[PANAMA] WILSON, Carlos GuillermoBiblio.com
812 résultats
1977réf. 85023Guatemala: Editorial Landívar 1977. First Edition. First Impression. Octavo 21.75cm; pictorial card wrappers; 67-942pp; text is entirely in Spanish. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez inscribed to him by the author signing off with his pseudonym "Cubena" on the title page: "para la profesora Roberto Marquez / Paz Amor Justicia / Cubena / 77/ Los Angeles." Some wear to extremities a few creases to corners; contents clean; Very Good. Collection of a dozen short stories by the Afro-Panamanian author and scholar Carlos Guillermo Wilson 1941-2016 whose work written chiefly under the pseudonym "Cubena" was centered around the lives and struggles of Afro-Panamanians. Uncommon in commerce especially inscribed. Editorial Landívar unknown
réf. A9781018719184Hardback. New. hardcover
2017réf. x-1944455035Library Pr at Uf 2017. Paperback. New. 312 pages. 11.00x8.50x0.75 inches. Library Pr at Uf paperback
2017réf. x-1944455043Library Pr at Uf 2017. Paperback. New. reprint edition. 324 pages. 9.00x7.50x1.00 inches. Library Pr at Uf paperback
1991réf. D3S0035205Panama Canal Commission 1991-01-01. Pamphlet. Good. 1982 EDITION! 6 of 11 pages of pencil underlining. First page has minor sticker residue. Cover shows wear with bumped/curling corners. Binding is tight. Panama Canal Commission unknown
1898réf. 21219591898. New York The Evening Post Job Printing House. Dated December 26 1898. 4to. Original printed wrappers; pp. 38 20 plates after photographs large folding sections in red and black large folding map in red and black; spine with few restorations small marginal flaw to front wrappers wire-stitched as issued with oxidization to wire-stitching; a very good copy of a great rarity presented to one Albert de Colomb with ink inscription to front wrapper.Very rare first edition. The first attempt to build the canal started under the leadership of Ferdinand de Lesseps proved to be a failure and the company collapsed in 1889. 'Although the company reorganized in 1894 it virtually ceased to function by 1898. Any possibility of completing the canal across Panama was gone; its sole hope lay in holding together an enterprise that could be offered for sale' Enyclopaedia Britannica. This rare document was compiled the by the International Technical Commission and assesses the possibility of resuming work which finally after difficult diplomatic negotiations and under the pressure of the United Stated and mainly supported by Roosevelt could be completed in 1914. An estimated 20000 lives were lost during the construction but the canal changed international shipping trade and the flow of goods for ever. unknown
réf. 28810977like new. unknown
1990réf. 1-0961501405Bay Pubns 1990. Hardcover. New. 352 pages. 9.25x6.75x1.25 inches. Bay Pubns hardcover
2007réf. 1-1419678957Panama Publishing Inc. 2007. Paperback. New. 174 pages. 8.43x5.43x0.47 inches. Panama Publishing, Inc. paperback
2007réf. 1-1419678949Panama Publishing Inc. 2007. Paperback. New. 134 pages. 8.30x5.50x0.40 inches. Panama Publishing, Inc. paperback
1930réf. 63301Panama City I. L. Maduro Jr. No year but presumably around 1920. 8vo-oblong 150 x 90 mm. In illustrated wrappers. 24 postcard all finely illustrated in color. Stamp to front wrapper otherwise nice and clean unknown
2006réf. 93503Great Britain:: Interrobang 2006. SIGNED hardcover first edition -. Fine in a fine dust jacket as new. First printing. The true first edition of the first book in the Tartan of Thyme time-traveling series which follows the adventures of teenage self-made billionaire Justin Thyme as he struggles to stop the Curse of Thyme from striking again. SIGNED by the author on the half title page "With best wishes form the paradoxical Panama Oxridge" Illustrations by Paxman O'Gradie and grahics by Adrian Poxmage. Promotional postcard and a press release laid in. 334 pp plus appendices and a glossary as well as pages for notes. Interrobang, hardcover
réf. SONG1944455043Library Press at UF 2017-02-08. Reprint. paperback. Used: Good. 7.50x0.84x9.25. Buy with confidence. Excellent Customer Service & Return policy. Library Press at UF paperback
réf. SONG1944455027Library Press at UF 2017-02-08. Reprint. paperback. Used: Good. 8.27x0.36x11.69. Buy with confidence. Excellent Customer Service & Return policy. Library Press at UF paperback
