1.819 Ergebnisse
2016Best.-Nr. x-0719097177Manchester Univ Pr 2016. Hardcover. New. 1st edition. 224 pages. 9.00x6.00x1.00 inches. Manchester Univ Pr hardcover
1979Best.-Nr. 138954Sydney: Copperfield Publishing 1979. 1st edition. Nice copy. folio. full leather 284pp. col. & b/w pls. appends. bibliog. index No. 42 of 275 copies signed by author. Inc. many tipped-in colour plates some folding. Deluxe Issue bound in original full grain morocco. Spine with 4 raised bands with bright gilt titles at spine & upper board Copperfield Publishing hardcover
Best.-Nr. BN352790Hellerau 1993. Hellerau. Mein unverlierbares Europa. Hellerau. Mein unverlierbares Europa. de Mendelssohn Peter Hellerau, 1993 unknown
1852Best.-Nr. 954F48Berlin: N. Simrock 1852 . First edition. Cloth. Very Good Indeed. 13" by 10.5". None. A very scarce first edition later issue of Felix Mendelssohn's hymn for alto voice choir and orchestra inspired by the 13th Psalm. In the original German.A first edition later issue as identified by the price to the title page being given in marks. Printed from the original plates.The work of German composer pianist organist and conductor of the early Romantic period Felix Mendelssohn.An anthem for a Mezzo-soprano solo with chorus on the subject of the 13th Psalm.The music was originally composed to Charles Bayles Broadley's metrical paraphrase of the 13th Psalm.Contemporary bookseller's stamp to title page tail.An excellent example of this very scarce vocal score. In cloth covered boards. Externally very smart with light fraying to head of back strip and faint marks to centre of front board. Internally firmly bound. Spotting to title page with a touch of spotting to heads of leaves of final 20 leaves. Light edgewear to leaf heads with the odd small closed tear. Instances of light marginal pencil notations. Contemporary bookseller's stamp to title page tail.w Very Good Indeed N. Simrock hardcover
2009Best.-Nr. __3761821166Bärenreiter 2009. Hardcover. New. facsimile ed edition. 112 pages. 14.49x10.47x0.79 inches. Bärenreiter hardcover
1825Best.-Nr. 42471London: Longman Hurst Rees Orme Brown And Green 1825. Hardcover. 1st edition. Later cloth 8vo. 171 pages 22 cm. In English. The first English Biography of Moses Mendelssohn founder of the Jewish Enlightenment or Haskalah See S. Feiner "Moses Mendelssohn: The First English Biography and Translations in: Journal of the History of Philosophy 2004 pp. 112-13. Moses Samuel London 1795 Liverpool 1860 was a clockmaker translator of Hebrew works and writer. SUBJECTS: Christianity and other religions Judaism. Ex-library with usual marks. Otherwise Very Good Condition. RAB-65-5A-RBDEL. London: Longman, Hurst, Rees, Orme, Brown, And Green hardcover
1957Best.-Nr. i5iyThe Holland Press Arco Publishing 1957. 2nd Edition. Hardcover. Good/Poor. Limited to 500 copies. 2 Volume set. The jacket of both volumes are heavily edge worn with creasing browning small closed tears and small chips. The boards of both volumes are edge rubbed with scuffing along the edges. The binding of both volumes remain secure. Bookplate of a previous owner on the front paste down of both volumes The pages of both volumes are browned due to age. There are no ink inscriptions or annotations in either of the volumes. Both volumes are protected in cellophane. Heavy set extra postage may be required. JHK. Our orders are shipped using tracked courier delivery services. The Holland Press, Arco Publishing hardcover
1793Best.-Nr. 47688Berlin:: In der Vossischen Buchhandlung 1793. Second edition. contemporary paper-covered boards. Old private ownership stamp and signature on title page which is slightly stained; front joint and corners rubbed; but tight and sound. . 12mo. In der Vossischen Buchhandlung, hardcover
1852Best.-Nr. 36207Leipzig: Breitkopf & Härtel PN 7884 1852. Folio. Original publisher's yellow wrappers. 1f. recto title verso blank 3-51 i blank pp. Engraved. Overture with plate number 7899 from the piano-vocal score. With publisher's catalog "Publications Nouvelles pour le Pianoforte" to verso of lower wrapper. Wrappers somewhat worn soiled and split. Slightly worn and browned; occasional foxing. First Edition. MWV M16 p. 213. Scarce 1 copy only located in the U.S. at the Carnegie Library Pittsburgh. Not in Krause Catalogue of the Mendelssohn Papers in the Bodleian Library or Hoboken. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7884] unknown books
