35 158 résultats
réf. 20002'Reprinted and circulated amongst the Governors by Order of the General Court 21st July 1870.' Printed by Winter & Bailey 24 Chancery Lane London. 7 69pp. 4to. In grey printed paper wraps with brown faux-leather spine. Aged and worn. In six parts: 'Preliminary'; 'Governing Body'; 'Endowments'; 'Application of Endowments'; 'Regulations relating to Schools'; and 'Final' with pp.47-69 carrying twelve 'Schedules' ranging from 'I. - Metropolitan Parishes Districts and Precincts affected by the abrogation of Trusts for the admission of Children therefrom' to 'XII.- Endowments for Special Prizes'. No other copy traced either on OCLC WorldCat or on COPAC. 'Reprinted and circulated amongst the Governors, by Order of the General Court, 21st July, 1870.' Printed by Winter & Bailey, 24 paperback
1926réf. HALL508920Hardback. 1926. Large 8vo Chicago 1926-1932. 12 vols. Very good copies. . hardcover
1936Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: Service to Japan, Hawaii and the Philippines now available; Anchors foul cable 4 times within 10 days - Burrard Inlet; Classified system will be extended to remainder of territory - includes full-page rate sheet; Company gains telephones in 1934 after 3 year decline (presumably due to the Great Depression); Company architect, Hugh D. Simpson; Our overseas service kept growing last year; Employee Sales Team Results; Statement of Development, 1 January 1935 - show # of phones per community; System suffers heaviest storm damage in history - January 1935 - 8 pages with photos; New exchange for the Albernis; John C. Miles succeeds John Johnston as Building Head; World Telephone network now includes 60 countries; Billy Palliser - champion salesman for Victoria Plant; Sechelt Company picnic; New phone system for thriving Alberni area - 4 pages with photos; Record 19,000 mile call from Vancouver to Perth, Australia; Dog's bark in Vancouver heard in Scotland; Round the world telephone talk sets record; Telephony's part in Canada's Jubilee celebration - 2 pages with photos; Parksville Exchange has Dial Unit at Qualicum Beach; Arthur R. Harness - garden awards; New switchboard handled by sightless operator - article with photos; PNE float details and photo; 2-page bio. with photo of Eugene P. LaBelle, the company's General Superintendant of Plant *MR. LABELLE'S NAME IS STAMPED ON THIS COPY*; Carrier circuits established between Vancouver and Calgary; Number of phones increased last year; Miss Elizabeth Murray, Vancouver's first chief operator, dies; New radio stations established; Fraser telephone building remodelled; Conference calls link Canadian cities by long distance (!); Operator school reopened; George E. Pittendrigh of Cloverdale, BC - installed Vancouver's first telephones; Telephone folks to the rescue; New Long Distance developments embrace Howe Sound Points; Key to Safety on the Job; New radio link serves Quesnel and adjacent mining area; Vancouver's first emergency phone calls; Newcastle Island Picnic; C.A. (Charlie) Price - Queer theories prove that people read the 'Yellow Pages"; James Welsh - our first formen; Article on the challenges of information operators; Seymour operating room photo; Mr. W.F. Salsbury - helped pave the way for our present telephone system; *CARICATURE OF E.P. LABELLE* and other company executives; Vancouver Arena fire damage quickly repaired; PNE float photo and details; Long Distance developments this year; Dominion Telephone organization meets in Victoria; Ex-policeman Ernest A. Harris recalls use of telephone in 1891; Monte Butler wins more rowing laurels; and more. Average wear. Ink stamp of company executive E.P. LaBelle upon fore- and top edges, and inside front board, else unmarked. Half-leather binding intact. Backstrip loose along front edge. Book
réf. ANAIS-088743794XSchool Zone Publishing. paperback. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. School Zone Publishing paperback
1934réf. 2092902137200813Kawaideshobo 1934. Soft Cover. Fine. Number of books: 1 Kawaideshobo paperback
2026réf. x-0443433429Elsevier Health Sciences 2026. Hardcover. New. 4th ed edition. 1184 pages. 9.01x2.21x11.31 inches. Elsevier Health Sciences hardcover
1939réf. ZB393096University of Southern California Press 1939. Volumes 10-29 lacks volume 12 1939-1958 ; partly bound library markings textually clean & tight price is for the lot. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. University of Southern California Press unknown