réf. PD8796 loose gelatin silver photographs ca. 11.5 x 6.5 cm 4 ½ x 2 ½ in. 27 images with period ink or pencil captions on verso. Five images with period ink captions on recto. a couple of photos very mildly faded or with minor creasing but overall a very good collection of strong interesting photos. A well-preserved collection of 96 gelatin silver photographs showing France Field and Cristóbal in the Panama Canal Zone as well as Colón in 1945. The collection was likely compiled by a US Army Air Force officer stationed at France Field at that time. Later renamed France Field Air Force Base in 1948 and then deactivated in 1949 and turned into a civil airport. It is still in use as of 2025 as Enrique Adolfo Jiménez Airport. Over 45 photographs are of France Field. They show lines of fighter planes parked on the tarmac; exteriors of base headquarters base chapel bachelors’ quarters the “GI Club” “France Field Exchange” with restaurant and barber shop and the dispensary; a bus stop with one bus reading “Naval Air Station Cristobal No. 50”; the interior of officers’ barracks and leisure area; and the compiler’s “favourite speed boat” as well as other snapshots around the base. There are also group portraits showing officers posing with a Nazi flag in front of planes outside a shack labelled “Radio” with women and playing with puppies. Several individual portraits show officers posing before a plane with a bomb or in the cockpit. One photograph is captioned “Some of our San Blas mess boys going out to play baseball.” Also included are over 40 photographs of Panamanian cities including Colón and Cristóbal. Over ten are of Colón showing Balboa Boulevard boats in a harbour Washington Hotel and its pool the Municipal Palace of Colón burned down 1966 the Columbus Monument in central Colón and several street scenes including lottery tickets being sold. Seven photographs show Cristóbal now part of the city of Colón but then part of the Canal Zone including Cristobal High School Cristobal Fire Station Union Church and Christ Church by the Sea. The other photographs show street scenes with signs reading “Club Florida” “Cafe America” “Hotel Tres Hermanos” etc.; a building identified as the “US Consul” in the caption; and a large group of people betting on horse races. Overall a lively and well-preserved collection of photographs showing France Field Air Force Base and the nearby cities of Colón and Cristóbal during the end of World War II. unknown
réf. PB62Oblong Folio album ca. 26x33.5 cm. 50 card stock leaves. With ca. 218 mounted and 1 loosely inserted gelatin silver photographs including 2 large images ca. 175x25 cm 7 x 9 ¾ in and 2 panoramas from ca. 75x28 3 x 11 in to ca. 85x21 cm 3 ¼ x 8 ¼ in; the rest of the photos from ca. 12x175 cm 4 ¾ x 7 in to ca. 75x11 cm 2 ¾ x 4 ½ in. Most of the photos with period white ink manuscript captions. Period maroon patterned cloth album fastened with a string; front board with an embossed gilt pictorial image of a ship. A couple of photos removed ca. three images slightly loose A couple of photos with mild silvering but otherwise a very good album with strong interesting photos. Historically important extensive collection of vivid and lively vernacular photos taken by a U.S. Navy serviceman from Aerial Squadron 51 during the Neutrality Patrol in the Caribbean in 1939-1941. The Patrol initiated by President Franklin Roosevelt in September 1939 aimed to preserve American neutrality during the early years of WWII by monitoring and reporting on belligerent warship activities in the Atlantic and the West Indies. The album features over eighty interesting views of Panama Cativa Panama City San Blas Portobello captured during the compiler's stay at Coco Solo Naval Air Station. Most of the candid urban photos portray Colon showcasing local hotspots - the Silver Spray Casino “One of the ‘Elite’ Nite Clubs in Colon” Bilgray’s Tropical Bar 1924-1974 the Atlantic Night Club and the Chinese Bar adorned with delicate posters of Chinese ladies. There are also lively scenes of Panamanian Boy Scouts carrying American flags butchers selling meat in the native market locals buying lottery tickets “Everybody buys a lottery ticket” uniformed men examining theatre posters and people enjoying meals at a soda fountain. About ten photos capture the festive atmosphere of the 1941 Pre-Lent Celebration in local streets several signboards are clearly visible with participants in ceremonial attire joyfully waving from cars. Additionally a series of images document the aftermath of the 1940 Great Fire and the temporary quarters for the fire victims “furnished by the U.S. Army. " The rest of the interesting “Panamanian” photos capture scenes of the San Blas Indian Village including native children swimming in canoes sharing smiles with Squadron soldiers standing alongside native huts and an “Indian family” dressed in traditional clothing seated in a boat. Several photos show the Madden Dam near the city of Gamboa completed in 1935 Berlanga Cathedral in Panama City and likely the compiler posing beside the "Ruins of Old City of Panama. " Most photos from Puerto Rico the San Juan Camp and Cuba Guantanamo Bay Naval Base vividly document Squadron 51’s military life showcasing officers' quarters washrooms tents the exterior & the interior PBY plane lineups morning musters soldiers during exams rifle practices and abandon ship drills. One interesting image features Frank Knox 47th United States Secretary of the