56.672 resultados
1792ref. 21136Parma 1792. 12mo. Bodoni 19th-century gold- and blind-tooled mottled calf by Loutrel with a pink morocco title label on the spine lettered in gold a blind-tooled single fillet border on both boards fleurons on the spine head edge gilt marbled endpapers. 2 volumes. 44 25 bis. - 44 bis. 45-144; 8 168 pp. Extremely rare imprint limited to only 25 copies all printed on "paper vélin". This copy nearly matches one recorded in the BNF. However ours has additional title pages to both parts both of which carry the author's name as well as the supplementary pages 25 bis. - 44 bis. which are lacking in the BNF copy.Simon Pierre Mérard de Saint-Just 1749-1812 was a rich French nobleman who was in charge of the residence of the future Louis XIII for several years. After retiring from his public duties in 1782 he concentrated on both book collecting and literary pursuits. He who wrote primarily for his own enjoyment and issued his works in very limited editions. The present work contains fables and short stories on animals humans and emotions many of which are adapted or translated from the writings of John Gay 1685-1732 who Mérard calls "the British La Fontaine" in the introduction.The imprint is almost certainly fictitious as several fables bear dates as late as 1794 while the epilogue is dated 1795 in the table of contents. The work was most likely printed in Paris in of after 1795 though a connection with Giambattista Bodoni cannot be entirely ruled out. Copies dated 1787 and 1799 are also known but it remains unclear whether these are different editions or merely issues with different title pages.With the stamp of the bookbinder on the verso of the first free flyleaf of the first volume. Occasionally mildly foxed or stained the fore edge and lower margins are untrimmed. Otherwise in excellent condition.l Cioranescu 44414; Monglond II 370; Quérard VI 52; not in Brooks. hardcover
1814ref. 153276Paris: Mme Ve Courcier 1814. The cornerstone for all subsequent work on probability Second edition revised by the author from the first edition of 1812; "the cornerstone for all subsequent work on probability" Tomash and Williams. The copy of the Danish statistician Anders Hald 1913-2007 with his ownership signature to front free endpaper. Hald served as professor at the University of Copenhagen from 1960 to 1982. Quarto 254 x 200 mm. Bound with 50 pp. supplement at rear Sur l'Application du calcul des Probabilités à la philosophie naturelle. Recent brown half sheep spine lettered in gilt marbled sides speckled edges. Light rubbing to sheep else binding firm light toning and occasional spotting to contents. A very good copy. unknown
1537ref. 39475Basel: Johannes Hervagen 1537. Folio. 12 1/2 x 8 inches. Augmented edition. a-d4 a-z6 A-Z6 Aa-Dd6 Ee2. 24 1-599 1. 624 pp. Lacking the woodcut world map attributed to Hans Holbein the Younger and Sebastian Münster. Woodcut printer's devices on title and verso of last leaf historiated initials head and tail pieces woodcut illustrations on pp. 127-29. Title Contents Dedication Grynaeus's Text Index Texts. Contemporary ink manuscript annotations in margins. Contemporary full limp vellum with brown ink manuscript title on spine and remanants of two pairs of leather ties with pill-shaped watermark on laid paper a blue cloth clamshell box with gilt-lettered leather titling-piece on spine A fine example of the most influential collection of early sixteenth-century travel literature. Besides the three voyages of Columbus the present work includes descriptions of those of Petrus Alonzo and Pinzo three of Vespucci's four voyages and Peter Martyr's De Insulis Nuper Inventis. According to Borba the present edition is the first to contain the letter of Maximilian of Transylvania reporting the news of Magellan's voyage p. 585. This augmented edition holds the second and third letters of Cortes and selected letters of Juan Zumarraga the first Archbishop of Mexico. Though the account of Magellan's voyage was originally published in 1522 in a 16-leaf ephemeral edition of a letter addressed to Charles V its appearance in Grynaeus's collection of voyages marks the first time his landmark discoveries appear in an historical context side-by-side with those of Columbus Vespucci and the Portuguese navigators. Adams G1337. Alden 537/14. Borba I. Burmeister 62. Church 123. Harrisse 223. Sabin 34103. European Americana 537/14. Johannes Hervagen unknown
