617 Ergebnisse
Best.-Nr. DADAX0333800435New unknown
1928Best.-Nr. 249718Havana 1928. 1 page. 8vo. Minor soiling else fine. 1 page. 8vo. Reading in part: "We are charmed with Cuba. Our Eyes rest with delight upon the beauty of Cuba.We cherish the thought that Cuba in her liberty and indepedndence is the vindication of the idealism of the people of the United States." unknown
Best.-Nr. 90478hardcover. 211pp. 12mo modern 3/4 cloth. Montevideo: La Espana 1896. First Edition. Palau 82136. unknown
1905Best.-Nr. BK0085Havana Cuba: Carlos Gómez 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana. Image somewhat faded with scattered surface wear and an area of loss at upper right; mount worn at edges good overall. A studio portrait of a young woman posed beside a wicker rocking chair wearing a light-colored dress with high collar and puffed sleeves and looking directly toward the camera. The photograph is notable in the context of Afro-Cuban portraiture around the turn of the twentieth century a period when Havana supported a large commercial photographic trade serving an increasingly broad urban clientele. The sitter is unidentified and no inscription survives to provide further biographical information. Carlos Gómez Guardiola was operating a photographic studio at 149 Neptuno by 1902 when a contemporary Havana newspaper noted that he had already established a reputation despite having been in business only a short time. Gómez's work appears in Juaco López Ãlvarez's Fotografía de Asturianos en américa with an identical "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana" imprint; Ãlvarez dates it to about 1905 and we date the present portrait accordingly. 1 Juaco López Ãlvarez Ed. Fotografía de Asturianos en américa 2000 222. . Carlos Gómez unknown
1905Best.-Nr. BK0086Havana Cuba: A. Sainz 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "A. Sainz / Reina 67 / Habana. Some fading and spotting to image with wear and small losses to edges of mount; good overall. A formal studio portrait of a young Black man seated in a wicker chair beside an elaborate wicker table and floral arrangement. He wears a light-colored suit and holds his hat in his lap posed directly toward the camera. The mount identifies the photographer as A. Sainz of 67 Reina Street Havana. Contemporary Havana advertisements from July and August 1905 place Sainz's photographic studio at this address providing a useful basis for dating the portrait. An appealing example of Black portraiture in early twentieth-century Havana. A. Sainz unknown
1963Best.-Nr. 87864Havana: Cuadernos de la Casa de Las Americas 1963. First Edition. First Impression one of 4000 copies. Slim octavo 24.25cm; original pictorial card wrappers stapled; Inscribed by the author on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Marquez / apenas un libro cordialmente / Eduardo / 3/80." Light wear to extremities some oxidation to staples toning to rear wrapper with a faint crease to upper left corner; Very Good. The Cuban author's extended essay on the life and work of Afro-Cuban painter Wilfredo Lam 1902-1982. Uncommon inscribed. 87864. Cuadernos de la Casa de Las Americas unknown
1983Best.-Nr. 85035Toronto: University of Toronto Press 1983. First Edition. First Impression. Octavo 23.5cm; pictorial cloth-covered boards; x34-251252-254pp. This copy is from the library of to Puerto Rican editor translator and literary critic Roberto Marquez with his ink markings and notations throughout the text and inscribed to him by the author on the title page: "To Robert / as a token of my highest esteem and my admiration for your work / Keith." Base of spine gently nudged light wear to extremities with a few dog-eared pages; Very Good and sound without dustjacket as issued. Scholarly work on the writings of Nicolás Guillén 1902-1989 with a particularly generous inscription to Marquez who has written extensively on Guillén and has translated several of the poet's works faithfully from Spanish into English. A nice association linking two Guillén scholars. Uncommon inscribed. University of Toronto Press unknown
