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1758ref. 141839Paris: J. Barbou 1758. full brown leather border stamped in blind on the front and rear boards gilt ornaments on spine title in second compartment five raised bands all edges stained red marbled endsheets. small 8vo. full brown leather border stamped in blind on the front and rear boards gilt ornaments on spine title in second compartment five raised bands all edges stained red marbled endsheets. 1ff.-92 3 -263 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie & prouver que Guttemberg n'en est pas l'Inventeur. Two works bound in one. Very rare first edition Bigmore and Wyman p.228. Private bookplate of Jackson Burke on the verso of the front free endpaper. Contemporary boards with some rubbing to the spine and extremities corners a bit worn gilt on the spine is lightly flaking evidence of bookplate removal to front and rear pastedowns. Else a fine copy of this very scarce work. Two works bound together. Complete titles are: Dissertation sur l'origine et les progrès de l'art de graver en bois 1758 and De l'origine et des productions de l'imprimerie primitive en taille de bois 1759. Fournier 1712--1768 was born in Paris and trained as a wood engraver. He later turned to steel engraving. In the first essay Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. The second volume follows this up with further discussion of the origins of woodcut prints. Fournier wrongly disputes the dating of Mr. De Bure le Jeune concerning the Gutenberg Bible but he is the first with the help of an observation by Gerard Meerman to note the progressive increase in the number of lines per page in the early stages of Bible production. J. Barbou unknown books
ref. 118017Université Impériale de Moscou 1777 . 4 parts in 2 volumes 8vo with continuous pagination. 863 pages. Full calf ornate spine bands period binding. Russian edition of the "Tartar Tales" by French playwright storyteller and jurist Thomas-Simon Gueulette 1683-1766. This collection of tales set in Tartary the first tale begins in Astrakhan at the mouth of the Volga was reprinted until the end of the 18th century and translated into several languages. Its publication was part of the Orientalist wave that followed the French publication of "Les Contes des Mille-et-Une Nuits" in 1704. The success of the latter immediately gave rise to pastiches and imitations of which the present work is one of the most successful. A fine copy bound in contemporary style. unknown
ref. 51-5446Paris L'Imprimerie Champenois 1896-98 . Folio. 407 x 307. A rare presentation with the original pictorial portfolio with cloth ties and the title page with a portion of the William Nicholson image which is also present in its full size. An additional 35 color lithographs are included each with the dry stamp of the publisher.References: The Art of the French Illustrated Book 1700-1914. by Gordon N. Ray no. 362; OCLC Number50072763. A few plates with marginAL tears. L'Estampe Moderne was originally published in a series of 24 monthly parts each with four lithographs. Four extra lithographs "planches de prime" were offered by the publisher as an incentive to prospective subscribers. Rarely found as a complete work.L'Estampe Moderne. Portfolio cartonné à trois liens de tissu noir comprenant 36 planches coloriées dont Fernand Piet Louise Breslau Jeanne Jacquemin A. Jank Fernand Gottlob Robert Engels Hans Christiansen Lucien Simon Lovis Welden Hawkins Charles Huard Fantin-Latour Firmin Bouisset Eugène Trigoulet Maximilien Guyon Albert Laurens J. Barcilhac H-P Dillon Manuel Robbe Louis Bourgeois-Borgex Henri Bellery-Desfontaines Eugène Delatre Roedel Louis Rhead et William Nicholson. Toutes contrecollées sur papier signées dans la planche et datées 1896 1897 1898 etc. Quelques déchirures. Timbre à sec en bas à droite. 405 x 305 cm Paris, L'Imprimerie Champenois, 1896-98 hardcover
1800ref. 374674Np 1800. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. Old folds torn at bottom blank margin without loss of text. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. "Sir You are hereby directed to mortgage to A. K. Maisahale or such person as he may appoint as much of my land as may secure a debt for the sum of 693£ due from me to Joseph Tidball & also as much more as may secure the sum of 399 & 2c due by me to Carswiule & Jackson & for so doing this shall be your warrant." Scarce autograph by the noted frontiersman soldier and scout noted for his exploits in Kentucky Ohio and western Virginia during the Revolution and the Northwest Indian War. unknown
