Eugene Flandin; IranBiblio.com
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rif. 145801976. Flandin Eugène. Voyage en Perse. Perse Moderne Planches documents the architecture cities and landscapes of nineteenth century Iran through the drawings produced during a French archaeological and artistic expedition to the region in 1840. French artist Eugène Flandin traveled to Iran with architect Pascal Coste as part of a diplomatic mission supported by the Académie des Beaux Arts in Paris. During two years of travel across western and southern Iran the expedition produced extensive drawings of monuments urban centers and archaeological sites associated with the Qajar period. These images later formed the basis of Perse Moderne one of the most significant illustrated records of nineteenth century Iran produced by European artists. Flandin Eugène. Voyage en Perse. Perse Moderne Planches. London: Burness Faridany Limited 1976. Limited facsimile edition issued to commemorate the centennial of Flandin's death. Elephant folio measuring approximately 17 x 24 inches. The volume contains one hundred tinted lithographic plates reproducing the illustrations from the original nineteenth century publication. The plates depict architectural monuments and landscapes including royal mosques and palaces the city and ports of Tehran the ruins of Persepolis the tomb of Saadi and other locations recorded during Flandin's expedition. The original Perse Moderne was published in 1854 as part of a large multi volume series documenting the results of Flandin and Coste's travels through Iran. The expedition provided one of the earliest systematic visual surveys of Persian architecture and urban landscapes available to European scholars and artists. Flandin's drawings preserved detailed views of monuments and settlements during the Qajar period and have been widely cited by historians of Persian art and architecture as a major documentary source for nineteenth century Iran. The 1976 edition reproduces these images in a limited printing of six hundred copies allowing modern readers access to the visual material of a work that is otherwise difficult to obtain in its original form. One elephant folio volume with one hundred tinted lithographic plates housed in the original box. Minor handling wear to the box while the volume and plates remain well preserved. Overall condition very good. unknown
rif. 145801976. Flandin Eugène. Voyage en Perse. Perse Moderne Planches documents the architecture cities and landscapes of nineteenth century Iran through the drawings produced during a French archaeological and artistic expedition to the region in 1840. French artist Eugène Flandin traveled to Iran with architect Pascal Coste as part of a diplomatic mission supported by the Académie des Beaux Arts in Paris. During two years of travel across western and southern Iran the expedition produced extensive drawings of monuments urban centers and archaeological sites associated with the Qajar period. These images later formed the basis of Perse Moderne one of the most significant illustrated records of nineteenth century Iran produced by European artists. Flandin Eugène. Voyage en Perse. Perse Moderne Planches. London: Burness Faridany Limited 1976. Limited facsimile edition issued to commemorate the centennial of Flandin's death. Elephant folio measuring approximately 17 x 24 inches. The volume contains one hundred tinted lithographic plates reproducing the illustrations from the original nineteenth century publication. The plates depict architectural monuments and landscapes including royal mosques and palaces the city and ports of Tehran the ruins of Persepolis the tomb of Saadi and other locations recorded during Flandin's expedition. The original Perse Moderne was published in 1854 as part of a large multi volume series documenting the results of Flandin and Coste's travels through Iran. The expedition provided one of the earliest systematic visual surveys of Persian architecture and urban landscapes available to European scholars and artists. Flandin's drawings preserved detailed views of monuments and settlements during the Qajar period and have been widely cited by historians of Persian art and architecture as a major documentary source for nineteenth century Iran. The 1976 edition reproduces these images in a limited printing of six hundred copies allowing modern readers access to the visual material of a work that is otherwise difficult to obtain in its original form. One elephant folio volume with one hundred tinted lithographic plates housed in the original box. Minor handling wear to the box while the volume and plates remain well preserved. Overall condition very good. unknown books
1711rif. PHO-2002Amsterdam, Louis de Lorme, 1711, 3 volumes in-4° (255x200mm), T1 : Portrait de l’auteur gravé par Tomassin (détaché), Titre noir et rouge, (1ff),279pp., 18 planches, T2 ,1ff, Titre ; 454pp ,15 planches, T3, 1ff, Titre ; 254pp, errata, table des matières (11ff), 45 planches, complet. Relié veau époque, dos à nerfs orné avec titre et tomaison, ex-libris, Tome 1 ; manque un caisson au dos et la pièce de tomaison, début de fente, coiffes absentes, travail de ver avec atteinte, Tome 2 ; dos manquant, coin abimé avec manque, coiffes absentes, mouillures, coutures lâches. Tome3 ; manque au dos, coiffes absentes, frottements, coins abimés, mouillure.
