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Johann Zschokke
Manuscript History Concerning the Protestant Reformation in Switzerland, Drawing from the Work of Reformer and Author Johann Zschokke: "Neuere Geschichte vom Beginn der kirchlichen Trennung 1519 bis auf die heutigen Tage. Auszug aus Zschokke, 1833-34.
Manuscript of religious interest, concerning the Protestant Reformation in Switzerland and drawing strictly from the work of reformer and author Johann Zschokke. Manuscript entitled, "Neuere Geschichte vom Beginn der kirchlichen Trennung 1519 bis auf die heutigen Tage. Auszug aus Zschokke. 1833-34." [Recent History from the Beginning of the Ecclesiastical Separation 1519 to the Present Day. Short Excerpt from Zschokke. 1833-1834.] The writer only identifies himself as "Bernhard" on the title page. Text is in German, in a fine hand. 8vo. 129 pages, plus title page. Brown continental boards. Volume measures approximately 12 x 18 cm. Slight wear to boards at extremities, otherwise in very good condition, internally very crisp and bright, a beautifully preserved document. Zschokke is widely remembered for writings of history and fiction. As the present volume transcribes from a religious treatise, it preserves parts of a little-known and more scarce work, while also providing insight into his perspective as a religious reformer. The present volume contains highlights from Zschokke's history of Switzerland during the religious reformation era, a subject of great importance to him as a Protestant reformer himself. Manuscript
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Collyer - Farming
Manuscript Accounts Ledger Kept by Scottish Farmer Daniel Collyer, Concerning a Sizeable Historical Farming Estate upon which Today Stands the Old Cormiston Farm Cottage.
Manuscript accounts ledger kept by Scottish farmer Daniel Collyer, Esq., (1776-1824), and subsequently continued by his widow Elizabeth, concerning a sizeable historical farming estate upon which today stands the old Cormiston Farm Cottage, providing a very detailed record of the setup, daily undertakings, and commerce of an early nineteenth century farmstead. Folio. 317 pages in manuscript, watermarked leafs, with a rough manuscript plan of the farm drawn on the front endpaper, and a second more detailed plan drawn on a separate leaf loosely placed within. Green boards representative, simple red label to spine, original marbled endpapers. In a patented account book made by John Williams of London, stationer to the Royal family, with original bookbinder's label to front pastedown, dated 1806. Front board bowing, partial separation at front hinge, otherwise in very good condition, binding remaining firm, interior crisp and clean, a very thorough record of early Scottish farming practices and rural life. This volume is replete with detail, a treasury of information, not only about the Collyer family connection to historic Cormiston, but also about local activities including trade, market fairs, social interests, nineteenth century households and the workings of Scottish farming practices. On the lands described herein, there still stands today an old farmhouse, now operating as a family run bed and breakfast called "Cormiston Farm Cottage" [Biggar ML12 6NS, some 2 miles from the town of Biggar]. The farmhouse was built in the 1790's and is still retains many of the original Georgian and Victorian features. The house and large Georgian steading to the rear are B Listed (Grade II) by Historic Scotland, identified by the Canmore National Record of Historic Environment as "Cormiston Towers Farm" ID number 47484, site number NS93NE 29. Manuscript
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Henri Reynis
Manuscript Memoire, in French, with Signed Dedication on the Life and Works of J.B.G. Gaspard Belhomme, Curator of the Departmental Archives of Haute Garonn.
