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Yoshie Watanabe
Yoshie Watanabe. Un Deux
After the runaway success of her illustrations in the book Brooch, Yoshie Watanabe has teamed up with Naomi Takayama to produce another collection of stunning images. Printed on fine brown paper, which accents the subtleness of the drawings, each page is split into two allowing turn for variations from the original fairytale story that is told. — pagg. 64; rileg. rigida. Editore: Little More, Tokyo, 2008.
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Dine Jim
Jim DIne
F.to: 22x28; pagg. 12; 8 BN; rileg. Punto metallico. Editore: Robert Fraser Gallery, London, 1965.
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Yokoo Tadanori
Tadanori Yokoo. Groping in the dark
Testi: Yokoo Tadanori. F.to: 11,5x20; pagg. 458; rileg. brossura. Editore: Kawade Shobo Shinsha, Tokyo, 1973.
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Yokoo Tadanori
American blues 170 cm
F.to: 10x15; pagg. 232; rileg. brossura. Editore: Shinchosha, Tokyo , 1979.
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Awazu Kiyoshi
Awazu Kiyoshi: Scrapbook
A collection of Kiyoshi Awazu's works up to 1970 including his design works, illustrations, sketches, mangas, etc. "Scrapbook" also contains essays — F.to: 15x21; pagg. 460; COL e BN; rileg. brossura in custodia di cartone. Editore: Tabata Shoten, Tokyo, 1970.
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Ernst Max
Max Ernst. Histoire Naturelle. Dessins inédits
F.to: 12x22; pagg. 24; bicromie; rileg. brossura. Editore: Berggruen & Cie, Paris, 1956.
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Yokoo Tadanori
Why do I have here
F.to: 10x15; pagg. 256; rileg. brossura. Editore: Kadokawa Shoten, 1980.
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Pancrazzi Luca
Luca Pancrazzi. Blow Flow Raw. Catalogo non autorizzato
pagg. 64; BN; Editore: Gli Ori, Prato, 2011.
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Fontana Lucio
Omaggio a Fontana
Testi: Crispolti Enrico, Fontana Lucio. F.to: 21x22; BN; rileg. brossura. Editore: Beniamino Carucci, Roma, 1971.
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Gaillard Cyprien
Cyprien Gaillard: Geographical Analogies
This artist's book is based on Cyprien Gaillard's "Geographical Analogies," a collection of 900 Polaroids, carefully and rigorously arranged in a total of 100 showcases, telling many stories about landscapes, monuments, modernist buildings, and architectonic utopias, and just as many stories about decay, destruction, and devastation. As Rein Wolfs puts it in the introduction of this publication "Gaillard's epic work, outmodedly analog … reflects a computation of time that seems to have disappeared …. In the disintegrating medium of Polaroid photography the aspect of disappearance inherent to time is documented and allegedly temporarily halted—until in foreseeable time these originals too will have disappeared beyond recall … Decay, disappearance, remembrance and decline are omnipresent motifs in this work … Numerous devastated concrete landscapes, unfinished holiday developments, monuments, ruins, modernist high-rise estates, cemeteries, landscapes and—as a counterpoint—golf courses stand for an equal number of failed ambitions, or decaying cultural testimonies to their time … But the 'Geographical Analogies' can be conserved for perpetuity in the format of this book which, like an atlas arranging things at a different level, represents a further stage of scientific classification: a global atlas full of ruins of the Gaillard trademark. A world atlas against disappearance." — Testi: Derieux Florence, Gaensheimer Susanne et al. pagg. 224; COL; rileg. rigida. Editore: JRP Ringier, Zürich, 2011.
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Fabro Luciano
Luciano Fabro: 100 disegni
Testi: Bernadac Marie-Laure, Trombetta Luciana et al. pagg. 152; 108 COL; rileg. brossura. Editore: Richter Verlag, Düsseldorf, 2013.