1923ref. 3860London and Cambridge: Curwen Press and Cambridge University Press 1923-1930. First edition. Hardcover. Very Good . London and Cambridge: Curwen Press and Cambridge University Press 1923-1930. A complete run of arguably the greatest English typographical and fine press journal all deluxe edition copies Vols 1-4 on Batchelor Kelmscott handmade paper 5-7 on deluxe paper. The paper in these editions is wonderful all volumes here completely free of foxing. Volumes 1-4 were edited by Oliver Simon volumes 5-7 by Stanley Morison. This is an uncomplicated set lacking only the dust jackets for volumes 5-7. All bindings VG or better throughout see photos. Volume 7 spine a touch faded as always. Vol 1-4 TEG. Deckled paper edges of all 7 volumes in very nice condition. No bumps or splits to any volumes no gutter splits inside or out. All bindings tight Volume 1 just a touch more wear. Contents of all volumes completely and uniformly fine no tears no spotting no folds no bookplates. All extras and inserts present including the signed works by Eric Gill and David Jones. The combination of scholarship and skill on display in these volumes is second to none. As a set this is one of the great fine press achievements of the twentieth century. Rare as a complete deluxe set. Curwen Press and Cambridge University Press hardcover
1800ref. 374674Np 1800. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. Old folds torn at bottom blank margin without loss of text. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. "Sir You are hereby directed to mortgage to A. K. Maisahale or such person as he may appoint as much of my land as may secure a debt for the sum of 693£ due from me to Joseph Tidball & also as much more as may secure the sum of 399 & 2c due by me to Carswiule & Jackson & for so doing this shall be your warrant." Scarce autograph by the noted frontiersman soldier and scout noted for his exploits in Kentucky Ohio and western Virginia during the Revolution and the Northwest Indian War. unknown books
ref. 16532P., Editions de Minuit, 1960, in-8, br., 314 p., n.c. Edition originale. 1/87 ex. num. sur pur fil (seul tirage en grand papier), celui-ci enrichi d’un envoi a.s. à la date de publication. A l’état de neuf et non coupé.
1687ref. M1LEHD34NRM0Leeuwarden 1687. 4to. Hendrik Rintjes Contemporary vellum sprinkled edges new endpapers. With an engraved allegorical frontispiece ascribed to Jan Luyken. 1 1 blank 44 660 60 pp. Detailed botanical description of Frisian and Northwest European plants trees flowers and herbs by the Frisian historian Simon Abbes Gabbema 1628-1688. Although Gabbema was appointed history writer of Frisia in 1659 by the States of Frisia because of his learning and knowledge concerning Frisian history he also knew a lot about botany. The frontispiece is often ascribed to Jan Luyken Klaversma & Hannema 545. Altogether this work can be considered a compilation of Gabbema's own botanical knowledge enriched with ancient knowledge forming an extensive Frisian and Northwestern European flora.The present copy contains two leaves not normally present 45 and 55: the STCN notes them only in the copy at the Royal Library in The Hague: two laudatory poems by J. Vollenhove and H. Sweerts. Binding a bit dirty frontispiece a little browned and repaired some small stains throughout the book some paper corners a little frayed a small hole in leaf 2Y1 but otherwise in good condition.l Bibliotheca Hulthemiana 5970; Journal of the New York Botanical Garden 1902 p. 184; STCN 9 copies only 1 with the extra leaves; for the author: Van der Aa Biographisch woordenboek VII pp. 3-4; NNBW VI 1924; Posthuma Plantkunde uit de oude doos in: De levende natuur 21 1916 pp. 78-79; not in Hunt; Nissen; Pritzel; Stafleu & Cowan. hardcover
1960ref. 85923Sous étui bordé. Reliure maroquin noir à encadrement. Plats de veau vert amande encadré dun filet doré. Dos lisse, titre en pied. Tête dorée. Couverture et dos conservés. Reliure signée ALIX.