Manuscript Memoire entitled: "Notice sur la vie et les ouvrages de J.B.G. Gaspard Belhomme, Conservateur des Archives Départementales de la Hte. Garonne, Membre de l'Académie des Sciences et de la Société Archéologique de Toulouse; Correspondant du Ministre de l'Instruction Publique; par l'abbé Henri Reynis." [Notice on the life and works of J.B.G. Gaspard Belhomme, Curator of the Departmental Archives of Haute Garonne, Member of the Academy of Sciences and the Archaeological Society of Toulouse; Correspondent of the Minister of Public Instruction; by Henry Reynis] 8vo. 69 pages in manuscript, plus title page, half title, dedication to Belhomme's widow, and a preface signed by the author. All text is in French. Original brown cloth boards, gilt title and four raised bands to spine, white satin endpapers, gilt tooled turn-ins. Volume measures approximately 14 x 21,5 cm. Very slight wear to boards mainly at extremities, otherwise in very good condition, clean and bright internally, a lovely memoire in a fine hand. Manuscript
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Linnaeus
Mezzotint Engraved Portrait of Carolus Linnaeus, Eighteenth Century Swedish Botanist, Discover and Physician, Large Limited Edition. Together with a Single Leaf Biographical Sketch.
Large Limited Edition mezzotint engraved portrait of Carolus Linnaeus, eighteenth century botanist, discover and physician, together with a single leaf biographical sketch, 1926-1929. Painted and engraved by T. Hamilton Crawford from a painting made in 1775 by Alexander Roslin and held in London's National Portrait Gallery. Very Good and original condition, protected with a tissue guard, clean and bright with strong impression, suitable for framing. A Rare and Large Portrait - Medium Quarto. Engraving measures approximately 9 x 11.5 inches. Matte measures approximately 18.5 x 23 inches. From a limited edition work (only 400 copies) issued by the museum from 1926-1929, titled "The Museum Galleries, London" and being a collection of coloured mezzotint artist signed portraits of famous men and women. Alexander Roslin (1718-1793) was a Swedish portrait painter who worked in Scania, Bayreuth, Paris, Italy, and St. Petersburg, primarily for members of aristocratic families. He combined insightful psychological portrayal with a skillful representation of fabrics and jewels. His painting of Jeanne Sophie de Vignerot du Plessis, Countess of Egmont Pignatelli, fetched US$3 million in 2006. Thomas Hamilton Crawford (1860-1933) was a respected British painter and illustrator known for his architectural, urban settings, mezzotint portrait engravings, and watercolours.
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British Marine
Account of the Portuguese Belenzada Affair During the Counter-Revolution Begun by Queen Maria II of Portugal
Primary source account of the Belenzada Affair, by a British marine serving on HMS Cornwallis (1813) and participating in the event at Lisbon, describing daily and hourly actions taking place during the counter-revolution begun by Queen Maria II. Annotated by a contemporary transcriber who seems to be a friend of the diarist and presumably the recipient of the original letter, to front upper margin: "Extract Private letter" and to the end leaf: "Novr. 3d 1836 Revolution at Lisbon Copy of Wms Report of it". 8vo. 7 pages in manuscript. Two double leafs measuring approximately 21 x 26,5 cm. Occasional creasing, very minor loss to first leaf, not affecting legibility of context, otherwise in very good condition. The Belenzada, also known as the Belém Affair, was an attempted coup in November 1836 by Queen Maria II of Portugal and her husband Prince Ferdinand II, to remove the liberal government which had been established by the September Revolution, and to reinstate the Constitutional Charter of 1826. Despite enjoying diplomatic support from the United Kingdom and Belgium, the attempt was frustrated by the determination of the National Guard, the regular army and the general population of Lisbon. This primary source document provides a superbly detailed chronical of events of one counter-revolution in Imperial Portugal, initiated by Queen Maria II herself, as a response to the uprising of the Setembrismo and Cartismo movement to end the political "devorismo" ('devourism') as it was termed at the time. The event is all-but-forgotten by Western historians, albeit said to be one of the three most important of conspiracies or plots executed during this period of unrelenting political conflict. Manuscript
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James Dennistou, Scottish Art Collector
Manuscript Signed Letter by a Scottish Art Collector, Concerning the Acquisition of Paintings by Crivelli.