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Antufiev Evgeny
Evgeny Antufiev
Realizzato in occasione del progetto espositivo Twelve, wood, dolphin, knife, bowl, mask, crystal, bones and marble - fusion. Exploring materials alla Collezione Maramotti (17 febbraio - 31 luglio 2013), questo libro d’artista viene consegnato nelle mani del visitatore come una mappa della mostra, ma non solo. Scrive Antufiev in prefazione al libro: “Anche quando la mostra sarà chiusa io spero che non perda la sua attualità perché questo libro è un artefatto. È una parte di me, della mia vita. Leggere questo libro non è semplice e mi dispiace per questo: ringrazio tutti quelli che vorranno farlo. Non concentrarsi su un solo testo perché ogni testo è connesso con gli altri e ha un senso in questa relazione. Ho preparato un piccolo schema che può aiutarvi a collegarli. Ho messo poi alcune note nel libro per chiarire meglio parole e concetti a persone che non vivono nel mio paese”. Il volume contiene un ricco regesto iconografico: selezione di opere di Antufiev, fotografie scattate dall’artista, immagini di regesto ai testi. — Testi: Antufiev Evgeny, Zhilyaev Arseniy et al. pagg. 108; COL e BN; rileg. rigida. Editore: A&Mbookstore Edizioni, Milano, 2013.
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Mondino Aldo
Aldo Mondino
pagg. 12; 12; rileg. Punto metallico. Editore: Studio Marconi, Milano, 1966.
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Le Va Barry
Barry Le Va: Munich Diary -African Sketchbook. Zeichnungen 1965-1993
These highly personal drawings and photo-collages represent Le Va's response to Munich art dealer Fred Jahn's collection of African artifacts. — Testi: Kertess Klaus, Semff Michael. F.to: 24x29; pagg. 176; COL; rileg. rigida in cofanetto. Editore: Hatje Cantz Verlag, Ostfildern, 1994.
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Artisti: Beuys Joseph, Brecht George, Buthe Michael, Brouwn Stanley, Darboven Hanne, Dibbets Jan, Graham Robert, Knoebel Imi, LeWitt Sol, Manzoni Piero, Panamarenko, Palermo Blinky, Polke Sigmar, Richter Gerhard, Ruthenbeck Rainer, Vautier Ben, Vostell
Entwürfe Partituren Projekte: Zeichnungen
Testi: Block René. F.to: 10,5x15; pagg. 80; rileg. brossura. Editore: Galerie René Block, Berlin, 1971.
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Kopelman Irene
Irene Kopelman - X Points of View. Notes on Representation. Vol 2 [Signed]
Book containing five series of drawings from objects, observed from different angles: - 1 Point of View (160 glue stains from 1 angle) - 2 Points of View (24 crystals and fossils from 2 angles) - 3 Points of View (50 pieces of construction waste from 3 angles) - 16 Points of View (1 fossil from 16 angles) - 24 Points of View (46 stones from 24 angles) Edition of 400 copies, signed and numbered by the artist. — pagg. 144; rileg. brossura. Editore: Roma Publications, Amsterdam, 2011.
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Raetz Markus
Markus Raetz: Die Druckgraphik / les estampes / the prints. Catalogue raisonné 1951-2013
The prominent Swiss artist Markus Raetz works across a variety of media, but printmaking constitutes a major part of his work. The most comprehensive collection of his prints to date,<I> Markus Raetz. The Prints</I> expands on a previous edition that covered the years between 1957 and 1991 with further early and recent works. In addition, the rest of the content has been fully revised and the book comes with a new collection of essays on Raetz’s life and work. Together, the two volumes explore the artist’s major themes, particularly the phenomenon of perception as opposed to the means of representation.<BR><BR>The publication of <I>Markus Raetz. The Prints </I>coincides with a major exhibition of Raetz’s prints and sculptures that is scheduled to open in 2014 at the Museum of Fine Art in Bern, Switzerland. A Raetz completist’s dream, this work authoritatively documents a printmaking career that spans from the 1960s to our own historical moment. — Testi: Mason Rainer Michael. F.to: 24x31; pagg. 892 [2 voll]; 622 COL; rileg. rigida. Editore: Verlag Scheidegger & Spiess, Zürich, 2014.
