252 résultats
2007réf. 230210037Multisonic Records 2007-05-07. audioCD. Used: Very Good. 5x4x0. Very good condition. From a private collection. Comes from non smoking home. Multisonic Records unknown
réf. 42080County Borough of Hastings In-8 4pp. unknown
1999réf. 2111902158500594Matsuzaka 1999. Soft Cover. Fine. Number of pages: 504p. Size: 21cm Matsuzaka paperback
réf. 1398415278.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1955réf. 206097Miami 1955. Handbill folded and a bit marked; very good. Printed handbill 5-1/2 X 10 in. printed on one side only; original admission ticket approx. 1-1/2 X 4-1/4 in perforated; with vintage newspaper clippings. Vintage promotional material and a review of this 1955 night of traditional Jazz at Miami's Dade County Auditorium. "Preacher" Rollo Laylan was a local fixture known for his mercurial and difficult personality and his history as a hard-swinging drummer in the mold of Gene Krupa. Condon then at the height of his domination of New York's 52nd Street came to Miami at Laylan's urging. His band comprised genuine all-stars of the old-time tradition including Pee Wee Russell George Wettling "Wild" Bill Davison and Walter Page. unknown
1920réf. BK0059Chicago: Williams & Piron Music Publishers 1920. First. Four pages 9 ½ x 12 ¼ inches. Illustrated cover signed "Wilson. Detached at spine with slight chipping to margins; good overall. A scarce Williams & Piron sheet music imprint for The Dance They Call the "Georgia Hunch" with words and music by Clarence Williams Louis Wade and Spencer Williams. The attractive illustrated cover signed "Wilson" shows a couple dancing beneath the title. The song was issued by Williams & Piron in Chicago in 1920 during Clarence Williams's brief publishing partnership with New Orleans violinist and bandleader Armand J. Piron. Their firm advertised itself as the "House of Jazz." The song's title refers to the Georgia Hunch an early jazz or vernacular dance documented in period performance and later dance history sources. It does not appear to have become a standardized dance craze on the level of the shimmy black bottom or Charleston but it was more than an invented title; Williams recorded The Dance They Call the Georgia Hunch in 1921 as Okeh Records 8029 and the dance appears in later jazz-dance documentation though it apparently never reached the fame of more well known dance steps of the time. OCLC locates two copies institutionally at Baylor and the British Library. . Williams & Piron Music Publishers unknown
1990réf. 159578San Francisco: Farley's 1990. Vintage flyer for a concert at Farley's Cafe of San Francisco featuring Big Bones and the Bone-a-fide Blues Band circa early 1990s. Located in Potrero Hill Farley's Cafe now Farley's Coffeehouse has been a popular cafe since 1989 frequently hosting live music. 8.5 x 11 inches with center star hand colored with marker. Two small pin holes right of center else Near Fine. Farley's unknown
1960réf. 45557Harrisburg PA: Penn-World Attractions 1960. Very Good . Harrisburg PA: Penn-World Attractions 1960. Broadside flyer 28x21.6cm printed on peach stock advertising a Louis Armstrong concert at The Forum in Harrisburg Pennsylvania May 19 1960. Minor wear and creasing to edges; Very Good or better. Promotion from a late career concert for Armstrong which took place a year after he suffered a heart attack while touring in Italy. Features Armstrong's bandmates Danny Barcelona "Peanuts" Hucko and Velma Middleton. Not separately cataloged in OCLC. Penn-World Attractions unknown
1996réf. 021518Advance Music 1996 12" x 9". 2nd ed. 194 pp. Jazz theory and improvisation. Covers have some light shelf wear a few surface scratches corners curled. Some light soiling to fore-edge does not affect text. Music store price sticker on front cover. Advance Music paperback
2010réf. 54075aaobLes Ballets jazz de Montreal 2012-01-01. Hardcover. Good. White oblong-shaped hardbound book without dust jacket. On the front cover are the letters "BJM;" on the back cover appear the letters "XL." Corners slightly bumped. No markings noted. Les Ballets jazz de Montre?al hardcover
