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MEHMED MESIH [AKYIGIT], (Turkish poet, the founder of 'Millî Mecmua'), (1864-1939).
Autograph letter signed 'Mehmed Mesih'.
Very Good Turkish, Ottoman (1500-1928) Original autograph letter signed by Mehmed Mesih Akyigit. 23x14,5 cm. In Ottoman script. Includes twelve lines. 1 p. Sent to an unnamed lady. Mehmed Mesih was an Ottoman / Turkish poet, the founder of 'Millî Mecmua! [i.e. National Journal]. Millî Mecmua was started to be published by Mehmed Mesih (Akyigit) in Istanbul (1 Tesrînisâni 1339/1 November 1923) immediately after the declaration of the Republic. The journal, which takes the republic and modernization as its principle, coincided with a period in which important reforms were carried out, and parallel to the developments experienced, its attitude has reached a point where reforms are defended separately from a general-framed adoption. They supported the Letter Revolution, except for Mehmed Fuad's article, which drew attention to the negative consequences of the Letter Revolution in 1928. The magazine conducted a survey on "Islam in the Face of the Turkish Revolution", and Ismail Hakki (Baltacioglu), in his response to this questionnaire, suggested a reform in religion and made some proposals such as reading the call to prayer (Ezân) in Turkish and raising the places of prostration in mosques. The editorials of the journal were originally written by Yahya Saim and Hasan Âli (Yücel), and then regularly by Mehmed Mesih. In the magazine, there are some articles such as "Translation Period" by Hüseyin Namik, who deals with the translation issue, as well as translations of the works of writers and poets such as Anatole France and Nietzche.
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MEHMED REFET [ÜLGEN], (Ottoman / Turkish politician and author, deputy of Urfa city), (1888-1964).
Autograph letter signed 'Urfa meb'ûsu Refet' to an unknown recipient.
Very Good Turkish, Ottoman (1500-1928) Original paper autograph letter handwritten signed by Mehmed Refet Ülgen. 21x13,5 cm. In Ottoman script (Turkish with Arabic letters). 1 pp. Ink stains and chipped on margins. Folded. A good copy. Written with a unique riq'a script. Mehmed Refet Ülgen, (1888-1964), was a member of parliament from Urfa city, educator (he was manager of several Turkish schools), director of Ziraat Bank.
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MEHMED SAID PASHA, (Mabeyn baskatibi, also known as 'Küçük Said Pasha' [i.e. Said Pasha the Younger] or 'Sapur Çelebi', Ottoman monarchist, senator, statesman and editor of the Turkish newspaper Jerid-i-Havadis), (1830-1914).
[OTTOMAN CHIEF of the COUNCIL of the STATE] Autograph document sealed 'Sura-yi Devlet reisi Mehmed Said'.
Very Good Turkish, Ottoman (1500-1928) Original manuscript autograph document signed by Mehmed Said Pasha sent to Trabzon Vilayat, Ordu Kaza, Hasbamane Nahiya local manager, faziletlu 'Mehmed Ali Sevki Beyefendi'. 33,5x20 cm. Folded. 1 p. In Ottoman script. Mehmed Said Pasha was an Ottoman monarchist, senator, statesman and editor of the Turkish newspaper Jerid-i-Havadis. He supported the CUP, the political party which came to power after the Ottoman coup d'état of 1913. His origin comes from 'Sebazâde family' from Ankara. He became first secretary to Sultan Abdul Hamid II shortly after the Sultan's accession, and is said to have contributed to the realizations of his majesty's design of concentrating power in his own hands; later he became successively minister of the interior and then governor of Bursa, reaching the high post of grand vizier in 1879. He was grand vizier seven more times under Abdul Hamid II, and once under his successor, Mehmed V. He was known for his opposition to the extension of foreign influence in Turkey. n 1896, he took refuge at the British embassy in Constantinople, and, though then assured of his personal liberty and safety, remained practically a prisoner in his own house. He came into temporary prominence again during the revolution of 1908. On 22 July he succeeded Mehmed Ferid Pasha as grand vizier, but on the 6 August was replaced by the more liberal Kâmil Pasha, at the insistence of the Young Turks. Also during 1908, Mehmed Said Pasha bought the famed Istanbul arcade in the Beyoglu (Pera) district, today known as Çiçek Pasaji ("Flower Passage"). The modern name became common in the 1940s; during Mehmed Said Pasha's ownership in the 1900s and 1910s, the arcade was known as Sait Pasa Pasaji ("Said Pasha Passage"). During the Italian crisis in 1911-12, he was again called to the premiership. He was again removed from power by the Savior Officers (who backed the Freedom and Accord Party (Liberal Union) against the Committee of Union and Progress) and replaced by a new cabinet supported by the Officers and the Freedom and Accord Party. The CUP would return to power, however, the next year after the Ottoman coup d'état of 1913. (Source: Wikipedia). Seven lines on special paper with watermark 'Joynson Superfine'. Letter of request to provide teaching for some students in the region.