1963ref. ZB394018Hansom Books 1963. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item volumes 10; 21-23; 25; 28-30. 1963-1984. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Hansom Books unknown
1573ref. 11244Antwerp: G. Smits for J. I Bellerus 1573. 18th-century marbled calf repaired spine and red morocco label gilt red edges. Only Edition of his treatise aimed at instructors: his schoolbooks had over two hundred printings. The first part enunciates the general principles goal and utility of teaching. The second and third parts lay out detailed templates for secular and religious education including remarks on games recreation punishments which Greek and Latin authors to read and how to explain them which manuals to use exercises in translation imitation and recitation how to draft and administer exams competitions and learned disputes and how to mount dramatic performances. It discourages discussion of current events the Turks the French beggars ball playing dice archery gambling fighting lying swearing and drinking the teachers…. It schematically frames the year’s syllabus for each of the seven grades. I have located one copy in the U.S. In good condition slightly browned. ¶Nauwelaerts “Bijdrage tot de Bibliographie van Simon Verepaeus” in De Gulden Passer 25 1947 54 & 80 reprod. & VI.1 & reprod.; Buisson Répertoire des ouvrages pédagogiques du XVIe siècle 663. G. Smits for J. I Bellerus unknown
1519ref. 187464London: The Zionist 1915-1916. Presented by the drafter of the Balfour Declaration Ten Zionist pamphlets finely bound for presentation by the leading British Zionist Leon Simon inscribed by him to a family member "Nellie Simon from one of the Editors 1 Aug. 1916" - the recipient was probably his wife Ellen. Simon has also handwritten a contents page. Simon 1881-1965 was one of the most prominent voices in the Zionist movement in the early decades of the 20th century and edited the publications of The Zionist which published these pamphlets three of which are authored by him. He is best remembered for his role in drafting the Balfour Declaration - his original draft sold for $884000 in 2005. Comprising all first editions: i SIMON Leon. Zionism and the Jewish Problem. 1916; ii BRENTWICH Norman. Zionism and Jewish Culture. 1915; iii LANDMAN Samuel. History of Zionism. 1915; iv SACHER Harry. A Hebrew University for Jerusalem. 1915; v SACHER Harry. Zionism and the State. 1915; vi SPIERS Frederick Solomon. Zionism and the Jewish Religion. 1915; vii MILLER E. Palestine and the Hebrew Revival. 1915; viii SIMON Leon. Hebrew Education in Palestine. 1916; ix SIMON Leon. Jewish Colonisation and Enterprise in Palestine. 1916; x LANDMAN Samuel. Zionism: Its Organisation and Institutions. 1916. 10 works bound in 1 vol. octavo 202 x 132 mm. Contemporary red morocco by Sangorski & Sutcliffe spine lettered in gilt pink endpapers gilt edges. In fine condition. unknown
1968ref. 557228New York: Studio Duplicating Service / David Merrick 1968. Softcover. Near Fine. Stated "Rehearsal Script". Quarto. Music by Burt Bacharach. Lyrics by Hal David. 154 mimeographed leaves printed on the rectos only in screwbound black Studio Duplicating Service wrappers titled in gilt. Small neat handwritten control number "#80" on titlepage plasticized wrappers are slightly rubbed near fine. A musical comedy in two acts adapted for the theatre from the screenplay of The Apartment by Billy Wilder and I.A.L. Diamond. A wildly successful musical that closed after 1281 performances. OCLC locates two copies likely contemporary scripts with approximately 50 fewer pages Princeton; U of Colorado Boulder. Studio Duplicating Service / David Merrick unknown