Navy on his early inspection trip to the Squadron camp in San Juan. There are also about forty lively group portraits mostly with captions of the squadron members playing baseball volleyball poker & billiard joining in a “tug-of-war” game drinking & laughing at a beer party singing playing violin & drums “quenching thirst in the Jungle” visiting the Caribbean National Park etc. Several photographs show the Capitol and the University of Puerto Rico as well as the aerial view of the Bacardi Rum Mill in Guantanamo. The album also includes two large photos Guantanamo Harbor and "Squadron Baseball Game " and two panoramas the city of New Panama and the U.S. Naval Station in Guantanamo Bay. Overall a historically important collection documenting the American Presence in the Caribbean during the Neutrality Patrol. hardcover
1839réf. 56498Washington: 1839. 8vo. In later half cloth with gilt lettering to spine. Library labels pasted on to front and back board. Library stamp to to pasted down front end-paper and library label pasted on to pasted down back end-paper. Reapirs to last 5 leaves of "Potomac Aqueduct" with some loss of text. 81 1 167 pp. 6 folded plates. hardcover
1879réf. 46867London The Economist Office 1879. Small folio. Bound in comtemporary half cloth. Entire volume 37 July - December 1879 of The Economist. Minor wear to extremities and a few repairs to a few leaves otherwise fine and clean. Pp. 761-1504. Original printing of The Economist - the most important and influential economic journal worldwide - from the year 1879. The initial planning of the Panama Canal began in 1879. The enormous endeavor of digging the Canal was reflected in The Economist: "The canal proposed by M. de Lesseps and intended to pierce the Isthmus of Panama is in many respects a bolder enterprise even than the Suez Canal. The engineering difficulties are far greater the climate is a much more serious obstacle to labour and especially to that of Europeans and finally the possibility of a rival plan being carried out is much greater." hardcover
1910réf. 226891910. Early twentieth-century Panama photo archive circa 1910s to 1920s documents Panama during the decades surrounding the completion and early operation of the Panama Canal supporting research into U.S. engineering influence urban modernization Indigenous representation tourism waterfront labor and the transformation of Panama City and Colón into canal-era commercial spaces. The Panama Canal was completed and opened in 1914 linking the Atlantic and Pacific through one of the period's most consequential engineered waterways and the Gatun Locks formed part of the lock system that lifted vessels to Gatun Lake before lowering them at the opposite end of the route. These photographs record not only canal machinery and civic streets but also the human geography around the canal: tourists workers traders children waterfront activity ruins and leisure businesses appear together in a visual record of Panama's modernization under strong American commercial and infrastructural presence. Fifteen pieces comprising fourteen silver gelatin photographs and real photo postcards with one printed business advertisement card Panama circa 1910s to 1920s measuring approximately 2½ x 3¾ inches to 4 x 6 inches. The canal views include "Operating Emergency Dam Gatun Locks Panama Canal" and a view captioned "Gatun Locks" showing massive steel gates and early twentieth-century bridgework. Urban scenes include "Street Scene Panama City on Southern Cruise 1923" with American tourists Model T automobiles and colonial façades and "The Plaza Panama City" showing palm trees streetcar tracks and civic space. Local and historical subjects include a real photo postcard captioned "Circular Stairway in Old Panama ruins of Old Panama standing at the foot and looking directly up" documenting Panama Viejo the site of the original Panama City founded in 1519 and later recognized as part of a UNESCO World Heritage site. Other images include "Panama Water Front at High Tide" with fishing boats and market activity; dockworkers and traders near the canal's edge; and "Children in San Blas Panama" foregrounding Indigenous presence during the Canal era. The San Blas Islands are associated with the Guna an Indigenous people of Panama and Colombia whose communities are strongly identified with Guna Yala and the San Blas archipelago. The advertisement card reading "When in Colon Visit the Café Hollywood" places the photographic group within the leisure and service economy that grew around canal traffic tourism and foreign presence. Together the images clarify the different but connected worlds of early twentieth-century Panama: the engineered landscape of Gatun Locks the colonial and modern streets of Panama City the ruins of Old Panama the working waterfront Indigenous children in San Blas and the commercial culture of Colón. Minor corner wear and toning; images sharp and well preserved very good overall. Cohesive Panama Canal era archive documenting the intersection of American engineering urban transformation Indigenous life waterfront labor and tourist commerce in the early decades of the Canal Zone. unknown
