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SEMRA GERMANER, ZEYNEP INANKUR.
Constantinople and the orientalists.
Very Good English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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CEM DINLENMIS.
Cem Dinlenmis. Attn: Block residents.= Blok sakinlerinin dikkatine. [Exhibition catalogue]. 18 May - 16 June, 2018.
New English Paperback. Pbo. Oblong large Roy. 8vo. (22 x 22 cm). [22] p. In Turkish and English. 500 copies were printed. Fully color ills. Cem Dinlenmis. Attn: Block residents.= Blok sakinlerinin dikkatine. [Exhibition catalogue]. 18 May - 16 June, 2018.
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Edited by TANIA BAHAR, BEGÜM AKKOYUNLU ERSÖZ.
Chagall. Life and love. Prints, drawings and paintings.= Chagall. Yasam ve ask. Baski, desen ve resimler. [Exhibition catalogue]. Curated by Meira Perry Lehmann - Michael Bromberg.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 191 p., color and b/w ills. Contents: Suna, Inan ve Ipek Kirac; Foreword - James S Snyder; Foreword - Meira Perry-Lehmann; Introduction - Marc Chagall: A Photobiography - Ferit Edgu; The World of Chagali - Sivan Eran-Levian; Portraits - Efrat Aharon; Chagali and the Theme of Lovers - Efrat Aharon; My Life - Meira Perry-Lehmann; Books of Bella Chagall: Burning Lights, First Encounter - Meira Perry-Lehmann; Dead Souls - Efrat Aharon; The Fables of La Fontaine - Sivan Eran-Levian; lllustrations of the Bible. The works of outstanding 20th century artist Marc Chagall were exhibited in Turkey for the very first time at the Pera Museum. The 160 works by Chagall (b. 1887, Vitebsk, Russia, d. 1985, Saint-Paul-de-Vence, France) were comprised of prints, drawings and paintings selected from the rich collection of The Israel Museum, Jerusalem. The exhibition showcased a unique selection that revealed Chagall's multi-faceted personality and vivid world of imagination. Accompanying the drawings, which reflect Chagall's life and his love for his first wife Bella, the exhibition also showcased his illustrations for the Holy Book and for literary works such as The Fables of La Fontaine, and Gogol's Dead Souls. Representing his signature style, themes such as Russian folklore, Jewish traditions and lovers stand out in Chagall's works. A conference was held on 5th December 2009, in conjunction with the exhibition as a joint collaboration between Pera Museum and the French Cultural Center, Vice President of the Marc Chagall Committee and granddaughter of Marc Chagall, Meret Meyer spoke of the art and life of the artist.
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ANDY WARHOL.
Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.
Fine English Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 38 p., ills. Warhol in motion. Films and polaroids.= Warhol hareket halinde. Filmler, polaroidler.
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DEVRIM ERBIL.
Devrim Erbil. Siirsel uyum.= Poetic harmony. [Exhibition catalogue]. May 25th - June 30th 2017.
New English Paperback. 4to. (29 x 21 cm). In English and Turkish. [65] p., color ills. Devrim Erbil. Siirsel uyum.= Poetic harmony. [Exhibition catalogue]. May 25th - June 30th 2017.
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KIYMET GIRAY.
Ayten Yetis Dogu. [Catalogue of the artist].
New Turkish Paperback. 4to. (30 x 22 cm). In Turkish. 239 p., color ills. Ayten Yetis Dogu. [Catalogue of the artist]. Ayten Yetis Dogu, attended the Department of Painting of Istanbul State Academy of Fine Arts and worked at the studios of Adnan Çoker and Özdemir Altan. She graduated from the studio of Nurullah Berk in 1966. She continued her studies in Vienna from 1967 to 1970 and in Germany from 1972 to 1975. The Artist had twenty solo exhibitions, two of which were abroad and participated in numerous joint exhibitions. The artist who describes her art as expression of color, light and shadow, is currently working in her own studio in Istanbul. (Source: Turkish paintings).
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GÖNÜL GÜLTEKIN.
Western trends in the Turkish art of painting. [= Bati anlayisinda Türk resim sanati].
Fine Fine English Original bdg. Dust wrapper. In special publisher's box. 4to. (28 x 20 cm). In English. 216 p., color ills. Western trend in the Turkish art of painting.
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SULTAN ABDÜLAZIZ, (1830-1876).
Kunstausstellung von der Skizze zum Gemalde.= Eskizlerden tablolara Sultan Abdülaziz Resim Sergisi. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
As New German Paperback. Pbo. 4to. (29 x 24 cm). In German and Turkish. 144 p., color ills. Kunstausstellung von der Skizze zum Gemalde.= Eskizlerden tablolara Sultan Abdülaziz Resim Sergisi. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
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AHMET KAMIL GOREN.
50. yilinda Akbank resim koleksiyonu.
New New Turkish Original bdg. Dust wrapper. 4to. (29 x 24 cm). In Turkish. 302 p., color ills. 50. yilinda Akbank resim koleksiyonu. Collection of the Turkish paintings of Akbank.
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TIMUR KERIM INCEDAYI.