1968ref. 557228New York: Studio Duplicating Service / David Merrick 1968. Softcover. Near Fine. Stated "Rehearsal Script". Quarto. Music by Burt Bacharach. Lyrics by Hal David. 154 mimeographed leaves printed on the rectos only in screwbound black Studio Duplicating Service wrappers titled in gilt. Small neat handwritten control number "#80" on titlepage plasticized wrappers are slightly rubbed near fine. A musical comedy in two acts adapted for the theatre from the screenplay of The Apartment by Billy Wilder and I.A.L. Diamond. A wildly successful musical that closed after 1281 performances. OCLC locates two copies likely contemporary scripts with approximately 50 fewer pages Princeton; U of Colorado Boulder. Studio Duplicating Service / David Merrick unknown books
2002ref. x-3540425012Springer-Verlag 2002. Hardcover. New. 1st edition. 238 pages. 11.00x8.00x1.00 inches. Springer-Verlag hardcover
1946ref. 059794Chicago: University Of Chicago Press 1946. 1st Edition 1st Printing. Hardcover. Very Good/Good. Ix 245 Pp. Green Cloth Gilt. First Printing. Book With Wear Spine Gilt Bright. Inscribed By Morgenthau "With Kindest Regards" To Yves René Marie Simon 1903 - 1961. Simon Studied Under Jacques Maritain At The Institut Catholique De Paris. He Taught At The Institut Catholique De Lille From 1930 To 1938. In 1938 He Went To The University Of Notre Dame Where He Remained Until 1958. He Is Best Known For His Work In Moral And Political Philosophy.Dust Jacket Priced $3.00 Wear Short Edge Tears And Small Losses Somewhat Crushed Spine Panel Completely Pinked . Per Wikipedia Morgenthau's Scientific Man Versus Power Politics 1946 Argued Against An Over Reliance On Science And Technology As Solutions To Political And Social Problems. The Book Presented A "Pessimistic View Of Human Nature" Centered On A Universal Lust For Power And The Inevitability Of Selfishness. Hans Joachim Morgenthau 1904 - 1980 Was A German-American Jurist And Political Scientist Who Was One Of The Major 20Th-Century Figures In The Study Of International Relations. Morgenthau Is Usually Considered Among The Most Influential Realists Of The Post-World War Ii Period. Morgenthau Made Landmark Contributions To International Relations Theory And The Study Of International Law. In 1933 Morgenthau Published A Second Book In French La Notion Du "Politique" Which Was Translated Into English And Published In 2012 As The Concept Of The Political. In This Book Morgenthau Seeks To Articulate The Difference Between Legal Disputes Between Nations And Political Disputes Between Nations Or Other Litigants. The Questions Driving The Inquiry Are: I Who Holds Legal Power Over The Objects Or Concerns Being Disputed Ii In What Manner Can The Holder Of This Legal Power Be Changed Or Held Accountable Iii How Can A Dispute The Object Of Which Concerns A Legal Power Be Resolved And Iv In What Manner Will The Holder Of The Legal Power Be Protected In The Course Of Exercising That Power For Morgenthau The End Goal Of Any Legal System In This Context Is To "Ensure Justice And Peace". In His Work In The 1920S And 1930S Morgenthau Sought A "Functional Jurisprudence" An Alternative To Mainstream International Law. He Borrowed Ideas From Sigmund Freud Max Weber Roscoe Pound And Others. In 1940 Morgenthau Set Out A Research Program For Legal Functionalism In The Article "Positivism Functionalism And International Law". Francis Boyle Has Written That Morgenthau's Post-War Writings Perhaps Contributed To A "Break Between International Political Science And International Legal Studies." However Politics Among Nations Contains A Chapter On International Law And Morgenthau Remained An Active Contributor To The Subject Of The Relationship Between International Politics And International Law Until The End Of His Career. His Politics Among Nations First Published In 1948 Went Through Five Editions During His Lifetime And Was Widely Adopted As A Textbook In U.S. Universities. While Morgenthau Emphasized The Centrality Of Power And "The National Interest" The Subtitle Of Politics Among Nations-"The Struggle For Power And Peace"-Indicates His Concern Not Only With The Struggle For Power But Also With