1918réf. 209506England : printed for Harrow School by Philip Lee Warner publisher to the Medici Society 1918-1921 1918. First Edition. Hardback. Very good copies bound in cloth-backed boards. Printed title labels on spines and front panels. Title labels are slightly worn in places. Top edges gilt. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall; tight bright clean and strong. ; 8vo 8"" - 9"" tall; 0 pages; Physical description: 6v : mounted ports ; 28 cm. Obituary notices of Old Harrovians killed in the Great War. With portraits. Subjects: World War 1914-1918 -- Registers of dead -- Death register -- Great Britain. Notes: Each volume contains 100 memorils with the exception of vol. 6 which contains 116. Each portrait has a short biography on the facing page. Editing committee: W.F. Fladgate E.M. Buttler A. Wyatt-Smith. [England] : printed for Harrow School by Philip Lee Warner, publisher to the Medici Society, 1918-1921 hardcover
1932réf. 2091502135412446Not Available 1932. Soft Cover. Fine. Volume: 17 Not Available paperback
1906réf. 2111902160200727Toyuridono Castle General High School 1906. Soft Cover. Fine. Volume: 1 Toyuridono Castle General High School paperback
1902réf. 2110502151108586Hanshichi Yoshikawa 1902. Soft Cover. Fine. Number of books: 5 Hanshichi Yoshikawa paperback
1924réf. 2091202133200111book series 1924. Soft Cover. Fine. Volume: 1 book series paperback
réf. 2091202133212450Maekawa zenbee N.A. Soft Cover. Fine. Number of books: 10 books in total Maekawa zenbee paperback
1935réf. 1901251935. Kräftiger vollrandiger Druck auf festem Bütten mit Wasserzeichen. 31,7 x 22,5 cm. Papier: 44,2 x 33 cm.
1959réf. 3137Washington D.C. 1959. Good plus. 19pp. mimeographed on rectos only. Original printed blue wrappers brad bound. Covers stained and worn. Mild uneven toning to a few leaves. A seemingly unrecorded directory for the Howard University School of Law published by the Student Bar Association in 1959. This humble handmade directory includes a short acknowledgement followed by listings of the faculty administrative staff Student Bar Association the Howard Law Journal the National Moot Court Team the Legal Assistance Program the "Law Wives" the class officers and finally the "Student Directory 1959-1960" arranged alphabetically. The directory lists the name expected year of graduation address phone number if any and undergraduate institution for each of the seventy-nine law students attending Howard at the time. Among the more notable names in the directory is Vernon Jordan Jr. who was then in his final year at Howard Law School. No listings for this ephemeral and homespun African American law school directory. unknown
1959réf. 3137Washington D.C. 1959. Good plus. 19pp. mimeographed on rectos only. Original printed blue wrappers brad bound. Covers stained and worn. Mild uneven toning to a few leaves. A seemingly unrecorded directory for the Howard University School of Law published by the Student Bar Association in 1959. This humble handmade directory includes a short acknowledgement followed by listings of the faculty administrative staff Student Bar Association the Howard Law Journal the National Moot Court Team the Legal Assistance Program the "Law Wives" the class officers and finally the "Student Directory 1959-1960" arranged alphabetically. The directory lists the name expected year of graduation address phone number if any and undergraduate institution for each of the seventy-nine law students attending Howard at the time. Among the more notable names in the directory is Vernon Jordan Jr. who was then in his final year at Howard Law School. No listings for this ephemeral and homespun African American law school directory. unknown books
1868réf. 13286Selma AL: J.P. Armstrong Printer 1868. Broadside 12.25 x 8.25 inches printed in three columns. Numerous old folds substantial wear and foxing some wrinkling edges scuffed and chipped but ample margins remain small hole in upper right corner. Good only. A striking unrecorded broadside publishing the lyrics to six songs intended to be sung by students of the Selma Union Sabbath School on an "excursion pic-nic" in the Spring of 1868. The songs printed here include "Festive Song" "Sunday School Volunteer Song" "The Happy Song" "By-and-Bye" "Around the Throne" and "Beautiful River." Little is known about the Selma Union Sabbath School; the only newspaper records we could locate concern the same picnic advertised on the present broadside held at Marion Alabama on May 12 1868. The Selma Morning Times published an advertisement in a few issues that week. Not in Ellison Hummel or OCLC. J.P. Armstrong, Printer unknown
