P. 57-58. OCLC: 19939219. Very light edgewear to front endpapers touch of spotting a gorgeous copy in the original leather binding with tooled gilt spine with raised bands and leather label. Beautiful and scarce. B KH-10-30-RLB-’e. Paris et Bayeux, chez Saillant et Lepelley unknown
1767réf. 52885Amsterdam 1767. Vermehret mit den zweifeln und dem Orakel über die Bestimmung des Menschen von eben diesem Verfasser Frühe Besitzereinträge auf Vorsatzbl. Neue Ausgabe Kl.-8°. Pbd. d. Zt. Philosophie unknown
1985réf. BN424608Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag Günther Holzboog 1985. 1985. Schriften zum Judentum IV Gesammelte Schriften; Teil: Bd. 102. Schriften zum Judentum IV Gesammelte Schriften; Teil: Bd. 102. Moses Mendelssohn Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag (Günther Holzboog) unknown
1787réf. 2948München [d.i. Frankfurt a. M., Esslinger], 1787. 8°. Gest. Frontispiz, 116 S. Kartonage d. Zt., Rücken überklebt.
1772réf. 42123A Paris, chez Saillant et à Bayeux, chez Lepelley, 1772. In-8 de 1 frontispice gravé, (4)-XXIV-342-(2) pp., veau marbré glacé, dos lisse orné, pièce de titre en maroquin rouge (reliure de l'époque).
réf. 1p2631_2Reprint bei Olms Hildesheim 1979. Zusammen 5292/291 S. Pappbände. - Neuwertig verlagsfrisch verpackt. Nach der Ausgabe Leipzig 1759-62 - unknown