1537ref. 39475Basel: Johannes Hervagen 1537. Folio. 12 1/2 x 8 inches. Augmented edition. a-d4 a-z6 A-Z6 Aa-Dd6 Ee2. 24 1-599 1. 624 pp. Lacking the woodcut world map attributed to Hans Holbein the Younger and Sebastian Münster. Woodcut printer's devices on title and verso of last leaf historiated initials head and tail pieces woodcut illustrations on pp. 127-29. Title Contents Dedication Grynaeus's Text Index Texts. Contemporary ink manuscript annotations in margins. Contemporary full limp vellum with brown ink manuscript title on spine and remanants of two pairs of leather ties with pill-shaped watermark on laid paper a blue cloth clamshell box with gilt-lettered leather titling-piece on spine A fine example of the most influential collection of early sixteenth-century travel literature. Besides the three voyages of Columbus the present work includes descriptions of those of Petrus Alonzo and Pinzo three of Vespucci's four voyages and Peter Martyr's De Insulis Nuper Inventis. According to Borba the present edition is the first to contain the letter of Maximilian of Transylvania reporting the news of Magellan's voyage p. 585. This augmented edition holds the second and third letters of Cortes and selected letters of Juan Zumarraga the first Archbishop of Mexico. Though the account of Magellan's voyage was originally published in 1522 in a 16-leaf ephemeral edition of a letter addressed to Charles V its appearance in Grynaeus's collection of voyages marks the first time his landmark discoveries appear in an historical context side-by-side with those of Columbus Vespucci and the Portuguese navigators. Adams G1337. Alden 537/14. Borba I. Burmeister 62. Church 123. Harrisse 223. Sabin 34103. European Americana 537/14. Johannes Hervagen unknown books
ref. 110602Paris chez Maradan 1789-93. 4 XXXII 773 3 4 550 2 4 491 1 4 722 2 4 559 1 pp. Atlas volume : 4 pp. 1 large folding engraved map of the Russian Empire by Tardieu 10 other engraved maps 5 folding 97 engraved plates 23 folding by N. Thomas. Conttemporary three calf. Spines gilt with red labels. . First French edition translated by Gauthier de la Peyronie. A fine copy. Peter Simon Pallas 1741-1811 German naturalist and explorer. In 1767 Pallas was invited by Cathrine II of Russia to become a professor at St. Petersburg Academy of Sciences and a year later he led an expedition to South East Russia and Siberia concentrating on natural history and ethnography. He published his major findings from the expedition in 1771-76 under the title; Reise durch verschiedene Provinzen des Russischen Reichs in three volumes. Later translated into Russian French and English. unknown
1587ref. 6397Alcalá de Henares: Juan Gracián 1587. First Edition Primera edición. Alcalá de Henares Juan Gracián 1587. En 4º. 10 105 i.e.103 hojas incluyendo 2 hojas de errata licencia y tasa impresas aparte. Portada con grabado en madera. Encuadernación de principios del siglo XIX en pasta lomera cuajada de dorados y tejuelo en marroquén. Contiene las 2 hojas de errata licencia y tasa no descritas por Palau Catalina García Martín Abad ni ninguna otra bibliografía consultada. Tampoco aparecen registradas estas dos hojas en el Catálogo Colectivo del Patromonio Bibliográfico Español. Primera edición de una de las obras más importantes dedicadas a la lógica que tenemos en español; obra pionera no en vano dice de ella Palau: "Este libro es un caudal de doctrina profunda y un modelo de claridad". A pesar de que en el título se indica "Primera