1868réf. 13286Selma AL: J.P. Armstrong Printer 1868. Broadside 12.25 x 8.25 inches printed in three columns. Numerous old folds substantial wear and foxing some wrinkling edges scuffed and chipped but ample margins remain small hole in upper right corner. Good only. A striking unrecorded broadside publishing the lyrics to six songs intended to be sung by students of the Selma Union Sabbath School on an "excursion pic-nic" in the Spring of 1868. The songs printed here include "Festive Song" "Sunday School Volunteer Song" "The Happy Song" "By-and-Bye" "Around the Throne" and "Beautiful River." Little is known about the Selma Union Sabbath School; the only newspaper records we could locate concern the same picnic advertised on the present broadside held at Marion Alabama on May 12 1868. The Selma Morning Times published an advertisement in a few issues that week. Not in Ellison Hummel or OCLC. J.P. Armstrong, Printer unknown books
1943réf. 12163Harrisburg PA: Army Air Forces Intelligence School 1943. Very good. Quarto unpaginated about 100pp. illustrated with 83 original tipped-in photographs and an envelope containing 13 more loose and unidentified images laid-in. Housed in the original cardstock clasped folder. Many of the pages have a bottom fold which does not fully open without the potential to tear though all of the contents can be read with some effort. Some pages a touch foxed and a few prints are loosened from their pages and laid-in in the right place. Overall in very good condition. A well-organized and illustrated military textbook for a wartime class on aircraft identification which was probably taught in many places but organized at the US Army Air Force base in Harrisburg. An introductory sheet in perfect bureaucratic fashion placed near the end of this textbook states: "The course in Aircraft Identification consists of ten hours spaced over a period of six weeks." It goes on to list a series of 42 aircraft--American German Italian French and Japanese--which will be easily identified by all successful students by the end of the course. The first few dozen pages consist of detailed folding charts with data on dimensions payloads etc. Another section of about 12pp. gives a background on various best practices when trying to identify aircraft as well as some of the principles behind the course. The course utilized the "WEFT" system wings engine fuselage tail to help individuals soldiers intelligence agents etc. identify planes in the field from various angles at different heights and in certain contexts. Most of the pages dedicated to individual planes contain two photographs from different angles and with different shading trying to mimic real battlefield conditions under which someone might try to identify an aircraft. An unusually engaging wartime military textbook appealing to photography aviation and military collectors alike. Not located in OCLC thus notably absent in the holdings of the Army War College Library which retains most technical manuals and course books. Army Air Forces Intelligence School unknown
1860réf. 25031860. Excellent. Pen and ink and wash on cream wove paper 5 x 3 3/4 inches 128 x 95mm the full sheet. In excellent condition with minor toning and some light scattered soiling on the verso. Hero is shown holding a torch to guide her lover Leander as he swims across the strait from Abydos each night to be with her. The dramatic billowing of her cloak and the flickering flame of the torch suggest the "stormy night" mentioned in the myth. According to the legend the wind eventually blew out her light causing Leander to lose his way and drown after which Hero threw herself from the tower in grief. unknown