The Ways In Which It Is Limited By Ethical And Legal Norms. In Addition To His Books Morgenthau Wrote Widely About International Politics And U.S. Foreign Policy For General-Circulation Publications Such As The New Leader Commentary Worldview The New York Review Of Books And The New Republic. He Knew And Corresponded With Many Of The Leading Intellectuals And Writers Of His Era Such As Reinhold Niebuhr George F. Kennan Carl Schmitt And Hannah Arendt. Morgenthau Was A Consultant To The U.S. Department Of State When Kennan Headed Its Policy Planning Staff And During The Kennedy And Johnson Administrations Until He Was Dismissed By Johnson After He Began To Publicly Criticize American Policy In Vietnam. University Of Chicago Press hardcover
ref. H423Halle Curt 1782. 4to. In: Magazin f.d. neue Historie u. Geographie Bd.16. Hg.v.A.F.Büsching. Halblederband der Zeit berieben innen sauberes Exemplar. unknown
ref. 2738Rhenen early 18th century. Manuscript in ink in various hands. In contemporary overlapping limp vellum. Text in Dutch. Simon Laat’s name in ink by contemporary hand on front panel and inner rear panel also in text. Ink stain on rear panel and spine. Binding tired. Some pages removed one leaf partly clipped. Stains occasionally. Otherwise in very good condition. Manuscript in ink in various hands. In contemporary overlapping limp vellum. Text in Dutch. Simon Laat’s name in ink by contemporary hand on front panel and inner rear panel also in text. 116 p. Collection of early 18th-century manuscript recipes for wine fining. Including 71 numbered and some thirty unnumbered recipes for fining clarifying and stabilizing wines a few recipes for beer other drinks and wine-based remedies a list of wine merchant tools and an index to the first 53 recipes. Also contains a drawing of the coat of arms of Amsterdam and a few other small doodles. Simon Laats was a wine merchant from Rhenen The Netherlands born around 1700 married in 1714 and died before 1771. unknown
ref. 3069First editions. Printed scores between 1812 and 1817 by Giovanni Ricordi. In contemporary green half vellum binding. Title vignette on front panel. Binding rubbed damaged. Spine opened at front joint. Title vignette partly removed. Imprecise content in ink on front free endpaper creased doodle in pencil on the rear. Bookblock firm generally in fine condition. First editions. Printed scores between 1812 and 1817 by Giovanni Ricordi. In contemporary green half vellum binding. Title vignette on front panel. Scarce early manuscript copies and printed first editions of Rossini and Mayr’s opera excerpts from Albertine Baroness Staël von Holstein’s collection. First editions of excerpts from Rossini’s operas Demetrio e Polibio Elisabetta regina d’Inghilterra La gazza ladra and Otello; and from Simon Mayr’s La rosa bianca e la rosa rossa. The first two scores are in manuscript the prior Siveno’s first aria from Demetrio e Polibio has no title page the second an excerpt from Elisabetta regina d’Inghilterra has a printed title page by the Milanese music publisher Giovanni Ricordi. All the printed scores are by him. Two of the scores Questo cor ti giura amore Duettino nel Demetrio e Polibio; Gran Duetto E’deserto il bosco intorno nell’Opera La Rosa bianca e la rosa rossa bear Albertine de Staël’s possessor’s inscriptions on their title pages. Albertine Baroness Staël von Holstein 1797–1838 was the daughter of Madame Germaine de Staël and allegedly Benjamin Constant. 1 Rossini Gioachino Siveno’s aria. Pien di conteno… Milano: 1812. 1 blank 22 1 blank p. Manuscript copy. In brown ink on 10-stave paper score written on 8 staves. In fine condition. Excerpt from Rossin’s first opera Demetrio e Polibio written in 1806 and premiered in May 1812 in Rome’s Teatro Valle. A manuscript copy of the full score of Siveno’s first aria Pien di conteno…. We couldn’t trace such an early printed version of this part of the opera. 