Manuscript signed letter by Scottish art collector James Dennistoun to Lady Ann Cullum, while both are in Rome, concerning her acquisition of paintings by Crivelli, and making recommendation for a skilled local Italian restorer. 8vo. 3 pages in manuscript, double leaf measuring approximately 12,5 x 19 cm, with seashell watermark, integral address being simply 28 Corso, remnants of a green wax seal. Undated, but similar correspondence in the Cullum archives help to date this letter to the period before 1842. A small segment of mounting paper adhered to verso, loss to one corner at margin, text unobstructed, otherwise in very good condition. The paintings discussed in this correspondence are indeed treasures of antiquity, made by Carlo Crivelli (Venice c. 1430 - Ascoli Piceno 1495), Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione and Mantegna. Crivelli's works are exceedingly scarce. Only two can be found today in Venice, both in the church of San Sebastiano. It is interesting to note that the present letter refers to more than one Crivelli painting, "the Crivellis... they" etc. Without seeing these specific art works, but holding the ancient artist in due high regard, Dennistoun states that they would surely equal Crivelli's other well-known and venerated pieces. He also estimates a value of 3,000 piastres [modest indeed for such an invaluable prize]. Manuscript
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Assessor and Quaestor of Bückeburg
Two Signed Manuscript Letters in German, Addressed to Princess Juliane Wilhelmine Louise of Schaumburg-Lippe and Johann Ludwig Reichsgraf [Count] von Wallmoden-Gimborn, Concerning a Financial Aid for a Peasant.
Two manuscript signed letters, Dated 22 February & 10 May 1799, sent by the Assessor and Quaestor of Bückeburg, addressed to both Princess Juliane Wilhelmine Louise of Schaumburg-Lippe and Johann Ludwig Reichsgraf [Count] von Wallmoden-Gimborn, who were jointly governing the Principality of Schaumburg-Lippe, concerning a specific incident in delayed transportation of corn to Prussian troops. Text is in German. Quarto. 3 pages in manuscript, combined. Double leafs measuring approximately 20 x 32 cm, each with two watermarks, and armorial paper seal impressed over red wax. Very slight creasing, otherwise in very good and original condition, a most interesting correspondence from the fiefdom rule of beloved Princess Juliane. Manuscript
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Sxony Famine
Signed Manuscript Letter in German with a Red Wax Seal, Written During the Great Saxony Famine, Concerning the Scarcity of Corn.
Primary source manuscript signed letter written during the great Saxony famine, which claimed many civilian lives, addressed to the Count of Lippe-Alverdissen [Philipp Ernest II], concerning the scarcity of corn. Text is in German. Quarto. 3 pages in manuscript. Double leaf aid paper measuring approximately 20 x 32 cm, with two watermarks, red and black marbles wax seal of a dove with olive branch. Minor indication of moisture to upper margin unobtrusive to text, otherwise in very good condition, a fascinating early correspondence with a beautiful intact red wax seal. Rare primary source account concerning a matter of urgency - the shortage of corn in the regions surrounding Lower Saxony - during the 1771-1772 famine, which reveals the geographical extent of the calamity as it spread beyond Saxony to its neighbouring counties, and provides specific corn measurements recorded by a notable corn keeper and merchant in Münster. The writer, W. Helbricht, appears to be the "frumentarius" (a corn dealer), and also the "kornschreiber" (one who keeps record of the corn). In his correspondence to the count, he pleads for mercy, explaining that in Alverdisser there had not been much corn recently. He provides specific measurements to illustrate the dire circumstances. His wax seal is also telling of the period, being a crisp image of a dove holding an olive branch, the traditional symbol of peace and hope. The scarcity of corn was so great in Saxony and Southern Germany, that large numbers of civilians died of starvation, some estimates citing approximately 150,000 deaths.
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Ponting and British Royalty
Visitors Book for Guests of the Hythe Golf Club, Founded in 1894, with 78 Manuscript Signatures Penned on 10 Leafs.