parte" es todo lo publicado. Su segunda parte que trataba sobre la fisiología o filosofía natural así como una tercera parte dedicada a la filosofía moral que ya se anunciaban en esta primera quedó sin imprimir. En la Biblioteca Real se conserva un manuscrito Ms. II/1158 que Mathiela Morreale supone autógrafo y contiene de hecho algunas correcciones y sugerencias sobre diagramas y tablas propias del autor. A partir de la segunda mitad del siglo XVI surge un interés por el estudio y discusión de temas de filosofía y lógica en lengua vernácula. Fue quizá Alessandro Piccolomini uno de los primeros autores en escribir un tratado de lógica publicado en italiano en 1551 con el título "L'instrumento della filosofia". Este comienzo de discutir y transmitir la filosofía en lengua vulgar no fue fácil. Al igual que Piccolomini Simón Abril se tuvo que enfrentar a quienes despreciaban y tenían en poco las ciencias si se hacían en lenguas comunes. No dudó en exigir nuestro autor a las autoridades competentes que llevasen a cabo las reformas necesarias para la difusión de la filosofía en España propuesta que incluía la difusión del conocimiento filosófico más allá de las aulas universitarias. Donde mejor se recogen sus teorías educativas es en "Apuntamentos de cómo se deben reformar las doctrinas y la manera de enseñarlas" 1589 que dirigió a Felipe II. "Lo que procuramos es la propiedad y claridad del lenguaje. especialmente siendo esto lo primero que acerca de esta materia 'la lógica' nace en esta lengua" Simón Abril p.251 Pedro Simón Abril manchego nacido en Alcaraz de La Sierra Albacete 1530-1595 fue procesado por la Universidad de Huesca por enseñar allí las disciplinas de Artes y Filosofía lo que era entonces privilegio único de esa institución académica. Como el maestro se negó a suspender sus enseñanzas fue excomulgado desde los púlpitos y tuvo que ceder finalmente y reducir el estudio a la disciplina de Gramática. Este ejemplo muestra la oposición a su labor que desgraciadamente no tuvo continuidad inmediata ya que sus textos no consiguieron modificar el modo en que se enseñaba y difundía la filosofía científica. Para muchos se trata de un personaje imprescindible del Renacimiento y del humanismo español considerado como el primer divulgador y traductor de diversas obras clásicas además de un gran renovador del teatro de su época. Juan Antonio Pellicer a finales del siglo XVIII lo tenía como el mejor traductor español antiguo. Entre sus traducciones más importantes nos encontramos con textos de Platón Terencio Esopo Cicerón y Aristóteles entre otros. Fue también profesor de griego y latín en la Universidad de Zaragoza donde alcanzó la cátedra y posteriormente de poesía en Tudela. La tercera y última parte del libro acaso la más interesante versa sobre la lógica dedicada a la analítica donde se dan ciertas pautas tocantes a los negocios. El autor escribió además alguna obra de economía: Manuel Colmeiro en su célebre Biblioteca de los Economistas Españoles recoge la cita de Nicolás Antonio en su Biblioteca Hispana de un manuscrito con el título Libro de la tasa del pan y del modo que se debe tener en hacella. Sus estudios e investigaciones relativos a la lógica quedan muy bien expuestos al ver como se plantea su actitud hacia dos visiones enfrentadas del mundo los sistemas ptolemaico y copernicano: "Ponen todos los astrólogos la tierra en el centro del mundo y el sol en el cuarto cielo y los demás cielos por su orden y hacen sus juicios de conjunciones oposiciones eclipses y otras cosas semejantes y salvan las apariencias y salen los juicios verdaderos. Viene Nicolao Copérnico y trueca la suerte y hace el sol centro del mundo y la tierra súbela al cuarto cielo y hácela movible y salva las apariencias y conforme a este presupuesto hace los mismos juicios y sálenle bien". Como vemos Pedro Simón no rechaza la teoría heliocéntrica de Copérnico por motivos religiosos ni filosóficos le parece tan válida como la teoría ptolemaica