2 Rossini Gioachino Nell' Elisabetta. Scena e Duetto incanta che festi Del Sr. Mo. Rossini. Milano: Giovanni Ricordi …. 1815. ff. 1 blank 1 engraved title page 18. First edition. Manuscript score with engraved title page by Silvistri title added in brown ink. Score in brown ink on 10 and 16-stave paper. In fine condition. Excerpt from Rossin’s opera Elisabetta regina d'Inghilterra premiered in October 1815 a manuscript copy of the full score of scenes III and IV of the first act. 3 Rossini Gioachino Questo cor ti giura amore Duettino nel Demetrio e Polibio Del Sig.r Maestro Gioachino Rossini. Eseguito in Roma al Teatro Valle delle Signore Maria e Ester Monbelli. Milano: Presso Gio.i Ricordi Editore di Musica … PN 118 1812. 2 title page 11 1 p. First edition. Engraved full score. Albertine de Staël’a possessor’s inscription at the top left of the title page trimmed. Musical notes in pencil on p. 3. a doodle on p. 11. A light water stain on the outer edge throughout. A cluster of brown spots at the upper outer corner of the title page. Otherwise in fine condition. Excerpt from Rossin’s first opera Demetrio e Polibio written in 1806 and premiered in May 1812 in Rome’s Teatro Valle. 4 Mayr Simon Gran Duetto E’deserto il bosco intorno nell’Opera La Rosa bianca e la rosa rossa Del Sig.r M.o Gio. Sim. Mayr. Eseguito in Milano dalli Signori Elisabetta Pinotti e Claudio Bonoldi nell’Anno 1815 e Dedicato all’egregio Cantate Signor Claudio Bonoldi sud.to dall’Editore. Milano: Presso il Negoziante di Musica Gio. Ricordi … PN 214. 1815. 2 engraved title page 3 letterpress “Catalogo” 2–37 engraved score 1 p. First edition engraved title page and full score letterpress catalog of the publisher. Albertine de Staël’a possessor’s inscription at the top left of the title page slightly trimmed. Lower outer corner of p. 9 torn no effect on the print space. Otherwise in fine condition. Excerpt from Simon Mayr’s opera La rosa bianca e la rosa rossa premiered in 1813 in Genoa and apparently staged in Milano in 1815. 5 Rossini Gioachino Cavatina. Il mio piano è preparato Nell'opera La Gazza Ladra del Maestro Gioachio Rossini Dedicata dall’Editore Al Dilettante Sig.r Luigi Zuccoli. Milano: Presso Gio. Ricordi … PN 458 1817. 1 title page 2–9 1 p. First edition. Engraved score for cembalo and voice. Bookseller’s stamp on title page. In fine condition. Excerpt from Rossin’s opera La gazza ladra The Thieving Magpie premiered in May 1817 at La Scala Milan. 6 Rossini Gioachino Duettino Vorrei che il tuo pensiero Nel Dramma Otello Del. Sig.a M.o Gioachino Rossini. Eseguito in Napoli della Sig.a Colbran e Manzi Dall’Editore Dedicato Alla Signora Carlotta de Luigi nata Kramer. Milano: Presso Gio. Ricordi … PN 341 1816. 2 title page 13 1 p. First edition. Engraved full score. Bookseller’s stamp on title page. In fine condition. Excerpt from Rossin’s opera Otello premiered in December 1816 in Naples Teatro del Fondo. 7 Rossini Gioachino Cavatina Bell’Alme generose Nell’Elisabetta d’Inghilterra Del Sig.r M.o Gioachino Rossin.i Eseguita in Napoli dalla Sig.a Colbran ed in Mil.o dalla Sig.a Adel.e Sala. Dedicata dall’Editore all’insigne dilettante signora Elena Viganó. Milano: Press il Negoziante di Musica Gio Ricordi … PN 342 1815. 2 title page 7 1 p. First edition. Engraved full score. Bookseller’s stamp on title page. Lower outer corner of the first and last leaves are torn. Otherwise in fine condition. Excerpt from Rossin’s opera Elisabetta regina d'Inghilterra premiered in October 1815 at the Teatro San Carlo in Naples. 8 Rossini Gioachino Preghiera. Deh tù reggi in tal istante Nell’Opera La Gazza Ladra del Sig.r M.o Gioachino Rossini. Eseguita al R. Teatro alla Scala dalla Sig.a Teresa Belloc. Dedicata dall’Autore Ella Sig.a Marietta Lodi Torriani. Milano Presso Gio. Ricordi … PN 339 1817. 2 title page 14 p. First edition. Engraved full score. Bookseller’s stamp on title page. In fine condition. Excerpt from Rossin’s opera La gazza ladra The Thieving Magpie premiered in May 1817 at La Scala Milan. 