Timur Kerim Incedayi. [Catalogue of the artist]. Curated by Zeynep Çarmikli. Translated by Fatih Özgüven. Introduction by Osman S. Çarmikli.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 175 p, color and b/w ills. 2000 copies were printed.
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ISMAIL ACAR.
Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
New English Paperback. 4to. (31 x 23 cm). In English and Turkish. 87, [1] p., color ills. 2000 copies were printed. Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
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ISMAIL ACAR.
Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice.
As New English Paperback. Mint. 4to. (31 x 23 cm). In English and Turkish. 87, [1] p., color ills. 2000 copies were printed. Ismail Acar. Hagia Sophia and imaginary projections.= Ayasofya ve sanal izdüsümler. [Exhibition catalogue]. Preface by Semavi Eyice. Signed and inscribed by artist to Turkish paintress Elif Uras.
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ATTILA GALATALI.
Attila Galatali. Poet of the Earth and Sun.= Topragin ve Günesin ozani. Text by Anna Turay.
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In English and Turkish. 123 p., color and b/w ills. 2000 copies were printed. Attila Galatali. Poet of the Earth and Sun.= Topragin ve Günesin ozani. Text by Anna Turay. TURKISH ART Ceramics Tile History of art Modern art.
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TIMUR KERIM INCEDAYI.
A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi.
New English Paperback. In publisher's special slip-case. 4to. (29 x 21 cm). In English, Italian, and Turkish. 127, [1] p., color ills. A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi. One of 2000 copies.
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BURCU PELVANOGLU.
Hale Asaf: Türk resim sanatinda bir dönüm noktasi.
New Turkish Original bdg. HC. 4to. (29 x 23 cm). In Turkish. 232 p., color and b/w ills. A comprehensive biographical study on Turkish paintress Hale Asaf, (1905-1938). Second Edition.
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EVELINE SINT NICOLAS, GÜL IREPOGLU, GÜNSEL RENDA DUNCAN, DUNCAN BULL.
An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin.
Very Good Very Good English Original cloth bdg. Dusst wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
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Edited by ZEYNEP ÖGEL.
From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968.
New English Paperback. 4to. (29 x 24 cm). In English, French, and Turkish. 311 p., color ills. From Mekteb-i Sultani to Galatasaray Lycee painters, 1868-1968 = De Mekteb-i Sultani au Lycee de Galatasaray peintres, 1868-1968.= Mekteb-i Sultani'den Galatasaray Lisesi'ne ressamlar, 1868-1968. This catalogue was published to accompany the "From Mekteb-i Sultani to Galatasaray Lycée Painters 1868-1968" exhibition held on 10 February 2009 at the Suna and Inan Kiraç Foundation Pera Museum on the occasion of the 100th anniversary of the Galatasaray Alumni Association. Opened on 1 September 1868 with the support of Sultan Abdülaziz, Mekteb-i Sultani was conceived of as a training ground for bureaucracts who would staff the state's newly-designed agencies, it was thought that its students should be inculcated in the ways of international diplomacy and European culture. Among the lessons that were included in the curriculum with this idea in mind were European art and literature and it was due to their influence that major artists emerged both from Imperial-period Mekteb-i Sultani and from Republican-period Galatasaray Lycée. The primary aim of this exhibition is to draw attention to an attitude towards education which, for over a century in the years from 1868 to 1968, upheld stricht standards of quality, fostered an undying love of art from generation to generation and transformed that love into professionalism. When the works of Galatasaray graduates were chosen for the exhibition, attention was given as much as possible to examples of their impressions of Istanbul and Paris in order to emphasize their sojourns in the two cities. The authors of the works on display in this exhibition today figure among the leading names in the history of Turkish art. Viewing this group of works produced by those artists reveals the importance of the role that the institution played in Turkey's artistic environment and the value of the contributions that it made during the course of a century from Mekteb-i Sultani to Galatasaray Lycée. / Ce catalogue a été préparé pour l'exposition "De Mekteb-i Sultani au Lycée de Galatasaray Peintres 1868-1968" ouverte le 10 février 2009 au Musée de Pera, Fondation Suna et Inan Kiraç, à l'occasion du 100éme anniversaire de l'Association des Anciens de Galatasaray. On avait créé Mekteb-i Sultani le 1er septembre 1868 avec l'accord du Sultan Abdülaziz dans le but de former les futurs bureaucrates de la fonction publique nouvellement organisée, en développant leur savoir sur la culture occidentale et la politique mondiale. Parmi ces étudiants, un certain nombre d'artistes importants s'étaient révélés, aussi bien du temps de Mekteb-i Sultani à l'époque ottomane qu'à celui du Lycée de Galatasaray sous la République, grâce aux cours de littérature et de dessin mis au programme de l'école dans ce but précis. Le but principal de l'exposition est ainsi de se focaliser sur la période d'une centaine d'années qui s'étend de 1868 à 1968, durant laquelle on s'est efforcé de maintenir un enseignement de qualité de façon constante, et durant laquelle aussi, l'amour de l'art a pu se transmettre sur plusieurs générations, finissant par se transformer en un véritable professionalisme. On s'est efforcé de choisir autant que possible pour l'exposition, parmi les différentes oeuvres des artistes de Galatasaray, es toiles représentant des impressions de Paris et d'Istanbul, afin de souligner leurs séjours dans ces deux villes. Aujourd'hui encore, les auteurs des oevres exposées sont des noms essentiels de l'histoire de l'art turque. Voir rassemblées les oeuvres des ces artistes sur une période de cent ans, de l'époque de Mekteb-i Sultani jusqu'à celle du Lycée de Galatasaray, permet de prendre la mesure de la valeur incontestable de soutien et du rôle essentiel que jouait cet établissement dans le monde de l'art en Turquie.