porque ambas comparten "condiciones esenciales de estar en conformidad con los sentidos y observar las exigencias del razonamiento legítimo". Autor prolijo este enorme humanista español merecería un plan de publicación de su obras completas especialmente aquellos títulos que aun no han sido publicados. Simón Abril nos ha dejado según he podido recopilar 12 obras impresas y más de 30 manuscritos repartidos por las bibliotecas públicas españolas. Posiblemente haya sido Luis de Cañigral Cortés quien más y mejor ha estudiado la obra del autor junto a su predecesora Margherita Morreale de Castro. En el siglo XIX se publicó una "muy correcta segunda edición" de esta obra en la colección "La verdadera ciencia Española. Biblioteca Económica" Vol. LXVIII Barcelona 1886. Muy buen ejemplar en perfecta condición. Nuestro ejemplar contiene 2 hojas de erratas licencia y tasa no descritas en ninguna bibliografía. Curiosamente el Catálogo Colectivo del Patrimonio Bibliográfico Español tampoco menciona la existencia de estas dos hojas. Hace unos años revisé un ejemplar defectuoso de varias hojas ofrecido en Christie's el 20 de marzo de 2013 lote 37 que sin embargo también contenía estas dos hojas. El ejemplar digitalizado por la Biblioteca Virtual del Patrimonio Bibliográfico no las contiene ni los ejemplares minuciosamente descritos por Catalina García y Martín Abad. Por tanto estas hojas sin signatura debieron imprimirse aparte algo más tarde y fueron añadidas sólo en unos pocos ejemplares. En nuestro ejemplar que está intonso se encuentran encuadrenadas entre los dos pliegos de preliminares. Juan Gracián unknown
1925ref. 3783Paris, Editions de la Galerie Simon, 1925. 1 vol. in-8 (19,6 x 12,9 cm), broché sous couverture rempliée illustrée d'une gravure sur le premier plat. Édition originale illustrée de 9 EAUX-FORTES ORIGINALES DE JUAN GRIS dont 1 en couverture, 4 hors texte et 4 in texte, imprimées en sépia par Charlot Frères. - Tirage : 112 exemplaires. Celui-ci, l'un des 90 sur vergé d'Arches signé à l'encre par le poète et le peintre (n° 94). - Édité par Daniel-Henry Kahnweiler l'ouvrage contient les seules gravures sur cuivre de Juan Gris (1887-1927). Kahnweiler notera par ailleurs : « On ne peut que regretter que Gris n'ai débuté que peu de temps avant sa mort dans la gravure à l'eau-forte dans laquelle il aurait excellé ». Depuis longtemps Tzara désirait travailler avec Juan Gris et "Mouchoir de Nuages" sera la seule collaboration entre l'écrivain et le peintre. Skira 144 ; Kahnweiler p. 294 ; Rauch 99 ; Hugues 19 ; Hofer 126 ; Pompidou p. 184; Chapon p. 285 ; Galland p. 918 ; Hugues 19.
1798ref. 20855Paris, J.B.M. Duprat; Bachelier, 1798-1805. 4 volumes relié en deux tomes in-4 demi-vélin de XXXII-368; [4]-382 et XXIV-304; 24; 40-347-[1]; [2]-65-[1]; 78-[2] pages, dos lisses, étiquette de titre brune. Reliure XIXe. Collation: vol. 1: a-d4; A-Z4; Aa-Zz4. vol. 2: []2; A-Z4; Aa-Zz4; Aaa4; Bbb3 (le feuillet Bbb4 semble être un feuillet blanc). vol. 3: a-c4; A-Z4; Aa-Pp4. suppl. 1: A-C4. vol. 4: a-e4; A-Z4; Aa-Vv4; Xx2. suppl. 2: []1; AH4; I2 (le second feuillet est la planche dépliante). suppl. 3: A-K4.
ref. elala1968Utrecht.Paris: Le Breton 1756. 12mo. pp. viii 256. disbound. First Edition. An important and scarce tract in the bitter French-English dispute over the proper geographical boundaries of 'Acadia' as it was ceded by France to Great Britain under the Treaty of Utrecht 1713. The author a French lawyer wrote the work in specific response to English cartographer Thomas Jefferys' Conduct of the French with Regard to Nova Scotia London: 1755 which set forth the English territorial claims. Included is discussion of the early exploration and cartography of the region. Worldcat and Voilà only locate two copies in Canada at the Toronto Public Library and the University of Montreal. Dionne II 561. JCB I 1129. Sabin 38622. Not in Bell Casey Howes TPL but since acquired or Vlach. 1st Edition. Utrecht.Paris: Le Breton, 1756.
