Goodman, BennyBiblio.com
252 résultats
1953réf. 041135New York: Columbia Records 1953. First Edition. Softcover. Fine. 24pp; illustrations from photographs throughout some full-page. Text includes "The Benny Goodman Story" by Hal Webman "The Louis Armstrong Story" "The Fletcher Henderson Fund" by John Hammond and brief biographies and photographs of all of the musicians. Bound in pictorial stiff wrappers 12" x 9" The Benny Goodman portion of the concert includes Teddy Wilson Gene Krupa Charles Shavers Ziggy Elman Georgie Auld Willie Smith and Helen Ward. The Armstrong All Stars featured Louis on trumpet Joe Bushkin-piano Cozy Cole-drums Arvell Shaw-bass Barney Bigard-clarinet Trummy Young and Vernon Brown-trombone Velma Middleton-vocalist. WorldCat locates three holdings of this fine program: Newberry Lib U Missouri McGill. Columbia Records unknown
1999réf. 122663Tondo / Arena Editions 1999. First Edition . Oversized Hardcover. Good/Good. 4to - over 9¾" - 12" tall. 203pp. Original black cloth covered boards. Stated First Edition 1999. Forword by Gordon Parks. Pages are clean unmarked but age-toned. Binding is tight and secure. Boards have light sunning to edges rubbing to extremities lower right corners are frayed. Unclipped pictorial DJ is sunned/finger soiled with bumping to head of spine rubbing to corners. We have added a removable mylar covering to dust jacket for protection. Nic e reading copy. Tondo / Arena Editions hardcover
réf. ria9781514466407_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book is a passage of stories carried out in poetry style on the journey I've been through while I was growing up and all the negatives I learned to turn into something positive. Something is better than nothing making the most paperback
2000réf. Q-0130196177Prentice Hall College Div 2000-07-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! Prentice Hall College Div paperback
réf. ria9780199309320_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Arduino platform provides a virtually limitless range of creative opportunities to musicians who are interested to explore new technologies. In Arduino for Musicians Brent Edstrom provides a comprehensive guide to the underlying te paperback
1999réf. Q-0836268288Andrews McMeel Publishing 1999-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Andrews McMeel Publishing paperback
réf. B9781514466407Paperback / softback. New. paperback
2000réf. Q-0879306084Backbeat 2000-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Backbeat paperback
1973réf. 221141New York: Atlantic Recording Corporation 1973. 25th Anniversary Edition. Record. Very Good records and gatefold jacket. Small open tear on spine heel. Atlantic Recording Corporation unknown
1953réf. biblio1263This is a very nice AUTOGRAPHED collectible copy of the programme for the famous ill-fated tour which morphed into the Krupa-Armstong tour when Goodman walked of in a huff or a pressure-related malady. The programme depicts the original two line-ups AND features the autographs of Louis Armstong Vernon Brown and eight other Armstrong band musicians inside the front cover. A true jazz collector's coup. Photos on request. John Hammond paperback
2009réf. 20098BB2009. Stg. Jazz Podium Verlag 2009-2018 4° insgesamt ca. 8100 S. mit zahlreichen Farbbbildungen original Hefte zumeist mit Adress-Abo-Aufkleber vorne ansonsten sehr gute saubere Exemplare ohne Anstreichungen ohne Vorbesitzvermerke ohne Eckknicke etc. und auch kein Nikotin- oder Kellergeruch. Dieses wichtige deutsche Jazzmagazin erscheint seit 1952. Hier enthalten: 2009: 1-12 - komplett 2010: 1-12 - komplett 2011: 1-6 und 9-12 2012: 1-12 - komplett 2013: 1-12 - komplett 2014: 1-12 - komplett 2015: 1-12 - komplett 2016: 1-12 - komplett 2017: 1-12 - komplett 2018: 1-4. Manche Hefte enthalten zwei oder drei Nummern so erklärt sich die Differenz zwischen der Anzahl der Heftnummern und der Anzahl der Hefte. Kein Einzelverkauf. Die Sendung wird innerhalb Deutschlands als DHL-Paket zu EUR 15- verschickt. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
réf. 6h167Membrab Music Hamburg 2005. 168 CDs in 21 original Kunststoff-Hüllen im kartonierten Schuber. - gute Exemplare/enthalten: 36 CDs Classic Jazz Ragtime Dixieland/28 CDs Blues/4 CDs Boogie Woogie/60 CDs Swing to BeBop Modern Jazz/20 CDs Big Band/20 CDs Vocalists - unknown
réf. C4249Savoy Jazz. Like New. CD case and liner all in Excellent condition. Savoy Jazz unknown
2000réf. Q-087930619XBackbeat 2000-11-30. Paperback. New. In shrink wrap. Looks like an interesting title! Backbeat paperback
2004réf. Q-0879307838Backbeat 2004-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Backbeat paperback
2017réf. 28274Lebanon:: ForeEdge 2017. First Printing of the First US Edition. A Fine tight copy in a Fine unclipped dust jacket. Among many art music and literature lovers particularly devotees of modernism the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period-one of the most glorious in history. The outpouring of boundary-pushing novels paintings ballets music and design was so profuse that it belies the brevity of the era 1918–1929. Drawing on unpublished albums drawings paintings and manuscripts Charles A. Riley offers a fresh examination of both canonic and overlooked writers and artists and their works by revealing them in conversation with one another. ForeEdge, unknown