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SÜKRIYE DIKMEN.
Sükriye Dikmen. [Catalogue of the artist]. Preface by Nurullah Berk, Sezer Tansug.
Very Good Very Good Turkish Original bdg. Dust wrapper. 4to. (29 x 21 cm). Edition in Turkish 166, [2] p., color ills. Sükriye Dikmen. [Catalogue of the artist]. Preface by Nurullah Berk, Sezer Tansug. One of 1000 copies.
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MARIO - GIOVANNA DAMIANI - NAZAN OLCER (Curators) SCALINI.
Medicilerden Savoylara Floransa saraylarinda Osmanli görkemi. [Exhibitions catalogue].
New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 207 p., color ills. Medicilerden Savoylara Floransa saraylarinda Osmanli görkemi. [Exhibitions catalogue]. The exhibition consists of 120 Ottoman and Ottoman-influenced works of art dating from the 14th to 19th centuries, and illustrating the various motifs and styles over this period.
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MUSTAFA ASLIER.
Mustafa Aslier. [Catalogue of the artist]. Translated by Nazan Erkmen.
New New English Original bdg. Dust wrapper. 4to. (29 x 25 cm). In English and Turkish. 163 p., color and b/w ills. Mustafa Aslier. [Catalogue of the artist]. Translated by Nazan Erkmen. 2000 copies were printed.
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SAIM ÖZEREN, (1900-1964).
Dogumunun 100. yilinda Saim Özeren [1900-1964] Resim Sergisi. 26 Eylül-26 Ekim 2000. [Exhibition catalogue]. Texts by Amelie Edgü, Levent Çalikoglu.
New English Paperback. 4to. (32 x 24 cm). In English and Turkish. 78 p., color and b/w ills. Dogumunun 100. yilinda Saim Özeren [1900-1964] Resim Sergisi. 26 Eylül-26 Ekim 2000. [Exhibition catalogue]. Texts by Amelie Edgü, Levent Çalikoglu. One of 500 copies.
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EROL KINALI.
Erol Kinali. Retrospective.= Retrospektif. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (30 x 24 cm). Bilingual n English and Turkish. 156 p., color ills. Erol Kinali. Retrospective.= Retrospektif. [Exhibition catalogue]. This book has been prepared in coordination with 'Erol Kinali Retrospective' Exhibitionheld at Is Sanat Kibele Gallery between November 19 - December 29, 2018.
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MEHMET ERGÜVEN.
Magic of vibrations: A Devrim Erbil book.
New English Paperback. 4to. In English. 204 p., color ills. Magic of Vibrations: A Devrim Erbil Bookis a publication that traces the vibration that is the reflection of intuition of the artist s almost seventy years in arts. It s a "different" retrospective book on Erbil. Featuring a refined selection of Erbil s paintings and drawings from the past fifty years, collated by Mehmet Ergüven,Magic of Vibrationsis a special project not only by the dint of its design, but also that aims to delve deep into Erbil s expansive panoramas rather than gazing at them from a distance.
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ÂBIDIN ELDEROGLU, (1901-1974).
Âbidin Elderoglu in the adventure of Turkish abstraction and abstract painting.= Türk resminin soyutlama ve soyut serüveninde Abidin Elderoglu. Text by Ahmet Kamil Gören. Edited by Çiçek Öztek.
New English Paperback. 4to. (29 x 24 cm). In English and Turkish. 591, [1] p., b/w and color ills. Âbidin Elderoglu in the adventure of Turkish abstraction and abstract painting.= Türk resminin soyutlama ve soyut serüveninde Abidin Elderoglu. Text by Ahmet Kamil Gören. Edited by Çiçek Öztek. Âbidin Elderoglu In The Adventure of Turkish Abstraction and Abstract Painting book published by Dirimart will be launched at the conversation of members of Âbidin Elderoglu family and Ahmet Kamil Gören, the author of the book, taking place at Dirimart Nisantasi.
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EROL KILIÇ.
Geçmisten gelecege izlerin plastizmi.
New English Paperback. Small 4to. (25 x 21 cm). In Turkish. 57 p. Geçmisten gelecege izlerin plastizmi. TURKISH ART Plastic arts.
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FEHIM HUSKOVIC.
Fehim Huskovic. Dokunus. [Exhibition catalogue].
New English Paperback. 4to. (28 x 22 cm). In Turkish. 116 p., color ills. Dokunus. [Exhibition catalogue]. TUKRISH ART OF PAINTING Painter Exhibition Modern arts.
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SÜLEYMAN SAIM TEKCAN.