ref. 457960Unbound. Fine. Watercolor or gouache on artists board. Signed "W. Simon" in lower right corner. Framed and matted. Image size approximately Measuring 13½" x 16". Unexamined out of the frame but appears fine. Angular and abstract buildings in reds pinks oranges browns. and blues one labeled "Men's Furnishings" another "Times" and two others more cryptically label "B2" and "K4." Walter Augustus Simon 1916 - 1979 was an African-American artist foreign service officer and later an art teacher. He studied at Pratt the National Academy of Fine Arts in Harlem and later at NYU where he was mentored by Hale Woodruff. After serving in the military in WWII and beyond he became one of very few Black foreign service officers serving mostly in the Middle East. Upon returning to the U.S. he completed his education and taught at numerous schools including Atlanta University Georgia State College Virginia State University and Patterson State College. He was known for his abstract oil paintings which have brought as much as $30000 at auction but we prefer his acrylics which are clean exhilarating and direct. unknown
ref. 457960Unbound. Fine. Watercolor or gouache on artists board. Signed "W. Simon" in lower right corner. Framed and matted. Image size approximately Measuring 13½" x 16". Unexamined out of the frame but appears fine. Angular and abstract buildings in reds pinks oranges browns. and blues one labeled "Men's Furnishings" another "Times" and two others more cryptically label "B2" and "K4." Walter Augustus Simon 1916 - 1979 was an African-American artist foreign service officer and later an art teacher. He studied at Pratt the National Academy of Fine Arts in Harlem and later at NYU where he was mentored by Hale Woodruff. After serving in the military in WWII and beyond he became one of very few Black foreign service officers serving mostly in the Middle East. Upon returning to the U.S. he completed his education and taught at numerous schools including Atlanta University Georgia State College Virginia State University and Patterson State College. He was known for his abstract oil paintings which have brought as much as $30000 at auction but we prefer his acrylics which are clean exhilarating and direct. unknown books
1980ref. 54578BELTZ & GELBERG 1980. 1. hardcover. Katze mit Hut Maloftege! GELBERG EXTRA BELTZ & GELBERG hardcover
1758ref. 76869Paris: J. Barbou 1758. unbound cord tied housed in a green half-morocco goat over cloth boards clamshell case spine tooled in gold leaf with title author and date. large 12mo. unbound cord tied housed in a green half-morocco goat over cloth boards clamshell case spine tooled in gold leaf with title author and date. 92 3 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie & prouver que Guttemberg n'en est pas l'Inventeur. Very rare first edition Bigmore and Wyman p.227. Unbound textblock lightly soiled with minor creasing at corners. Faint moisture staining throughout with some affecting the text. In this text Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believed that the technology Gutenberg made popular existed long before the German printer's work. Fournier also followed up this text with two additional works which are not present: De l'origine et des productions de l'imprimerie primitive en taille de bois 1759 and Observations sur un ouvrage intitulé Vindiciae Typographicae 1760. These two works provided further discussion of the origins of woodcut prints including a passage refuting popular belief about the origin wood engraving and some ideas for further study. Fournier 1712--1768 was born in Paris and trained as a wood engraver and type founder being a member of the 18th century dynasty of the well-known Fournier family. He later turned to steel engraving. He published a table of the proportions of the different printing characters whose purpose was to propose for all typefaces a fixed measurement in "typographic points" and a systematic gradation. He worked closely with the collaborators of the Encyclopédie providing the printer Le Breton with all the documentation relating to the typographic foundry and plans for his own instruments as well as providing Diderot with his collection of ancient alphabets. Finally after multiple disputes with his Parisian colleagues he became infamous for the printing of his famous Manuel Typographique 1764 1766 just prior to his death. J. Barbou unknown