9 Rossini Gioachino Duetto. E ben per mia memoria nell’Opera La Gazza Ladra Del Sig.r M.o Gioachino Rossini. Eseguito al R. Teatro alla Scala dalle Sig.re Belloc e Gallianis. Dedicato dall’Editore All’Ill.ma Sig.ra la Signora Contessa Amalia Belgiojoso. Milano: Presso Gio. Ricordi … PN 340 1817. 2 title page 32 p. First edition. Engraved full score. Bookseller’s stamp on title page. Lower outer corner of p. 13 and lower edge of p. 21 torn. Otherwise in fine condition. Excerpt from Rossin’s opera La gazza ladra The Thieving Magpie premiered in May 1817 at La Scala Milan. unknown
1915ref. 3270budapest: Orsz. Magyar Képzőműv. Múzeum 1915. In special binding by Ferdinand Bakala with the coat of arms of the Eszterhazy family. Fine condition. In special binding by Ferdinand Bakala with the coat of arms of the Eszterhazy family. 1t.LXXII272p.16t. From the collection of Arpad Plesch. Orsz. Magyar Képzőműv. Múzeum unknown
1868ref. 659761868. Prag Verlag von Carl Reickenecker 1868 8° XIV 200; XVII 320 pp. Holzschnitte 6 gestochene Tafeln Halbledereinband; St.a.Tit. First Edition! "First report of a procedure capable of preserving the cupid's bow in repair of the lip a critical procedure for the development of cheiloplasty." GM Gustav Simon 1824-1876 was one of the foremost German surgeons of the nineteenth century and cofounder of the German Society of Surgery. The above two-part work contains reports on surgical cases handled at the Rostock Hospital where Simon was professor of surgery over the five-year period between 1861 and 1865 contains among other things Simon's report of the cure by incision and double puncture of two large abdominal tumors caused by the parasite Echinococcus. The second part devoted to plastic surgery contains reports on plastic operations of the mouth vagina and rectum including the lip operation cited above and an account of plastic operations on the vaginal wall between the rectum and genital canal. Content: I. Abtheilung: Mittheilungen aus der chirurgischen Klinik des Rostocker Krankenhauses während der Jahre 1861-65. I. Abtheilung: Summarische Berichte. Chirurgische Mittheilungen mit Beschreibung interessanter Krankheitsfälle. Separat-Abdruck aus der 'Deutschen Klinik' vom Jahre 1866 und 1867. Summarische Jahresberichte: 1862-1863; 1863-1864; 1864-1865. & Chirurgische Mittheilungen pp.1-200. II. Abtheilung: Beiträge zur plastischen Chirurgie vorzugsweise zu den plastischen Operationen an den Wandungen der zugängigen Körperhöhlen: des Mundes der Scheide und des Mastdarmes verbunden mit einem Berichte über meine plastischen Operationen von Ostern 1861 - Ostern 1866 Separat-Abdruck aus der 'Prager Vierteljahrschrift für prakt. Heilkunde' vom J. 1866 u. 1867. Content: Allgemeiner Theil: I. Ueber den Begriff und die Eintheilung der plastischen Operationen pp.7-12. II. Textur der zur Plastik benutzten Theile pp.13-21. III. Methoden der plastischen Operationen Transplantationen pp.22-27. IV. Vorschriften zur Plastik durch Drehung der Ränder mit besonderer Berücksichtigung der plastischen Operationen an den Wandungen der zugängigen Körperhöhlen pp.28-50. Specieller Theil: I. Plastische Operationen an den Wandungen der Mundhöhle pp.51-113. II. Plastische Operationen bei Defecten der Scheidewand zwischen Harn und Geschlechtswegen. Operationen der Urinfisteln des Weibes pp.114-239. III. Plastische Operationen an der Scheidewand zwischen Mastdarm und Genitalcanal Scheide und Schamspalte pp.241-311 Notwendige Nachträge pp.312-320. Garrison & Morton No.5749; Patterson Index p.496; The History of Plastic Surgery Grolier Club No.45 unknown