At'nagme: Atlar ve hatlar. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (31 x 15 cm). In Turkish. [90] p., color ills. Engravings of Tekcan. At'nagme Atlar ve hatlar. [Exhibition catalogue]. TURKISH PAINTING Engraving Exhibition.
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Edited by ELIZABETH ZACHARIADOU.
L'art Ottoman. Les peintres de Turquie.
Fine English Paperback. Pbo. Small 4to. (27 x 19 cm). In French. 76, [3] p., ills. Reprint of 1909 Edition. L'art Ottoman. Les peintres de Turquie.
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SÜLEYMAN SAIM TEKCAN.
50. Sanat yili: Süleyman Saim Tekcan. Idoller. Prep. by Feyziye Mektepleri Vakfi.
New English Paperback. Pbo. 4to. (27 x 24 cm). 111 p. In Turkish. Color and b/w ills. 1000 copies were printed. Tekcan's biography: 1940 Born in Trabzon 1963 Graduated from the Painting Department of Ankara Gazi Education Institute. Studied at the Painting Department of Istanbul State Academy of Fine Arts (Miamr Sinan Univeristy) and completed his competense in arts education at the faculty of the same university. 1968-1975 Work as a member of the academic staff at Atatürk Education Faculty 1970-1971 Carried out research in Germany on printmaking education 1975 Joined the staff of Mimar Sinan University Fine Arts Faculty 1985 Professorship. Was appointed to the Chair of the Graphic Art Department the same year 1987 Two-month Original Prints Seminar in Sarajevo Arts Academy 1991 Original Print Seminar at Ankara Bilkent University 1991 Two conferences in Bonn, Germany, named ¿12 Artist in Turkish Graphic Art¿ and ¿ A cross-section of Contemporary Turkish Painting¿ 1994-1995 Dean of the Fine Arts Faculty of Mimar Sinan University as well as the Head of Graphic Arts Department. 1996 Established the Fine Arts Faculty of Yeditepe University which began its educational activities in Büyükada and was the Dean during its first year. 2006 IMOGA-Istanbul Museum of Graphic Arts, Founder and Chairman. 2007 Established the Fine Arts Faculty of I¿¿k University and is the Dean of the Faculty. 2008 Chairman of 1.st International Printmaking Biennial Organization Committee."
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Curated by F. JAVIER PANERA CUEVAS.
This is not alove song: Video art and pop music crossovers.= Bu bir ask sarkisi degil: Video sanati ve pop müzik iliskisi. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. [vi], 174 p., color and b/w ills. This is not alove song: Video art and pop music crossovers.= Bu bir ask sarkisi degil: Video sanati ve pop müzik iliskisi. [Exhibition catalogue]. "This is Not a Love Song: Video Art and Pop Music Crossovers" exhibition catalogue traces the genealogy of the relations between video art and pop music from the 1960s to today in which video art and pop music crossed roads. The catalogue features a substantial essay on video art and pop music relationship by curator F. Javier Panera Cuevas. The five chapters in the catalogue Art in Pop, Pop in Art, Hysteria and Religion, 'Non-Musicians' vs 'Non-Artists' Rock and Conceptual Art, Rock and Its Double: Pop Music as a 'Toolbox' and Dance Music Politics present a deeper look into the works in the exhibition. This is Not a Love Song suggests that the relations between music and the visual arts force us to reconsider another history of art, in which musicians and artists can position themselves either as actors in the hegemonic cultural system or as critical radicals whose traces, as Greil Marcus would say, can be as intense and as short-lived 'as a lipstick stain that is removed but leaves a profound imprint on our memory. Contents: Foreword.; This is Not a Love Song.; Art in Pop / Pop in Art.; Rock and Conceptual Art: 'Non-Musicians' vs 'Non-Artists'.; Rock and Its Double: Pop Music as a 'Toolbox'.; Dance Music Politics.; This is Not a Music Video. MUSIC History of art Video installation Exhibition Modern art Pop culture.
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EROL DENEÇ.
Erol Deneç. Üstgerçek: Çagdas Fantastik Realizm Resim Sergisi. 17 Ekim - 15 Kasim 2014. [Exhbition catalogue]. Curated by Mehmet Lütfi Sen.
New English Paperback. Pbo. 4to. (28 x 25 cm). In Turkish. 176 p., fully color ills. 1000 copies were printed. Erol Deneç. Üstgerçek: Çagdas Fantastik Realizm Resim Sergisi. 17 Ekim - 15 Kasim 2014. [Exhbition catalogue]. Curated by Mehmet Lütfi Sen.
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Edited byBEGÜM AKKOYUNLU ERSÖZ, TANIA BAHAR, ZEYNEP ÖGEL.
Memory and continuity. A selection from the Huma Kabakçi Collection.= Ani ve süreklilik. Huma Kabakçi Koleksiyonu'ndan bir seçki. [Exhibition catalogue].