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MEHMED TEVFIK BEY [BIREN], (Ottoman / Turkish governor, minister and last chief of the Council of the State), (1867-1956).
[THE LAST OTTOMAN CHIEF OF THE STATE COUNCIL] Autograph document signed 'Sûrâ-yi Devlet reisi Tevfik'.
Very Good Turkish, Ottoman (1500-1928) Original manuscript autograph document signed by Mehmed Tevfik Biren. 33,5x20 cm. Folded. 1 p. In Ottoman script. Dated 25 Saban [1]338 [AH]. Letterhead of 'Sûrâ-yi Devlet' addressed to 'Bâb-i Âlî Teshilât Sandigi Komisyonu'. Biren served as a high-ranking statesman such as the Minister and the Governor in the last period of the Ottoman Empire. Also he was last chief of the council of the state [i.e. Shûrâ al-Devlet]. Mehmet Tevfik Bey was born in 1867 in Istanbul. His father was a high-ranking statesman in the Ministry of Education. After graduating from Mekteb-i Mulkiye in 1885, at the age of 18, he started his first duty as the clerk of Abdulhamid II at Yildiz Palace. From 1897 to 1901 he served as the Governor of Jerusalem. After that he was appointed as the Governor of Thessaloniki. He was the governor of Yemen between 1904-1905. He became the Minister of Finance in the last years of the Ottoman Empire. He participated in the negotiations of the Treaty of Sevres signed in 1920. He was last appointed on 19 August 1921 as the 'Sûrâ re'isi'. He continued this duty until the abolition of the Sultanate on 4 November 1922. Thus, he was the last 'al-Shura' of the Ottoman Empire. After the proclamation of the Republic, he left the state. (Wikipedia).
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MEHMET ALI AKKAYA.
Türk besikdevri basmalarinda yazma kitap geleneginin etkileri ve içkapagin gelisimi.
New Turkish Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. [ix], 356 p., color and b/w plts. Türk besikdevri basmalarinda yazma kitap geleneginin etkileri ve içkapagin gelisimi. A study on Turkish incunabula, Turkish and Islamic style of serlevhas, titles, calligraphic covers as an effect of old manuscripts.
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MEHMET BEHÇET [PERIM], (Turkish poet and writer), (1896-1965).
[Autograph letter signed 'M. Behçet' sent to Sefik Refik Soyer (Governor of Izmir)].
