29 427 résultats
1829réf. 31861Philadelphia: American Sunday School Union 1829. Hardcover. 180pp. Cloth. Engraved frontispiece. With the small bookseller label of George L. Weed Juvenile Bookseller of Cincinnati. Front free endpaper partially torn scattered foxing to text block wear to covers. A very good- copy. ; 24mo. American Sunday School Union hardcover
1930réf. 1081931930. 1930. 7 3/8 x 9 3/4" watercolor on paper artist initials and date in lower right corner; very good. § Original watercolor painting from the American School signed in initial. unknown
réf. 76-0241New York: American Publisher circa 1950. Modern reprint from the original photograph from circa 1860. 50.5 x 40.5 cm sheet. Very Good. [New York: American Publisher, circa 1950]. unknown
1893réf. List1712Nagasaki: Ikuta 1893. Albumen photograph measuring 5 x 3 ½ inches on a larger mount with the imprint of Ikuta Uwajima on mount recto. Slight fading near fine condition. With identifying marks to verso. Near Fine. A photograph of the wedding party of the American missionary and author William Jackson Callahan and Martha Taylor Callahan taken at the Kwassui Girls' School later Kwassui Women's University in Nagasaki. At the time Taylor was representing the Women's Board of the Methodist Episcopal Church and serving perhaps as principal of the school which had been started in 1879. Callahan began his work as a teacher in Japan shortly after graduating from Emory in 1890. The two would spend over forty-five years in Japan as missionaries. Ikuta unknown books
1930réf. 1081931930. 1930. 7 3/8 x 9 3/4" watercolor on paper artist initials and date in lower right corner; very good. § Original watercolor painting from the American School signed in initial. unknown books
1832réf. 35697Philadelphia: American Sunday-School Union 1832. Hardcover. Very Good. Hardcover. A highly romanticized history of the Native Americans. Blue cloth spine over marbled paper covered boards. Rubbing to boards wear to spine ends and edges of boards. Illustrated. Minor soiling throughout. Rear hinge is split but board remains attached. 153 pages. CHILD/062322. American Sunday-School Union hardcover books
réf. 29606Philadelphia: American Sunday School Union. 12mo pp. 36. Frontis illustration. Marbled boards. Some foxing cover little worn VG. American Sunday School Union unknown books
réf. 200712589Mulhouse, Association amicla des anciens eleves., 1938 ; in-8, 253 pp., broché.
réf. 103283Bombay circa 1860. . Large painting on board signed 'Punir Shabab Bombay' signed in lower left-hand corner gouache on thick board depicting an elegantly robed gentleman seated on an open terrace with a moon-lit countryside and winding river in the background with stars illuminating the sky 600 x 440 mm; some light water-staining and a small section of the top-left corner chipped with loss rubbed and darkened as often; reverse blank in modern frame glazed. A very attractive and large portrait of a Governor of Bombay possibly of Parsi heritage apparently executed by a local Indian artist. The large verandah on which the subject is seated features some classical western architectural features including the column and balcony railing. These features paired with the silk embroidered robes and multiple strands of beaded jewellery of the subject signify that the sitter was of high rank and likely governor of the region and land that is disproportionately seen behind him as a vast and luscious landscape. The scene is rather unusually set at night-time with the light of the moon and stars shining against a darkened sky to create a very atmospheric and captivating image. Bombay, circa 1860. unknown
1996réf. LFA-126718635N° 326 (Septembre 1996) 78 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
1992réf. LFA-126740219N° 279 (Mai 1992) : 82 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
réf. 206416Paris, Impr. de la Commission de l'Instruction publique, (An II) in-8, 10 pp., en feuilles. Quelques mouillures claires.