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 172 p., color ills. Memory and continuity. A selection from the Huma Kabakçi Collection.= Ani ve süreklilik. Huma Kabakçi Koleksiyonu'ndan bir seçki. [Exhibition catalogue]. A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakc¿ began creating the Huma Kabakc¿ Collectionfrom the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey. Apart from the logic of creating the Huma Kabakc¿ Collection, its evolution/growth over time, and its subjectivity, the exhibition was designed by keeping in mind its structure, reviewed and changed from time to time, with both objectivity and an art historical subjectivity. The catalogue, in that sense, brings to fore the common and diverging points of the two generations by which the collection has been sustained, through essays and works explanations.
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Edited by MERIÇ RENKVER.
The man who collected the colors of life: The impassioned life of collector Nahit Kabakci.= Yasamin renklerini toplayan adam: Koleksiyoncu Nahit Kabakci'nin tutku dolu yasami.
New English Original bdg. HC. 4to. (30 x 24 cm). In English and Turkish. 271, [1] p., color ills. 750 copies were printed. The man who collected the colors of life: The impassioned life of collector Nahit Kabakci.= Yasamin renklerini toplayan adam: Koleksiyoncu Nahit Kabakci'nin tutku dolu yasami.
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FRANÇOIS AUGUSTE RODIN, (1840-1917).
Heykelin büyük ustasi Rodin Istanbul'da. [Exhibition catalogue].
New Turkish Paperback. Pbo. 4to. (27 x 24 cm). In Turkish. 400 p., color and b/w ills. The Sabanci University Sakip Sabanci Museum (SSM) hosts works by the French sculptor Auguste Rodin. The exhibition titled "The Master Sculptor Rodin in Istanbul" comprises 203 artworks selected from the collection of the Rodin Museum in Paris. The exhibition features the artist's bronze, plaster and marble sculptures, archival photographs, many drawings as well as some pieces from his collection of antique-style statues. Among nearly 100 sculptures that will be exhibited by SSM, which aims to promote wider public appreciation of the art of sculpture through the works of a renown master sculptor, are Rodin's masterpieces like The Thinker, The Kiss, The Burghers of Calais, The Monument to Balzac and The Walking Man. In addition to 18 statues and many other diassembled-assembled pieces drawn from The Gates of Hell, on which Rodin worked for long years but could not succeed to complete, 20 antique-style statues from Rodin's special collection are displayed at the exhibition. The bronze horse statue, after which the Horse Mansion was named and which has been saluting the Bosphorus since 1952, has been replaced with the Monument to Victor Hugo for the first time on the occasion of the exhibition. The statue of the renown poet, writer and thinker Victor Hugo made by Rodin is 1.85 m in height and 2.85 m in width. The photographs and sketches exhibited along with the other works enable visitors to track the artist's journey from his early works to his most famous masterpieces, and also shed light on the artist as a sketcher and a collector. The bilingual exhibition catalogue, which was prepared in Turkish and English, and whose texts were compiled by Samih Rifat, briefs on Rodin's life and artistic journey. The exhibition also proposes a set of events such as conferences, sculpture workshops and training programs for the kids. The exhibition, which is sponsored by Akbank and held in cooperation with the Rodin Museum in Paris and the French Cultural Center, will be open until September 3, 2006. The Artist - Born in Paris on November 12, 1840, François-Auguste-René Rodin discovered sculpture after he attended La Petite École, a special school for drawing and mathematics, and began to improve his drawing skill. He rented his first workshop in 1864 and met Rose Beuret, aged 20. In 1871, he exhibited his works in Belgium for the first time. In 1875, he started to work on a life-size human body, which he called The Bronze Age. In 1882, he sculptured the figures of Adam, Eve and the Thinker. After a while, he met Camille Claudel who soon became his mistress and biggest rival. In 1883, he created his Monument to Victor Hugo, and was commissioned by the City Council of Calais to sculpture the Monument to the Burghers of Calais two years later. The following year, he completed The Kiss. In 1888, the state commissioned The Kiss in marble for the Universal Exhibition. In 1889, he exhibited together with Claude Monet, the famous French painter and one of the founders of impressionism. In 1895, he bought the Villa des Brillants in Meudon and started to build up his collection of paintings and antique statues. The Rodin Pavilion was inaugurated at the Alma Square in Paris on the occasion of the Universal Exhibition of 1900, and a major exhibition of Rodin took place in Prague in 1902. In 1904, the first exhibition of a large-scale plaster of The Thinker took place at the International Society in London, then a bronze version of it at the Salon de Paris. The Thinker was placed in front of the Panthéon in 1906, which was later taken to Hôtel Biron (now the Rodin Museum) in 1908. The French National Assembly decided to establish the Rodin Museum in the Hôtel Brion in memory of the artist who handed over his collections to the state through three successive donations. On January 29, 1917, Rodin married Rose Beuret. Rose died on February 14, Valentine's Day. Die
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MINE - NUR GÜLENER.
Contemporary 1985: Mine Art Gallery, 30 years. 3 volumes set. Vol. 1: The invisible actors of art: Galleries - Foundation story of Mine Art Gallery - Solo exhibitions. Vol. 2: Solo exhibitions. Vol. 3: Group exhibitions - Collection exhibitions - Fairs - Events - Cross path.= Çagdas 1985: Mine Sanat Galerisi, 30 yil. Cilt 1: Sanat tarihinin görünmez aktörleri: Galeriler - Mine Sanat Galerisi'nin kurulus öyküsü - Kisisel sergiler. Cilt 2: Kisisel sergiler. Cilt 3: Grup sergileri - Fuarlar - Etkinlikler - Yolu kesisenler. Edited by Lütfiye Bozdag, Hande Özdilim Yildirim.
