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1890rif. 9443AB[Wien ?, um 1890]. 16 + 138 S. Priv. Hld. der Zeit, mit eingebundener illustr. OBrosch., Titelblatt
1998rif. 13105Tehran, Farhangsara Yassavoli, 1998. 4°. 198 Seiten, 108 Abb. auf Tafeln. Original Pappband im illustr. OU (Kanten leicht berieben).
1957rif. 124581Paris Gallimard 1957 1 vol. relié in-4, cartonnage éditeur d'après la maquette de Paul Bonet, rhodoïd, 187 pp., notices bibliographiques. Édition originale. Un des 550 exemplaires numérotés sur vélin Prioux (Huret, 477). Infimes déchirures au rhodoïd, mais très bon état, avec le prière d'insérer joint.
1957rif. 124581Paris Gallimard 1957 1 vol. relié in-4, cartonnage éditeur d'après la maquette de Paul Bonet, rhodoïd, 187 pp., notices bibliographiques. Édition originale. Un des 550 exemplaires numérotés sur vélin Prioux (Huret, 477). Infimes déchirures au rhodoïd, mais très bon état, avec le prière d'insérer joint.
1924rif. 119962Paris Daniel Jacomet pour Ronald Davis 1924 1 vol. Relié in-4, plein veau marbré, dos à nerfs soulignés de filets dorés, 10 feuillets. Edition originale constituée par le fac-similé "autographique" du poème et tirée seulement à 100 exemplaires, celui-ci justifié HC VI, mais non signé par l'auteur. L'étiquette de titre qui ornait le cartonnage d'origine a été conservée par le relieur (qui a indiqué comme nom d'auteur "Saint-John Prince"...). L'exemplaire provient de la bibliothèque du diplomate Christian Belle (alias Basile Sainte-Croix) avec son sceau à l'encre rouge.
1924rif. 119962Paris Daniel Jacomet pour Ronald Davis 1924 1 vol. Relié in-4, plein veau marbré, dos à nerfs soulignés de filets dorés, 10 feuillets. Edition originale constituée par le fac-similé "autographique" du poème et tirée seulement à 100 exemplaires, celui-ci justifié HC VI, mais non signé par l'auteur. L'étiquette de titre qui ornait le cartonnage d'origine a été conservée par le relieur (qui a indiqué comme nom d'auteur "Saint-John Prince"...). L'exemplaire provient de la bibliothèque du diplomate Christian Belle (alias Basile Sainte-Croix) avec son sceau à l'encre rouge.
rif. 1590Marseille, Les Cahiers du Sud, 1942. Cahier in-8° de 16pp. agrafé en son centre sous couv. crème semi-rigide, non coupé.
1965rif. 56440Paris Gallimard 1965 1 vol. broché fort in-8, broché, non coupé, 817 pp., 20 planches hors-texte, bibliographie. Edition originale de cet important recueil d'hommage. Un des 27 exemplaires de tête numérotés sur Hollande van Gelder.
1965rif. 56440Paris Gallimard 1965 1 vol. broché fort in-8, broché, non coupé, 817 pp., 20 planches hors-texte, bibliographie. Edition originale de cet important recueil d'hommage. Un des 27 exemplaires de tête numérotés sur Hollande van Gelder.