1758ref. 76869Paris: J. Barbou 1758. unbound cord tied housed in a green half-morocco goat over cloth boards clamshell case spine tooled in gold leaf with title author and date. large 12mo. unbound cord tied housed in a green half-morocco goat over cloth boards clamshell case spine tooled in gold leaf with title author and date. 92 3 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie & prouver que Guttemberg n'en est pas l'Inventeur. Very rare first edition Bigmore and Wyman p.227. Unbound textblock lightly soiled with minor creasing at corners. Faint moisture staining throughout with some affecting the text. In this text Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believed that the technology Gutenberg made popular existed long before the German printer's work. Fournier also followed up this text with two additional works which are not present: De l'origine et des productions de l'imprimerie primitive en taille de bois 1759 and Observations sur un ouvrage intitulé Vindiciae Typographicae 1760. These two works provided further discussion of the origins of woodcut prints including a passage refuting popular belief about the origin wood engraving and some ideas for further study. Fournier 1712--1768 was born in Paris and trained as a wood engraver and type founder being a member of the 18th century dynasty of the well-known Fournier family. He later turned to steel engraving. He published a table of the proportions of the different printing characters whose purpose was to propose for all typefaces a fixed measurement in "typographic points" and a systematic gradation. He worked closely with the collaborators of the Encyclopédie providing the printer Le Breton with all the documentation relating to the typographic foundry and plans for his own instruments as well as providing Diderot with his collection of ancient alphabets. Finally after multiple disputes with his Parisian colleagues he became infamous for the printing of his famous Manuel Typographique 1764 1766 just prior to his death. J. Barbou unknown books
2021ref. __9004221611Martinus Nijhoff 2021. Hardcover. New. pck edition. 1176 pages. Martinus Nijhoff hardcover
1999ref. 45264HEYNE WILHELM 09/1999. 1. softcover. Parallelwelten HEYNE, WILHELM paperback
1843ref. 153273Paris: Imprimerie Royale 1843-47. Laplace's collected works First collected edition of the works of Laplace luxuriously produced on the initiative of Laplace's widow and funded by the French government to honour their great scientist. The first five volumes comprise the Traité de Mécanique Céleste a foundation of modern theoretical astronomy. Volume six contains the Exposition du Système du Monde a successful popularization of current astronomical understanding. The final volume combines the Essai Philosophique sur les Probabilités with Théorie analytique des Probabilités Laplace's groundbreaking contribution to probability theory. 7 vols large quarto 271 x 212 mm. Lithographic folding plate in vol. IV. Contemporary French red half morocco marbled sides and endpapers brown speckled edges. Unidentified manuscript leaf on astronomy tipped in at the beginning of volume one. Light rubbing to spines and a tips front cover of vol. I a little scratched contents clean. An excellent set. unknown
1999ref. 47265HEYNE WILHELM 12/1999. 1. softcover. Deutsche Erstausgabe! HEYNE, WILHELM paperback
1684ref. ABC_45272Amsterdam 1684. 8vo. Jan ten Hoorn Contemporary vellum with the manuscript title on the spine. With an engraved frontispiece in 5 compartments showing magic tricks and 40 small woodcuts illustrating the various magic tricks in the text. 8 512 24 pp. Rare second edition of a very popular Dutch conjuring book first published also by Jan ten Hoorn in Amsterdam in 1679. It went through many further editions sometimes augmented far into the 18th century. The edition of 1698 mentions 1600 magic tricks tover-konsten instead of the 500 in the present edition. It was also translated into German.Simon Witgeest from Middelburg is almost certainly a pseudonym. The family name does not appear in the www.wiewaswie.nl database until 1818. Witgeest literally means white spirit in Dutch and it probably served to suggest that the recipes were innocent white rather than black magic. Willem Goeree 1635-1711 a Dutch bookseller first in Middelburg and after 1677 in Amsterdam noted above as one of the books sources is often named as the possible author but his known publications books on art theory and practices and Jewish religion and history are aimed at more of a high-brow public.The author states in the preface that the book was meant to shorten wintery nights and gradually the sections on glass drawing and etching were omitted in favor of more magic tricks practical jokes riddles and entertainment with mathematical and astronomical brainteasers as well as small chemical and physics experiments for fun.Binding slightly worn otherwise in very good condition.l John Landwehr Simon Witgeests Natuurlyk tover-boek et alia in: Volkskunde 68 1967 pp. 67-82; Hoogendoorn p. 992 STCN 2 copies; for more about the text: www.dbnl.org/nieuws/nieuws.phpl=2020_01_09. HORSES HUNTING SPORTS & GAMES Magic & Conjuring hardcover