1925réf. 227551925. Latin America SS Resolute voyage photograph album 1925 documenting a steamship journey through Central and South America during the interwar expansion of international maritime tourism following the opening of the Panama Canal in 1914. The photographs record port cities landscapes and civic landmarks encountered along the Pacific and Atlantic coasts of Latin America during a period when luxury liners increasingly connected North American travelers with destinations across the hemisphere. By the 1920s transisthmian canal travel had reshaped global shipping and passenger routes allowing cruise itineraries to combine Caribbean Pacific and South American destinations within a single voyage. The album preserves visual evidence of these emerging travel circuits while also documenting major urban and cultural centers of the region during a period of modernization and expanding hemispheric exchange. Photo album compiled during the 1925 voyage of the steamship SS Resolute containing approximately 150 original silver gelatin photographs mounted to black album leaves and captioned in white ink. Contemporary red leatherette album titled "Photographs" in gilt and bound with red cord. Photographs measure approximately 3 x 4 inches to 4 x 6 inches. The photographs document the vessel's route through Panama and the Canal Zone before continuing along the Pacific coast of South America and returning through the Atlantic basin. Numerous photographs depict Panama City and the Panama Canal including views of the Culebra Cut and Gold Hill major engineering features of the canal project completed little more than a decade earlier. Other sections of the album record urban and harbor scenes in Cartagena Colombia including colonial architecture and waterfront activity. Photographs from Peru show Lima's Plaza de Armas the bullring at Miraflores and rural Andean valleys near Arequipa with terraced agricultural landscapes and local communities. Images from Chile capture the steep hills and harbor districts of Valparaíso along with coastal plazas and naval vessels near El Morro. Additional photographs from Argentina depict major civic spaces in Buenos Aires including Plaza San Martín and Plaza de Mayo documenting the monumental architecture and modernizing urban landscape of the city during the 1920s. The steamship SS Resolute operated as a passenger liner serving long distance routes during the interwar expansion of luxury cruising and international tourism. Voyages such as the one recorded in this album reflected the growing accessibility of transcontinental travel made possible by the Panama Canal and by the increasingly global network of commercial steamship lines linking the Americas. Mild toning consistent with age; mounts and binding well preserved. Overall very good condition. The photographs collectively document a hemispheric itinerary connecting canal infrastructure colonial port cities Andean landscapes and rapidly modernizing capitals offering a visual record of the cultural and geographic environments encountered by travelers during the height of the steamship era. unknown
1920réf. 230431920. Panama City photograph archive ca. 1920s documenting the urban environment of the Panamanian capital and the infrastructure of the Panama Canal during the decades following the canal's opening in 1914. The photographs record the interconnected worlds of canal engineering international commerce tourism and everyday street life that developed as Panama City became a strategic hub of global shipping and American geopolitical influence in the Caribbean basin. Urban scenes depict commercial storefronts streetcars automobiles and pedestrian activity along central avenues while other photographs capture the canal's mechanical landscape of locks spillways and industrial structures. Together the images illustrate the transformation of Panama City into a cosmopolitan port city shaped by canal traffic international trade and the presence of the U.S. Canal Zone administration. Archive of eighteen original silver gelatin photographs depicting Panama City and surrounding canal infrastructure. Each measure approximately 3.5 x 5.5 inches. Several images show major canal engineering features including a photograph captioned "Purifying Plant and Spillway - Panama Canal" as well as views of lock systems and canal transport routes where cargo vessels pass through the waterway. Urban photographs record commercial and entertainment districts including a façade marked "American Cabaret" a busy street labeled "Street Scene - Panama City" and a view of the Hotel Central along a principal thoroughfare lined with automobiles and electric streetcars. One photograph