1890réf. 13411890. Good. Ink and gouache with gold heightening on fibrous brown laid paper with a Jaipur Court Fee tax stamp in purple ink on the recto 13 1/4 x 8 7/8 inches 336 x 226 mm. Toning handling creases and minor scattered surface soiling throughout. There are scattered coeval inscriptions in ink on the recto and verso. A traditional Indian butter churn is operated by rapidly pulling a rope which turns a paddled spindle. The paddles churn cows milk inside a large jar until milk solids form. Ghee is made from cow milk butter which is treated with low heat until the water evaporates leaving behind milk solids. The solids are skimmed off or strained if needed. Ghee is a staple food on the Indian subcontinent and as a cooking oil it is the most widely used food in India apart from wheat and rice. Because of its exalted status at Hindu weddings ghee is expensive and in high demand. Male wedding guests are expected to compete with each other to see who can eat the most of it; consuming two pounds or more at a sitting is considered a proof of virility. On the stamp: The first revenue stamps in India were issued in the mid-nineteenth century during the Raj and they are still being issued to this day. Apart from issues for the whole of India many princely states provinces and other states also had or still have their own revenue stamp issues. Before independence Indian revenue stamps were closely modeled on similar designs from Great Britain as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations including rupees and annas. An anna or Änna was a currency unit formerly used in British India equal to 1â„16 of a rupee. It was subdivided into four old Paisa or twelve pies thus there were 192 pies in a rupee. When the rupee was decimalized and subdivided into 100 new paise one anna was therefore equivalent to 6.25 paise. This particular stamp was used as evidence of court taxes remitted for property dealings. unknown
1890réf. 13331890. Good. Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink 13 3/8 x 8 3/4 inches 340 x 222 mm. Toning handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj and they are still being issued to this day. Apart from issues for the whole of India many princely states provinces and other states also had or still have their own revenue stamp issues. Before independence Indian revenue stamps were closely modeled on similar designs from Great Britain as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations including rupees and annas. An anna or Änna was a currency unit formerly used in British India equal to 1â„16 of a rupee. It was subdivided into four old Paisa or twelve pies thus there were 192 pies in a rupee. When the rupee was decimalized and subdivided into 100 new paise one anna was therefore equivalent to 6.25 paise. This particular stamp was used as evidence of court taxes remitted for property dealings. unknown
1890réf. 13341890. Good. Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink 12 5/8 x 8 9/16 inches 320 x 217 mm. Toning handling creases and minor scattered surface soiling throughout. Scattered coeval Hindi inscriptions in ink on the recto and verso. The first revenue stamps in India were issued in the mid-nineteenth century during the Raj and they are still being issued to this day. Apart from issues for the whole of India many princely states provinces and other states also had or still have their own revenue stamp issues. Before independence Indian revenue stamps were closely modeled on similar designs from Great Britain as is the case with this carriage motif stamp from Jaipur. The stamps were issued to denote various denominations including rupees and annas. An anna or Änna was a currency unit formerly used in British India equal to 1â„16 of a rupee. It was subdivided into four old Paisa or twelve pies thus there were 192 pies in a rupee. When the rupee was decimalized and subdivided into 100 new paise one anna was therefore equivalent to 6.25 paise. This particular stamp was used as evidence of court taxes remitted for property dealings. unknown
1867Acquaforte e bulino, circa 1810/15. Il titolo dell’opera è tratto da una scrittura a mano in una prova di stampa dell’opera che Goya include nell’album dei “Disastri della guerra” che donò al suo amico Ceán Bermúdez e che ora è conservato al British Museum di Londra. Il disegno preparatorio dell’opera è conservato al Prado di Madrid. Esemplare nel terzo stato di quattro, inserito nella Gazette des Beaux-Arts (1867); si tratta della prima vera edizione dell’opera, conosciuta altrimenti solo attraverso due prove di stampa. "A seated prisoner raises his clasped hands, both fastened with chains, in a gesture of supplication. We cannot see his features since his face is hidden beneath his long, dark hair. His feet are fastened in large shackles. Both the chains and the shackles are of considerable size, underlining their importance in any interpretation of the print. In fact, just as the title of the etching shows, the painter is comparing the excessive zeal employed in preventing the prisoner from escaping to the brutality of the crime he is accused of. It