Very Good Turkish, Ottoman (1500-1928) Original manuscript autograph letter signed. 30 x 10 cm. In Ottoman script. 1 p. Dated 10/11/1933. It's a 'condolences' letter which has also one poem (verse). Important item for Turkish literary history. Sent to Izmir governor Sefik Refik Soyer, (1889-1962). Formerly known as Panakoglu Mehmet Behçet, he was given the name Perim later. A graduate of High School, upon the outbreak of the First World War, he was drafted into the army. Returning to his hometown after the war, he served as teacher, school director and journalist. In 1927 he settled in Turkey afterwards he served as governor in the sub-districts of Hatay and Afyon provinces and as the Director of Civilian Defense in Izmir. He had the great majority of his articles and poems published in journals and reviews in Bulgaria such as Altinkalem (Rahva, 8 issues, 1924), Hali (Sofia, 1920-1924), Koca Balkan (26 issues, 1925), Bulgaristan (1926), Tuna Boyu, and Mücadele. He also worked as a reporter for the review Bulgaristan Türk Muallimler Mecmuasi and other reviews published in Turkish. Works: Situation of the Bulgarian Turks, 1923; Hatay, the Region of Waterfalls, 1943; On the Way to Motherland, in verse, 1923; A Man Stands Up Where He Falls, 1933; Old Leaves, memoir-story, 1942...
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MEHMET GÜLERYÜZ, (Turkish painter and actor), (1938-).; ERCÜMENT KALMUK [KALMIK], (Turkish painter and art historian), (1909-1971).
Typed document signed 'Mehmet Güleryüz and E. Kalmik'.
Very Good Turkish Typescript document signed (TLS) by Mehmet Güleryü and Ercüment Kalmik. 30x21cm. In Turkish. Jury selection questionnaire for the "Artist of the Year and Young Artist" awards to be organized by the Society of Turkish Contemporary Painters. The questionnaire, which includes Metin Sözer as an art historian, Ferit Edgü as a critic, and Nuri Iyem, Yasar Yeniceli, Hamit Görele, Cihat Burak and Ferruh Basagaas painters, is signed by two contemporary Turkish painters (Güleryüz and Kalmik). Ercüment Kalmik was an artist and art historian, known for his work in studying the lyrical-abstract Turkish painters. In 1928, Academy of Fine Arts in the Department of Painting by entering the first Nazmi Ziya's, then Ibrahim Calli was a student. In 1937, after graduation time in various newspapers and magazines and worked. In 1939 Paris 'e went and André Lhote 's studied painting at the workshop. Sorbonne University also took courses in art history. After returning to Turkey in 1940 in Ankara and Istanbul, he was an art teacher at various high schools (1942-47). In 1947 Istanbul Technical University Faculty of Architecture 'in the colors and shapes began to teach composition. In 1967-68 Berlin Technical University's department of architecture as a guest lecturer in the basic design taught. Previously, impressionistic understanding Kalmik employees, located in Europe at the time of cubism was interested. Braque 'la Picasso 's, then Fernand Léger and Henri Matisse's figures were impacted by understanding. After returning to Turkey maintained a distinct outer line of figurative abstraction and had a strong sense of pattern. In the 1960s, fishermen, boats, and sailboats in front of abstract landscape imagery began funding. With a solid color stain, which highlights the contours of lyrical expression in the works of this period are seen. As well as the etching Kalmik also makes the picture in the 1960s in the figurative sense of the prints that are dominant. As well as objects and natural appearance of the figure given the place and occupancy of the space in this building has been used in a balanced manner. Domestically and abroad, participated in many group exhibitions, solo exhibitions opened. Picture, as well as many of the Republican era artists such as Turkish official's theoretical and philosophical concepts of articles on who wrote, conferences and radio talk, conducts the Kalmik, "The Color of Harmony Systems" and "Nature and Art Texture entitled" two books in the 1950s, Istanbul Technical was published by the University.
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MEHMET MÜNIR ÇAGIL, (Turkish statesman, parliamentary, jurist and specialist on vaqfs), (1870-1954).
Business card with autograph note.
Very Good Turkish Original business card (lawyer) of M. Münir Çagil with autograph notes on the card. Size: 5,5x9 cm. In Turkish. Autograph note: 'Tesekkür ve tebrik eder'. He was son of Mehmet Hilmi Efendi who was Ottoman / Turkish major. On the card, seen he was 'parliamentary of Çorum city.
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MEHMET UGUR EKINCI.
