Francesco PalermoBiblio.com
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réf. 0282827676.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259524514.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0260666092.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1978réf. 3160Palermo: Centro di studi filologici e linguistici siciliani 1978. First Edition. Fine. Large 8vo. 263 4 pp. Original wrappers edges almost entirely uncut. Illustrated with 18 full-page photographic plates of high quality. NOT ex-library! Scarce catalogue of fifteenth century books in the Municipal Library of Palermo a formidable collection of 1038 incunables plus three in the Appendix for which see below. Ours appears to be the only copy currently on the market. Admirably compiled by Giuseppina Li Calsi 1917-2001 the work contains 18 useful images of genuinely rare incunables; in other words this is a catalogue for serious scholars. The collection contains at least three "unica": 1. Andreas de Escobar "Modus confitendi" Rome: Printer of 'Mercuriales Quaestiones' Theobaldus Schencbecher about 1473 -- Li Calsi's Appendice I & Tav. VIa-b; 2. Indulgentiae ecclesiarum principalium urbis Romae Rome: Printer of 'Mercuriales Quaestiones' Theobaldus Schencbecher about 1473 -- Li Calsi's Appendice II; 3. Virgil Opera Milan: Antonius Zarotus for Johannes de Legnano 25 Feb. 1485 -- Li Calsi's no. 1015 & Tav. Va-b. This work appeared as Volume 4 Supplement of the Bollettino of the Centro di studi filologici e linguistici siciliani. It is not to be confused with her colleague Anna Maria Dotto's "Catalogo degli incunabuli della Biblioteca nazionale di Palermo" 1971. ¶ From the famed Bibliotheca Bibliographica Breslaueriana sale at Christies NY 2005 lot 1255. Centro di studi filologici e linguistici siciliani unknown
2015réf. __0520282469Univ of California Pr 2015. Hardcover. New. 251 pages. 10.00x7.25x0.75 inches. Univ of California Pr hardcover
réf. 0267867263.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0243860617.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259340073.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259404616.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008réf. 202749University Park PA: Pennsylvania State University Press 2008. Softcover. VG: Exlibrary book. Stamp on the top text block. Stamp on the front free end page. Stamp sticker and due date card on the back pasted end page. Sticker at the base of the spine. Glossy white softcover book with the title printed in blue and in red down the spine. Pages: 10 ix-xvii 1 1-269. Profusely illustrated with a mix of black-and-white and color images. "Fixed Ecstasy advances a fundamentally new understanding of Miró's enterprise in the 1920s and of the most important works of his career. Without a doubt Joan Miró 1893-1983 is one of the leading artists of the early twentieth century to be ranked alongside such artists as Picasso Matisse Mondrian and Pollock in his contributions to modernist painting. Still Miró's work has eluded easy classification. He is best known as a Surrealist but as Charles Palermo demonstrates Miró's early years in Barcelona and Paris require a revisionist account of Miró's development and his place in modernism. Palermo's arguments are based on new research into Miró's relations with the rue Blomet group of writers and artists as well as on close readings of the techniques and formal structures of Miró's early drawings and paintings. Chapter by chapter Palermo unfolds a narrative that makes a cogent argument for freeing Miró from long-standing dependence on Surrealism with its strong emphasis on dreams and the unconscious. Miró along with associates such as Georges Bataille Carl Einstein and Michel Leiris pressed representation to its limit at the verge of an ecstatic identification with the world." Contents are as follows: Introduction: silence in painting -- Calligraphy: vine and sundial -- Extension: toys and rainbows -- Stroke: medium and compass -- Entering painting's thickness: translucence and turning -- Suicide: Leiris and Siriel -- Conclusion: Miró in silence. Pennsylvania State University Press paperback
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