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Artisti: Brehmer K. P., Bruning Peter, Hödicke K. H., Kleinhammes , Knaupp Werrner, Koberling Bernd, Lueg Konrad, Lüpertz Markus, Meyer Jobst, Neukamp Ernst, Polke Sigmar, Richter Gerhard
Neue Landschaften
Testi: Neumeister Dorothea. BN; rileg. brossura. Editore: Galerie von Loeper, Hamburg, 1969.
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Sottsass Ettore
Ettore Sottsass. Formal Exercise Nr. 2/ Esercizio Formale Nr. 2: Catalogo di Mobili Decorativi di Stile Moderno/ Catalogue for Decorative Furniture in Modern Style, 1978-1980
F.to: 21x30; pagg. 56; COL e BN; rileg. brossura. Editore: Studio Forma - Alchimia, Torino-Milano, 1980.
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Saeki Toshio
The Earliest Works of Toshio Saeki [#1572/3000]
The Earliest Works shows the beginning inspirations and efforts of Toshio Saeki. Broken into three chapters: Earliest Works, Uncollected Works, and Unpublished Studies from 1969. Includes a chronological record and notes by Yuji Yamashita — Testi: Yamashita Yuji. pagg. 124; BN; rileg. rigida in astuccio. Editore: Seirinkogeisha, 2002.
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Sigmar Polke. Gemeinschaftswerk Aufschwung Ost [#63/600]
Testi: Gachnang Johannes, Hentschel Martin. pagg. 52; BN; rileg. brossura. Editore: Bruno Brunnet Fine arts, Berlin, 1993.
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Matta-Clark Gordon
Reorganizing Structure By Drawing Through It / Zeichnung Bei Gordon Matta Clark
Testi: Breitwieser Sabine, Fend Peter et al. F.to: 22x29; pagg. 296; COL e BN; rileg. brossura. Editore: Generali Foundation, Wien, 1997.
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Meguro Mieko
Dan Graham Portraits: Drawings and Pillows
F.to: 25x16,5; pagg. 28; COL; rileg. spirale metallica. Editore: Galleria Massimo Minini, Brescia, 2015.
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Artisti: Yokoo Tadanori, Yoshioka Yasuhiro
Shuji Terayama Tadanori Yokoo. Throw Away Your Books, Run into the Streets
Testi: Terayama Shuji. F.to: 13x19; pagg. 316; COL e BN; rileg. brossura. Editore: Haga Shoten, Tokyo, 1967.
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Artisti: Lacchini Giulio, Norese Giancarlo
Giulio Lacchini e Giancarlo Norese. Enfance
Enfance was born to remember us the faculty of “bringing visions into focus with our eyes shut”, as we did in a remote time, still fruitful and alive, when thinking in terms of images was more spontaneous. It was a “possible pedagogy of the imagination that would accustom us to control our own inner vision without suffocating it or letting it fall (…) into confused, ephemeral daydreams, but would enable the images to crystallize into a well-defined, memorable, and self-sufficient form, the icastic form.” (Excerpts from Italo Calvino, Six Memos for the Next Millennium: Visibility, 1985–1986). — pagg. 16+16 [2 voll]; rileg. punto metallico in custodia di cartone. Editore: Sputnik Edizioni, Bratislava, 2015.
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Motherwell Robert
Robert Motherwell. Collages
Testi: Hunter Sam. F.to: 12x22; pagg. 24; 20 ills; rileg. brossura. Editore: Berggruen & Cie, Paris, 1960.
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Klee Paul
Paul Klee Lui-meme : 20 Oeuvres 1907-1940
Testi: Roy Claude. F.to: 12x22; pagg. 28; 24 ills; rileg. brossura. Editore: Berggruen & Cie, Paris, 1961.
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Kandinsky Vasilij
Kandinsky. Oeuvre gravé
Ce catalogue reproduit en intégralité les 12 planches qui constituent l'album "Kleine Welten" paru en 1923 — Testi: Grohmann Will. F.to: 12x22; pagg. 28; 24 ills; rileg. brossura. Editore: Berggruen & Cie, Paris, 1954.