1972Best.-Nr. 88465Havana: UNEAC 1972. First Edition. First Impression one of 10000 copies. Octavo 21cm; original pictorial wrappers with French flaps; 89-897pp; text is entirely in Spanish. Inscribed by Retamar on the front endpaper to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto / Contento con haberlo rencontrado - y esperandolo en nuestra Cuba - Un abrazo fraternal del Roberto / Ap. 73." The recipient's pervasive ink annotations and markings appear throughout the text. Edgeworn a few tiny tears and creases and a 2" split at upper front joint; Very Good. Collection of four extended essays on Nicolas Guillen by the noted Cuban poet essayist and literary critic. A warm inscription and a nice association to Marquez a Guillen scholar and translator of his work. 88465. UNEAC unknown
1947Best.-Nr. 55153Havana: Cuban Tourist Commission 1947. Paperback. Very good. Paperback. 22 by 28 inches unfolded. Foxed overall with some expected toning at the creases else very good and crisp. Cuban Tourist Commission paperback
Best.-Nr. DADAX0807830151New unknown
Best.-Nr. DADAX0520282973New unknown
Best.-Nr. DADAX0333257049New unknown
Best.-Nr. DADAX0313287848New unknown
Best.-Nr. DADAX0275952789New unknown
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1890Best.-Nr. LIST110Havana: R. Testar 1890. Albumen photograph on cardstock mount image measuring 7 1/4 x 4 1/2 inches on 8 3/4 x 5 1/2 inch mount. A view of an American warship in Havana harbor likely taken prior to the outbreak of hostilities between the United States and Spain in early 1898. The photographers Leach and Patterson of Calle San Rafael published several views of Cuba at this time mostly of bucolic scenes around Havana and its environs. The American cruiser is similar in design to the U.S.S. Maine with slight differences - two smokestacks instead of three. An excellent example with minor wear to mount and fine image. R. Testar unknown
1485Best.-Nr. 707471485. Mainz Peter Schöffer 28 März 1485 1 einspaltiges original Inkunabelblatt 239 x 170 mm 1 alt color. Holzschnitt. Erstdruck! Cap. 184: Falammula - brenkrut. Clematis spec./ C. cirrhosa L. Kapitelende. Cap. 185: Fagasinom - kleyn swerteln oder wilde swerteln; Gladiolus segetum Gawl.; Darstellung: schematisiert. "Im Gegensatz zu den meisten Kräuterbuch-Inkunabeln lässt sich das Druckdatum des "Gart der Gesundheit genau auf den 28. März 1485 festlegen wie es am Ende des Werks vermerkt ist: "Disser Herbarius ist rzu mentz gedruckt und geendet uff dem XXVIII dage des mertz -Anno-M-CCCC-LXXXV". An gleicher Stelle wird Peter Schöffer als Drucker durch das Fust-Schöffersche Signet bestätigt. Der "Gart der Gesundheit gilt wie Muther 1884: 88: "als wichtigstes naturhistorisches Werk des Mittelalters" und Klebs/Becher 1925: 11: "The most important mediaeval work on natural history with illustrations Choulant the publication of which forms an important landmark in the history of botanical Illustration and marks perhaps the grea-test single Step ever made in that art" meinten als wichtigste bebilderte Arzneipflanzen-Inkunabel. Auch Keil 1982: 604 bestätigte später diese Aussage: "Zweifellos ist der "Gart das wichtigste naturhistorische Werk des Mittelalters". Auf 359 Seiten die in 435 Kapitel gegliedert sind wird der gesamte zur damaligen Zeit bekannte Arzneischatz abgehandelt und mit 382 Holzschnitten illustriert. Die wichtigsten 366 Heilpflanzen zwei Wiederholungen werden jeweils einzeln in den verschiedenen Kapiteln beschrieben und abgebildet. Der Text ist 42zeilig geordnet." B. Baumann & H. Baumann Die Mainzer Kräuterbuch-Inkunabeln 2010 p.111 Johann Wonnecke von Kaub um 1430 in Kaub am Rhein; gestorben 1503/04 in Frankfurt am Main auch Johannfes Dronnecke bzw. Johannes de Cuba er selbst nannte sich "Johan von Cube" war ein deutscher Arzt und Botaniker. Am Mainzer Hof wirkte er als Leibarzt. unknown
Best.-Nr. a68199La Habana 1946. Publicaciones del Archivo Nacional de Cuba. In Spanish. 4to. 270pp. some portraits original printed wraps. Some institutions stamps. VG a bit browned. Volume 5. . paperback
1913Best.-Nr. 86818Havana: Rambla 1913. hardcover. very good. Illustrated. 134 pages. Slim 4to modern cloth original front wrapper bound-in. Habana: Rambla Rouza 1913. Very Good. Rambla unknown
