Caribbean

Caribbean — marelibri

Early Caribbean Comic "The Preacher Meets Big Mama" by Black Cartoonist Rudy Seymour; 1967

1967ref. 237191967. Black HistoryComics 1960s Guyanese comic book by an early influential Black cartoonist. Seymour Rudy. The Preacher Meets Big Mama: Part 2. Georgetown British Guyana: All in Pictures ca. 1967. First edition. Scarce. Illustrated throughout with black-and-white cartoon panels. Original pictorial wrappers printed in black and red on pale blue stock. A rare early work by Samuel Rudolph "Rudy" Seymour widely regarded as the father of Guyanese comics. This installment blends Christian moralism with Afro-Caribbean folklore in a visually arresting local comic format. Rudy Seymour was one of the earliest creators of locally produced comic books in Guyana whose illustrated narratives reflected and shaped mid-20th century Guyanese visual culture. In The Preacher Meets Big Mama Seymour depicts a confrontation between a Christian preacher and "Big Mama" a feared spiritualist figure with ties to Obeah a syncretic Afro-Caribbean spiritual system. The plot follows the preacher's attempt to rescue a boy from Big Mama's cult culminating in scenes of ritualistic sacrifice demonic invocation and divine intervention. The narrative unfolds in vernacular Guyanese Creole grounding the story in a distinctly local idiom. Seymour's stark expressive linework animates themes of good versus evil colonial Christianity versus ancestral spiritual knowledge and gendered power structures. While the portrayal of Big Mama leans into negative colonial stereotypes casting her as a devil-worshipper the comic simultaneously elevates Afro-Caribbean spiritual conflict to the central stage of popular print culture. Seymour's broader contributions to Caribbean arts extended beyond this title; his pioneering comics inspired future generations and played a foundational role in developing the graphic arts in Guyana. He continued illustrating through the 1970s and remained a cultural fixture until his passing in 2020. Minor wear to spine and covers; interior pages lightly toned but well-preserved and tightly bound. Overall very good condition. A mid-century Caribbean comic documenting a formative moment in Black diasporic graphic storytelling and the postcolonial negotiation of identity faith and resistance in Guyanese print media. unknown books

Max Rambod Inc. · United States$300.00≈ €268.02

Rudy Seymour; Caribbean ComicBiblio.com

Early Caribbean Comic "The Preacher Meets Big Mama" by Black Cartoonist Rudy Seymour; 1967

Max Rambod Inc. · United States$300.00≈ €268.02

Caribbean - Brue, Adrien-Hubert (1786 - 1832)Biblio.com

Carte Génerale des Îles Antilles d'une Partie Du Mexique Des États-Unis et de L'Amérique Méridionale.

1821ref. 200023AG1821. Paris Brué 1821. Original engraving. Plate Size: 50.5 cm x 36.1 cm. Sheet Size: 68 cm x 54.1 cm. Original map. Very good condition. Extra wide margins. Some minor foxing along sheet edges. Discreet author's blind stamp with 'Carte Encyprotipe' and initials 'AB' embossed in top corner of map. Centre-fold as issued. Border with longitudinal and latitudinal information. Detailed early map of the Caribbean from an early edition of Brue's Atlas Universel Pl.35. Rich detail in Florida the Gulf Coast Central America. The eye is drawn to Cuba among the islands of the 'Grandes' and 'Petites' Antilles. As demonstrated by the map's political divisions and colourings Mexico has yet cede control of what will become Texas. Nouva Espagne and Nouv Grenade show that the aged and tottering Spanish empire has still to fall in Central and South America. The division of Hispaniola into its Haitian and Dominican parts is also shown. The great port cities of the infant United States - Charlestown Savannah and New Orleans - can be seen along the seaboard. Bermuda is shown breaching the map's top border. Reference keys and explanatory annotations and four scale-bars in lower left corner of map. Decorative title in top right corner of map. Adrien-Hubert Brué 1786 - 1832 was a renowned French cartographer. Between 1810 and 1830 Brué established himself as one of the most important French cartographers and it was during this period that his two most important works were published: Grand Atlas Universel in 1815 and Atlas Universel in 1822 which ran to several editions. Atlas Universel was published as a continuation to Grand Atlas Universel. Brués maps or cards as they were referred to at the time were characterized by the high degree of accuracy with which they were produced and the meticulous attention to detail employed in their crafting. This was possible due to Brués application of copper plate intaglio to the process of mapmaking or as Nouvelles Annales des Voyages et des Sciences Géographiques had it: by applying to the making of cards this ingenious process of drawing on copper itself. Alexandre von Humboldt the President of the Société de géographie de Paris praised the accuracy of his work and clarity that is all the more pleasing to the eye. He also was quick to update his maps with the latest scientific discoveries and nautical measurements. Wikipedia unknown

Inanna Rare Books Ltd. · Ireland€275.00

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