1759ref. 18779The Hague 1759. Large folio ca. 50 x 36 cm. Pierre Gosse junior 19th-century half green morocco a red morocco label on the spine with the title in French lettered in gold marbled endpapers. With 20 engravings each mounted on a double-leaf of heavy paper the text is printed in Dutch and French with a separate title page for each language the engraved coat of arms of Princess Anna on each and 4 decorated woodcut initials. 2 parts in 1 volume. 4 4; 4 27 pp. First edition of two works with illustrations and descriptions of the funeral ceremonies for Princess Anna of Hannover 1709-1759 who was then regent for her son William V Stadtholder of the Dutch Republic. The first work shows the ceremonial mourning chamber with Princess Anna on her death bed. The plates were drawn by Pieter de Swart 1709-1772 one of the most important Dutch architects of the 18th century and engraved by Simon Fokke 1712-1784. The second work shows the funeral procession which took place in Delft on the 23rd of February in 1759 with detailed illustrations of all the heralds riflemen guards etc. that took part in the ceremony. The plates for this work were drawn by artist Paulus Constantijn la Fargue 1729-1782 and also engraved by Fokke. The creators apparently suspected that counterfeit editions of the work might appear as the text at the end of the first work states that only copies signed by the bookseller would be considered real. The present copy is signed.Princess Anna of Hannover duchess of Brunswick-Luneburg was the eldest daughter of George II August later King of England as George II and Wilhelmina Charlotte of Brandenburg-Ansbach. In 1734 she married the Dutch Willem Karel Hendrik Friso 1711-1751 Prince of Orange and Stadtholder of Friesland. When in 1747 her husband became Stadtholder of the Dutch Republic as Willem IV the couple moved from Leeuwarden to The Hague and Anna became highly involved in politics. After the death of Willem IV in 1751 she became regent for her three-year old son the later Stadtholder Willem V. In this position she played a prominent part in the political life of the Republic defending the position of the House of Orange against the republicans.The edges and corners of the boards are somewhat scuffed the boards are slightly rubbed the spine is somewhat discoloured. Otherwise a beautiful copy on heavy large paper with the plates in their original fresh impressions.l Ad 1: Landwehr Splendid ceremonies 233; Lipperheide 2675; Muller 4095; STCN 23024453X 7 copies; Vinet 756; Ad 2: Landwehr Splendid ceremonies 234; Lipperheide 2676; Muller 4097; STCN 230244394 7 copies; Vinet 756bis. ABE CAT Costumes & Uniforms hardcover
1822ref. 1485251822. Rare military appointment signed by ‘El Libertador’ Simón Bolívar as President of Gran Colombia. One page quarto wax seal mostly intact partially printed on Bolivar's presidential letterhead the document is dated May 21 1822 and appoints Miguel Arissmendi as Lieutenant-Colonel. Signed by Bolívar and countersigned by General Bartolome Salom on verso. The final battle in the war of independence Bolívar's decisive victory at Carabobo on June 24 1821 finally secured Venezuela's national independence after years of war against Spain and established the Republic of Gran Colombia. On May 23 1822 a nighttime assault by South American rebel forces was led by General Antonio José de Sucre against the Spanish royalists on the slopes of the volcano Cerro Pichincha near Quito. The following day victory allowed the rebels to occupy Quito and Simón Bolívar was declared the liberator of Ecuador which then became part of the short-lived Republic of Gran Colombia. In very good condition with pinholes along left margin and folds. Accompanied with a portrait of Bolivar. The entire piece measures 8.5 by 12.25 inches. Venezuelan military and political leader Simón Bolívar also known as 'El Libertador' led what are currently the countries of Venezuela Bolivia Colombia Ecuador Peru and Panama to independence from the