Fine Fine English Original bdg. Dust wrapper. In publisher's special box. 4to. (33 x 25 cm). In English and Turkish. 3 volumes set: (456 p.; 457-872 pp.; 673-1039 pp. -wrong p. no.-), many color and b/w ills. and photos. Mine Art Gallery, 30 years. 3 volumes set. Vol. 1: The invisible actors of art: Galleries - Foundation story of Mine Art Gallery - Solo exhibitions. Vol. 2: Solo exhibitions. Vol. 3: Group exhibitions - Collection exhibitions - Fairs - Events - Cross path.= Mine Sanat Galerisi, 30 yil. Cilt 1: Sanat tarihinin görünmez aktörleri: Galeriler - Mine Sanat Galerisi'nin kurulus öyküsü - Kisisel sergiler. Cilt 2: Kisisel sergiler. Cilt 3: Grup sergileri - Fuarlar - Etkinlikler - Yolu kesisenler. Edited by Lütfiye Bozdag, Hande Özdilim Yildirim. Signed and inscribed by Mine Gülener. This book has been published for the reason of Mine Art Gallery's turning 30 years old. In this book, the activities carried out through 30 years by Mine Art Gallery which is one of the important stops in the roadmap of Turkish Art History has been documented. This book consists of the exhibitions, conversations, catalogue texts and posters of exhibitions, bulletins, texts that took place in the press, photographs and videos which are formed through 30 years, which is only a little part of Mine Art Gallery's archive. Certainly, we had to make a selection between the numbers of sources. I think we showed the required sensitivity to ensure the integrity of the book while selecting the quoted documents precisely and carefully. This book is different than the routine books of history of art galleries. Because, this book explains the history of Mine Art Gallery through the artists who supported them in their foundation. It is very certain that squeezing all 30 years of an art gallery in to a book is very difficult. As a matter of fact, we couldn't. We could just include the main documentation. For the upcoming periods, Mine Art Gallery is targeting to publish more books drawing upon their rich archive and also wants to share their archive with the art lovers. Mine Art Gallery with its roadmap that continues for these nonstop 30 years, not only formed their own documentation, but also has brought an important archive for the Turkish art history. Publication of this book will carry meaning as an important source for many researchers, art writers, art critics and for all the people who are interested in art, and also will be an encouraging force for the other art galleries. 500 copies were printed. A very heavy box set. Extra shipping fee will be requested.
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ZEKI TEZ.
Yasakli sanat olarak minyatür, resim ve grafik tarihi.
New Turkish Paperback. Roy. 8vo. (23 x 16 cm). In Turkish. 359 p., b/w ills. Yasakli sanat olarak minyatür, resim ve grafik tarihi. History of miniature, painting and graphic as a forbidden art.
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HÜSAMETTIN KOÇAN.
Hüsamettin Koçan: Yedi sergi bir selamlama. [Exhibition catalogue]. 12 Mart - 15 Nisan 2005, Galeri Artist. Text by Zeynep Yasa Yaman.
As New Turkish Paperback. 4to. (29 x 24 cm). In Turkish. 264 p., color and b/w ills. Hüsamettin Koçan: Yedi sergi bir selamlama. [Exhibition catalogue]. 12 Mart - 15 Nisan 2005, Galeri Artist. Text by Zeynep Yasa Yaman. 1000 copies were printed.
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MURAT AKAGÜNDÜZ, ANTONIO COSENTINO, ALTAN ÇELEM, TEMÜR KÖRAN, DOGAN PAKSOY, et alli.
Yesilçam'a bir bakis. [Exhibition catalogue]. 22 Mart - 26 Nisan 1997. Text by Levent Çalikoglu.
New Turkish Paperback. 4to. (31 x 22 cm). In Turkish. [21] p., color ills. Yesilçam'a bir bakis. [Exhibition catalogue]. 22 Mart - 26 Nisan 1997. Text by Levent Çalikoglu.
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ABIDIN DINO, (1913-1993).
Abidin Dino. Çiçekleme. [Exhibition catalogue]. 5-31 Ekim / 2-29 Kasim 1990, Galeri Nev. Text by Yasar Kemal.
New Turkish Paperback. Oblong large 8vo. (23 x 24 cm). In Turkish. [48] p., color ills. Abidin Dino. Çiçekleme. [Exhibition catalogue]. 5-31 Ekim / 2-29 Kasim 1990, Galeri Nev. Text by Yasar Kemal.
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Edited by AYSE ORHUN GÜLTEKIN.
Peintres et expositions de Pera: 1845-1916.= Pera ressamlari-Pera sergileri: 1845-1916. [Exhibition catalogue]. Texts by Seza Sinanlar Uslu.