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Route N16
Art and architecture project alongside the N16 route. With projects by Tractor (Peter Aerts, Denis Dujardin, Honoré d’O, Lore Perneel, Luc Reuse, Frank Vande Veire, Hugo Vanneste, Dirk Zoete), Architecten De Vylder Vinck Taillieu, Sarah & Charles, Office Kersten Geers en David Van Severen , Michaël Vanden Abeele, Uaps, Wesley Meuris, Architecten Robbrecht en Daem, Valérie Mannaerts, Philippe Vander Maren, Richard Venlet, Ann Veronica Janssens. Text contributions by Joeri de Bruyn, Maarten Van Acker, Jeroen Boomgaard, Isabelle Makay and Oscar Van den Boogaard. Photograpy by Geert Goiris and Kristien Daem. Initiated by the cities Bornem, Puurs, Willebroek and Mechelen in collaboration with VAi, vlaamsarchitectuurinstituut. — F.to: 20x26,5; pagg. 172; COL e BN; rileg. brossura. Editore: Art Paper Editions, Gent, 2013.
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Artisti: Yokoo Tadanori, Tatsuki Yoshihiro, Sukita Masayoshi
Shuji Terayama Tadanori Yokoo. Throw Away Your Books, Run into the Streets. Part 2
Testi: Terayama Shuji. F.to: 13x19; pagg. 288; COL e BN; rileg. brossura. Editore: Haga Shoten, Tokyo, 1971.
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Hai Hsin Huang
Now is the past
Now is the Past is jointly published with There is No Future by the same artist. While There is No Future vividly depicts the crowds of curious visitors of the Metropolitan Museum in New York, Now is the Past blows-up and focuses on the faces of the personages. We print the miniature book by traditional letterpress machines, making you look closer to each and every masterly portraits. The two books, big and small, genuinely capture Huang's macro- and micro-scopic views of the world. — F.to: 3,5x4; pagg. 448; BN; rileg. brossura in custodia di cartone. Editore: Nos Books, 2016.
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Perry Grayson
Grayson Perry
In this first major monograph on Grayson Perry, now updated and expanded, writer and art historian Jacky Klein explores the artist's work through a discussion of his major themes and subjects. Klein's text is complemented by intimate and insightful commentaries on individual pieces by the artist himself, giving unique access to his imaginative world and creative processes. Over 175 of Perry's works are illustrated, as well as a rich selection of the visual material that has inspired him, from Afghan war rugs, Sumatran batiks and medieval altarpieces to the paintings of Pieter Bruegel and the American Outsider artist Henry Darger. With a fully up-to-date biography, bibliography and exhibition history, this continues to be the definitive book on one of the most popular and important artists of our time. — Testi: Klein Jacky. pagg. 288; 357 COL e 17 BN; rileg. brossura. Editore: Thames & Hudson, London, 2016.
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Whittlesea Ian
Ian Whittlesea. The Egyptian Postures
The Egyptian Postures is a guide to the most advanced Mazdaznan exercises that Johannes Itten taught his students at the Bauhaus. Often performed while singing or humming the postures were intended to activate glands and re-channel internal energies, stirring the blood in ways that contributed to the perpetual evolution of humanity. They were also said to induce auto-illumination, the participant’s body generating an intense light from within. This edition of Dr. Otoman Zar-Adusht Ha’nish’s original instructions has been newly edited and illustrated by Ian Whittlesea with images of actor Ery Nzaramba demonstrating the postures and an in-depth essay by Pádraic E. Moore that explores the relationships between esoteric movements, their racial theories and early modernism's embrace and eventual dismissal of the occult, Mazdaznan and Itten. — F.to: 15x21; pagg. 134; rileg. brossur telata. Editore: The Everyday Press, London, 2017.
