Antiquariat.de
9 270 résultats
1792réf. 3848BLeipzig, Ignaz Alberti, 1792. Kl.8° (16 x 10,2 cm). 8 Bl., 338 S., 7 Bl. und 4 Tafeln mit Kupferstichen. Späteres HPergament, Deckel mit Buntpapierbezug.
1900réf. 7435AUm 1900. Auf Tafeln im Format 24x16 cm. Farbig aquarellierte Federzeichnungen.
1922réf. 2142AWien, Leipzig, Verlag Leopold Heidrich, o. J. [1922]. 4°. 14 Holzschnitte auf Tafeln und Titelblatt. Lose eingelegt in die illustrierte Original-Halbledermappe mit Fronttitel. (= Paphos-Drucke).
réf. 12946Paris, Isidore Liseux, Editeur, première édition, 1893. Edition à tirage limité à trois cents exemplaires (No 267). 1 volume in-8,broché, couvertures souples imprimées un peu poussiéreuses, 396 pp., bon état général. Cette première édition ne possède pas les planches photographiques parues dans la 2e édition de 1927.
1948réf. 5312AA Bagatelle, sous le Cygne de Léda [d.i. Paris, M. Duflou, ca. 1948]. 8°. 44 S. und 10 Orig.-Radierungen, davon eine farbig als Frontispiz. Ungebundene Lagen in der Orig.-Broschur mit Fronttitel, im kart. Umschlag im Pappschuber, jeweils mit Buntpapier bezogen.
réf. 80142An album of photographs business cards and other ephemera from an early iteration of the famously exclusive Texas Latex Party TLP held annually in Houston. The images were captured at the 2003 event held February 20-22 at the Adam's Mark hotel and resort. In the decades that followed TLP has grown into an international invite-only applicant-vetted four-day weekend of partying socializing and vending widely considered one of the world's leading fetish events. Included within this album are 78 photographic images shot digitally along with a CD of "Digital Pics" housed in a plastic sleeve mounted to the inner front panel. 53 images are professionally printed on 4" x 5 7/8" glossy stock while 24 images are printed two to a page on 8 1/2" x 11" inkjet paper. There is also a group photo by Frankovich printed on 8 1/2" x 11" stock which shows roughly 70 people. The images capture scenes of socializing with most individuals in full latex as well as what appears to be an outfit contest. There are also several shots of a lavish meal which are preceded in the album by the printed Fetish Dinner Menu for February 21 and the Fetish Lunch Menu for February 22. Other materials in the album include a detailed welcome letter an attendee wristband-ticket two postcard-size advertisements for The Baroness fetish retinue in New York eight business cards four hotel key cards several nondescript Texas postcards two pocket maps a receipt from The Custom Shop in Houston and ephemera from the Adam's Mark hotel. The materials are housed in plastic sleeves within a black three-ring binder with the event title and the attendee's name withheld stamped in gold on the front panel. Additionally there is an illustrated Texas Latex Party label housed within the label holder on the spine. All the materials within are squeaky clean. unknown
1931réf. 1012BLondres [d.i. Paris], ohne Verlag [d.i. Robert Télin], 1931. Gr. 8°. 116 S. mit 10 erotischen kolorierten Tafeln und einem Frontispiz. Als lose, unbeschnittene Lagen eingelegt in eine blaue Samtbroschur mit goldgepr. Deckelvignette. Im Pappumschlag im Schuber. [9 Warenabbildungen]
1910réf. 9353AWohl um 1910. 4°. Radierungen: 9,5 x 7 cm. Blattgröße: 30 x 22,7 cm. Die 8 Orig.-Radierungen auf Velin abgezogen, von Hand koloriert. Schlichte kartonierte Orig.-Flügelmappe.
1935réf. 3752BAux dépens d'un amateur pour le profit de quelques autres, 1935. Kl. 4° (25 x 20 cm). 142 S. und 13 kolorierte Gravüren auf Tafeln, davon ein Frontispiz. Dazu eine Extra Suite der Gravüren in s/w mit Randglossen. Broschiert in rotem Velourumschlag mit goldgepr. Deckelvignette, mit Pappdecke und Schuber.