1990réf. Q-087474332XSmithsonian Institution Press 1990-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Smithsonian Institution Press hardcover
2013réf. SBBI-mon0000054957Quartet Books 2013. paperback. Acceptable. Integral damage to binding e.g. cover coming away no spine chunks of pages falling out. Please see the condition note after this for details if this is missing please consider Acceptable to mean poor quality that could include major staining water damage writing missing dustjacket etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Quartet Books paperback
1995réf. 23-08-22-gw-7809-jmUtah Jazz 1995-01-01. paperback. Good. 0x0x0. Light wear. Good copy. Utah Jazz paperback
réf. 0743458265.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. 2111902158500396Matsuzaka 2000. Soft Cover. Fine. Number of pages: 288p. Size: 21cm Matsuzaka paperback
2009réf. 1821150531011United States Of Dist./Ka 2009-06-16. Audio CD. Like New. CD plays perfectly & the case looks good. United States Of Dist./Ka unknown
1999réf. x-0810835630The Scarecrow Press Inc. 1999. Hardcover. New. 237 pages. 8.75x6.00x1.00 inches. The Scarecrow Press, Inc. hardcover
1950réf. List2914Unknown location 1950. 7 x 11 inch poster. Some small marginal tears overall excellent. A small poster for Pearl Bailey with the Louie Bellson Quartet presented by the United Service Organizations and Department of Defense. Bailey 1918–1990 was a singer dancer and actress; she started her career performing at Black nightclubs on the east coast and later performed in several Broadway hits including an all-Black version of Hello Dolly! Louie Bellson 1924–2009 was Bailey’s husband a composer bandleader and jazz drummer credited with inventing the double bass drum setup. Bailey toured regularly with the USO beginning in 1941 though this poster is likely from later; the DOD was called the Department of War until 1949 and the USO was inactive between 1945 and 1950. unknown
1969réf. 81807New York: Macmillan 1969-70. Second and fifth volumes are first printings; remainder are second or later printings. Six octavo volumes. Uniform cloth hardcovers in dustjackets; 255223290246288287pp; illustrated with photographic plates halftones. All in Very Good or better condition in the original dustwrappers; jacket to 4th volume slightly ragged along upper edge else all Very Good or better. An indispensable set compiling reviews interviews profiles and critical articles with reading lists and selected discographies. Macmillan unknown
1925réf. 59963Chicago: Olson Rug Company 1925. Oblong 4to. 9.75 x 7.8 in. 2 48 2 pp. Colour-illustrated throughout numerous black & white decorative border illustrations. Colour-illustrated softcovers vivid wraparound Orientalist cover art of scene depicting bedouin camels & tents in the desert seated upon Oriental rugs minor shelfwear slight bumping to couple corners still VG bright copy including order blank in red & black w/ pictorial map on verso of Olson Rug railroad time deliveries. First edition of this lavishly illustrated and scarce Jazz Age flooring catalogue for the famed Chicago rug manufacturer filled with striking Orientalist inspired Persian carpets Middle Eastern Central Asian and East Asian patterns intended to brighten any Craftsman home. Found in 1874 by Walter E. Olson this beautiful catalogue includes a number of interior designs showing the rugs fitted into Arts & Crafts homes and Flapper Era homes with decor window treatments and furnishings. The Olson Rug Company was a pioneering recycling firm detailing how they used old carpets rugs and old clothing to produce velvety rugs which would rival in appearance and wearing high grade Wiltons and Axminsters. The Olson Company is perhaps best remembered for the Olson Park and Waterfall which was a popular local tourist attraction located outside the factory until sold to Marshall Field in 1965 which subsequently plowed the gardens under and created a parking lot. Worldcat locates 1 copy Winterthur. Olson Rug Company, paperback
