Esseintes, Jean Riche desAntiquariat.de
9 270 résultats
1921réf. 4301BErster Herzoglicher Druck im Auftrag des Herrn Herzog von *** für ihn und seine Freunde in einer einmaligen Privatausgabe [d.i. Berlin, A. Hoennicke, ca. 1921]. Folio (35 x 27,5 cm), (Heft 33 x 24 cm, Grafik von 10 x 7,5 bis 19,5 x 16,5 cm). 6 gestochene Tafeln mit Orig.-Grafiken von A. Beardsley in Röteldruck auf altem Japan-Bütten in Passepartouts und Textteil mit 8 Blättern als fadengebundenes Heft mit illustr. Orig.-Umschlag, zusammen mit den Passepartouts in der original Halb-Pergament-Mappe mit Buntpapierbezug und goldgepr. Lederdeckelschild und chinesischem Steckverschluß. [8 Warenabbildungen]
1922réf. 4288BOhne weitere Angaben [d.i. Berlin, Gurlitt, 1922]. Gr.8°. 67 S., 2 Bll. mit insgesamt 19 eindeutig erotischen Orig.-Radierungen von Otto Schoff, davon 12 im Text und 7 ganzseitig. Orig.-HMaroquin mit goldgepr. RTitel. Kopfgoldschnitt. In mod. roter Leinenkassette mit goldgepr. RTitel. [8 Warenabbildungen]
1613réf. 2702Francfort-sur-le-Main, aux frais de Johan. Iacobi Porsii, typis Erasmi Kempfferi, 1613 ; in-8 ; plein vélin ivoire rigide, dos décoré doré, pièce de titre (reliure de l'époque) ; (12) ff., 715 pp., (16) pp. d'index, (1) p. ad lectorem, (2) ff. blancs.
1955réf. 7978AUm 1955. 11 x 7,7 cm. Unter Passepartout. Gerahmt.
1977réf. 3136A1977. 33 x 25 cm. 1 Doppelblatt mit gestochenem Titel, 6 Doppelblätter mit 6 Kupfer-Stichen in s/w und eine Extra-Suite der Stiche in Rötel auf Tafeln, 1 Bl. (Justification). Orig.-HLeinenmappe.
1931réf. 2856BParis, Stendhal & Compagnie, aux Dépens des Bibliophiles Souscripteurs, 1931-35. 4°. XVI, 218 S.; 2 Bll., S. 219-401; S. 402-498, 1 Bl. und für die Suite mit Lithographien: 4 Bll. (Titel und Justification) und 16 Tafeln mit explizit erotischen Lithographien. Orig.-Interimsbroschuren mit zweifarbigem Titel auf Deckel und die Suite mit den Lithographien in einem schlichten broschierten Umschlag.
1918réf. 2413BBerlin, Carl Sabo, o.J. [ca. 1918]. Folio 37 x 29 cm.. Mit einem Kupfer illustriertes Titelblatt, 1 Blatt Inhalt u. Impressum sowie 15 stark erotische Kupferstiche. Orig.-Pappmappe mit Fronttitel. [9 Warenabbildungen]
1800réf. 5629London: S. W. Fores 1800. First edition. Illustrated hand-colored broadside measuring 270 x 400mm and printed to verso only. Faint offsetting to recto and faint traces of mounting to corners. In all a Fine example of this visual satire commenting on the phenomenon of younger men seeking marriage with elderly widows for their own financial gain -- and the cultural anxiety surrounding the marital sexuality of such brides. Unrecorded in ESTC and OCLC we have located two examples of the present work at the British Museum and Yale. The present broadside draws together a wide matrix of debates and social anxieties surrounding the economic and sexual status of widows and the financial motivations for marriage among second sons and men of the middle class. Though women were more frequently forced into experiencing marriage as a form of 'honorable prostitution' in which their physical desirability served as their key for accessing wealth and stability under coverture it was increasingly acknowledged that large swaths of young men also suffered under this system. And while widows could escape the system -- shifting from the disempowered femme covert to the more legally independent femme sole on their husbands' deaths -- there was both a social fantasy of reinserting them into the marriage market as a means for regaining control over their money and bodies as well as a social anxiety about their ability to corrupt through the range of knowledge and authority they gained through previous marital experience. Here a young man walks his aging crone down the aisle. Ornately clad and expressing her anticipation for "the comforts of matrimony" she is ridiculed by the ministers at the pulpit who posit that if "matrimony was first ordained.for a remedy against fornication" then "the remedy will be worse than the disease" in this instance. Untroubled the young groom focuses on the land deeds bank notes and jewelry accounts which stuff his pockets -- assets which will legally become his after the ceremony and which serve as his marital comforts. Meanwhile two young women observe from the sidelines one of them planning her future with the groom after his aging bride's eventual demise. "Those jewels will look better on me than on the last owner" she notes as her companion whispers hopefully "you'll let me take a morning ride with you sometimes." A visual commentary on the financial and social issues surrounding marriage under coverture which Daniel Defoe would deride as "matrimonial whoredom." British Museum 1935.0522.8.109. Yale Center for British Art B1974.12.328. S. W. Fores unknown