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Perchè non i fiori
Fiori di carta, fiori ricamati, un fiore di ragazza, com'è sfiorita, bella come un fiore, è un fiore da cogliere, fior tra i fiori, ha un fiore tra le gambe, ho preso il suo fiore, il più bel fiore del mio giardino, è rifiorita, le rose che non colsi, la pelle come un petalo, fiori di lana all'unicinetto, antipasti decorati come fiori, marmellata di fiori, fiori coordinati, non si picchia nemmeno con un fiore, le spunta un fiore in bocca, fare un fioretto, o che donna fiorente, se non son rose fioriranno, fiore di carne, fiorin fiorello l'amore è bello, deflorazione, ditelo con i fiori, è fiorito l'amore, pura come un giglio, superba come una rosa, delicata come una mammola, occhi di fiordaliso, che bei fior carnosi, sembra un fiore appassito, fiori tra i capelli, sfogliare la margherita, fiori d'arancio, i fiori del male
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Il morto è in tavola. I servizi segreti negli "affari" italiani
Testi: Catilina Luca. pagg. 64; BN; rileg. brossura . Editore: La Salamandra, Milano, 1977.
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Artisti: Carnelutti Pietro, Lepori Lorenzo, Lodonte Antonio
Mustfaram. Una storia metropolitana
BN; rileg. brossura . Editore: La Salamandra, Milano, 1977.
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Mariani Massimo
Inchiostro bugiardo. Come ci legge il giornale. Guida alle tecniche della (dis)informazione
pagg. 80; BN; rileg. brossura . Editore: La Salamandra, Milano, 1977.
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Robota nervoso. Fantascienza e socialità. #1
Laboratorio Sperimentale Grafico - Milano: Donatella Berra, Massimo Bizzozero, Max Capa, Pietro Carnelutti, Lido Contemori, Paolo De Maistri, Enzo Jannuzzi, Marina Mele, Graziano Origa, Laura Turchet, Dario Varini, Andrea Vischi. Riedizione del primo numero di Robota Nervoso; copertina differente e qualche variazione all'interno. — Testi: Capa Maximilian. BN; rileg. brossura . Editore: La Salamandra, Milano, 1977.
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Polke Sigmar
Polke! Polke!
Testi: Speck Rainer, Hentschel Martin. F.to: 24x31,5; pagg. 32; 7 ills; rileg. brossura. Editore: Gesellschaft für moderne Kunst am Museum Ludwig, Köln, 1992.
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Katz Alex
Alex Katz: Katz Katz
his publication, edited by Enzo Cucchi and published by NERO, gathers drawings by Alex Katz and words by Vincent Katz. It is a project that takes shape through the intimate relationship between the three subjects. All the drawings are risograph printings of both original sketches for paintings and the artist’s exercises. Two smaller inserts present, on the front, woodcuts showing portraits of two Katz, father and son, conceived by Enzo Cucchi, and on the back two poems by Vincent Katz, one of which is dedicated to Enzo Cucchi. — Testi: Cucchi Enzo, Katz Vincent. F.to: 19,5x28; pagg. 92; rileg. rigida. Editore: Nero, Roma, 2017.
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Raetz Markus
Markus Raetz. Zeichnungen, aquarelle "die bücher"
Testi: Amman Jean-Christophe. F.to: 22,5x23,5; BN; rileg. brossura . Editore: Neue Galerie Graz am Landesmuseum Joanneum, Fraz, 1975.
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Shrigley David
David Shrigley: Brain Activity [+7” vinyl picture-disc]
Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music. Shrigley finds humor in flat depictions of the inconsequential and the bizarre, qualities that he heightens through a deliberately limited technique. In this unusually complete look at the much-loved artist’s diverse approaches, Shrigley is revealed as a master of many media and many kinds of humor, from the black humor for which he is famed to caricature and more slapstick situations. With an immediate and accessible appeal to diverse audiences, Shrigley’s work offers an insightful commentary on the absurdities of human relationships. Published on the occasion of the artist’s first major survey show, at London’s Hayward Gallery, this beautifully produced volume includes a 7” vinyl picture-disc, featuring an exclusive recording by the artist. <br><B>David Shrigley</B> was born in Macclesfield, England, in 1968, and studied Environmental Art at the Glasgow School of Art from 1988–1991. As well as authoring numerous books, he directed the video for Blur’s “Good Song” and for Bonnie “Prince” Billy’s “Agnes, Queen of Sorrow.” Between 2005 and 2009, he contributed a cartoon for the U.K. <I>Guardian Weekend </I>magazine every Saturday. — Testi: Lauson Cliff, Eggers Dave et al. pagg. 188; rileg. rigida. Editore: Hayward Gallery, London, 2012.