1852Best.-Nr. 36207Leipzig: Breitkopf & Härtel PN 7884 1852. Folio. Original publisher's yellow wrappers. 1f. recto title verso blank 3-51 i blank pp. Engraved. Overture with plate number 7899 from the piano-vocal score. With publisher's catalog "Publications Nouvelles pour le Pianoforte" to verso of lower wrapper. Wrappers somewhat worn soiled and split. Slightly worn and browned; occasional foxing. First Edition. MWV M16 p. 213. Scarce 1 copy only located in the U.S. at the Carnegie Library Pittsburgh. Not in Krause Catalogue of the Mendelssohn Papers in the Bodleian Library or Hoboken. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7884] unknown
1851Best.-Nr. 36208Leipzig: Breitkopf & Härtel PN 7899 1851. Folio. Original publisher's brown wrappers with titling within decorative border. 1f. recto title verso blank 3-93 i blank pp. Engraved. Text in German and French. Scharfenberg & Luis New York handstamp to blank lower margin of upper wrapper and again to lower margin of title along with publisher's stamp. Wrappers quite worn and chipped; spine reinforced with tape. Slightly browned; edges of some leaves chipped. First Edition later issue. MWV M16 p. 213. Krause 8. Catalogue of the Mendelssohn Papers in the Bodleian Library III 316. Not in Hoboken. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7899] unknown books
1851Best.-Nr. 36208Leipzig: Breitkopf & Härtel PN 7899 1851. Folio. Original publisher's brown wrappers with titling within decorative border. 1f. recto title verso blank 3-93 i blank pp. Engraved. Text in German and French. Scharfenberg & Luis New York handstamp to blank lower margin of upper wrapper and again to lower margin of title along with publisher's stamp. Wrappers quite worn and chipped; spine reinforced with tape. Slightly browned; edges of some leaves chipped. First Edition later issue. MWV M16 p. 213. Krause 8. Catalogue of the Mendelssohn Papers in the Bodleian Library III 316. Not in Hoboken. Mendelssohn composed his incidental music for a production of Jean Racine's Athalie 1691 commissioned by King Friedrich Wilhelm IV of Prussia. It was staged for the court at the Charlottenburg Palace in Berlin on 1 December 1845. "Though little-known today the music for Athalie merits performance. Especially striking are Mendelssohn's paraphrases of chorales including Ach Gott vom Himmel sieh' darein and in a scene in which the high priest Joad describes a vision of the New Jerusalem Vom Himmel hoch. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN 7899] unknown
1818Best.-Nr. 278783Wien: Schmid 1818. Boards. Good. 435 pp. frontispeice portrait of Mendelssohn tipped in and illustration on title page new blue boards and new endpapers and hinges some dog eared pages Sepher Nethivoth Hashalom more commonly known as the Bi'ur is Moses Mendelssohn's revolutionary translation of the Pentateuch. Mendelsson translated the Pentateuch into German using Hebrew characters while the commentary was composed in Hebrew. The commentary aimed to explain the translation choices made by Mendelssohn and drew heavily on traditional medieval Jewish Bible commentators.Kestenbaum entry Was originally published in 1783 OCLC Number: 937074293 Schmid hardcover
Best.-Nr. PHIL2471Wien Mich. Schmidl's sel. Witwe & Jg. Klang 1838. gr.-8°. Gest. Front.-Portr. nach A. Graff 2 Bl. 1016 S. 4 Bl. schwarzer Orig.-Halblederband mit goldgepr. Rückentitel u. Romantiker Rückenverz. mit goldgepr. Fileten umlauf. Marmorschnitt das Porträt mäßig stockfleckig ansonsten überaus frisch und wohlerhalten. Goed. IV/149123; Meyer Mendelssohn 67; Hirschberg 52. Erste rechtmäßige Gesamtausgabe unter Einschluß der Briefe u. Übersetzungen hrsg. von Franz Gräffer. Wien, Mich. Schmidl's sel. Witwe & Jg. Klang 1838. unknown
1997Best.-Nr. DADAX0521573831Cambridge University Press 1997-05-13. First Edition. hardcover. New. 6.50x1.00x9.50. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press hardcover
1860Best.-Nr. 7582234 pieces full page titles with decorative text full page music advertisements. Mendelssohn's The Wedding March; Handel's Dead March in Saul; Les Hirondelles Variations Brillantes; Songs: Another Day Silcher's The Mill Wheel English Version Sullivan's The Lost Chord; Overtures: The Bohemian Girl Zampa Der Freischutz Nicolai's The Merry Wives of Windsor Rossini's Guillaume Tell; Airs: Scotch English French Irish Welsh German; Joy Bells; Blumenlied; "The Robin's Return" Caprice; Home Sweet Home; Suite de Danses - No.2 and No.3; Andante in G; Sullivan's The Absent Minded Beggar ; Sydney Smiths' The Lily of the Valley Mazurka; The Last Rose of Summer; Olden Times - March Antiqute; Sousa's The Washington Post March; Air; Les Cloches du Monastere; 'Home' Air; Handel's The Harmonious Blacksmith; March for Piano Solo Published by Joseph Williams, B. Williams, Howey & Co, Boosey & Co; Augener & Co and others hardcover