réf. 021535[Art Nouveau, Ecole de Nancy, Revue La Plume, Collectif dont] Charles Ténib, Emile Gallé, Henry Marie, Robert de Montesquiou, etc., La Plume - n°157 du 1er novembre 1895 - numéro spécial consacré à l'Ecole Lorraine d'Art décoratif. Paris, 1895. In-8, paginé 481 à 502. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Hors-texte reproduisant une oeuvre de Victor Prouvé (compris dans la pagination). Broché. Couverture en partie ouverte au pli. Probablement le premier journal entièrement consacré à l'Art Nouveau et à l'Ecole de Nancy. Document d'une grande importance pour l'histoire de l'Ecole de Nancy. [VI]
réf. 021536[Art Nouveau, Ecole de Nancy, Revue La Plume, Collectif dont] Charles Ténib, Emile Gallé, Henry Marie, Robert de Montesquiou, etc., La Plume - n°157 du 1er novembre 1895 - numéro spécial consacré à l'Ecole Lorraine d'Art décoratif. Paris, 1895. In-8, paginé 481 à 502. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Hors-texte reproduisant une oeuvre de Victor Prouvé (compris dans la pagination). Broché. Probablement le premier journal entièrement consacré à l'Art Nouveau et à l'Ecole de Nancy. Document d'une grande importance pour l'histoire de l'Ecole de Nancy. [VII]
réf. 021537[Art Nouveau, Ecole de Nancy, Revue La Plume, Collectif dont] Charles Ténib, Emile Gallé, Henry Marie, Robert de Montesquiou, etc., La Plume - n°157 du 1er novembre 1895 - numéro spécial consacré à l'Ecole Lorraine d'Art décoratif. Paris, 1895. In-8, paginé 481 à 502. Fameuse revue Fin-de-Siècle publiant essentiellement de l'inédit, ici avec la couverture d'Eugène Grasset. Hors-texte reproduisant une oeuvre de Victor Prouvé (compris dans la pagination). Broché. Couvertures séparées au pli. Probablement le premier journal entièrement consacré à l'Art Nouveau et à l'Ecole de Nancy. Document d'une grande importance pour l'histoire de l'Ecole de Nancy. [VIII]
réf. 94Format : 26 x 18 cm - 22 pages - Illustrations N&B - En japonais - Agrafé.
1929réf. 1302London: William Heinemann. 1929. Reprint. Quarto 20 x 26cm. Handsomely bound in contemporary full blue morocco with sinuous gilt borders and gilt foliate decoration incorporating red morocco onlays representing berries to the boards the spine with five raised bands ruled in gilt and with titles in gilt. Gilt dentelles incorporating red morocco onlays. Binder's signature in gilt to the bottom turn-in of the lower board: "ML 1930". All edges gilt. Attractive colour woodblock-printed floral endpapers. Binder's inscription in pencil to the front endpaper: "Bournville School of Art 1930 M. Laud Oct / '30". Illustrated with 24 tipped-in colour plates with captioned tissue-guards 12 full-page tinted illustrations and numerous black and white in-text illustrations by Arthur Rackham. 549pp. A very good copy the binding square and tight with fading to the spine and some minor scuffs to the raised bands. The contents remain clean and crisp throughout. An appealing copy of Arthur Rackham's edition of 'The Ingoldsby Legends' splendidly bound in the Arts and Crafts Movement style by a student or teacher at the Bournville School of Art Birmingham. The grand hall which housed the Bournville School of Art was the first public building in Bournville the model village founded by the Cadbury family. In line with typical Arts and Crafts Movement ideals and with a specific aim to further the ideas and principles of John Ruskin the school was originally conceived as a social centre for the village offering a practical and artistic education for the community. It became more formalised as a 'School of Arts and Crafts' in 1911 later becoming an art college in the 1920s. As a city Birmingham served as an important centre of the Arts and Crafts movement with the 'Birmingham Group' of artist-craftsmen cultivating their own distinct style. Predominantly based around the Birmingham School of Art and the Birmingham Guild of Handicraft the leading figures of the group included Joseph Southall Arthur and Georgie Gaskin Bernard Sleigh Maxwell Armfield and Charles Gere. An uncommon example of a bookbinding emanating from the dynamic atmosphere of Birmingham's Arts and Crafts Movement. London: William Heinemann. hardcover
réf. 404Plaquette du Centenaire, éditée par l'Association amicale des ingénieurs horticoles et anciens élèves de l'E.N.S.H. Ecole Nationale Supérieure d'Horticulture de Versailles.
1976réf. LFA-126737699Revue de 69 pages, format 135 x 210 mm, brochée, bon état
1977réf. LFA-126741239Revue de 61 pages, format 135 x 210 mm, illustrée de cartes, brochée, bon état
1977réf. LFA-126741240Revue de 55 pages, format 135 x 210 mm, illustré, brochée, bon état
1977réf. LFA-126741241Revue de 61 pages, format 135 x 210 mm, illustré, brochée, bon état
1978réf. LFA-126741242Revue de 87 pages, format 135 x 210 mm, brochée, bon état
1968réf. LFA-126741243Revue de 71 pages, format 135 x 210 mm, illustrée de cartes, brochée, bon état
1968réf. LFA-126741244Revue de 92 pages, format 135 x 210 mm, illustrée de cartes, brochée, bon état