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LAM, Wifredo (Sagua La Grande 1902 - Parigi 1982),
Senza titolo
Acquaforte acquatinta a colori Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 29,5x24,5 (Foglio 67x51). . . Ottimo (Fine). . . .
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LAM, Wifredo (Sagua La Grande 1902 - Parigi 1982),
Senza titolo
Litografia originale a colori dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. Esemplare n. 122/125. cm 56,5x45. . . . . Tiratura 125 + XXV. .
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Lamb Charles; Bray Horace Walter Wood Engravings
Elia and The Last Essays of Elia
Newtown Wales: The Gregynog Press 1929. Limited Edition. Hardcover. Fine. Bray Horace Walter. Two volumes complete no. 34 of 285 octavo size 488 total pp. The essays in this collection were first published in "The London Magazine" and brought Charles Lamb 1775-1834 fame and popularity; his essays have an easy-going and conversational style that appealed to his early readers and they roam through a variety of subjects all down-to-earth and taken from Lamb's actual experiences. This lovely two-volume set printed by The Gregynog Press in Wales comprises Lamb's essays collected under the name "Elia" a kind of pseudonym that refers to Lamb himself.<br/><br/>The essays are illustrated with wood-engraved headpieces by Horace Walter Bray whose attention to minute details and charming figures complements the gentle humour of Lamb's writing; overall a fine edition of one of England's foremost essayists.<br/><br/>___DESCRIPTION: Full grey cloth gilt lettering on the spines bevelled boards fore- and bottom edges rough cut both volumes with black-and-white wood-engraved frontispiece by Horace Walter Bray both volumes with black-and-white wood-engraved headpieces by Bray throughout; octavo size 9.25" by 6.25" pagination: Volume I: i-iv v-vii viii 1-265 266 1 colophon; Volume II: i-iv v-vii viii 1-219 220 1 colophon one of 285 copies this number 34. Bookseller's ticket "Philip C. Duschnes / Rare Books / New York" on the rear paste-down endpaper of Volume II. In a slipcase covered with brown paper with a cream paper spine label with black lettering and ruled borders and the edition number 34 written in pen on the bottom board.<br/><br/>___CONDITION: Both volumes are fine; the covers clean the corners straight and unrubbed the bindings tight with solid hinges the interiors clean and bright and free of prior owner markings; front paste-down endpaper of Volume I is slightly wrinkled else fine. The slipcase is almost very good still strong and sturdy clean overall with some ares of soiling some overall edgewear including a split at the seam where the top of the box meets the spine and a small tear to the spine near the bottom of the box. <br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Gregynog Press hardcover books
Riferimento per il libraio : CNJL722
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Lamotte, Louis Alex
Cours de Langue Francaise à l'usage des colleges. Continue par un de ses amis. Tome I und II.
Stuttgart, Steinkopf, 1799. XXVII, 240 Seiten; XIV, 1 Blatt, 478 S., 1 Bl.; 2 Bl., 96 S., 7 Blatt. Schlichter Pappband der Zeit. Name auf Vorsatz. Einband berieben.
Riferimento per il libraio : 701638
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Lancelot,Dieudonné Auguste
De la serie La Rochelle et son arrondissement, histoire, description, monuments, paysages ...Eau forte Gravure originale (tirage d'epoque)
La Rochelle : Chez l'auteur, [1875]vue dans le texte [120 x 65 millimètres environs] sur chine rapporté non collé,chaque,sans marge,voir photos,20 € est le prix de chaque Eau forte Gravure originale (tirage d'epoque).Tirage à part,non collés,faisant partie d'une suite volante,pas sortie du livre.
Riferimento per il libraio : 21057
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Langhard, Johann:
Die anarchistische Bewegung in der Schweiz von ihren Anfängen bis zur Gegenwart und die internationalen Führer.
2., unveränderte Auflage. Bern, Stämpfli, 1909. 8°. VIII, 492 S. Goldgepr. Orig.-Leinenband.
Riferimento per il libraio : 30801AB
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LANE, Richard:
Images from the floating world. The japanese print. Including an illustrated dictionary of Ukio-e.