1768ref. 87056à Amsterdam et Leipzig: Chez Arkstée & Merkus 1768. Fine. Chez Arkstée & Merkus à Amsterdam et Leipzig 1768 12.20 x 18 cm 6 volumes reliés Edition of the translation by François Filleau de Saint-Martin illustrated with 31 copperplate engravings by Folkema and Fokke after Antoine Coypel as well as a portrait of the author as frontispiece engraved by Folkema after G. Kent at the head of the first volume. Title pages in black and red accompanied by engraved vignettes for each volume preceded by a half-title page on each. First volume complete with an engraved half-title. Numerous tailpieces. Pastiche Bradel bindings in full fuchsia pink paper boards smooth brown spines decorated with small gilt tools and fillets gilt date at foot of spines covers decorated with double gilt fillet border original red paper board waiting covers preserved and bound at head and tail of each volume pastedowns and endpapers of watermarked Arches laid paper uncut pages. Headcaps rubbed with occasional small paper losses scattered foxing small marginal tear repaired not affecting text p. 15 vol. I and p. 191 vol. VI corner loss filled p. 321 vol. III pale dampstain p. 253 vol. VI more pronounced foxing p. 309 vol. VI. Handsome copy with entirely uncut margins of this famous illustrated edition of Cervantes' masterpiece. The superb full-page copperplate engravings are a reduction to octavo format of the engravings from the 1746 edition executed after drawings by the great painter Charles Coypel as well as the artists François Boucher Cochin Lebas Pacard and Tremolières. Chez Arkstée & Merkus hardcover
1668In-folio; (54)-356-(1)-(1)-303-168 pp.; occhietto, antiporta allegorica riccamente incisa che illustra la rifrazione della luce attraverso le lenti e l'insegnamento del disegno con il compasso, grande marca tipografica dell'editore incisa sul frontespizio, titolo in rosso e nero, numerose illustrazioni e figure su 87 tavole incise; legatura coeva in pelle con filetti in oro, medaglione centrale con stemma rimosso, tagli spruzzati rossi.
1803ref. 95122ABLondon, printed by A. Strahan ... for T.N. Longman and O. Rees, 1802-1803. 2 Bde. 4°. Mit 52 (davon 43 kolor., 25 gefalt.) Kupfertafeln, 28 (davon 23 kolor. Vignetten u. 4 (davon 1 kolor.) gefalt. Kupferkarten. 24, 552 Seiten; XXX S., 1 S. "Errata", 1 w. Seite, 523 Seiten. Braune marmor. Halblederbände (ca. 1870). - Die fein kollor. Kupfer zeigen u.a. Kostüme, Trachten, Pflanzen, Tiere, Gebäude, Münzen Inschriften, erstellt nach den Zeichnungen von Christian Gottfried Heinrich Geißler. Titelblätter, Vorsätze u. letzte Seiten gebräunt, sonst nur wenige Fleckchen, schönes Exemplar in guter Erhaltung.
ref. 148827Camden NJ: The Long Art Studios. First edition of this early twentieth century travelogue of Canada and the western part of the United States of America. Quarto original blue cloth with gilt titles to the front panel triple ruling stamped in blind to the front and rear panels illustrated with 14 mounted sepia toned gelatin silver prints. Presentation copy lengthily inscribed by the author on the front free endpaper "My dear Mark: Choo-choo! Choo-choo! Sting-a-ling! Sting-a-ling! All aboard! Sounds like business eh And your berth is all prepared for you with the select party now 'Doubling the North American Isle' with Your friend W.S. Long. Xmas 1913." In very good condition. Rare. Doubling the North American Isle by William Simon Long is a travel narrative that explores diverse regions of North America through a lens of cultural observation historical reflection and geographic curiosity. Published in the early 20th century the book reflects Long’s continued interest in promoting continental unity and appreciation for the varied landscapes and peoples of North America. He combines first-hand impressions of places such as Nova Scotia British Columbia and the American Southwest with speculative commentary on ancient civilizations like Quibera blending romanticized history with contemporary travel writing. Particularly notable is his descriptive account of the Grand Canyon which exemplifies the book’s focus on natural grandeur and national identity. The Long Art Studios hardcover