is possible that the way in which the prisoner is secured in this work by Goya was habitual at the time, an idea which is supported by certain passages of Forensic Discourses (Discursos forenses), by Juan Meléndez Valdés (Ribera del Fresno, Badajoz, 1754- Montpellier, 1814), whose portrait Goya painted in 1797. This book, published in Madrid in 1821, speaks of the cumbersome chains and shackles used to hold one María Vicente, put to death on the 23rd April 1798. Goya could well have known of her story: "But it is said that Doña María Vicente must have been treated, as the noblewoman that she is, in a very different manner, and not locked in shackles; and even thus fettered it was the judge's responsibility to examine their state and quality beforehand, to order them put on correctly". The painter has made extensive use of the etching technique here, building up the background with short, horizontal lines, whilst leaving large areas on the prisoner's clothing untouched and white, underlining his innocence. This etching would have been made at the same time as two others: The custody of a prisoner does not call for torture and If he is guilty, let him die quickly. In these images, Goya openly expresses his repulsion of the way in which prisoners were treated, as well as his opposition to the death penalty, echoing the ideas of Cesare Beccaria (Milan, 1738- Milan, 1794). In the pages of the work entitled Dei deliti e delle pene, published between 1763 and 1764, the Milanese talks of the need to modify the penal system, to lessen the severity of punishments and to seek out mechanisms for preventing crime. It is possible that these etchings also contributed to the debate on the abolition of torture which was being discussed in the Courts of Cádiz. Goya reiterates this same topic in some of the prints in his Disasters of War series, such as no. 15, And it can't be helped, no. 31, That's tough!, no. 32, Why?, no. 34, On account of a knife, no. 35, One can't tell why and no. 36, Not in this case either. Despite the gritty subject matter, the figure depicted in this etching possesses great dignity, recalling some earlier precedents which Goya may have been familiar with. One of these is an anonymous print based on Interior of a Prison (16th century, Museum of Fine Arts, Boston), by Giulio Romano (Rome, 1499-Mantua, 1596). When he was making this print, Goya may also have had in mind the disturbing, gloomy ambience of the prisons of Giambattista Piranesi (Mogliano Veneto, Treviso, 1720- Roma, 1778)." (cfr. https://fundaciongoyaenaragon.es/eng/obra/tan-barbara-la-seguridad-como-el-delito/712). Tomás Harris ritiene che la matrice di rame si trovi in una collezione privata di Parigi. Bibliografia Harris 26 III/IV; Delteil 31. Etching and engraving, circa 1810/15. The title of this work is taken from the handwritten title of a state proof that Goya included in the album of his Disasters of War prints which he gave to his friend Ceán Bermúdez and which is now in the British Museum, London. The preparatory drawing for this etching is in the Prado Museum, Madrid. Example of the third state of four, form the Gazette des Beaux-Arts (1867), firts edition of this work, before known only for proof states. "A seated prisoner raises his clasped hands, both fastened with chains, in a gesture of supplication. We cannot see his features since his face is hidden beneath his long, dark hair. His feet are fastened in large shackles. Both the chains and the shackles are of considerable size, underlining their importance in any interpretation of the print. In fact, just as the title of the etching shows, the painter is comparing the excessive zeal employed in preventing the prisoner from escaping to the brutality of the crime he is accused of. It is possible that the way in which the prisoner is secured in this work by Goya was habitual at the time, an idea which is supported by certain passages of Forensic Discourses (Discursos forenses), by Juan Meléndez Valdés (Ribera del Fresno, Badajoz, 1754- Montpellier, 1814), whose portrait Goya painted in 1797. This book, published in Madrid in 1821, speaks of the cumbersome chains and shackles used to hold one María Vicente, put to death on the 23rd April 1798. Goya could well have known of her story: "But it is said that Doña María Vicente must have been treated, as the noblewoman that she is, in a very different manner, and not locked in shackles; and even thus fettered it was the judge's responsibility to