1782réf. 3659BLondres, [Paris, Cazin], 1782. 16°. I: 11 num. Bll., gest. Frontispiz, 8 Kupfertafeln, 16 S. gest. Noten; II: 1 Bl., 5 S. 1 Kupfertafel; III: 11 Bll. (num. 1-7, 9-12), Gest. Frontispiz, 8 Kupfertafeln, 24 S. gest. Noten. Geflammtes Kalbsleder d. Zt. mit goldgepr. RSchild und RVergoldung, dreifacher Deckelfilete, Steh- und Innenkantenvergoldung, Goldschnitt.
1865réf. 2323BA Cythère, chez Cupidon, au Temple de Vénus [d.i. Bruxelles, Vital Puissant], 1800 [um 1865]. 12°. 148 S. und 8 Tafeln mit erotischen Stahlstichen. HLeinen um 1900, die Deckel mit geflammtem Kalbsleder bezogen.
réf. List2943Likely Chicago area 1944. Single 5 x 8 inch journal with forty-two double-sided pages filled out and many more blank. Near fine. Offered here is an unusual document: a dream journal from the 1940s. Written by an anonymous woman the journal documents dreams from January and February of 1943 and 1944. Dream interpretation is an ancient practice with many varied purposes1 but given the rising popularity of psychoanalysis at the time in the US2 it is plausible that this journal was kept for therapeutic purposes. Indeed there would be quite a bit for an analyst to say about A.B.’s dreams. She recalls moments from dreams such as when “It seems that also I have a sexual organ very faint from no cause at all” January 15 1943 “It seems I almost have to bite my mother to make her let me go” January 16 and: “I had a dream of going to Chicago with my brother. We went to a hotel as husband and wife. He slept in the same bed but nothing sexual passed between us.” February 16 1944 One dream in particular deals in some detail which we omit with A.B.’s history of onanism or lack thereof. This dream includes the sensation that: “someone is trying to probe into the dark recesses of my ‘past’ to unearth the little secret hidden sins of childhood and the lapses of young girlhood and womanhood” February 9 a feeling that would likely be close to the truth if A.B. were in fact the subject of analysis. Other themes include work health and money and bizarre imagery such as “a left arm swaddled in a white surgical bandage from wrist to armpit” January 15. Overall an uncommon survival and a peculiar read of interest to dream interpreters and their historians. 1 J. Donald Hughes “Dream Interpretation in Ancient Civilizations” Dreaming 10 2000: 7–18 https://doi.org/10.1023/A:1009447606158. 2 Otto Kernberg “Psychoanalysis in America” interview by Sergio Benvenuto and Raffaele Siniscalco Multi-Media Encyclopedia of Philosophical Sciences for Radiotelevisione Italiana July 1996 transcript https://www.journal-psychoanalysis.eu/articles/psychoanalysis-in-america/. unknown
réf. List2943Likely Chicago area 1944. Single 5 x 8 inch journal with forty-two double-sided pages filled out and many more blank. Near fine. Offered here is an unusual document: a dream journal from the 1940s. Written by an anonymous woman the journal documents dreams from January and February of 1943 and 1944. Dream interpretation is an ancient practice with many varied purposes1 but given the rising popularity of psychoanalysis at the time in the US2 it is plausible that this journal was kept for therapeutic purposes. Indeed there would be quite a bit for an analyst to say about A.B.’s dreams. She recalls moments from dreams such as when “It seems that also I have a sexual organ very faint from no cause at all” January 15 1943 “It seems I almost have to bite my mother to make her let me go” January 16 and: “I had a dream of going to Chicago with my brother. We went to a hotel as husband and wife. He slept in the same bed but nothing sexual passed between us.” February 16 1944 One dream in particular deals in some detail which we omit with A.B.’s history of onanism or lack thereof. This dream includes the sensation that: “someone is trying to probe into the dark recesses of my ‘past’ to unearth the little secret hidden sins of childhood and the lapses of young girlhood and womanhood” February 9 a feeling that would likely be close to the truth if A.B. were in fact the subject of analysis. Other themes include work health and money and bizarre imagery such as “a left arm swaddled in a white surgical bandage from wrist to armpit” January 15. Overall an uncommon survival and a peculiar read of interest to dream interpreters and their historians. 1 J. Donald Hughes “Dream Interpretation in Ancient Civilizations” Dreaming 10 2000: 7–18 https://doi.org/10.1023/A:1009447606158. 2 Otto Kernberg “Psychoanalysis in America” interview by Sergio Benvenuto and Raffaele Siniscalco Multi-Media Encyclopedia of Philosophical Sciences for Radiotelevisione Italiana July 1996 transcript https://www.journal-psychoanalysis.eu/articles/psychoanalysis-in-america/. unknown books
1937réf. 4079BOhne Ort, Éditions du priape ardent, o.J., [um 1937]. 4°-quer (25,3 x 22 cm). 32 Bll. jeweils als Doppelblätter mit 15 Kaltnadel-Radierungen in losen Lagen. In 2 jeweils mit einer Vignette illustrierten Orig.-Umschlägen mit blauem Titel.