bears the caption "264 - President's Palace on day of Riot Panama 2-28-." showing crowds gathered along balconies and streets near the presidential residence during a moment of public unrest. Additional photographs document daily life and local commerce including outdoor market scenes pedestrians and vendors workers posing near canal machinery and residents standing beside storefront displays. Landscapes and travel images appear as well including a waterfall and rural roadside scenes with automobiles indicating the expansion of modern transportation and tourism into the Panamanian countryside during the early twentieth century. The photographs collectively capture the layered social and industrial landscape that emerged in Panama after the completion of the Panama Canal when the city became a focal point of hemispheric trade and international transit. The canal drastically shortened maritime routes between the Atlantic and Pacific Oceans and reshaped the economy of the Caribbean and Pacific coasts of the Americas. Panama City consequently developed a complex urban culture combining local Panamanian communities canal workers foreign merchants travelers and U.S. officials connected to canal administration. Light surface wear and minor edge handling visible on several prints overall very good condition. These images document that environment through views of transportation infrastructure entertainment venues commercial streets and civic spaces offering a visual record of Panama City during the formative decades of the canal era. Photographs measure approximately postcard size. unknown
1942réf. 221221942. Latin America Panama Life in both urban Panama and the rural town of Chepo during the 1940s photo archive with most prints dated to 1942. Archive of 17 items 16 silver gelatin photographs measure 3.5" x 2.5" with one panoramic photo mounted on cardstock measuring 2.25" x 11". This archive offers a visually rich record of everyday life across class racial and geographic boundaries. Multiple photographs feature captions in ink on the verso providing locations and dates. The archive is split between two geographic zones: the modest rural community of Chepo and a more metropolitan center-likely Panama City-showing large buildings post offices police headquarters cantinas and well-trafficked intersections. In one striking rural image captioned "Dorein sic Indian Mother and Child" a white American tourist likely one of the photo owners stands beside an Indigenous woman and her child on a stilted wooden platform. The Darien likely of either the Emberá Wounaan or Kuna tribes woman wears only a sarong while a toddler stands nude at her feet highlighting the tension between Western spectatorship and traditional village life. In another photo local children gather in front of a wooden building marked "Cantina La Favorita de Chepo" while boys play barefoot on an unpaved road. Women in housedresses stand along porches and Indigenous women in linen skirts and little else are seen emerging from thatched or wooded homes. An image marked "Cantina at Chepo - 3-29-42" shows two white men and a white woman smiling at a table in a roofed structure made of rough wooden beams likely serving as a makeshift bar during their travels. The photos from urban Panama offer a sharp contrast. A modern cantilevered government building identified as the "Police Headquarters" is captioned en verso "Building now has many bullet holes on the sides" possibly a reference to political unrest or postwar violence. Another image shows a broad intersection labeled "6th & 8th St" filled with pedestrians in Western clothing including men in white suits and hats women in modern dresses and a cyclist passing beneath a neocolonial archway connecting civic buildings. Other rural images feature homes elevated on stilts a forested footpath with American visitors walking alongside locals and a panoramic view mounted to board showing a wide aerial view of one of the region's larger towns. Minor wear to edges. Overall very good condition. A rare and intimate archive documenting contrasting experiences of daily life in Panama across rural Indigenous communities and modernizing urban zones in the early 1940s with strong documentary value in the areas of colonial tourism race and hemispheric wartime movement. unknown