Kevserî mecmuasi: 18. yüzyil saz müzigi külliyati.
New English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In Turkish. 230 p., ills. Kevseri mecmuasi: 18. yüzyil saz müzigi külliyati. Kevserî manuscript: A corpus on Tutkish / Ottoman traditional instrumental music of 18th century.
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MEHMET YILMAZ.
Kâtip Çelebi bibliyografyasi. Edited by Betül Eren.
Fine English Original bdg. Hardcover. Small 4to. 160 p. Color ills. Bibliography on Kâtip Çelebi's works and articles related to him from manuscripts to periodicals. Kâtip Çelebi bibliyografyasi. Edited by Betül Eren.
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MEHMET YILMAZ.
Kâtip Çelebi bibliyografyasi. Edited by Betül Eren.
New English Original bdg. HC. Small 4to. 160 p. Color ills. Bibliography on Kâtip Çelebi's works and articles related to him from manuscripts to periodicals. Kâtip Çelebi bibliyografyasi. Edited by Betül Eren.
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Mehnert, Klaus, Publizist (1906-1984)
Eigenh. Albumblatt mit U.
o.J. Ohne Ort, 9. X. 1973, Kl.-4°. 1 Seite.
Bookseller reference : 52546
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Mehring, Walter, Schriftsteller (1896-1981)
Eigenh. Brief mit U.
o.J. Zürich, 31. X. 1977, Fol. 1 Seite. Hotelpapier "Hotel Opera". Mit Umschlag..
Bookseller reference : 54803
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Mehring, Walter, Schriftsteller (1896-1981)
Eigenh. Brief mit U.
o.J. Zürich, 15. VIII. 1977, Fol. 1 Seite. Hotelpapier "Hotel Opera". Mit Umschlag..
Bookseller reference : 54802
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Mehring, Walter, Schriftsteller (1896-1981)
Eigenh. Brief mit U.
o.J. Berlin, 20. XI. 1926, Kl.-4°. 1 Seite. Doppelblatt.
Bookseller reference : 43781
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Mehring, Walter, Schriftsteller (1896-1981)
Masch. Brief mit eigenh. U.
o.J. Zürich, 29. I. 1978, Fol. 1 Seite. Hotelpapier "Hotel Opera". Mit Umschlag..
Bookseller reference : 54801
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Mehta, Zubin, Dirigent (geb. 1936)
Porträtdruck mit eigenh. Namenszug auf der Bildseite.
o.J. , Ohne Ort und Jahr (ca. 1980), 20 x 14,5 cm.
Bookseller reference : 54983
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Mehta, Zubin, Dirigent (geb. 1936)
Porträtfotografie mit eigenh. Namenszug auf der Bildseite.
o.J. (Berlin,, Februar 1971), 14,5 x 10,5 cm. - Beiliegend eine weitere Signatur und ein Programm..
Bookseller reference : 59345
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MEISSONIER Ernest
1815 - 1891. Lettre autographe signée.
Lettre autographe signée. Sur papier de deuil, 13 juillet 1865 : curieuse lettre où il se déclare “grossièrement calomnié...”
Bookseller reference : 4832
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MEISSONIER Ernest
1815 - 1891. Lettre autographe signée.
Lettre autographe signée. Sur papier de deuil, 22 juillet 1865 : à propos du renvoi d’un entrepreneur.
Bookseller reference : 4830
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MEILHAC Henri
1831 - 1897. Auteur dramatique. Il est l’auteur de l’opérette Frou-Frou. 9 L.A.S. et 1 carte A.S.
La plupart des lettres sur son papier à devise et monogramme, pour demander des loges de théâtre.
Bookseller reference : 4761
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MEIXMORON DE DOMBASLE (M.-A. de).
Ainsi ma vie...
1925 P., La Caravelle, 1925, pet. in-8 carré, br., 131-(2) pp.Edition originale enrichie d'un envoi de l'auteur à Henriette Willette,dos abimé.