1800réf. 5629London: S. W. Fores 1800. First edition. Illustrated hand-colored broadside measuring 270 x 400mm and printed to verso only. Faint offsetting to recto and faint traces of mounting to corners. In all a Fine example of this visual satire commenting on the phenomenon of younger men seeking marriage with elderly widows for their own financial gain -- and the cultural anxiety surrounding the marital sexuality of such brides. Unrecorded in ESTC and OCLC we have located two examples of the present work at the British Museum and Yale. The present broadside draws together a wide matrix of debates and social anxieties surrounding the economic and sexual status of widows and the financial motivations for marriage among second sons and men of the middle class. Though women were more frequently forced into experiencing marriage as a form of 'honorable prostitution' in which their physical desirability served as their key for accessing wealth and stability under coverture it was increasingly acknowledged that large swaths of young men also suffered under this system. And while widows could escape the system -- shifting from the disempowered femme covert to the more legally independent femme sole on their husbands' deaths -- there was both a social fantasy of reinserting them into the marriage market as a means for regaining control over their money and bodies as well as a social anxiety about their ability to corrupt through the range of knowledge and authority they gained through previous marital experience. Here a young man walks his aging crone down the aisle. Ornately clad and expressing her anticipation for "the comforts of matrimony" she is ridiculed by the ministers at the pulpit who posit that if "matrimony was first ordained.for a remedy against fornication" then "the remedy will be worse than the disease" in this instance. Untroubled the young groom focuses on the land deeds bank notes and jewelry accounts which stuff his pockets -- assets which will legally become his after the ceremony and which serve as his marital comforts. Meanwhile two young women observe from the sidelines one of them planning her future with the groom after his aging bride's eventual demise. "Those jewels will look better on me than on the last owner" she notes as her companion whispers hopefully "you'll let me take a morning ride with you sometimes." A visual commentary on the financial and social issues surrounding marriage under coverture which Daniel Defoe would deride as "matrimonial whoredom." British Museum 1935.0522.8.109. Yale Center for British Art B1974.12.328. S. W. Fores unknown books
1796réf. 8778AParis, Bey der Wittwe Delaunoy, in der St. Honoré Straße, 1796. Neue Auflage. 2 Bände. Kl.8°. 4 Bll., 295 S., 3 Bll., 288 S. und 6 erotische Kupfer auf Tafeln, davon 2 Frontispize. HLeder des frühen 19.Jahrh., goldgepr. RTitel und Dekor.
1802réf. 9420AA Lampsaque, Chez tous les marchands de nouveautés, 1802. 2 Bände / 2 vols. 16°. 106 S. und 9 Kupfer auf Tafeln davon eines als Frontispiz; 107 S. und 11 Kupfer auf Tafeln davon eines als Frontispiz, sowie eine weitere Tafel mit einem doppelten Kupferstich (insgesamt 12 Kupfer) [lt. Dutel A62 Band II mit 11 Kupfern vollständig]. HLeder d. Zt. mit Rückentitel. Ganzgoldschnitt.
1930réf. 1204BTschechisch, um 1930. Folio (quer). Radierungen 17,5 x 24,5 cm; Bütten 36,5 x 27 cm. Moderne HLeinen Mappe mit montiertem Titelschild am VDeckel.
1979réf. 051927Melbourne: Gryphon Books 1979. LARGE HEAVY BOOK-will require additional postage to most destinations. iv 126pp bw & col ills. Green quarter leather decorative cloth in slipcase. A near new copy. Uninhibited even by his standards Donald Friend's erotic masterpice was heavily oversubscribed on publication and in an edition of only 150 copies this tour de force of Australian publishing remains rare. This copy out of sequence and so described where it would normally be numbered. SIGNED by Friend. Limited Edition. Hard Cover. Fine/Slipcase. Illus. by Friend Donald. Elephant Folio. Gryphon Books Hardcover
1926réf. 9394AAux dépens d'un amateur et pour ses amies. Ohne Ort und Jahr [Paris, 1926]. 4°. 4 Bll., 361 S. und 20 Original-Radierungen auf Tafeln. Halbleder mit Lederecken und RTitel. Kopfgoldschnitt.