1935réf. 60373New York: Grosset & Dunlap c. 1935 1941. 8vo. 310 pp. Beige publisher’s cloth blue lettering on spine minor shelwear soiling w/ d.j. moody Art Deco cover art by Arthur Hawkins representing Manhattan’s Upper Eastside minor chipping head of spine couple closed tears creasing edgewear still VG/G copy w/ original Newport OR drugstore stamp on front pastedown. First Grosset Edition reprinting the 1935 Harcourt Brace original of this novel set against the backdrop of the waning years of the Jazz Age and the promiscuous experiences of Gloria Wondrous including her affair with Weston Liggett and assorted friends. In 1960 25 years after its first publication the novel was adapted into the film starring Elizabeth Taylor for which she won the Academy Award for Best Actress. Grosset & Dunlap, hardcover
1933réf. 45554Lyons NY: Sevalen's Hall 1933. Very Good . Lyons NY: Sevalen's Hall 1933. Broadsheet palm card; printed promotional card 12.8x7.5cm for an "April Fool's Comedy Dance" in the New York Hamlet featuring the Colored Night Hawk's sic band; advertisements for Lyons Soda Spa to verso. Light rubbing and a couple smudges; Very Good or better. Drummer Boots Ward's band was variously called the Colored Night Hawks or simply the Night Hawks and sprang from its Worcester Massachusetts antecedent "Mamie Moffett and Her Five Jazz Hounds" which was headed by Worcester's "First Lady of Jazz." A lovely record of small town Depression-era good times when tickets went for 25 cents to the ladies and 35 to the men. . Sevalen's Hall unknown
1917réf. List3667Omaha Nebraska: Maceo Pinkard Music Publisher 1917. Folio sheet music 11 x 14 inches 3 pp. plus cover. Light edge wear and small creases; a couple tiny tears to margins very good with strong color and excellent internal condition. An early jazz-era composition by the important African American songwriter Maceo Pinkard 1897–1962 issued from his short-lived Omaha publishing venture during the first years of the national “jass band” craze. The cover advertises the piece as a “1917 ‘Jass Band’ Craze!” and features a photograph of Sophie Tucker’s Five Kings of Syncopation the ensemble associated with the immensely popular vaudeville star Sophie Tucker during the years immediately preceding American entry into the First World War. Pinkard born in Blue Springs Nebraska emerged as one of the most important Black popular songwriters of the early twentieth century. As a teenager he worked in Nebraska theaters and dance orchestras before forming a publishing firm in Omaha while still barely twenty years old. His early Midwestern publications—including pieces such as “The Blue Melody”—show him operating within the ragtime and syncopated dance music tradition that was evolving into early jazz. Within a few years Pinkard relocated to Chicago and New York where he became a major Tin Pan Alley figure later composing standards such as “Sweet Georgia Brown” 1925. The piece is respectfully dedicated to “Sophie Tucker’s 5 Kings of Syncopation” reflecting Tucker’s role as one of the most influential vaudeville singers of the 1910s. The interior advertisement reproduces a sample chorus of Pinkard’s hit “I’m a Real Kind Mama” another early jazz-age success associated with Tucker’s repertoire. Maceo Pinkard Music Publisher unknown
1981réf. 48783Sarasota FL: The Jazz Club of Sarasota 1981. good. 24 pages. Wraps illus. Name of previous owner present. Covers somewhat worn and soiled. This program has several important jazz autographs: Albert Thornton Al Grey p. 11; Kenneth Norville Red Morvo p. 13; John Bucky Pizzarelli p. 13; Robert M. Bobby Rosengarden p. 13; George Holmes Buddy Tate p. 14; Robert Sage Bob Wilber p. 14. The Jazz Club of Sarasota paperback
1983réf. 499742Bangor: The Bangor Historical Society 1983. Softcover. Fine. First edition. Slim octavo. 8pp. Stapled wrappers. Illustrated including two portraits of King. Fine. Includes “A Novelist’s Perspective on Bangor” by King as well as a brief biography. OCLC locates six copies. N.B. There was also an edition issued by the same publisher with 40 pages of text including advertisements for distribution at the March 1983 benefit for the Bangor Historical Society. The Bangor Historical Society unknown