1932réf. 7140AParis, ohne Verlag [d.i. Paul Cotinaud], 1932. 4°. 20 Tafeln mit kolorierten Radierungen unter Seidenhemdchen. Im betitelten Orig-Umschlag mit kl. Illustration, Pappmappe mit Frontillustration und -titel und kl. Vignette am Hinterdeckel. [7 Warenabbildungen]
1930réf. 3502BOhne Ort, Verlag und Jahr [um 1930]. Folio (40 x 30 cm). 2 Bll. (Einleitung und Impressum) und 12 Tafeln mit Orig.-Radierungen. Schwarze Orig.-HLeinenmappe mit montiertem Titelschild am VDeckel.
1950réf. 3934BExécutées pour un groupe d'amis des beaux-arts. Ohne weitere Angaben [um 1950]. Gr.4°. 2 Bll. (Titel u. Justification), 20 Tafeln mit eindeutig erotischen Illustrationen. Gebunden in dunkelbraunes HMaroquin auf 5 Bünden mit goldgepr. RTitel und Lederecken.
1923réf. 004061Munchen: Verlag Albert Langen 1923. Geschichte Der Erotischen Kunst by Eduard Fuchs History of Erotic Art Das individuelle problem mit 350 abbildungen und 51 beilagen. The individual problem with 350 illustrations and 51 supplements. Volume one only. This is a very rare title. We have been unable to identify another copy offered for sale. Eduard Fuchs 1870 - 1940 was a writer and art collector. He combined his research writing and art collecting to produce a six-volume work Sittengeschichte Moral History and three volume Die Frau in der Karikatur The Woman in the Cartoon. Fuchs was a prolific collector of the artist Honore-Victorin Daumier 1808 - 1879 a French caricaturist cartoonist lithographer painter and sculptor and produced three volumes of his works. In addition to the vast Daumier collection Fuchs also owned a significant number of works by Max Slevogt. Fuchs was financially successful through the publication of his works whose popularity was due in part because of their content of erotic art. Fuchs and his Jewish second wife Margarete fled from Germany to Paris in February 1933 after coming under attack from the Nazi party. They were able to take only a few art works with them. Later that year Fuchs' collection which had remained in Germany was seized by the Nazis. The Nazis banned and burned Fuchs' books. Part of the art collection was returned to Fuchs' who remained in exile in Paris but his daughter from his first marriage was forced to auction off the collection between 1937-1938. There have been multiple projects to identify and recover the Fuchs' Collection. Only a small number of pieces have been recovered. This volume is a 4to size brown clothbound hardcover with brown titles on cover and spine. 439 toned pages. Profusely illustrated with black and white illustrations and a few color illustrations throughout. Many full page illustrations. Many very explicit erotic illustrations. Text is in German. This fragile book is shaken with loose stitches starting at the top and extending about three inches down and getting progressively tighter as they get to the bottom. Half inch tears to top of and bottom of sunned spine; worn corners large tears along left side of spine. Some full page illustrations have a blank tanned reverso and the pages following the tanned reversos are also tanned. Bookseller's penciled notation and creases to corner on fep; tiny spot on inside front cover with transfer to fep; we note at least two pages with finger marks in the margin and several pages with quarter inch to half inch tears in the margins and a stain in the top margin of page 7. Two pages in the preface - the last two pages before page one - are attached to each other but detached from the book and laid in. An attached ribbon bookmark is discolored towards the bottom. Additional shipping and handling charges will includes the cost of insurance for this valuable item which weighs more than five pounds. We only accept Dealer Direct Payment. Please ask us for an invoice. Thanks for shopping with us. 100% of your purchase benefits charity and supports literacy and life-long learning. . Cloth. Good/No Jacket. 4to - over 9¾" - 12" tall. Verlag Albert Langen Hardcover
