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1979Very light shelfwear to book. Minor bumping to lower corners. ; 223pp, nicely illustrated. ; 8vo - over 7¾" - 9¾" tall; 223 pages; Browning draws on the latest archaeological and historical evidence to present the most complete account so far published of this remarkable lost city.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots, not affecting image.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Light spot or two.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some marginal spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
19378vo [24 x 16 cm]; xv, [i], 410 pp, frontis and illustrations from photos, 4 maps including 3 folding and one with route in red, graph, glossary, bibliog, index. original brown cloth, gilt spine title lettering, cover with light wear at edge, else fine and clean copy in the scarce dj (bit chipped at head of spine, price clipped but very good). A picture of this book is available upon request by email. An important study describing the desert, its inhabitants, the channels of ancient and medieval trade, early travellers, the lives of the great merchants and pilgrim caravans, early postal services over eleven centuries, up to the age of mechanical transport. "An introduction to all the classics of desert travel".
1935In 4°; XX, 196, (1), (90) pp. Brossura editoriale, piccola mancanza al amrgine basso del dorso. Prima edizione di questo interessante sudio del noto professore di lettere e noto conoscitore e traduttore dall'arabo che insegnò a lungo a Bordeaux, Michel Feghali. L'opera raccoglie numeorse leggende, canti e costumi popolari del Libano e della Siria. Le ultime 90 pagine contengono il testo arabo originale di diverse leggende e canti. Esemplare in buone-ottime condizioni di conservazione.
1877Tutta tela rossa edit. di mm. 180x115, al piatto anter. bella immagine floreale a colori, tit. in oro, al piatto posteriore bel fregio arabescato in oro in triplice cornice nero, tagli oro, dedica a penna alla prima sguardia libera, pp. (2)-454, f.t. 13 belle incisioni a p. pag. Legatura un po’ indebolita.
1968Book is in excellent condition with slight fading to spine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 535 pages with a great many illustrations. Contents include: Mesopotamia, Babylonia and Assyria, Syria, canal making, irrigation, democracy, semetic forces, slavery, child care, food, housing, clothing, hair styles, marriage sexual relations, health, social misfits, Lipit-Ishtar, Eshunna, Hammurabi, etc. Copyright 2011 Pistil Books
2016Restek Andreja Restek Andreja. Siria. Dove Dio ha finito le lacrime. Effedì edizioni 2016. Dedica?????. Alpignano (TO), Effedì edizioni 2016 italiano, in dodicesimo pp. non numerate 37953 Restek Andreja. Siria. Dove Dio ha finito le lacrime. Effedì edizioni 2016. Dedica????? In-12. pp. non numerate. Cartonato. Ill. a colori. Perfetto.
1905FIRST AND ONLY EDITION OF THIS SYRIAC VERSION OF THE GOSPEL OF ST. MATTHEW. 4, 43 pp. Title-page and introductory note in English, text (of the Gospel of St. Matthew) in Syriac. The British and Foreign Bible Society printed each of the gospels with separate pagination, and they could be purchased individually or as a group. Beautifully printed on fine wove paper. Ownership signature (Beirut, 1922) on front flyleaf. Small 4to. Publisher's pebbled cloth. FINE AND BRIGHT. Very rare.
1996A clean, unmarked book with a tight binding. Full brown cloth boards. 8"w x 10 3/4"h. 162 pages. Black and white photos and illustrations. "Drawing upon a lifetime's knowledge, Patterns of Stylistic Change in Islamic Architecture presents Michael Meinecke's unique view of the evolution and development of Islamic architecture. Departing from conventional method which groups buildings and monuments according to dynasties and defines national characteristics based on the ethnic origins of Arabic, Persian, or Turkish patrons, Meinecke emphasizes the similarities which resulted from interrelations among neighboring or far-away areas. He argues that transformations in the development of Islamic architecture can be explained by the movements of skilled craftsmen who traveled extensively in their search for challenging work, allowing for their influence to be felt across a broad region. Meinecke's unique approach to Islamic architecture will no doubt inspire others to emulate his approach in studying other regions or areas. Few, however, will be able to attain the consummate mastery of the subject which enlivens these essays." [publisher]
2007An examination of the problems of the Middle East. 484 pages. Index. Dust jacket lightly soiled, marks on page edges
1965A pre-print of part of The Cambridge Ancient History. With bibliography. 64 pages. Several numbers written in ink at top of inside front cover.