Bookseller reference : 23770
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Meiss, Millard - Beatson, Elizabeth
Belles Heures des Jean Duc de Berry in The Cloisters New York.
, Munchen, Prestel Verlag, 1974 Hardbound with dusjacket and slipcase, Orig.-Leinenband mit Schutzumschlag im Schuber, Gr.-8? , 264 pp. in fine condition.
Bookseller reference : 42280
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Meiss, Millard et Kirsch, Edith W. :
Heures (Les) de Visconti. Bibliothèque Nationale, Florence. Traduit de l'américain par François Avril, Conservateur au Cabinet des Manuscrits de la Bibliothèque Nationale.
Paris, Draeger Frères, 1972 ; in-4, cartonnage bleu de l'éditeur à la bradel, titre argent, écusson doré et illustré sur le premier plat, sous jaquette illustrée d'une enluminure en relief couleurs et or, sous étui carton gris ; (1) f. (bl.), 262 pp., (2) ff. (bl.) ; 128 illustrations en couleurs hors-texte (reproduction d'enluminures).
Bookseller reference : 2782
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MEISS (Millard) & THOMAS (Marcel)
Les Heures de ROHAN. Paris - Bibliothèque nationale manuscrit latin 9471.
Présentées et Commentées par Millard Meiss et Marcel Thomas. Reproductions en couleurs. Draeger Frères, éditeur et Vilo, Distributeur, 1973. In-4 (30x21) toile bleue éditeur, sous jaquette illustrée en couleur.246pp
Bookseller reference : WOC-468
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MEISS Millard / THOMAS Marcel ...//... Présentées et annotées par Millard Meiss et Marcel Thomas.
Les Heures de Rohan. - Paris. Bibliothèque nationale, manuscrit latin 9471.
Paris, Draeger, 1973, 1 volume, grand in-8, reliure éditeur, 246 p. Reproduction d'une grande partie du manuscrit en 127 planches en couleur par le procédé 103 de la maison Draeger (4 couleurs plus les ors), explication des planches et bibliographie. Reliure éditeur, pleine toile noire sous jaquette illustrée en couleur.
Bookseller reference : 778
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MEISTER (Guido).
Tapuscrit signé.
1954 2 pages in-4, vers 1954. "[Dürrenmatt] possède une vitalité qui l'empêche de prendre trop au sérieux le drame même des hommes. Il a la qualité rare d'allier à la gravité un humour qui va de l'ironie la plus subtile jusqu'à l'éclat de rire le plus franc. Le tragique et le burlesque se côtoyent, - ce n'est pas pour rien que grotesque est le mot préféré de l'auteur".
Bookseller reference : 67794
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MEISTER (Guido).
Tapuscrit signé.
1954 2 pages in-4, vers 1954. "[Dürrenmatt] possède une vitalité qui l'empêche de prendre trop au sérieux le drame même des hommes. Il a la qualité rare d'allier à la gravité un humour qui va de l'ironie la plus subtile jusqu'à l'éclat de rire le plus franc. Le tragique et le burlesque se côtoyent, - ce n'est pas pour rien que grotesque est le mot préféré de l'auteur".
Bookseller reference : 67794
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MEILHAC (Henri).
Une lettre et un télégramme autographes signés adressés à Jules Claretie.
1 page in-12 à son monogramme et adresse imprimés, (29 juillet 1893) et 1 page in-16 (février 1894). Il part pour un mois à Trouville où il compte rédiger les deux premiers actes de sa prochaine pièce. Et de préciser : "J'irai écrire les deux derniers à St Jean-de-Luz non loin d'Halévy qui sera à Biarritz". Dans le télégramme, il s'agace de n'avoir pas de réponse en vue d'une répétition générale.
Bookseller reference : 96473
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MEILHAC (Henri).
Une lettre et un télégramme autographes signés adressés à Jules Claretie.