London, Alpine Fine Arts Collection, 1978, in-4to, 364 p., richly illustrated, original clothbound with ill. jacket.
Riferimento per il libraio : 133518aaf
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LANGDALE, Cecily
MONOTYPES BY MAURICE PRENDERGAST in the Terra Museum of American Art
Chicago Terra Museum of American Art 1984 in 4 (28,5x24) 1 volume reliure toilée brique de l'éditeur, jaquette illustrée en couleurs, 159 pages et cahier d'addenta volant in fine(pp. 8, 3 colour illus). Ex dono manuscrit sur la première page de garde. First Edition. Bon exemplaire
Riferimento per il libraio : 49448 ISBN : 932171001
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LANGLUMÉ Pierre
Sur un rocher !...
Lithographie rehaussée de couleurs. Éditée à la mort de Napoléon Ier … En feuille Moyen Paris 1821 37 x 46 cm
Riferimento per il libraio : 14711
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LANE, Richard:
Ukiyo-e Holzschnitte Künstler und Werke. Aus dem Englischen übersetzt von Klaus J. Brandt
Zürich, Orell Füssli 1978, in-4to, 376 S., reich illustriert. Mit 200 teils farb. Abb. im Text u. 735 s/w Kleinabb. im Lexikonteil. Original-Leinenband, ill. Orig.-Umschlag.
Riferimento per il libraio : 112536aaf
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Lang, A.:
Von der Elektrifizierung der Rhätischen Bahn.
Zürich, Jean Frey, 1920. 4°. (4) Bl. Mit Abb. und Illustr. Lose Blatt.
Riferimento per il libraio : 31216AB
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Lang, Caspar:
Wolriechendes Hand-Meyelin. Das ist: Aussfürliche kurtze Schutz-Schrifft, wie von der Catholisch-Römischen Kirch, ob sie zum Geistlichen Stand ...
Zug, Jacob Ammon, 1673. Kl.-8°. 115 S., (1) Bl. (Druckfehler). Pappband der Zeit.
Riferimento per il libraio : 6629CB
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LANCKORONSKA, M
Die venezianische Buchgraphik des 18. Jahrhunderts.
Hamburg, Maximilian-Gesellschaft, 1950. 4to. 114 S. m. 121 Abb., 1 Bl. OLwd (Einbd gering fleckig, mit 2 dezenten kl. Stempeln).
Riferimento per il libraio : 1223694
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Lander, Sarah H.
SPECTACLES FOR YOUNG EYES. St. Petersburg.
pp. 203, 8 [Walker, Wise, & Co.'s Children books catalogue with sample illustrations] + Plus wood engraved half title, frontis and full page plates. Wood engraved text illustrations. Inked 1864 ownership of Robert S. Bair (York, PA). Unusual Photo portrait ownership bookplate of Robert C. Bair, (York, PA) 1928. Bair was involved in politics and served as the Director of Historical Society of York County. Age stained. A few signatures loose. 12mo. Original full green buckram embossed in gold and blind. Binding slightly worn and cocked. ** PRICE JUST REDUCED!! RUSSIA/1
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Landolt, Karl; (1925-2009)
Schiffsteg am Zürichsee.
1983. Bleistiftzeichnung. Bildausschnitt: 23 x 15,5 cm. Bildgrösse mit Rahmen: 33 x 26 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Riferimento per il libraio : 765DG
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Landsberger, Franz
Rembrandt, the Jews and the Bible
Book shows light wear only to bright red covers with gilt print at front and spine. Binding is solid and square, text/interior is clean and free of marking of any kind with prev. owner's name at front end paper and stamp on title page. 190 pages with 66 illustrations, mostly b&w prints. Dust jacket has small open tears, edge wear. Contents include: Rembrandt and the jews come to Amsterdam, Portraits of jew, Scenes of Jewish daily life, the Bible.
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LANDWEHR, John
Romeyn De Hooghe 1645-1708 as book illustrator; a bibliography.