Visitors book for guests of the Hythe Golf Club, founded in 1894, with 78 manuscript signatures penned on 10 leafs. 8vo. Full calf binding, with impressed heraldic seal to front, raised lettering "CCW The Links Hythe" also to front, five raised bands to spine, untrimmed leafs. Volume measures approximately 21 x 26,5 x 2,5 cm. Wear to boards, front bowed slightly, otherwise in very good condition, containing some notable signatures. Members of the British monarchy's household are featured in the volume, with signatures made on 8 August 1823, including Albert, Duke of York, (later King George VI). His new bride, Elizabeth, Duchess of York (later the Queen Mother) evidently accompanied him, he signing on her behalf. Also with them, and signing in the original, was lady-in-waiting Katharine Meade, as well as the Duke's advisor Sir Louis Greig. Sir Clement Anderson Montague-Barlow, 1st Baronet, who at the time was Minister of Labour and a member of the Privy Council, also signed on the same day, as well as six others. Having just been married in April, during the summer of 1923 Albert and Elizabeth, future King and Queen of the United Kingdom, were travelling a fair bit. They first settled into White Lodge, in Richmond Park. They were spotted at the Richmond Show, and shortly after that at the Hendon Air Show. They visited Holyrood House in Edinburgh in July. Their social life was beginning on a grand scale. At the end of the season, they went to stay at Molecomb and attended the races at Goodwood. The present volume reveals a little-known and rather private event at the Hythe Links Golf Course on 8 August 1923. Among other elite visitors whose signatures are present in the volume, we find: - Antarctic explorer Herbert G. Ponting - Sir William Letts a pioneer of the British motor industry and founder member of the Automobile Association - City of London Alderman Sir Maurice Jenks, and family - Sir Samuel George Shead Esq. who was appointed one of the two Sheriffs of London in 1915 - Sir Herbert Benjamin Cohen 2nd Baronet Cohen of Highfield - Colonel J.V. Delahaye, first president of the WOSB. Manuscript
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John Davis Britton
Manuscrip Diary with Drawings By an Englishman of His Travels to Germany, Belgium, Switzerland and France
Manuscript diary with several drawings, kept by an Englishman who travelled with his family to Germany, Belgium, Switzerland from 29 May 1867 - 15 June 1867, then to France from 1 June 1873 - 12 December 1874, relocating them for these 15 months to Normandy. Contains approximately 36 drawings, one which is a double-leaf scene pasted within, and a few botanical specimens mounted within. Accompanied by a travel itinerary with colour map detailing part of the first journey to the continent in 1867. 8vo. 2, 136, 156 pages. Brown leather boards, tooled front and back. Volume measures approximately 10 x 15 x 2 cm. Map/itinerary leaf measures 18 x 12,5 cm. Wear to boards especially at spine, front hinge delicate, otherwise in very good condition, an interesting Victorian diary. The writer is John Davis Britton, born on 28 December 1832 as revealed within the diary when he celebrates his 41st birthday at home in Vire. He is travelling with his wife Kitty, and children, at least five of whom are named - Lizzie, Aline, Ethel, Diddy, Dick. The delightful two-week travel to the continent features accounts of Lucerne at the dawn of tourism before most of today's historic hotels were even built, and highly favourable descriptions of Freiburg im Breisgau which has nothing short of enamoured the visitors. Manuscript
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Laura Simpson
Manuscript Commonplace Book, By a Young English Woman, Created at the York House, Malton, Where Charles Dickens Frequented.