2010réf. DADAX1160747849Kessinger Publishing 2010-03-19. paperback. New. 8.25x1.10x11.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1930réf. 224461930. Caribbean and Panama travel photograph album. circa early 1930s. This album documents interwar travel through the Panama Canal Zone and Jamaica recording maritime transit canal infrastructure and rural Caribbean life as observed by Western travelers. The photographs provide primary visual evidence of the Panama Canal as a site of industrial activity and international movement alongside scenes of Jamaican village life and landscape establishing a contrast between engineered environments and colonial rural settings. The material is particularly strong in its depiction of canal operations and the presence of local populations within these spaces. Album containing 29 silver gelatin photographs mounted on black leaves with individual prints measuring approximately 3.5 x 4.5 to 5 x 7 inches housed in a string-bound album measuring approximately 7 x 9.5 inches. The opening sequence shows passengers aboard a steamship with men and women posed along deck rails and views of ships navigating canal locks and docking areas. Additional images depict cranes drawbridges canal cuts and small boats in the water along with dock workers and uniformed personnel visible among travelers. Architectural and infrastructural views include colonial-style buildings and mechanical equipment associated with canal operation concluding with a monument identified as that of Vasco Núñez de Balboa in Panama City. The Jamaica sequence includes landscape views of hillsides and gardens along with images of Black Jamaican residents posed in village settings. One photograph bears the caption "Kingston Jamaica 10 -- S.S. 'Reliance' West Indies Cruise" showing children and adults gathered along a dirt road lined with wooden and metal-roofed structures. Other images show groups assembled beneath trees and within rural surroundings. Produced during a period when the Panama Canal served as a major conduit for global shipping under U.S. administration and Caribbean travel formed part of organized cruise itineraries the album reflects established routes of interwar tourism. The juxtaposition of canal engineering and Jamaican village scenes situates the photographs within broader patterns of travel that linked industrial infrastructure with colonial landscapes. Minor water rippling to pages and photographs; images remain clear; overall very good. A coherent travel album documenting canal operations and Caribbean life in the early twentieth century. unknown
1915réf. 224481915. Unknown photographer Panama Canal Zone and local life photo archive 1915 documents Panama during the first year after the canal's opening to traffic and supports research into U.S. imperial administration Canal Zone settlement travel photography military protection of infrastructure and the visual ordering of colonial space. The Panama Canal opened to traffic on August 15 1914 after U.S. construction created a strategic interoceanic route administered through the Canal Zone and Balboa Heights became a key administrative and residential center for the U.S.-controlled canal system. These photographs capture the built and natural environment through which American authority was made visible: locks river landscapes official buildings hilltop housing city views and naval practice appear together as evidence of a recently completed engineering project becoming an occupied administrative territory. Twenty-four original silver gelatin photographs including two real photo postcards dated 1915 with some undated images several with handwritten inscriptions in English on versos and some with printed captions on rectos. Photographs measure approximately 3½ x 5 inches to 5½ x 7 inches. The archive includes views of the Chagres River the largest river in the Panama Canal drainage basin and a major part of the canal water system together with photographs of the Gatun Locks canal gates aerial views of Panama City the main city plaza a bull ring and Balboa Heights. The Balboa Heights images show American-style bungalows arranged along curving terraced roads with broad verandas raised foundations and landscaped grounds visual evidence of the residential hierarchy attached to U.S. canal administration. Additional images show the Administration Building at Balboa Heights completed in 1914 and positioned above the town as a central administrative landmark while a real photo postcard captioned "Ready to Fire-Division Practice" shows U.S. naval boats in formation off the coast connecting sightseeing views to the military protection of the newly opened canal. The archive's research value lies in its combination of personal travel documentation official-looking captioned views urban and infrastructural scenes and military imagery from the early Canal Zone era. Its views of Balboa Heights are especially significant because U.S. canal society was organized through racialized and occupational distinctions including the "gold roll" and "silver roll" labor categories that separated white American workers from largely Black Caribbean and Latin American workers and shaped housing pay and privilege within the zone. Light edge wear legible inscriptions and preserved image surfaces very good overall. Cohesive Panama Canal Zone photo archive documenting the immediate post-opening landscape of U.S. power in Panama through canal infrastructure river systems segregated administrative space urban views and naval readiness. unknown