Amsterdam / New York: Van Gendt / Abner Schram 1970. First Edition. . Hardcover. See Description. 4to. pp. 247 1. Contains many b&w illustrations. Green cloth with dust jacket. Near fine condition. Miniscule dusting/foxing to upper edge of text block. Dust jacket is vg/fine. "The present bibliography describes over 100 titles containing ca. 2800 etchings by De Hooghe." -d.j. Contains indexes. <br/> <br/> Van Gendt / Abner Schram hardcover
Riferimento per il libraio : 000243
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LANE Charles
British Racing Prints 1700-1940.
4to., First Edition, with numerous illustrations in the text and pictorial endpapers; cloth, gilt back, a near fine copy in the dustwrapper. This major study, based around a catalogue by artist, includes a useful bibliography
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Lane, Richard
Images from the Floating World - The Japanese Print; Including an Illustrated Dictionary of Ukiyo-e
Book is as-new black fine cloth covers, sliver lettering at spine. Excellent condition in every respect with no blemishes of any kind. Previous owner's name and phone number on front endpaper. Dust jacket has very light shelf wear only, no tears or chipping. An encyclopedic reference to the subject, at 364 pages, book is divided between two roughly equal sections with different paper used in each. The first is in four sections: Early genre painting and the rise of Ukiyo-e, The primitives and the first centry of Ukiyo-e 1660 - 1765 The golden age of the color print 1765 - 1810, & Hokusai, Hiroshige and the Japanese landscape 1810 - 1880. 2nd section comprises the Illustrated dictionary of Ukiyo-e, in which illustrations go to b&w. In business for 20 years, we provide excellent customer service and ship in packing material appropriate to assure your package arrives undamaged.
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Lang, A
Von der Elektrifizierung der Rhätischen Bahn.
Zürich, Jean Frey, 1920. 4°. (4) Bl. Mit Abb. und Illustr. Lose Blatt. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A
Riferimento per il libraio : 31216AB
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Lang, Caspar
Wolriechendes Hand-Meyelin. Das ist: Aussfürliche kurtze Schutz-Schrifft, wie von der Catholisch-Römischen Kirch, ob sie zum Geistlichen Stand ...
Zug, Jacob Ammon, 1673. Kl.-8°. 115 S., (1) Bl. (Druckfehler). Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
Riferimento per il libraio : 6629CB
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Langhard, Johann
Die anarchistische Bewegung in der Schweiz von ihren Anfängen bis zur Gegenwart und die internationalen Führer.
Bern, Stämpfli, 1909. 8°. VIII, 492 S. Goldgepr. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 2., unveränderte Auflage.
Riferimento per il libraio : 30801AB
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LANVIN Jeanne & POIRET Paul & VIONNET Madeleine & WORTH Charles Frederick DAVID
Douze robes pour décembre 1925 (Croquis, La Gazette du Bon ton, 1925 n°9)
- Lucien Vogel éditeur, Paris 1925, 18x24cm, relié. - Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed LRF Sketches L, LII, LIII, LV, are signed David, respectively on the lower right and left boards. Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco. Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly aesthetes" (Françoise Tétart-Vittu "good Gazette of tone" in the fashion dictionary, 2016). Printed on fine laid paper, they use a typeface created specifically for the magazine by Georges Peignot, the Cochin character, taken in 1946 by Christian Dior. The prints are made with the technique of metal stencil, enhanced color and some outlined in gold or palladium. The adventure began in 1912 when Lucien Vogel, man of the world and fashion - it has already participated in Femina magazine - decided to found with his wife Cosette de Brunhoff (John's sister, the father of Babar) Gazette good tone in which the subtitle is then "Art, fashions and frivolities." Georges Charensol quotes the editor: "In 1910, he observed, there was no truly artistic fashion magazine and representative of the spirit of his time. So I thought of making a glossy magazine with truly modern artists [...] I was certain of success because for any fashion country can compete with France. "(" A great art editor. Lucien Vogel "in literary News, No. 133, May 1925). The success of the magazine is immediate, not only in France but also the US and South America. Originally, Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt; and finally his friends from the School of Fine Arts as are George Barbier, Bernard Boutet de Monvel or Charles Martin. Other talents come quickly reach the equipped Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Edward Halouze Alexander Iacovleff, Jean Emile Laboureur Charles Loupot, Charles Martin, Maggie Salcedo. These artists, mostly unknown when Lucien Vogel appealed to them, will eventually become iconic figures and artistic sought. These are the same illustrators who make the drawings advertisements Gazette. The boards highlight the dresses and sublime seven artists of the time: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provide for each number of exclusive models. Nevertheless, some of Illustrations contained no real model, but only the idea that the illustrator is done in the fashion of the day. Gazette fashionable is a milestone in the history of fashion. Combining the aesthetic requirement and plastic unit, it brings together for the first time the great talents of the world of arts, literature and fashion and imposed by this alchemy, a new image of women, slender, independent and bold, also driven by the new generation of designers Coco Chanel, Jean Patou, Rochas Marcel ... Recovery in 1920 by Condé Montrose Nast, Gazette fashionable modeled for the new composition and the aesthetic choices of the "little dying newspaper" that Nast had bought a few years ago: the Vogue magazine. [FRENCH VERSION FOLLOWS] Ensemble de douze estampes originales à l'or fin, tirées sur papier vergé. Les planches présentent des modèles de robes réalisés par quatre grands créateurs, Lanvin, Poiret, Vionney et Worth. Reliure à la bradel en plein papier à motif décoratif, dos lisse, tête dorée.