Best.-Nr. 6h10259Friedrich Maurer Verlag Bln. 1783. XII/354 Seiten mit einer Titel- und einer Schlussvignette Halbleder auf 4 Schmuckbünden und mit einem Rückenschildchen bestossen/etwas fleckig und gebräunt/Name auf Titel und Vorsatz. - gutes Exemplar - unknown
Best.-Nr. 9a274Voß Bln. 1771. XXII S./278 S. mit 1 in Kupfer gestoch. Frontispiz sowie 1 Titelvignette original Leder bst./alte Magnalien auf Vorsatz/Rücken gering einger. unknown
1877Best.-Nr. 31871Paris: S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland 1877. Hardcover. g. Folio. Half calf over marbled paper covered boards with gold lettering on spines. Remarkable collection of 8 musical scores from some of the most acclaimed composers of the 18th and 19th centuries. Each volume contains the musical score for each of the instruments featured in the various Quatuors First volume: Piano; Second volume: Violin; Third volume: Alto; Fourth volume: Cello. Moderate rubbing along edges of binding and on spines. Minor and sporadic foxing throughout. Title pages in French. Bindings in overall good- to good interior in good to very good condition. S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland hardcover books
Best.-Nr. elala2765Frankfurt & Leipzig: 1791. 8vo. pp. xii 371. woodcut tailpiece & title vignette. contemporary quarter calf spine richly gilt covers rubbed flyleaves wanting inkstain on title some foxing throughout Frankfurt & Leipzig: 1791 unknown
1877Best.-Nr. 31871Paris: S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland 1877. Hardcover. g. Folio. Half calf over marbled paper covered boards with gold lettering on spines. Remarkable collection of 8 musical scores from some of the most acclaimed composers of the 18th and 19th centuries. Each volume contains the musical score for each of the instruments featured in the various Quatuors First volume: Piano; Second volume: Violin; Third volume: Alto; Fourth volume: Cello. Moderate rubbing along edges of binding and on spines. Minor and sporadic foxing throughout. Title pages in French. Bindings in overall good- to good interior in good to very good condition. S. Richault; Au Ménestrel; Colombier; Maison G. Flaxland hardcover
1953Best.-Nr. 032862Amsterdam: Stichting Physica 1953. First Separate Edition . Soft cover. Near Fine. Frontispiece Group Photograph. Pp 745-908. Publisher's Wrappers Printed In Gray. Photographic Plate Of Group Participants At Front With Each Identified. Text In English Including Extensive Comments By Participants On Each Of The Papers. First Printing. The Personal Copy Of Conference Participant Jan Korringa Not Marked As Such But With His Marker At His Article.Just A Touch Of Wear Browning To Spine. Stichting Physica paperback
1974Best.-Nr. BN427412Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag Günther Holzboog 1974. 1974. Schriften zum Judentum I Gesammelte Schriften; Teil: Bd. 7. Schriften zum Judentum I Gesammelte Schriften; Teil: Bd. 7. Moses Mendelssohn Stuttgart-Bad Cannstatt : Friedrich Frommann Verlag (Günther Holzboog) unknown
1957Best.-Nr. 22rgThe Holland Press London/ Arco Publications 1957. Limited 2nd Edition. Hardcover. Very Good/Good. Two volumes complete. Unnumbered copies of a limited edition of 500 copies. From the library of Edna and Frank Bradlow the Africana bibliophiles and historians. Mild-mannered copies. Volume I: 1008 pages. Included an ex-libris adhesive plate for Sidney Mendelssohn. The dustjacket is worn about all edges and seams. It is scuffed marked. It is also comfortable and secure. Linen coloured boards neat sturdy and sound. The pagetrims have some shelving marks. The contents have some occasional blots of foxing some pages have freckles of foxing along the top trims. They are otherwise tight clean clear confident most conscientious and diligent certain amenable. Volume II: The dustjacket has a clear cellophane protective cover. The dj has wear about the edges some shelving creases and scuffing and marks. It is otherwise secure and sure. The linen covered boards are healthy sound sure. The paper trims have some light shelving marks. The pages are clean clear healthy assured confident diligent neat orderly assiduous amenable. Please note that due to the weight of the books should they need be posted to the outside of South Africa extra postal charges may be required. fk. Our orders are shipped using tracked courier delivery services. The Holland Press, London/ Arco Publications hardcover
Best.-Nr. DADAX0195394380New unknown