1657rif. PHO-1458A Troyes, par Nicolas Oudot, et se vendent à Paris: Chez François Clousier, 1657. in-4; [6ff. (sur 7: feuillet de dédicace en fac-simile), dont titre, portrait légendé de La Boullaye, préface], 558p., [5ff. Table, fautes, privilège du 12 février 1657]; 33 illustrations sur bois dans le texte dont 16 à pleine page. Reliure d'époque en basane brune, dos à nerfs avec titre , coupes , coiffes et coins usés , frottements. un coin déchiré au titre sans atteinte au texte. Mouillure angulaire au premier portrait P. 73 déchirée avec manque de papier ,sans atteinte au texte. P. 165: manque en coin avec perte de qq mots; PP. 173 et 175: déchirures sans perte de texte; P. 234: manque de papier en pied avec perte de quelques mots; taches d'encre pp. 264 ; pp. 460 à 485: petites galeries de vers marginales en pied. Ex-libris manuscrit Dominium Antonium Biguet. Seconde édition
1829rif. PHO-1340Paris, 1829 , imprimerie Royale , in-8 , X-519 pp.-164 pp. ,catalogue in fine, relié demi cuir époque , dos lisse avec auteur et titre , initiales en pied , coins et coupes usés , frottements aux plats , quelques rousseurs , pages de garde bruni.
1819rif. 12492A Paris, chez Nepveu, 1819. In-8 de [4]-II-285 pages, demi-veau moucheté à coins, dos lisse orné de filets, roulettes et titre dorés, pièce de tomaison bordeaux, tranches jaunes mouchetées. Dans un remarquable état de fraîcheur.
2013New English In original decorative full leather bdg. In publisher's special box. Elephant folio. (48 x 33 cm). In Persian and English. 419, [3] p., color ills. "This magnificent edition is printed on 420 pages, of which 171 pages are pure full five color print illustration of the original Shahnameh. - 119 illustration from the TMOCA and other Iranian museums. - 33 illustration from Metropolitan Museum of Art in New York. - 9 illustration from Agha Khan Foundation. - 10 illustration from The Khalili Collections in London.".