1961rif. 007445New York: Bollingen Series 1961. First Edition. wraps. Fine. Bloomfield & Mendelson B77. Published in an edition of 2500 copies none of which were for sale in white card covers with a grayish green printed wrapper. This is St.-John Perse's Nobel Acceptance Speech translated by Auden and printed here in both the original French and Auden's English translation. SIGNED by Auden on the title page. Quite uncommon especially signed. Bollingen Series paperback books
1963rif. 421121New York: Pantheon Books 1963. Hardcover. Very Good. Second edition revised with bibliography. Translated by Robert Fitzgerald. Quarto. 61pp. Black cloth. Light spray of paint flecks at the bottom of the top board else very good or better lacking the dustwrapper. Martha Graham's copy with her large ownership Signature. Bollingen Series LXIX. Pantheon Books hardcover
1963rif. 421121New York: Pantheon Books 1963. Hardcover. Very Good. Second edition revised with bibliography. Translated by Robert Fitzgerald. Quarto. 61pp. Black cloth. Light spray of paint flecks at the bottom of the top board else very good or better lacking the dustwrapper. Martha Graham's copy with her large ownership Signature. Bollingen Series LXIX. Pantheon Books hardcover books
1905rif. 144251905. Radiguet Arthur and T.H. McAllister collection of five lantern slides of Iran circa 1905 documents Qajar-era urban religious royal and archaeological sites as they were circulated through early twentieth-century photographic projection. The group records Tehran palace and garden settings Isfahan's Khaju Bridge Muslim worship inside a Persian mosque and the ruins of Persepolis giving the slides research value for the study of Iran's visual presentation to Western lecture audiences the commercial lantern-slide trade and the intersection of Qajar modernity with older Safavid and Achaemenid monuments. Qajar rule extended into the early twentieth century ending in 1925 making these images especially relevant to the final decades of the dynasty and to foreign visual consumption of Iranian architecture devotion and royal space. Five gelatin silver bromide positive glass lantern slides circa 1905 showing locations in Tehran Isfahan and Persepolis; each slide measures approximately 3 1/4 by 4 inches. The first image shows a Persian man in traditional dress walking within the Qajar Royal Palace and gardens; the second is an elevated view labeled "the Shah's gardens and the new neighborhoods" showing Tehran's royal garden landscape and adjacent urban development without enough evidence to confirm the method of photography. The third image shows the Khaju Bridge in Isfahan built under Shah Abbas II on the foundations of an earlier bridge and functioning as both bridge and weir across the Zayandeh River; the fourth shows a group of Muslims kneeling in prayer beneath a mosque archway; the fifth shows the ruins of Persepolis the Achaemenid capital founded by Darius I in 518 B.C. and later designated a UNESCO World Heritage Site. Three slides are attributed to Arthur Radiguet of Maison Molteni a French maker associated with lantern projection and slide production while the Khaju Bridge slide was produced by T.H. McAllister a New York firm known for selling magic lantern equipment and images. The set brings together dynastic Tehran Safavid civic architecture Islamic devotional practice and ancient imperial ruins offering a compact visual itinerary of Iran as framed for projected instruction or entertainment around 1905. The Khaju Bridge image is particularly useful for architectural history because the bridge linked the Khaju quarter with the Zoroastrian quarter and combined circulation water management and public gathering functions; the Persepolis image extends the group's chronology from modern Qajar Iran back to Achaemenid antiquity. Minor edge wear and light surface wear to glass mounts with images remaining legible; overall very good. A focused group of early photographic projection images of Iran useful for documenting how Qajar-era Tehran Isfahan mosque interiors and ancient Persian ruins were presented through the international lantern-slide market. unknown