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LANVIN Jeanne BRISSAUD Pierre
Au Pré Catelan. Robes de fillettes et tailleurs de Jeanne Lanvin. (La Gazette du Bon ton, n°6. Juin 1914 - Planche 55: )
- Lucien Vogel éditeur, Paris 1914, 38,1x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur tirée sur papier vergé, signée en bas à droite dans la planche. Gravure originale réalisée pour l'illustration d
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LARMESSIN Nicolas IV de
Le matin, le midi, l”après-dinée, la soirée.
Eau-forte et burin. 4 estampes gravées d'après Lancret. Très belle condition: cadres et vitres anciens. Parfait état. Cadres d'époque et vitres anciennes. Très bon 1741 39 x 45,5
Riferimento per il libraio : 6820
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LARMESSIN (Nicolas de).
Les Augustes représentations de tous les roys de France depuis Pharamond, jusqu'à Louys XIIII dit le grand A Present Regnant. Avec un Abrege Historique Sous Chacun, Contenant Leurs Naissances, Inclinations, Et Actions plus Remarquables Pendant Leurs Regnes.
Paris, chez N. De Larmessin, 1688. In-4 de 1 titre gravé et 68 portraits, basane brune, dos orné à nerfs, pièce de titre en maroquin rouge, tranches mouchetées (reliure de l'époque).
Riferimento per il libraio : 44481
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Laran Jean
Que sais-je? N° 135 Les estampes
Presses Universitaires de France Edition original Première édition 30 Septembre 1943. 1943. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 128 pages illustrées de quelques dessins en noir et blanc. . . . Classification Dewey : 769-Estampes
Riferimento per il libraio : RO90130671
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LARAN Jean
Les estampes
PUF Que Sais Je ? 1943, In-12 broché, 128 pages. Trés bon état.
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Laran, Jean (Bibliotheque Nationale, Cabinet des Estampes) (Eugene Bejot)
L'oeuvre grave d'Eugene Bejot catalogue raisonne of the prints of Eugene Bejot
Paris: Editions des Bibliotheques Nationales de France 1937. The catalogue raisonne of Bejot's prints. 2 leaves 279 pp. 437 items thoroughly described. Profusely illustrated. Index. Edition limited to 350 numbered copies printed on fine wove paper with THREE ORIGINAL ETCHINGS BY BEJOT L. 347 411 and 412 PRINTED ON VERY FINE SPECIALLY-MADE LAID PAPER. Folio. Bound in the original quarter vellum and marbled boards with morocco labels on front cover and spine. Uncut. A tiny wisp of wear to extremities of binding else FINE AND BRIGHT WITH NO DEFECTS. An excellent copy of a very scarce book usually found worn and/or re-bound. <br/><br/> Paris: Editions des Bibliotheques Nationales de France, 1937 hardcover
Riferimento per il libraio : 3095
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Largilliere, Nicolas de
Voltaire broadside with engraved portrait
London: William Holl 1819. Near Fine. Small broadside 21 x 13 cm. with a bust-length portrait of Voltaire after Nicolas de Largillière in oval 5 x 4 cm. and the life of the author. Etching and stipple with letterpress. Issued as an illustration for the Biographical Magazine. Scarce. In Near Fine Condition: several small light spots of foxing near upper edge; otherwise clean and bright. William Holl unknown
Riferimento per il libraio : 006786
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LASNE Michel
Denis Pétau
Épreuve sur beau papier filigrané. en feuille Très bon Paris 15 x 11 cm
Riferimento per il libraio : 15199
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LASNE Michel
Jean François de Gondi
Épreuve sur beau papier filigrané. en feuille Très bon Paris 14,5 x 9 cm
Riferimento per il libraio : 15169
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LASTMAN Peter
Juda et Thamar
Très belle et rare eau-forte dans le goût de Rembrandt, malheureusement coupé en haut supprimant ainsi la marque du graveur. Très beau tirage.Très rare. XVIIè 17,5 x 17,8 cm.