1860Very Good Turkish, Ottoman (1500-1928) Original fine 1/4 leather bound in Ottoman lettered gilt. Demy 8vo. (22 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 174 p. Hegira: 1277 = Gregorian: 1860. Rare early (second) edition of this eye witness and first-hand account, and one of the most important chronicles describing the history of late Safavid Iran in the 18th century, the Iranian invasion of Afghanistan and the siege and the fall of Isfahan in 1722 written by Kruzinski who was a Polish Jesuit missionary served in the Persia in the early 18th century. In 1720 he was nominated advocate general of the mission in Persia and became the secretary to the Bishop of Isfahan. Krusinski himself, however, claimed later on that he is not only the author but also the translator of this work. As a chronicle, this is a history of Iran under the Safavids from 1499 up to 1727 with a special focus on the 1722 Afghan invasion that terminated the Safavid dynasty. "His account of the conditions and events preceding and during the siege and the subsequent demise of the Safavids is unique. It also offers key insights into the workings of the late Safavid state and government as well as the functions of the royal harem." (Bloomsbury). Translated and expanded by Ibrahim Müteferrika of Kruzinski's Latin manuscript written in 1726 in Istanbul and entitled "Historia revolutionis monarchia Persica". The book was first published in Italian, French, and English translations, in Rome (1727), Paris (1728), and London (1728). The founder of the legendary first printing house in the Islamic world, Ibrahim Müteferrika (1674-1745), was the editor of this book. Ceridehâne [i.e. Journal House] Printing House is the successor of the Müteferrika Press in the early 19th century. "The book is a Turkish translation of the history of Iran written in Latin by the Jesuit missionary Judas (Jan) Tadeusz Krusinski (1675-1751). The work, whose title can be translated as 'A voyager's description on the apparition of the Afghans and on the reasons of the Safavid Empire being undermined', focuses on the Afghan invasion of 1722 which led to the fall of the Safavid dynasty, but also offers an overview on the historical processes of early 18th-century Safavid Iran. The publication of this work was made actual not only by the vicinity of Iran to the Ottoman Empire but also by the historical turn reorganizing the relations of power in the region and triggering the intervention of the Ottomans as well. This may have been the reason that among the first Turkish incunabula this was the work published in the highest number of copies. This publication also offers an early example of copyright disputes, as Krusinski considered the Turkish translation as his own work, while Müteferrika, who does not mention his name in the printed version, suggests himself to be the translator". (Source: The Mysterious Printer Ibrahim Muteferrika and the Beginnings of Turkish Book Printing: Library of Hungarian Academy of Sciences Online). Özege: 19897.
rif. 48147Paris.1679.In-12 en vélin d'époque.564 p.+ Tables de Chapitres.1 carte rempliée du Japon.8 gravures.Cinq parties:1/Une relation du Japon.2/Négociation des députez en Perse et Aux Indes.3/Commerce des Indes Orientales.4/Royaume de Tunquin.5/Les Hollandais en Asie. Bel exemplaire. Au dos, titre et date à l'encre.Manque de vélin sur les bords des plats.petit manque de papier en bordure horizontale de la page de garde.Réparation ancienne de la carte.Intérieur et gravures très frais.
1956rif. 9000018 février 1956 | 21.3 x 27.7 cm | Une feuille
rif. 114702levy in-folio Paris, Librairie centrale des Beaux-Arts, Emile LEVY, [sans date], 1 portfolio de 305 x 410 mm environ, (2) ff. (Justification de tirage, page de titre), 4 pages (Notice), 3 pages (Table des planches), complet des 100 planches. Tirage à 300 exemplaires numérotés (n°146). Portfolio en toile verte, titré en doré sur le plat supérieur, trois attaches en tissu. Quelques marques sur la toile, tranches brunies, rares traces foncées en marge des feuillets, quelques rousseurs, défaut planche 67 sans atteinte à l'image, sinon bon état général.
1801rif. PHO-1355Paris, H. Agasse, an 9 [1801]-1807. 6 vol. in-8 (207 x 134 mm) sans l’Atlas ,xx-392pp.-1f. , 2ff.-377pp.1f. , 2ff.-iv-369pp.-1f.,2ff.-456pp.-1f.,2ff.-xv-485pp.,2ff.-522pp.-1f., relié demi veau, dos lisse richement orné,tranches marbrées (Reliure de l'époque), quelques frottements .
1843rif. 19824Paris, Typographie de Firmin Didot Frères, 1843-1853. In-8°. CLV, 276; XXXVIII, 292 (2) p. (= Chrestomathies orientales), demi-reliures de toile avec titres dorés. - 1. Prolégomènes des tables astronomiques d'Oloug-Beg, publiés avec notes et variantes, et précédés d'une introduction par L.P. E. A. Sédillot. 1847. - Mirkhond: Histoire de Sassanides, à l'usage des élèves de l'école royale et spéciale des langues orientales vivantes. 1843. - 2. Prolégomènes des tables astronomiques d'Oloug-Beg. Traduction et commentaire, par L.P.E.A. Sédillot. 1853. Reliures un peu frottées. Petite manque sur le plat. Quelques cachets sur les pages de titre et sur les dernières pages de texte. Papier un peu taché par la moisissure.