1905rif. 144251905. Radiguet Arthur and T.H. McAllister collection of five lantern slides of Iran circa 1905 documents Qajar-era urban religious royal and archaeological sites as they were circulated through early twentieth-century photographic projection. The group records Tehran palace and garden settings Isfahan's Khaju Bridge Muslim worship inside a Persian mosque and the ruins of Persepolis giving the slides research value for the study of Iran's visual presentation to Western lecture audiences the commercial lantern-slide trade and the intersection of Qajar modernity with older Safavid and Achaemenid monuments. Qajar rule extended into the early twentieth century ending in 1925 making these images especially relevant to the final decades of the dynasty and to foreign visual consumption of Iranian architecture devotion and royal space. Five gelatin silver bromide positive glass lantern slides circa 1905 showing locations in Tehran Isfahan and Persepolis; each slide measures approximately 3 1/4 by 4 inches. The first image shows a Persian man in traditional dress walking within the Qajar Royal Palace and gardens; the second is an elevated view labeled "the Shah's gardens and the new neighborhoods" showing Tehran's royal garden landscape and adjacent urban development without enough evidence to confirm the method of photography. The third image shows the Khaju Bridge in Isfahan built under Shah Abbas II on the foundations of an earlier bridge and functioning as both bridge and weir across the Zayandeh River; the fourth shows a group of Muslims kneeling in prayer beneath a mosque archway; the fifth shows the ruins of Persepolis the Achaemenid capital founded by Darius I in 518 B.C. and later designated a UNESCO World Heritage Site. Three slides are attributed to Arthur Radiguet of Maison Molteni a French maker associated with lantern projection and slide production while the Khaju Bridge slide was produced by T.H. McAllister a New York firm known for selling magic lantern equipment and images. The set brings together dynastic Tehran Safavid civic architecture Islamic devotional practice and ancient imperial ruins offering a compact visual itinerary of Iran as framed for projected instruction or entertainment around 1905. The Khaju Bridge image is particularly useful for architectural history because the bridge linked the Khaju quarter with the Zoroastrian quarter and combined circulation water management and public gathering functions; the Persepolis image extends the group's chronology from modern Qajar Iran back to Achaemenid antiquity. Minor edge wear and light surface wear to glass mounts with images remaining legible; overall very good. A focused group of early photographic projection images of Iran useful for documenting how Qajar-era Tehran Isfahan mosque interiors and ancient Persian ruins were presented through the international lantern-slide market. unknown books
1902rif. 54881Publiées avec une introduction et des Notes par Charles Grolleau, un des 30 exemplaires sur papier du Japon (après 15 Chine) numérotés (n° 21), 1 vol. grand in-8 br. sous couv. rempliée, Charles Carrington, Paris, 1902, 158 pp. et 1 f.
1963Very Good Russian Original cloth bdg. Folio. (36 x 27 cm). In Russian. 23, [1] p., 45 numerous b/w nd color plates. Obrazchi kalligrafii Irana i Srednei Azii XV-XIX vv. Obrazchi miniatura i kalligrafiia v Leningradskikh sovraniiakh. Shapes of calligraphy of Iran and Central Asia in 15th-19th centuries.
2015New New English Original bdg. Dust wrapper. Folio. (32 x 23 cm). Text in Persian entirely, bilingual title in English and Persian. 445 p., color ills. (Richly illustrated). Kilim: Review of the history and art of Oriental flat woven carpets.= Gilîm: Chikîdah'î az târîkh va hunar-i takht bâftah'hâ-yi Sharqî. An oversize and very heavy volume.
rif. DADAX0199733309New unknown
1792rif. 22651(Wien, Schrämbl, 1792). 2 Bll., 299 S. Kl.-8°. HLdr. der Zeit mit goldgeprägtem Rückenschild (etw. berieben und bestoßen). [5 Warenabbildungen]
rif. 34523aafParis, Barrière frères, s.d. (ca. 1825), in-4to oblong, sans p. de titre + 37 planches gravées, (la gravure: 21x30 cm.) / ( la feuille 29x42 cm.), reliure en demi-cuir, fragile, pet. fente en bas de la charn. supér., plats recouverts de papier marbré, qqs lég. frottements et pet. taches.
rif. 102613Paris, Les Bibliophiles Franco-Suisses 1930, 300x240mm, 87pages, broché, en feuilles sous couverture à rabats et cartable rigide. Avec l’emboitage. Tirage à 125 exemplaires sur beau papier, n.° 73 imprimé pour Henri Gunthert. Bel exemplaire, hormis rousseurs sur le cartable et la couverture.
rif. DADAX0415610508New unknown
1827rif. 24377Paris Librairie orientale de Dondey-Dupré 1827 in-8 broché non coupé, sous couverture d'attente de papier bleu, étiquette de titre sur la première couverture
rif. DADAX0415610583New unknown
rif. DADAX0415608422Routledge 2011-02-25. 1. hardcover. New. 6.14x0.59x9.21. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
