3832 risultati
1811rif. 10857Paris, Didot l'aîné, 1811. In-folio de 48 feuillets et 35 planches hors-texte, demi-veau chamois à coins, dos à nerfs, coiffes, mors et coins frottés. Reliure moderne. Exemplaire non rogné. Quelques rousseurs aux feuillets initiaux et finaux. Voici la collation des 96 pages de texte: [8] pages soit 1ff. blanc, faux-titre, titre, 1 ff. de table des planches, 6p. pour le Tableau général du lac de Genève (dernière bl.), [8]p. pour la description des planches, 10p. pour le Tableau général du Valais (dernière bl.), [8]p. pour la description des planches, 4p. pour le Tableau général du Simplon, [34]p. pour la description des planches, 2p. pour le Tableau général du lac Majeur, [12]p. pour la description des planches, [2]p. pour 1 ff. blanc.
1910rif. J68AIMO7W1D1Palestine 1910. Rolled up and kept in a cardboard tube. An enormous panoramic view drawn in coloured gouaches on a single continuous roll of unwatermarked wove paper 70 x 583 cm the drawing running to the edges of the paper. A panoramic view of what appears to be a fantasy Middle Eastern landscape with spectacular mountains in the background a body of water near each end and a wide variety of buildings and ruins some clearly classical Roman and others Middle Eastern. The combination of classical Roman architecture with dromedaries and other Middle Eastern features places it very likely in Palestine but we have not been able to identify specific buildings. The most distinctive ruin a round Roman temple with five columns on the viewer's side an entablature above them and a vertical base below them looks more like the Temple of the Vesta at Tivoli than like any known in the Middle East the columns are not rendered in sufficient detail to determine their order but they are almost certainly not Ionic and are probably Corinthian. There are also classical Roman aqueducts. The six shepherds with their flocks all wear broad-brimmed hats and have staffs and two are blowing long slightly curved horns. Several more figures with broad-brimmed hats and staffs might be pilgrims one together with what is presumably his wife. With a 33 cm tear into the left end a few insignificant and much smaller tears and with pin holes about 1 cm from the edges from mounting on a wall but otherwise in very good condition and with the colours fresh and bright. A spectacular panoramic view of the Middle East including many classical Roman ruins. unknown
1730rif. E1Q9EQ01U79OAmsterdam: Reinier and Josua Ottens 1730. Mounted and framed. With title in banner at top centre arms of the city at top right city seal at top left and the primary locations with captions. Large engraved panorama on 4 sheets ca. 42 x 218 cm as assembled. Rare large engraved view of Amsterdam as seen from the inlet known as the IJ published by Reinier and Josua Ottens ca. 1730 with numerous ships on the IJ. It's the last state of the view by Jacob Savry published in 1647 and partly updated including the changes made by Visscher in his issue from 1653. Most obvious are the changes on the east part of the city with several new buildings including ''s Lands Zeemagazijn' now known as the Netherlands Maritime Museum.Washed and with one minor professional restoration near the title. Very good copy of a beautifully executed an detailed view of Amsterdam.l D'Ailly Profielen 186; De Vries Atlas van Amsterdam 14; cf. D'Ailly Profielen 55 & 74. Reinier and Josua Ottens, unknown
1599rif. DB9FTP3RHVIKAntwerp 1599. Pieter Bast Framed. Large engraved panorama on 2 sheets ca. 27 x 76 cm as assembled. Rare first state of a 16th-century view of Amsterdam as seen from the inlet known as the IJ made by Pieter Bast a Dutch engraver from Antwerp best known for his city map of Amsterdam and this view. "In its amplitude and the sheer audacity of the presentation this engraving is indisputably one of Bast's most significant creations. It is as much a portrait of the harbour of Amsterdam as of the city itself and underscores the unique importance of maritime trade as the principle source of the city's wealth and power". With its distinctive orientation he not only initiated the series of representations of Amsterdam as seen from the IJ but also "established the standard for an entire genre of Dutch maritime painting" Keyes. In 1611 a second state edition was published by Claesz Jansz. Visscher who drastically altered the composition. In very good condition.l Hollstein Dutch & Flemish I p. 168 8; Keyes Pieter Bast 8 and p. 19. unknown
rif. est144t8Dimension extérieur 50 x 61,5 cm, cuvette 40,3 x 52,4 cm. Magnifique eau-forte d'Albert Decaris, peintre, graveur et décorateur français du 20 ème siècle. Il est notamment réputé pour avoir gravé de nombreux timbres poste. En très bon état général, magnifique travail sur le noir et les contrastes. Tirage 66/150
rif. est145t8Dimension extérieur 76 x 56,3 cm, cuvette 66,8 x 49,5 cm. Très belle eau-forte réalisée par Albert Decaris, peintre, graveur et décorateur français du 20 ème siècle. Il est notamment réputé pour avoir gravé de nombreux timbres poste. Gravure en très bon état général, il exerce un vrai travail sur le noir et ses nuances.
rif. pho080Stereoscopic views, each 2 X 7,5 cms, prices : A. = 20, B. = 40, C. = 20, D. = 20, E. = 30, F. =20, G. = 20