1942rif. 124591Buenos Aires Editions des Lettres Françaises 1942 1 vol. broché in-4, broché, non paginé. Edition originale, si l'on excepte le tiré à part publié en mai 1942 par les "Cahiers du Sud" à l'insu de l'auteur. Exemplaire du premier tirage daté du 25 août 1942. Un des rares exemplaires hors commerce sur un étonnant papier de type Auvergne qui n'est pas annoncé en page de justification, mais simplement marqué "H.C.", avec ce bel envoi autographe signé au poète et critique américain Allen Tate (1899-1979), "qui sait de quels refus est fait l'accueil d'une heure, d'une oeuvre, ou d'un échange humain, bien cordialement. St-J. Perse, Washington, 1944". Petites déchirures et manques en bordure de la couverture, le papier utilisé étant cassant et d'une grande fragilité. L'exemplaire est conservé sous un étui qui reproduit en fac similé la couverture.
1942rif. 124591Buenos Aires Editions des Lettres Françaises 1942 1 vol. broché in-4, broché, non paginé. Edition originale, si l'on excepte le tiré à part publié en mai 1942 par les "Cahiers du Sud" à l'insu de l'auteur. Exemplaire du premier tirage daté du 25 août 1942. Un des rares exemplaires hors commerce sur un étonnant papier de type Auvergne qui n'est pas annoncé en page de justification, mais simplement marqué "H.C.", avec ce bel envoi autographe signé au poète et critique américain Allen Tate (1899-1979), "qui sait de quels refus est fait l'accueil d'une heure, d'une oeuvre, ou d'un échange humain, bien cordialement. St-J. Perse, Washington, 1944". Petites déchirures et manques en bordure de la couverture, le papier utilisé étant cassant et d'une grande fragilité. L'exemplaire est conservé sous un étui qui reproduit en fac similé la couverture.
1851rif. X119781Konstandnupolis [Constantinople], Tparan Yohannu Miuhentisean 1851 [16] + 239 + [3] pp., 19x13cm., text in Armenian, amateur hardcover binding with traces of use, few old stamps (on French title page, and on first page of preface and text), text is clean and bright, cfr. OCLC 1265049692, [This is the very rare first publication of the "History of Bishop Sebeos on Heraclius", based on a 1672 manuscript and a 1568 manuscript which has since been lost. It is a key work for the historiography of Armenia, and most important source for its history of the 6th and 7th centuries. This account not only deals with Armenia, but focuses on a broader geographical scope including Byzantium, Iran and the early Muslim world. According to the English historian J. Howard-Johnston "the history is the single most important source on the ending of classical antiquity" (stated in his commentary for the critical 1999-edition of Sebeos)], X119781
1972rif. LCI-22391972 Tehran Farahng Sara 1972-1990 13 in -8 Reliure plein maroquin vert , dos orné Persian Carpets and RugsPersian CalligraphyPersian Painting of Safavi Period Isfahan schoolPersian Painting of Safavi Period Tabriz schoolDrawings of the Masters : Persian drawings Mu'In Muzawwir, Isfahan school Drawings of the Masters : Persian drawings Safavi Period, Isfahan school Drawings of the Masters : Persian drawings Safavi Period, Isfahan school (Shah Abbas and his successors)Drawings of the Masters : Persian drawingsThe King's Book of Kings, the Shah-Nameh of Tahmasp, Pages from the Houghton Shah-NamehThe Life and Time of Riza Abbasi, Isfahan SchoolPictorial Aspects of Iran Madame Dieulafoy collection "20 Plate"Pictorial Aspects of Iran Voyage en Perse de MM Eugène Flandin Peintre et Pascal Coste Architecte collection Perse ancienne "20 Plate"Pictorial Aspects of Iran Monsieur S.G.W. Benjamin collection "20 Plate" Edited by DJ Yassavoli.Iran in Paintings a collection of 20 paintings representing the old Isfahan.