New English Paperback. Demy 8vo. (22 x 15 cm). In French and Turkish. Color and b/w ills. 84 p. Study of the painters and exhibitions of the Pera quarters. Peintres et expositions de Pera: 1845-1916.= Pera ressamlari-Pera sergileri. 1845-1916. [Exhibition catalogue]. Texts by Seza Sinanlar Uslu.
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ELGIZ CONTEMPORARY ART MUSEUM.
Elgiz 10 (Sevda & Can Elgiz): A decade of commitment to contemporary art in Turkey.= Elgiz 10 (Sevda & Can Elgiz): Çagdas sanat inisiyatifinde 10. yil. [BOXED].
As New English Original bdg. HC. Publisher's special box. 4to. (30 x 24 cm). In English and Turkish. 304 p., color ills. Elgiz 10 (Sevda & Can Elgiz): A decade of commitment to contemporary art in Turkey.= Elgiz 10 (Sevda & Can Elgiz): Çagdas sanat inisiyatifinde 10. yil. Signed and inscribed by Can Elgiz to Tevfik Güngör Uras. Printed to 1000 copies. Published on the occasion of the tenth anniversary of the Proje4L / Elgiz Museum of Contemporary Art. Printed in an edition of 1000 copies in Eindhoven, Netherlands.
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METIN AND, (1927-2008).
Bazaar painters: Ottoman figurative arts 2. Edited by Tülün Degirmenci, M. Sabri Koz.
New New English Original bdg. Dust wrapper. 4to. (29 x 23 cm). Edition in English. 248 p., color ills. Bazaar painters: Ottoman figurative arts 2. Edited by Tülün Degirmenci, M. Sabri Koz. Coining the phrase 'bazaar painters' in a 1985 article, Metin And enriched our art history terminology with a new concept as well as offer a glimpse into the world of these artists: how they worked, what they drew, where their works are today and how they contribute to our study of history of art and culture. He continued to promote and popularise their work through books and articles published until 2007, at times repeating earlier content as required. Bazaar painters and their work were not initially identified as a distinctive genre; Franz Taeschner, the first researcher to publish a selection, felt no need to refer to them as anything other than 'miniatures'. Challenging this trend, Metin And set about the immensely difficult task of obtaining pictures of bazaar painting albums from four corners of the globe in order to illustrate a prolific series of essays and books.The second volume of Ottoman Figurative Arts, Bazaar Painters consists of twelve articles published between 1985 and 2007, a comprehensive introduction by Tülün Degirmenci, and a concise album. The pictures and inscriptions Metin And chased enthusiastically all his life are but the echoing footsteps of a book, one that was either never written, or somehow got lost before it could be published.
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Prep. by EROL MAKZUME.
Pierre Loti et les silhouettes de Hassan: Portraits avant La II. Constitution.= Pierre Loti ve Hasan silüetleri: II. Mesrutiyet öncesi portreler.
Fine French Original bdg. HC. 4to. In French and Turkish. 168 p., ills. Pierre Loti et les silhouettes de Hassan: Portraits avant La II. Constitution.= Pierre Loti ve Hasan silüetleri: II. Mesrutiyet öncesi portreler. The novelist Julien Viaud, famous for his nickname Pierre Loti, is a traveling maritime officer. At the end of the 19th century and the beginning of the 20th century, he makes seven trips to Istanbul. In 1903, at the age of 53, Pierre Loti takes over Le Vautour, the first station ship to the French Embassy in Istanbul, during his fifth trip to Turkey. In the same period, Hasan signed cartoons start to circulate in Istanbul.The person who is hiding under Hasan is actually Robert de Guiroye, a naval officer. This person was then assigned to the auxiliary ship "La Mouette" (Seagull) under the command of Pierre Loti. It is thought that this officer made drawings on this ship in the evening after having spent a long time in important social clubs such as Cercle d'Orient, Pera Palas Ballroom, Tepebasi Theater. Who is actually Hasan / Who is the real Hasan? The answer to this problem is in the exhibition and detailed catalog. Let's see if they can help bring Hasan's identity to light. The "Pierre Loti and Hasan Silhouettes" exhibition is made up of documents obtained as a result of years of research by numerous collections and valuable collector Sayen Erol Makzume, who has vast knowledge of Hasan's lithographs in the early 20th century. The exhibition contains texts, cartoons and in-depth information, and sheds light on the transition period of Turkey after the Second Constitutional Monarchy.
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CAO FEI, NILBAR GÜRES, RAQS MEDIA COLLECTIVE et alli.
The time needs changing.= Zaman degismeli. [Exhibition catalogue]. Edited by Begüm Akkoyunlu-Ersöz, Yasemin Ülgen, Ulya Soney.
New English Paperback. Pbo. 4to. (28 x 24 cm). Bilingual in Turkish and English. 103 p., color ills. The Time Needs Changing exhibition questions our geo-politically controlled notions of time. The three artists in this show give alternatives to linear time, which is currently strictly enforced by the power structures under which we live. The works of Cao Fei, Nilbar Güres and the Raqs Media Collective release the shackles of time, and suggest alternative and parallel paths. The exhibition presents a thought-scape that draws from three different parts of the world; China, Turkey and India. The artists explore time through drawing, video, photography, installation and new media. Time is one of the many subjects addressed by the participants of the exhibition. Their works help us better understand our relations with ourselves, as well as those with the world around us. Nilbar Güres questions masculine linear time; Cao Fei offers us greater control in a world where real and virtual intersect; and the Raqs Media Collective liberates time itself in its works that associate memory with different experiences.