Spanish Empire in the campaign for the independence of New Granada which began in 1808 and was consolidated with the victory at the Battle of Boyacá on 7 August 1819. Despite a number of hindrances including the arrival of an unprecedentedly large Spanish expeditionary force the revolutionaries eventually prevailed culminating in the victory at the Battle of Carabobo in 1821 which effectively made Venezuela an independent country. Following this triumph over the Spanish monarchy Bolívar participated in the foundation of the first union of independent nations in Latin America Gran Colombia of which he was president from 1819 to 1830. Through further military campaigns he ousted Spanish rulers from Ecuador Peru and Bolivia the last of which was named after him. He was simultaneously president of Gran Colombia present-day Venezuela Colombia Panama and Ecuador Peru and Bolivia but soon after his second-in-command Antonio José de Sucre was appointed president of Bolivia. Bolívar aimed at a strong and united Spanish America able to cope not only with the threats emanating from Spain and the European Holy Alliance but also with the emerging power of the United States. At the peak of his power Bolívar ruled over a vast territory from the Argentine border to the Caribbean Sea. unknown
ref. 89052Original full color illustration of one of comics' most enduring superheroes Captain America. Inscribed by Captain America's co-creator Joe Simon to actor and voice actor Miguel Ferrer "Just thought I'd drop in on Miguel Ferrer Joe Simon." American actor Miguel Ferrer's notable roles include OCP Vice President Bob Morton in the 1987 film RoboCop FBI Agent Albert Rosenfield in the early 90s television series Twin Peaks Eduardo Ruiz in the 2000 film Traffic and the voice of Shan Yu in the 1998 Disney animated film Mulan. In fine condition. Double matted and framed. The entire piece measures 22 inches by 18 inches. A unique association. Created by cartoonists Joe Simon and Jack Kirby Captain America first appeared in March of 1941. Designed as a patriotic supersoldier the fictional superhero became Timely Comics' most popular superhero during the wartime period. Wearing a costume bearing an American flag motif Captain America often fought the Axis powers of World War II using his indestructible shield. Captain America also became the first character to appear outside of comics with the release of the 1944 movie serial Captain America and has since appeared in several other films including the 2018 Avengers: Infinity War. unknown
1757ref. 10919[Paris], sans nom, 1757. In-folio sous cartonnage d'attente, tranches mouchetées. 2 manques au dos, cartonnage frotté, une planche très légèrement tachée. Ex-libris de Frédéric Grant d'Hauteville.
ref. 88415aafParis, de l’imprimerie de J. P. Jacob à Paris chez Deterville et à la Librairie Economique, 1805, gr. in-4to (oblong), page de titre poussiéreuse et renforcée + au total 55 planches gravées, sur le titre pt. timbre rouge ‘Cabinet Topographique du Roi’ et cote ms. (E. 5 / 48), cartonnage du XIXe s. couvert de papier marbré, pièce de titre maroquin rouge au dos. Bel exemplaire.
1859ref. ABC_45580Wiesbaden: C.W. Kreidel 1859. Contemporary decorated red cloth gold-tooled spine new endpapers. Small oblong folio 23 x 30 cm. Suite of 10 steel-engraved views all finely hand-coloured and highlighted with gum arabic tipped onto thick brown leaves with printed decorative borders and captions. Beautifully produced suite of views engraved after the Dutch artist Jan Simon Voddiggel 1820-1862 showing Wiesbaden in Hesse one of the oldest spa towns in Europe celebrated as the "Nice of the North". It includes several views of the old Kurhaus "spa house" built by Christian Zais in 1810 in the neoclassical style the nearby cold-water balneological institution of Nerothal the summer palace of the Dukes of Nassau the "Kochbrunnen" hot spring fountain in downtown Wiesbaden the sepulchral chapel of Duchess Elizabeth of Nassau the Ducal hunting palace and the ruins of Sonnenberg castle. Issued with various titles and as here without a title-page.With an inscription in ink on the first free endpaper to Christine Emma Sanford née Percival 1828-1900 "from her affectionate mother" dated 1 May 1859. Christine Percival had married Edward Ayshford Sanford of Combe Florey Somerset in 1853. Cloth rubbed spine rebacked new endpapers. One plate with an unobtrusive mark another with faint stains at corners from adhesive on the back. Otherwise in good condition. C.W. Kreidel, hardcover