1679rif. PHO-1772Paris, Dezallier, 1679, 2 volumes in-4 ,28ff.-686pp., 22ff-648pp , relié plein cuir époque, dos à nerfs orné avec pièce de titre et tomaison, tranches mouchetées rouge, réparations aux dos, pièces de titre et tomaison récentes au tome, illustré de 6 cartes dépliantes (7), ex-libris manuscrit en page de garde et au titre, traces de réparation aux cartes.
1671rif. 693651 vol. in-12 reliure de l'éppque pleine basane brune, dos à 5 nerfs orné, Chez Guillaume de Luyne, Paris, 1671, 10 ff., 225 ff. [ à pagination en miroir], pp. 227-325 (Remarques), 6 ff. n. ch. (Tables des matières). Titre latin complet : D. Junii Juvenalis et Auli Persii Flacci Styrae. Cum Notis Francisci Gujeti Andini, Joannis Peyraredi Aquitani, et al. Accurante Michaele de Marolles, Abbate Villelupensi, Cum ejusdem Versione & Interpretatione Gallica
rif. 9775Paris, Librairie Plon, Plon-Nourrit et Cie, Imprimeurs-Editeurs, sans date, 1900. 1 volume in folio (28*38 cm), reliure demi-chagrin, à coins, plats cartonnés marbrés, composé de 28 feuilles doubles, très bon état.
rif. 13774Paris, Librairie Plon, Plon-Nourrit et Cie, Imprimeurs-Editeurs, sans date, 1900. 1 volume in folio (28*38 cm), reliure demi-chagrin, à coins, plats cartonnés marbrés, composé de 28 feuilles doubles, très bon état.
rif. 26975'Published by Survey Directorate G.H.Q. Paiforce 1944. All one page 20 x 33cms some stained but texts clear and complate. 1. Index map of Iraq and Iran for a 1:100000 scale survey series produced by the British military command PAIFORCE during World War II. All 20 x 32.5cm a couple sl. stained mainly good condition.1.Four Index maps of Iraq and Iran ¼ series I.D.R./X.D.R./G.S.G.S. 9002 3919 nos. 1-42.Index map of Iraq and Iran for a 1:100000 scale survey series produced by the British military command PAIFORCE during World War II. Index Map of 'Irq rn 1:100000 Series I.D.R. 9003'.3.Four Index Maps of places/areas of IRAN:a. Ahwaz 1:10000 series 1D MISC/563 to 573 stamped 11 June 1944b. Askaran and Sanandaj N.W. 1:25000 series …9005 stamped 25 June 1944c. Gach-I-Sar 1:50000 series stamped 11 June 1944d. Khurramshahr Abandan 1:12500 series4.Six Index Maps of places/areas of IRAQ all 1:25000 series ID 9005:a. Ba'qubab. Faidahc. Haffad. Hindiyae. Falluja f. MoselNo reference to other copies yet found. 'Published by Survey Directorate, G.H.Q. Paiforce [1944] unknown
1920Very Good Turkish, Ottoman (1500-1928) Collection includes six postcards by him sent to Mehmed RAsih Bey, Âli Türkgeldi (Sofia, Bulgaria), Satvet Lütfi Tozan, one newspaper clipping about Gerede, eight autograph letters signed 'Hüsrev' sent to Satvet Lütfi Tozan, (1889-1975), Âli Türkgeldi, 1867-1935) and beside ones which came from them to him. Some letters are more than one page. Full text. In Ottoman script. Items dated from 1920 to 1929/30 on letters and postcards. All in one envelope with Ottoman script autograph notes and name of Hüsrev Gerede on it. Letters and other material include mostly important diplomatic contents and early Republican Turkish historical info. These material is not published. Gerede was a Turkish career officer, who served in the Ottoman Army and the Turkish Army. He was also a politician and diplomat of the Republic of Turkey. He has Medal of Independence with Red-Green Ribbon.