1511réf. 240215007CD Baby 2015-11-23. audioCD. Used: Very Good. 6x5x1. Very good condition. From a private collection. Comes from non smoking home. CD Baby unknown
1993réf. 2249Copenhagen: JazzMedia ApS 1993. Hardcover. Good/good. Blue cloth hardcover with gilt spine lettering in dustjacket. A good copy with general wear at the board edges and crimping at the spine tips. Price erasure to the top of the front free-endpaper appears to be the only writing in the book. Binding and hinges are solid but lacking tightness. The dustjacket is also good with chips and short tears around the panel edges and a taped tear at the head of the spine panel. 334 pp. a detailed discography with a really nice selection of black and white photos at the rear. Baker "is known for major innovations in cool jazz that led him to be nicknamed the 'Prince of Cool'" - a hard to find title. JazzMedia ApS hardcover
réf. 30622614like new. unknown
2002réf. Q-0634037935Hal Leonard 2002-09-12. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hal Leonard hardcover
réf. 1514466406.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995réf. 003854New York: St Martins Pr 1995. 1358pp/illus. The world's most comprehensive single volume of jazz reference including: performers; history; jazz terms & topics; instruments; styles; festivals & clubs; record labels and much more. Over 4500 articles 1800 discographies 1000 cross-references 220 photographs and 100 music examples. Besides traditional jazz topics there are extensive entries on blues brass bands soul music ragtime and rock music as well as profiles on musicians such as Eubie Blake Bessie Smith Ray Charles and Jeff Beck. Clean. Cloth. Near Fine/Very Good. 4to - over 9¾" - 12" tall. St Martins Pr hardcover
1966réf. 2111902156002108Not Available 1966. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1921réf. 51295Scranton PA: International Textbook Co. 1921. Thick 8vo. vii 1 approx 450 pp sections separately paginated ix-xxi 1 pp. With 100s of text illustrations diagrams colour plates. Publisher’s three-quarter red buckram over green gilt lettering & ruling on spine marbled endpapers minor shelfwear dustsoiling to spine still VG copy. First editions of this very scarce and lavishly illustrated educational course on how to design construct and arrange window displays and floor displays of men and women’s clothing during the Jazz Age. Koerber 1871-1937 was an Hungarian-American designer and amazingly successful Display Manager for the Strawbridge & Clothier Department Store in Philadelphia at their five-story edifice flagship at Market & 8th. He emphasized and promoted the use of elaborate window displays with wax mannequins often with a particular theme and these needed to be constantly refreshed by the design department. In addition he highlighted the staging of merchandise on the floor such as putting men’s ties with their multi-coloured silks drawing shoppers to the men’s department and arranging women’s undergarments silks and evening wear in prominent positions to draw women further into specified sections. This work provides technical and practical information on wooden display forms flooring how to construct mannequins draperies holiday themes floor displays how to paint backdrops and more. The hundreds of photo images of window displays and floor displays provide an invaluable historical record for marketing during the Roaring 20s as well as offering a methodology of how these could be repeated and successful for other designers. Of particular interest is the extensive section on animatronics and motorized displays filled with information on lighting automatons and creating special effects. No copies located in Worldcat. International Textbook Co., hardcover
1999réf. 26915University Park:: Penn State Press 1999. First Printing of the First Edition. A Fine tight copy in a Very Good plus dust jacket with light sunning to the spine that is common wtih this title. In Le Tumulte noir Jody Blake focuses on the impacts of African sculpture and African-American music and dance on Parisian popular entertainment and modernist art literature and performance. Blake discusses the reception of ragtime-era and jazz-age entertainment as well as other African visual and performing art forms to provide new ways of understanding the development of modernist primitivism from Matisse and Picasso to Futurism Dada Surrealism and Purism. But the influence of art nÈgre went well beyond the avant-garde art world. Starting with the cakewalk of the 1900s and culminating with the Charleston of the 1920s the book studies the African-American idioms that were involved in larger cultural social and political developments. As an illustration Blake argues that performers such as Josephine Baker and Sidney Bechet of Revue nÈgre fame were thought to affect the political balance between Africa and Europe during the colonial period. Le Tumulte noir is divided into six chronological chapters each a well-researched well-conceived and well-written synthesis of the histories of art literature music and dance. Penn State Press, unknown