examine their state and quality beforehand, to order them put on correctly". The painter has made extensive use of the etching technique here, building up the background with short, horizontal lines, whilst leaving large areas on the prisoner's clothing untouched and white, underlining his innocence. This etching would have been made at the same time as two others: The custody of a prisoner does not call for torture and If he is guilty, let him die quickly. In these images, Goya openly expresses his repulsion of the way in which prisoners were treated, as well as his opposition to the death penalty, echoing the ideas of Cesare Beccaria (Milan, 1738- Milan, 1794). In the pages of the work entitled Dei deliti e delle pene, published between 1763 and 1764, the Milanese talks of the need to modify the penal system, to lessen the severity of punishments and to seek out mechanisms for preventing crime. It is possible that these etchings also contributed to the debate on the abolition of torture which was being discussed in the Courts of Cádiz. Goya reiterates this same topic in some of the prints in his Disasters of War series, such as no. 15, And it can't be helped, no. 31, That's tough!, no. 32, Why?, no. 34, On account of a knife, no. 35, One can't tell why and no. 36, Not in this case either. Despite the gritty subject matter, the figure depicted in this etching possesses great dignity, recalling some earlier precedents which Goya may have been familiar with. One of these is an anonymous print based on Interior of a Prison (16th century, Museum of Fine Arts, Boston), by Giulio Romano (Rome, 1499-Mantua, 1596). When he was making this print, Goya may also have had in mind the disturbing, gloomy ambience of the prisons of Giambattista Piranesi (Mogliano Veneto, Treviso, 1720- Roma, 1778)." (cf. https://fundaciongoyaenaragon.es/eng/obra/tan-barbara-la-seguridad-como-el-delito/712). Tomás Harris believes that the plate for this etching may be in a private collection in Paris. Literature Harris 26 III/IV; Delteil 31. Harris 26, III/IV; Delteil 31.
1745Xilografia a chiaroscuro, 1745, in basso al centro la dedita dello stampatore: Illustrissimo, & Erudito Viro CAROLO FREDERICK Armigero, liberalium Artium Patrono, / Pauli Cagliari praeclarum hoc Opus in Ligno coelatum, in grati animi argumentum humiliter D. D. D. / J: B: Jackson”. Da un dipinto di Paolo VeroneseBell’esemplare, impresso su carta vergata coeva, completo dei margini bianchi, in ottimo stato di conservazione.La tavola è una della 24 dell’opera dal titolo “Titiani Vecelli, Pauli Caliarii, Jacobi Robusti, et Jacobi de Ponte opera selectiora” edita da J. B. Jackson nel 1745.La stampa è tratta dal dipinto di Paolo Caliari, detto il Veronese (1528-1588) per la cassa dell’organo della chiesa di S. Sebastiano, a Venezia, realizzato tra il 1558 e il 1560: le portelle dell’organo, chiuse, mostrano la “Presentazione di Gesù al Tempio”, mentre sul retro, visibile quando lo strumento è in uso, appare la scena della “Probatica piscina”. Chiaroscuro woodcut, 1745. inscribed lower center: “Illustrissimo, & Erudito Viro CAROLO FREDERICK Armigero, liberalium Artium Patrono, / Pauli Cagliari praeclarum hoc Opus in Ligno coelatum, in grati animi argumentum humiliter D. D. D. / J: B: Jackson”. After Paolo Veronese.Good example, printed on contemporary laid paper, white margins, in very good condition.Published as 1 of 24 prints and originally issued in portfolio with title: “Titiani Vecelli, Pauli Caliarii, JacobiRobusti, et Jacobi de Ponte opera selectiora”The plate is after an organ shutter of ca. 1588 painted by Paolo Veronese (1528-1588) for the Church of San Sebastiano, Venice. In 1558, Paolo designed the organ and painted its external shutters with the Presentation of Christ and the internal ones with a Pool of Bethesda (1560). The Presentation represents the bringing of the infant Jesus by Mary and Joseph to the Temple in Jerusalem to be 'consecrated to the Lord.' The Jewish rite of the 'purification' of the mother was celebrated simultaneously and involved the sacrifice of doves or pigeons and incorporated a procession of candles, both of which are portrayed by Veronese. The painted and actual architecture of Paolo's organ in San Sebastiano are coordinated so that, whether the shutters are open or closed, painted architecture continues the organ’s exterior architecture in both perspective and vocabulary. Kainen, Jacob. John Baptist Jackson : 18th-century master of the color woodcut, 1962