1932Best.-Nr. 61114Havana Cuba: Cuban Tourist Commission Printed by “Ucar Garcia & Co.” ca. 1932. 4to. 36 pp unpaginated. Printed & illustrated throughout in green black & white photo illustrations throughout graphic text illustrations in green & white. Self-printed colour-illustrated softcovers wraparound cover art by Conrado W. Massaguer minor bumping head of spine shelfwear still VG copy. First edition of this informative travel brochure touting the joys of visiting Cuba touting the historic cathedral square the lush countryside the offerings of sugar coffee and tobacco as well as the beaches hunting sport fishing night life and The Rumba. Massaguer 1889-1965 was an influential Cuban artist whose modernist look dominated magazines catalogues and ads across Latin America and also was a founding member of the Grupo Minorista. Cuban Tourist Commission, Printed by “Ucar Garcia & Co.,” paperback
1931Best.-Nr. 62232Havana Cuba: Walton & Spencer Co. P. Fernandez & Co. Printers Pl. y Margall 17 1931. 4to. 32 pp unpaginated. Printed & illustrated throughout in green black & white photo illustrations throughout decorative green borders 1 double page folding map at center. Colour-illustrated softcovers cover art front & back by Edward Sandback of Cuban beach old Havana and fruits of Cuba on verso of front cover Art Deco frontisp. in colour by Herminio Portell Vila 1901-1992 Cuban cartoonist & illustrator on verso of back cover center crease fold as issued slight shelfwear NF copy. First edition of this beautifully printed brochure exclaiming over the fun and leisure activities of visiting Cuba featuring photos of historic Havana golf courses polo gambling automobile trips the influences of Africa and Spain and of particular interest the many different residence hotels and leisure places for rent for tourists. Sandback was a Florida artist well-remembered for his travel brochure illustrations such as “Florida: Empire of the Sun” as well as paintings. Walton & Spencer Co., P. Fernandez & Co., Printers, Pl. y Margall 17, paperback
1957Best.-Nr. 019197London: The University Press 1957. 1st Edition. Hardcover. Near Fine/No Jacket. 4to - over 9¾ - 12" tall. Buckram cloth cover with blue pastedowns. 37 plates 1 in colour. The University Press hardcover
1976Best.-Nr. 0012148AHavana Cuba. Good with no dust jacket. 1976. Ephemera. On offer is an original printed and completed Cuban labor commendation certificate dated 1976 issued by the Central de Trabajadores de Cuba CTC recognizing an individual worker as a Trabajador de Avanzada Advanced Worker one of the regimes principal distinctions for exemplary socialist labor performance during the post-revolutionary consolidation period. The certificate is issued to M. Dolores Perera Corrales identified as working at the Combinado del vidrio within the Sindicato Químico energético confirming that she fulfilled the requirements established for selection as an advanced worker within Cubas state industrial labor system. The printed heading reads: TRABAJADOR DE AVANZADA EN EL AÑO DEL XX ANIVERSARIO DEL GRANMABelow in full: La Central de Trabajadores de Cuba otorga el presente certificado The Central Workers Union of Cuba grants this certificate Followed by: por haber cumplido los requisitos establecidos para la selección de trabajador de avanzada. for having fulfilled the established requirements for selection as an advanced worker. The document is signed in blue ballpoint ink by Roberto Veiga Menéndez Secretary General of the CTC 19741989 with printed name and title beneath and accompanied by the official union emblem. This certificate is tied to the XX Aniversario del Granma 20th Anniversary of the Granma dating it to 1976 twenty years after the December 1956 landing of Fidel Castro and his revolutionary forces aboard the yacht Granma a foundational event in the Cuban revolutionary narrative. Condition: Single printed certificate on cardstock square format with light toning and general handling wear. Minor creasing visible across the sheet. Small damp stain approx. 1 cm at bottom of the sheet not interfering with any words. No loss to text. The document remains fully intact and visually strong. Overall Good. ; Manuscripts; 8vo 8" - 9" tall; 1 pages; Signed by Author . unknown