Riferimento per il libraio : 7364
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Laske, Oskar.
De Ark van Noach. Amsterdam, Richard Bing, [1926].
Oblong 4to. Leporello of 12 chromolithographs, each segment 245 x 350 mm. In a protective box with pictorial cover. The only foreign-language edition of this work that originally appeared in identical form in Vienna in 1925, very rare. - Pictorial narrative which flows continuously through the illustrations on both sides, the animals coming on one side and leaving on the other. Oskar Laske (1874-1951) mainly worked as a painter from 1904. He excelled as a graphic artist and saw his works published in the Vienna-based "Zeitschrift für vervielfältigende Kunst", one of the leading international fine art journals of the day. For the next fifteen years, print-making dominated Laske's oeuvre. In 1907 Laske joined the Hagenbund and in 1924 the Vienna Secession. His work was not only exhibited at those artist associations but also internationally. - Some wear to the first plate. F. C. Heller. Die bunte Welt. Handbuch zum künstlerisch illustriertem Kinderbuch in Wien 1890-1938 (Wien 2008), p. 293. Cf. Lily Schulz-Laske & Elisabeth Kesselbauer-Laske, Oskar Laske. Der künstlerische Nachlaß (Wien 1952), Lithographien, p. 29, nos. 28-39. Exhibition catalogue "Oskar Laske", Kunsthaus (Wien 1996), Ill. pp. 96f.
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LASSERON & Associés
*Vente aux enchères du 30 mai 2007. Collection Durville et Divers
39 p., ill. coul. Inv. 34099
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LATTANZI, Luciano (Carrara 1925-1999),
IV Stato
Acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare p.d.a. (IV stato). cm 16,8x21,5 (Foglio21x25). . . Ottimo (Fine). . . . La pubblicazione ''Undici stati'' tratti da un'unica lastra incisa all'acquaforte da Lattanzi dimostra la precisa intenzione dell'Artista di definire e identificare ogni stato non come la consueta fase di passaggio per arrivare all'optimum desiderato e destinato alla relativa tiratura, bensì come una realizzazione a sé. Per il terzo e quarto ''stato'' la tecnica utilizzata è quella dell'acquatinta che campisce le zone dove appaiono i mezzi toni. L'undicesimo stato fu l'ultimo solo perché la lastra, ormai erosa, non permetteva ulteriori morsure in acido: idealmente la ''focalizzazione semantica'' continua all'infinito. . . (Vanni Scheiwiller).
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LATTANZI, Luciano (Carrara 1925-1999),
Senza titolo
Acquaforte acquatinta a colori Firma a matita. Esemplare prova ad personam. Cm 38,5x32 (Foglio 70x50). pp.. . Ottimo (Fine). . Tiratura 100 + alcune prove ad personam. .
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LATTANZI, Luciano (Carrara 1925-1999),
Senza titolo
Acquaforte acquatinta a colori Firma, data e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio. Esemplare BAT (Bon à tirer). 4 lastre di cm 19x29 (Foglio 63,5x75). . . Ottimo (Fine). . . .