1 page in-12 à son monogramme et adresse imprimés, (29 juillet 1893) et 1 page in-16 (février 1894). Il part pour un mois à Trouville où il compte rédiger les deux premiers actes de sa prochaine pièce. Et de préciser : "J'irai écrire les deux derniers à St Jean-de-Luz non loin d'Halévy qui sera à Biarritz". Dans le télégramme, il s'agace de n'avoir pas de réponse en vue d'une répétition générale.
Bookseller reference : 96473
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Meichsner, Dieter, Schriftsteller (1928-2010)
Eigenh. Manuskript sowie masch. Begleitbrief mit eigenh. U.
o.J. Berlin-Lichterfelde, 14. VIII. 1962, Fol. und Qu.-4°. 2 Seiten.
Bookseller reference : 40590
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Meidinger, Heinrich, Physiker (1831-1905)
Eigenh. Schriftstück mit U. "Dr. Meidinger".
o.J. Karlsruhe, 20. II. 1882, Gr.-8°. 1 Seite. Doppelblatt.
Bookseller reference : 48815
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Meier, Dieter, Konzeptkünstler und Musiker (geb. 1945)
Gedruckte Ausstellungsankündigung mit Porträt (ohne Autograph).
o.J. Zürich, 1. VII. 1977, Qu.-8°. 2 Seiten. Karte.
Bookseller reference : 52680
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Meinrad, Josef, Schauspieler (1913-1996)
Eigenh. Brief mit U.
o.J. München, ca. 1965, Gr.-8°. 1 Seite. Hotelpapier. Gelocht.
Bookseller reference : 54992
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Meisel, Franz, Weber in Markersdorf (Daten nicht ermittelt)
Eigenh. Brief mit U.
o.J. Markersdorf in Niederösterreich, 29. IV. 1859, Gr.-Fol. 2 Seiten. Doppelblatt. Poststempel.
Bookseller reference : 51487
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MEISS (intro.) Millard
The Rohan Book of Hours. Bibliotheque Nationale, Paris (MS. Latin 9471). Introduction by Millard Meiss. Introduction and Commentary by Marcel Thomas. IN PUBLISHER'S SLIP-CASE
Sm. folio, First Edition thus, with 127 fine plates in gilt and colours; red cloth, upper board and backstrip framed and lettered in gilt, backstrip very lightly faded else a very good, clean copy in publisher's board slip-case, the latter with mounted coloured illustration (repeated from text) and mildly age-soiled.
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MEISS Millard
The Visconti Hours. Bibliotheca Nazionale, Florence. FINE COPY IN PUBLISHER'S SLIP-CASE
Roy. 8vo., First Edition thus, with very numerous splendid coloured heightened in gold; blue cloth, upper board blocked in gilt, gilt back, gilt top, a fine copy in publisher's board slip-case with mounted coloured plate. With extended introduction and bibliography.
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Meiss, Millard - Beatson, Elizabeth
Belles Heures des Jean Duc de Berry in The Cloisters New York.
Hardbound with dusjacket and slipcase, Orig.-Leinenband mit Schutzumschlag im Schuber, Gr.-8?°, 264 pp. in fine condition. Einfuhrung und Bilderlauterungen von Millard Meiss und Elizabeth H. Beatson zu den Wiedergaben nach der Handschrift des Metropolitan Museum of Art New York
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MEISSNER A. L. & COLLECTIF
The philology of the french language
- Hachette & Cie, Paris & London & Boston 1883, 12x18,5cm, relié. - Troisième édition. Reliure en pleine percaline sapin, dos lisse légèrement gauchi, plats décorés de motifs floraux à froid. Envoi de H. Maidoz pour l'auteur. Quelques petites rousseurs, ex-libris au verso du premier plat. [ENGLISH DESCRIPTION ON DEMAND]
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Meister, Ernst, Schriftsteller (1911-1979)
Eigenh. Manuskript mit U.
o.J. , Ohne Ort und Jahr, Fol. 6 Seiten auf 4 Blättern. Kugelschreiber und schwarzer Filzstift.