1962réf. 15068New York: Grove Press - Film Division 1962 . Edition unknown. Original box with a paper label. Very good. Ten minute black and white 8 mm film with sound. Although uncredited the British filmmaker Anthony Balch famous for his collaborations with William Burroughs contributed footage to this montage of sexually suggestive images and soundtrack. As Vogel states: ' Sexologists psychologists and proponents of sexual freedom the Kronhausens here attempt to induce erotic response in the audience by carefully chosen visual stimuli and juxtapositions aimed at both the conscious and unconscious. Phallic symbols and open orifices . almost any object or act no matter how innocuous the Kronhausens show can be made to appear erotic and reveals our predisposition towards shaping visual evidence for purposes of erotic gratification'. See Vogel Film as Subversive Art pp. 229 - 230; OCLC shows only Harvard for a 16mm version in 1962. Grove Press - Film Division unknown books
1992463 pages. "Bert Stern, the famous ad and fashion photographer of the sixties, was the last to be granted a sitting by Marilyn Monroe - six weeks before her tragic death. The three-day session, which was arranged by Vogue and took place at the Los Angeles Bel Air Hotel, yielded nearly 2600 pictures - fashion, portrait and nude studies - of indescribable sensual and human vibrancy. The world's finest and largest tribute to Marilyn Monroe." - dust jacket. Photo-illustrated endpapers. Unmarked with light wear. Short openings beginning at top and bottom of hinges due to the weight of this large and most impressive tome. Front panel and spine portions of dust jacket uniformly sunned but still attractive, per our photo. Dust jacket now preserved in archival-grade Brodart. A quality copy. Will be shipped in a sturdy box with full insurance. Book
1900réf. 4057BUm 1900. Gr.8° (25 x 17 cm). Leporello mit einem Doppelblatt Text und 12 doppelblattgroßen Orig.-Farbzeichnungen auf Papier (Doppelblattgröße = 33,5 x 25 cm). Rückseitig mit Karton verstärkt. Pappdeckel mit gemustertem Seidenstoff bezogen, mit kalligraphischem Titelstreifen.
réf. 2015AParis, ohne weitere Angaben. 4°-quadr. 22,5 x 28 cm. Ein Doppelblatt mit Titel, ein Doppelblatt mit Impressum und 12 Büttentafeln mit Radierungen. Lose im Orig.-Büttenumschlag. Auf dem Deckel eine kleine Radierung; sie zeigt ein Gesicht mit gierig guckenden Augen.
1924réf. 4255BÉditions de la Fanfare de Montparnasse [d.i. Henri Jonquières], 1924. Kl.8°. 2 Bll., 55 S. mit 26 erotischen Illustrationen, 2 Bll. Halbpergament mit goldgepr. Rückentitel und Kopfgoldschnitt. Rosafarbene Orig.-Broschur mit eingebunden. Im Pappschuber. [5 Warenabbildungen]
1948réf. 4284BOhne Ort, Verlag u. Jahr, A mes depens [Paris, Saint-Germain-des-Prés, René Bertelé, 1948]. 12° (16 x 12 cm). 5 Bll., 101 S. dem Faksimile der einer Manuskriptseite als Frontispiz. Rosafarbene Orig.-Broschur mit Fronttitel. [4 Warenabbildungen]
1929réf. 9402AAlencon, Chez Jean-Zacharie Malassis, 1929. 8°. 244 S. mit 10 kolorierten Radierungen auf Tafeln und 10 Radierungen im Text. Orig.-Broschur.