1935réf. 4242BOhne Ort, Éditions du priape ardent, o.J., [vom Künstler, ca. 1935]. 4°-quer (22,5 x 25,5 cm). 36 Bll. mit 16 kolorierten Kaltnadel-Radierungen (einschließlich der Umschlag-Radierung), sowie weitere 16 kleine Illustrationen, eine davon auf Titel. In losen Lagen. Orig.-Umschlag mit kol. Titel-Radierung. [15 Warenabbildungen]
1907réf. 4322BBruxelles [d.i. Paris], chez les successeurs de Poulet-Malassis [d.i. J. Chevrel], 1907. 8°. XV, 51 S., 8 Tafeln mit kolorierten Orig.-Radierungen und eine radierten Doppeltafel mit Musiknoten. Orig.-Broschur mit Fronttitel. [7 Warenabbildungen]
1750réf. 4285BOhne Ort, Verlag und Jahr [ca. 1750]. 8°. Gestochenes Frontispiz, gestochener illustrierter Titel (beide: "Ch. Eisen, inv./ N. le Mire sculp.") und 55 gestochenen Tafeln. Roter Maroquineinband auf 5 echten Bünden mit goldgepr. Rückentitel und Ornamenten, beide Deckel mit umrahmt mit dreifachen goldgepr. Filten mit floralen Eckornamenten, Steh- und breiter Innenkanten-Vergoldung, (Voll-)Goldschnitt (Joly fils). Vorsätze aus handgefertigtem Marmorpapier. [10 Warenabbildungen]
réf. 46499Paris Chez la Veuve Jean du Brayet et chez Nicolas Rousset 1612 in 12 (17x11) 1 reliure pleine basane fauve racinée ancienne, dos lisse orné de faux-nerfs dorés, page de titre, 3 feuillets non chiffrés et 226 pages. Vincent Tagereau, Angevin. Seconde édition, revue et augmentée. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1938réf. 9409AOhne Verlag, Ort und Jahr [Paris, ca. 1938]. 4°. Titelblatt und 30 handkolorierte Lithographien unter Passepartout. HLeder d. Zt. auf 5 Bünden mit RTitlelschild.
1908réf. 3762B[Paris, Carrington, 1908]. 22,5 x 15 cm. 12 Orig.- Radierungen auf Büttentafeln (23 x 14 cm), mit Bleistift betitelt: "Chanson du moine", "La Parisienne", "Obsession", "Reine du monde", "Europe", "Coït des atomes", "Danaé", "Eden", "Lourcine", "Le crâne", "La flûte" et "Mélancolie". Die Radierungen im Orig.-Umschlag mit Titelschild (in einer mod. HLeinen-Flügel-Schatulle mit Buntpapierbezug u. goldgepr. Leder-Rückenschild / Spezialanfertigung). [9 Warenabbildungen] 1
1935Premiere issue of the second series of this publication, originally published from 1916 until 1925 by Intercontinental. 82 pages. Approximately 9" x 6". Numerous black and white illustrations in text. Color cover photo of leggy female drawing nude illustration. Features include: Fires of Love; $10 Evidence - a Spicy Adventure in Crime; Love is a Game; Avenging Alibi; Centerfold photo of artist with topless model; Price on Love - Evening in a Modern Harem; Kate's Failure - Bare Bosom and Bearish Temper; Nude Dancing; Race for a Wife - Nora Stages a Competition; A Nude Rescue. Nice vintage ads. Moderate age-toning to periphery of pages. Unmarked with light wear and external soiling. Three-inch crease to top corner of front cover. One-inch x half-inch bit of peeling to radio ad on back cover, presumably from price tag removal. Binding sound. A high-quality copy. Magazine
1904réf. 3779BParis, [Ch. Hirsch], 1904. 4°-quer. XII, 148 S., 2 Bll., 17 Tafeln mit farbigen Gravüren und 17 Tafeln mit den Gravüren in S/W sowie 16 Tafeln mit Zeichnungen in Rötel. Rotes HMaroquin mit goldgepr. RTitel auf 5 Bünden. Kopfgoldschnitt.
1880réf. 9844AParis, Delarue, o. J. [um 1880]. 2 Bände / 2 vol. [Tome premier / Tome troisème]. 8°. XVII, 174 S., VII, 166 S. mit erotischen Orig.-Zeichnungen. Halbmaroquin auf 5 Bünden, goldgepr. RSchmuck und Titel, Goldfileten, Kopfgoldschnitt. Breitrandig unbeschnitten. Orig.-Broschur mit eingebunden.
réf. 8350adressée de Rome en 1850.Copie manuscrite au crayon de papier 12 pages de format 310x200mm. Très rare
1883réf. 21564Paris, Lemonnyer, 1883; 2 tomes in-4° (320 mm), demi-maroquin à coins lavallière, dos à nerfs, titre doré, tête dorée, non rogné (Madelain); LXIII, [1bl.], 288 pp.; LXIV-LXIX, 418 pp. et en tout cent estampes hors-texte gravées à l’eau forte, les vignettes sont en deux états dont un en bistre.