Bookseller reference : 47905
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Meißner, Ernst Adolph, Maler (1837-1902)
Eigenh. Brief mit U.
o.J. München, 20. II. 1891, 8°. 1 Seite.
Bookseller reference : 53050
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MEKUSA, Angela
Automne à Galhuis 1950. Aquarelle originale signée
1 pastel sous passe-partout, format , signée A. Mekusa, 1950, avec son cachet A. Mekusa Artiste peintre Paris au verso de l'aquarelle, portant au verso, au stylo la mention : 1106 Automne à Galhuis
Bookseller reference : 51345
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MEKUSA, Angela
Nature morte au bouquet de fleurs. Pastel original signé
1 pastel sous passe-partout, format , signée A. Mekusa, s.d. [ circa 1967 ], avec son cachet A. Mekusa Artiste peintre Paris au verso du passe-partout)
Bookseller reference : 51313
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MEKUSA, Angela
Parc Montsouris avec lac. Pastel original signé
1 pastel sous passe-partout, format , signée A. Mekusa, daté 1967, avec son cachet A. Mekusa Artiste peintre Paris au verso (du pastel et du passe-partout), portant au verso, au stylo la mention : 1009 Parc Montsouris avec lac
Bookseller reference : 51311
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MEKUSA, Angela
Vue au Parc Montsouris. Aquarelle originale signée
1 pastel sous passe-partout, format , signée A. Mekusa, s.d. [ circa 1967 ], avec son cachet A. Mekusa Artiste peintre Paris au verso (de l'aquarellel et du passe-partout), portant au verso, au stylo la mention : 1028 Vue au Parc Montsouris
Bookseller reference : 51312
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MEKKIZÂDE MUSTAFA ÂSIM EFENDI, (1762-1846).
[ORIGINAL MANUSCRIPT OTTOMAN FETAWA by the 100th SHAIKH AL-ISLAM] [Original fetawa].
Very Good Turkish, Ottoman (1500-1928) Original manuscript (handwritten) fetawa on paper with 'ahar'. 25x9 cm. In Ottoman script. Some stains on paper. Dated on verso of paper. Traditional fine writing form peculiar to Ottoman law. Autograph signed Mekkizâde. Mekkizade was 100th Turkish / Ottoman sheik-ul-islam, kazasker and professor (muderris). In 1818-1819, 1823-1825 and 1833-1846 he served as the sheikh-ul-Islam and scholar three times and in the ruling period of Sultan Mahmud II and Sultan Abdulmajid. Extremely rare.
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MEKUSA, Angela
Automne à Galhuis 1950. Aquarelle originale signée
1 pastel sous passe-partout, format , signée A. Mekusa, 1950, avec son cachet A. Mekusa Artiste peintre Paris au verso de l'aquarelle, portant au verso, au stylo la mention : 1106 Automne à Galhuis Bon exemplaire. Français
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MEKUSA, Angela
Nature morte au bouquet de fleurs. Pastel original signé
1 pastel sous passe-partout, format , signée A. Mekusa, s.d. [ circa 1967 ], avec son cachet A. Mekusa Artiste peintre Paris au verso du passe-partout) Bon exemplaire. Français
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MEKUSA, Angela
Parc Montsouris avec lac. Pastel original signé
1 pastel sous passe-partout, format , signée A. Mekusa, daté 1967, avec son cachet A. Mekusa Artiste peintre Paris au verso (du pastel et du passe-partout), portant au verso, au stylo la mention : 1009 Parc Montsouris avec lac Bon exemplaire. Français
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MEKUSA, Angela
Vue au Parc Montsouris. Aquarelle originale signée
1 pastel sous passe-partout, format , signée A. Mekusa, s.d. [ circa 1967 ], avec son cachet A. Mekusa Artiste peintre Paris au verso (de l'aquarellel et du passe-partout), portant au verso, au stylo la mention : 1028 Vue au Parc Montsouris Bon exemplaire. Français
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