1711In-16 p. (mm. 160x90), 10 volumi, p. pelle bazzana coeva (con piccole manc. e fori di tarlo), decoraz. e titolo oro su due tasselli al dorso, tagli a spruzzo rossi, pp. complessive 3.130, frontespizi in rosso e nero con graziosa vignetta inc. in rame. Testo ornato da una testatina inc. in rame nel 1° vol., testatine, capilettera e finalini inc. su legno, nei restanti. I volumi sono corredati di 78 (su 79) belle tavole inc. in rame f.t., numer. più volte ripieg., tra cui: una carta della Persia e del Ponto Eusino (ora Mar Nero), vedute delle città di Erevan, Tiflis, Ecs-Miazin (les Trois Eglises), etc., e tavole relative ai costumi, alla musica notata, all’architettura, ecc. "Mancano": la tav. XXXII (nel 6° vol.) e 6 tabelle ripieg. (nel 5° vol.). "Prima edizione completa" di questo resoconto di viaggi che contiene nozioni sulla storia, la letteratura, la religione e la vita politica della Persia, così composta: primi 3 voll. relativi a: “Voyage "de Paris à Ispahan", capitale de l'Empire de Perse. Premiere partie, qui comprend le Voyage de "Paris en Mingrelie", & la relation de la religion des Mingreliens, par le P. J. M. Zampi, Theatin - Seconde partie, qui comprend le voyage de "Mingrelie à Tauris" - Troisieme partie, qui comprend le voyage de "Tauris a Ispahan" - 4° vol. “Description générale de la Perse” - 5° “.. des sciences & des arts liberaux des Persans - 6° “.. du gouvernement politique, militaire, & civil del Persans - 7° “.. de la religion des Persans” - 8° “Description particulière de la Ville d'Ispahan, capitale de Perse” - 9° e 10° “Premier et second voyage de l'auteur d'Ispahan à Bander-Abassi, & son retour à Ispahan”. “Jean Chardin (1643-1713), gioielliere, viaggiatore e scrittore francese, compì due viaggi in Persia soggiornando a lungo nel paese (1666-69 e 1673-77) e spingendosi verso l'India. Rientrò dal secondo viaggio per il capo di Buona Speranza. Le relazioni (pubbl. nei Paesi Bassi nel 1711) contengono una preziosa descrizione dei paesi visitati)” (così Diz. Treccani). Cfr. Brunet,II,1802: “Ce voyage est un des plus intéressants que l’on ait publiés dans le siècle dernier. I volumi, con alc. lievi fioriture o arross. ma complessivam. ben conservati, sono contenuti in un cofanetto di cartonato moderno (mm. 255x180x115).
1956rif. 900001956. Fine. 18 février 1956 21.3 x 27.7 cm Une feuille Autograph letter dated and signed by Alexis Léger 26 lines in blue ink written from Washington to his friend Emily Amram describing the torments of his convalescence following a ""stupid accident"".Folds inherent to mailing.The poet thanks his friend for her floral attentions during his illness: ""combien la présence de vos fleurs m'a aidé contre les mauvaises ombres pendant mes jours de réclusion !"" and much to his regret must once again postpone the visit he had promised her: ""une mauvaise grippe washingtonnienne qui m'a surpris déjà fatigué peu après mon retour chez moi achevé de me déprimer et pour ne pas accabler encore l'affectueuse sollicitude de bons amis comme vous et Phil je n'ai su écuré de moi-même que me condamner au silence et à la solitude.""He intends to banish his dark thoughts by granting himself a stay by the sea in the South: ""Je pars demain pour le sud et vais demander au voisinage de la mer la possibilité de me libérer par la natation; des dernières traces de mon stupide accident.""Â Â unknown