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Kounellis Jannis
Jannis Kounellis. I cappotti / The Coats
Il libro "I Cappotti" illustra le dodici opere su carta realizzate dal maestro Jannis Kounellis in collaborazione con la Stamperia d'arte Albicocco di Udine. Le opere, realizzate con la tecnica del carborundum, sono accompagnate da un testo critico del Prof. Roberto Budassi e da una testimonianza dello stampatore Gianluca Albicocco. L'edizione, nel formato e nella scelta della carta, dà pieno risalto ai 12 capolavori del maestro dell'Arte Povera, veri protagonisti di questo libro; se ne vuole esaltare la grande qualità tecnico/artistica invitando ed invogliando, chi lo sfoglia, ad avvicinarsi alle opere originali. Non meno importante è il punto di vista di chi, queste opere, le ha viste nascere assieme all'artista. I testi dello stampatore Gianluca Albicocco e del professore Roberto Budassi, danno ampia testimonianza di quello che è stato il procedimento tecnico nella realizzazione delle opere e del coinvolgimento emotivo durante le ore di lavoro nello studio di Kounellis. L'edizione è stampata in 400 esemplari. The book "The Coats" illustrates the twelve artworks made on paper by the master Jannis Kounellis in collaboration with the Fine Art Print workshop "Albicocco" of Udine. The artworks realized with the carborundum technique are accompanied with the text of the Art critic Prof. Roberto Budassi accompanied by a testimony of the printer Gianluca Albicocco . The edition, with its size and choice of paper, gives full emphasis to the 12 masterpieces of the master of "Arte Povera", true protagonists of this book it wants to exalt the great technical / artistic quality inviting the viewers , to approach the original works. No less important is the point of view of who saw these works born together with the artist. The texts of the printmaker Gianluca Albicocco and of the Roberto Budassi, give substantial testimony of what was the technical process in the realization of the works and of the emotional involvement during the working hours in the Kounellis studio. The edition is printed in 400 copies. — Testi: Albicocco Gianluca, Budassi Roberto. F.to: 22x40; pagg. 52; BN; rileg. filo Singer. Editore: A&Mbookstore Edizioni, Milano, 2018.
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Hockney David
72 Drawings by David Hockney
<img src="https://images-na.ssl-images-amazon.com/images/S/amazon-avatars/default._CR0,0,1024,1024_SX48_.png"> — pagg. 88; COL e BN; rileg. brossura. Editore: Jonathan Cape, London, 1979.
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Boehmler Claus
Pinocchio : Ein Lineares Programm / A Linear Program
Artist's book comprised of texts in German and English with progression of Walt Disney's character Pinocchio. — rileg. brossura. Editore: Buchhandlung Walther König, Köln, 1969.
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Beuys Joseph
Joseph Beuys. Zeichnungen Zu den beiden 1965 wiederentdeckten Skizzenbücher "Codices Madrid" von Leonardo da Vinci
Testi: Cooke Lynne, Lauf Cornelia et al. pagg. 200; rileg. rigida. Editore: Richter Verlag, Düsseldorf, 1998.
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DAUMIER
Liberated women. Bluestockings and socialist women. Preface by Françoise Parturier. Catalogue and notes by Jacqueline Armingeat.
Reliure toile de l'éditeur. 137 pages. Jaquette tachée. 25x32cm.
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AUDUBON...ELMAN Robert
Les mamifères. Photographies de : E.A. Bauere, B.Browning, T.Brakefield...
Reliure de l'éditeur. 272 pages. Jaquette. 23x31cm.
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QUENIOUX Gaston
Manuel de dessin à l'usage de l'enseignement primaire. Ouvrage orné de 315 gravures en noir et 12 planches en couleurs hors-texte. 8e édition.
Broché. 380 pages. Dos scotché.
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ROBERT Karl
Le dessin et ses applications pratiques aux travaux d'art et d'agrément.
Broché. 182 pages. Manque au dos.
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