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LAURENCIN Marie
( L’allée )
Tirage à 50 exemplaires. Signée au crayon en bas à gauche. Au dos un tampon très discret : L’ALLÉE; Agréablement encadrée. Paris 165 x 120
Riferimento per il libraio : 5529
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LAURENS Jean-Paul
(Le pendu).
Estampe originale. Épreuve avant la lettre. I.B.N.F. non répertoriée. Paris. 12,6 x 19,3 cm. Marges 19,2 x 28,5 cm.
Riferimento per il libraio : 7942
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LAURENS Jules
(Porte)
Estampe originale. I.B.N.F. inconnue. Épreuve avant la lettre, signée au crayon. 13,7 x 11,2 cm. Marges 27 x 15,6 cm.
Riferimento per il libraio : 7945
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LAURENS Jules
Batteuse de beurre.
Estampe originale.I.B.N.F. 81, 2è état (sur 2). en feuille Très bon Paris L'Artiste 1862 .20,7 x 16,1 cm. Marges 34,5 x 26,5 cm.
Riferimento per il libraio : 7940
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LAURIN / GUILLOUX / BUFFETAUD
Catalogue d'estampes & tableaux modernes, vendus aux enchères le 19 novembre 1984
DRAPEAU COMPO. 1984. In-8. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Sans pagination. Nbreuses illust n&b dans le texte. . . . Classification Dewey : 769-Estampes
Riferimento per il libraio : RO20030716
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LAURENCIN Marie
Jeune fille troubadour
Epreuve d’artiste (d’un tirage total à 100). Marchesseau 238 Cadre en bois naturel. 1946 20 x 16 cm.
Riferimento per il libraio : 5497
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Lausanne.- Pohler, R.:
Kathedrale und Müsnster von Lausanne mit Placce St. François und Brücke im Vordergrund.
Aquarell. Blattgrösse: 44 x 31 cm.
Riferimento per il libraio : 1790AG
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Launay, Nicolas de (1739-1792). Graveur
Le chiffre d'amour : [estampe] / Peint par H. Fragonard, Peintre du Roi. ; Gravé par N. De Launay, Graveur du Roi.
A Paris chez N. De Launay... Rue de la Bucherie, N° 26., [1787] Description matérielle:1 est. : gravure en taille-douce en noir ; 36,4 x 27,4 cm,sous cadre moderne façon ancienne,quelques rousseurs
Riferimento per il libraio : 23683
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LAURENS Jules
Nature morte au lièvre
Curieuse "estampe" gravé sur plaque collodionée par J. Laurens. Elle est numérotée IV et est signée par le photographe H. Bonet Pas de couverture Très bon 10,9 x 16,8 cm
Riferimento per il libraio : 11376
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LAURENS Jean-Paul
Un attelage de bœufs
Belle estampe tirée sur Japon et signée au crayon. Marque de contrôle du Cercle de la Librairie en bas à gauche. C'est la dernière eau-forte de Jean-Paul Laurens. Elle a paru dans la Revue de l'Art ancien et Moderne en 1897. Paris Revue de l'Art ancien et moderne 1897 18,5 x 23 (31 x 45)
Riferimento per il libraio : 5273
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LAURY MARC
UNE ESTAMPE ORIGINALE DE MARC LAURY - represantant un paysage comprenant un chemin et des arbres.
A COMPTE D'AUTEUR. NON DATE. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. UNE ESTAMPE ORIGINALE de dimension 46 Cm X 31 Cm environ incluant les bordures - Dimension hors bordures : 32 C m X 20 Cm environ. // Epreuve signée en bas à gauche, annotée EA à droite , au crayon a papier.. . . . Classification Dewey : 769-Estampes
Riferimento per il libraio : R320100668
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Laubi, Hugo:
Zur Erinnerung an den Eintritt Zürichs in den Bund der Eidgenossen 1351. Historischer Festzug der Zürcher Zünfte, Sonntag, den 22. April 1951.
Zürich, Zentralkomitee der Zünfte Zürichs, 1951. Quer-4°. 70 S. Mit zahlr. farb. Illustr. Orig.-Broschur.
Riferimento per il libraio : 6643CB
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