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METIN AND, (1927-2008).
Çarsi ressamlari: Osmanli tasvir sanatlari: 2. [= Bazaar painters: Ottoman figurative arts 2]. Edited by Tülün Degirmenci, M. Sabri Koz. [EDITION in TURKISH].
New New English Original bdg. Dust wrapper. 4to. (29 x 23 cm). Edition in Turkish. 248 p., color ills. Çarsi ressamlari: Osmanli tasvir sanatlari: 2. [= Bazaar painters: Ottoman figurative arts 2]. Edited by Tülün Degirmenci, M. Sabri Koz. Coining the phrase 'bazaar painters' in a 1985 article, Metin And enriched our art history terminology with a new concept as well as offer a glimpse into the world of these artists: how they worked, what they drew, where their works are today and how they contribute to our study of history of art and culture. He continued to promote and popularise their work through books and articles published until 2007, at times repeating earlier content as required. Bazaar painters and their work were not initially identified as a distinctive genre; Franz Taeschner, the first researcher to publish a selection, felt no need to refer to them as anything other than 'miniatures'. Challenging this trend, Metin And set about the immensely difficult task of obtaining pictures of bazaar painting albums from four corners of the globe in order to illustrate a prolific series of essays and books.The second volume of Ottoman Figurative Arts, Bazaar Painters consists of twelve articles published between 1985 and 2007, a comprehensive introduction by Tülün Degirmenci, and a concise album. The pictures and inscriptions Metin And chased enthusiastically all his life are but the echoing footsteps of a book, one that was either never written, or somehow got lost before it could be published.
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MUHARREM MIDILLI.
Klasik Osmanli ceza hukukunda seriat-kanun ayrimi.
As New Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. 352 p. Klasik Osmanli ceza hukukunda seriat-kanun ayrimi. The content of sharia and law in the Ottoman state, which is the dominant issue in the field of public law and relations with each of these areas is discussed since the establishment of modern Turkey. The main reason is the preferred model for providing support moving historical potential of the structure of the Republic of Turkey states such matters. Many researchers have tended to turn this potential into open historical evidence, claiming that the classical Ottoman laws were a separate and distinctive clause of provisions outside the law...
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DEVRIM ERBIL.
Doganin ritmi: Devrim Erbil Retroperspektifi. [Exhibition catalogue]. Text by Kiymet Giray. Prep. by Erdem Zekeriya Iskenderoglu, Nurullah Yaldiz. Curated by Erkan Doganay.
New Turkish Paperback. 4to. (28 x 24 cm). In Turkish. 163 p., color and b/w ills. and photos. Doganin ritmi: Devrim Erbil Retroperspektifi. [Exhibition catalogue]. Text by Kiymet Giray. Prep. by Erdem Zekeriya Iskenderoglu, Nurullah Yaldiz. Curated by Erkan Doganay.
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MARIA KILIÇLIOGLU.
Pulse of the universe: Retrospective.= Evrenin nabzi: Retrospektif. [Exhibition catalogue].
New English Paperback. 4to. (30 x 21 cm). In English and Turkish. 147 p., color ills. Pulse of the universe: Retrospective.= Evrenin nabzi: Retrospektif. [Exhibition catalogue]. "This book has been prepared in coordination with 'Maria Kiiliçlioglu Retrospective' Exhibition held at Is Sanat Kibele Gallery between January 9th - February 23rd, 2019.". Kiliçlioglu, who is the daughter of famous Bulgarian sculptor Dimitar Dimov, began creating art at her father's sculpture workshop when she was just 4 years old. Her toys were dough for statues, waxes and bronze. She discovered the miracle of creating 3D objects from a young age. She focused on the West because of her education but then turned her face to Mesopotamia, diverging new searches in her art life. Her first few works, such as "Mother," "Devil," "Angel" and "Kiss," are the representations of the artist's search for a form. She created many works in the Hellenistic style with the statues that were produced with stone, wax and bronze. The works that she created using surrealist and fantastic elements added a different and authentic aspect to her art, in combination with her imaginative power. TURKISH ART Sculpture.
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EROL DENEÇ.
From past to present Erol Deneç.= Dünden bugüne Erol Deneç. [Exhibition catalogue].
New English Paperback. 4to. (27 x 20 cm). In English and Turkish. 127 p., color ills. From past to present Erol Deneç.= Dünden bugüne Erol Deneç. [Exhibition catalogue]. Catalog of the exhibition 'From Past to Today', which includes the 60 years of artistic life of the first Turkish representative of the school of fantastic realism Erol Deneç.
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SARKIS.
Sarkis. Sari punctum. Photos by Cemal Emden. Text by Cem Ileri.
New Turkish Paperback. Large 8vo. (22 x 16 cm). In Turkish. 76 p., ills. Sarkis. Sari punctum. Photos by Cemal Emden. Text by Cem Ileri.
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