Manuscript commonplace book created at the York House - where Charles Dickens reputedly wrote some of his novels - by a woman called Laura Simpson, daughter of Malton solicitor Alfred Simpson, Esq., who was also appointed Bailiff of the Borough of Malton in 1856 by 6th Earl Fitzwilliam, owner of the York House, the most important historic house in Malton. Miss Laura signs and dates the front endpaper on 30 August 1872, and again to its verso on 2 February 1873, though dated entries range from 1870 to 1875. 8vo. 68 pages featuring manuscript entries and newspaper clippings of various subject matters. Quarter calf over brown and yellow marbled boards. Volume measures approximately 16,5 x 19,5 cm. Very good condition. The volume was created by a young woman who evidently lived at York House in Malton which has an interesting connection to Charles Dickens from only twenty-five years earlier. Her father having close ties with the owner of the Fitzwilliam Malton Estate, it is quite conceivable that he met or knew the great author personally. Laura Simpson is the daughter of Alfred Simpson, Esq., a solicitor, Chairman of the Malton Burial Board, and Bailiff of the Borough of Malton, whose residence was at Yorkersgate, presumably being a tenant of the York House owing to the Simpson-Fitzwilliam family connection through an earlier marriage. York House is an impressive 17th century home in Malton where Charles Dickens reputedly wrote many of his novels, where he certainly found inspiration for some of his characters. The reason for Charles Dickens' association with Malton, and York House in particular, was his long friendship with Charles Simpson, solicitor. The Smithson family had their offices on Chancery Lane in Malton and they also shared a practice in London. The death of Charles Simpson's father in 1829, had necessitated his brother Henry to return to Malton and take over the family business, whereas Charles remained in London. It is whilst residing in London that Smithson & Dickens met. Thomas Mitton, a friend of Dickens had persuaded him to act as surety on a loan to purchase a one-third stake of Smithson & Dunn. In 1840, Henry followed his father and brother John to his grave. Charles was compelled to leave London and take over both the Chancery Lane practice and the duties of the town Bailiff previously carried out by his father and brother. Dickens visited Malton often in the 1840s. He delighted audiences with his readings wherever he went. He read in Malton, in what was said to be a theatre, on one of his visits. Manuscript
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Sir Richard Croft, Medical Baronet
Medical Manuscript Letter by a British Physician to King George III and the Royal Family, Describeing Complications of a Pregnancy Four Years Before the "Triple Obstetrical Tragedy.
Manuscript letter by Sir Richard Croft, Physician to King George III and the Royal Family, accoucheur (obstetrician), and British peer, describes complications of a pregnancy four years before the "triple obstetrical tragedy" Princess Charlotte which has become his unfortunate infamy. 8vo. 2 pages in manuscript. Double leaf measuring approximately 12 x 18,5 cm, watermarked with the year 1811, with integral address, two postal ink stamps and a lovely red wax seal. Very faint age-toning only to sections of the leaf exposed for mailing, otherwise in very good condition, beautifully preserved and highly relevant to the writer's occupation as a manmidwife and the complications of pregnancy and birthing in the early nineteenth century. "Sir Richard Croft (1762-1818) physician and man-midwife gained notoriety after his involvement in the labor of Princess Charlotte, which resulted in her death. He never shook off the shame of the tragedy, and shot himself three months later." (Oxford DNB). Manuscript signed letter from the Royal Physician and Male Midwife to the late Princess Charlotte, Sir Richard Croft, who is remembered for causing the "Triple Obstetrical Tragedy" of 1817, in which is a primary source account of early nineteenth century complications and precepts surrounding pregnancy and child deliveries. The writer is Sir Richard Croft, 6th Baronet (9 January 1762 - 13 February 1818), English physician to the British Royal Family and the obstetrician to Princess Charlotte, who is famed for his role in "the triple obstetrical tragedy" of her death in 1817. He received his medical training from, among others, his father-in-law, Dr. Thomas Denman, a preeminent obstetrician in London whose textbook on childbirth had been first published in 1788. He graduated with his MD from the University of Oxford in 1789. Croft was appointed the personal physician of King George III. He was also a member of the Medical and Chirurgical Society of London, and Physician to the Lying-in Charity on Old Burlington Street. He was the primary accoucheur or midwife to Princess Charlotte, granddaughter of the reigning King George III. Manuscript
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Michael Birk - Early Lithographie
Product and Packaging Catalog of the German Pharmaceutical and Medical Supply Firm, Mich.G.Birk GmbH & Co.
Extensive and complete product catalog of the German pharmaceutical and medical supply firm Mich.G.Birk GmbH & Co. [predecessor to today's BIRK Rundkartonagen GmbH & Co. KG], a highly reputable global firm established in Germany by wainwright [wagon maker] Michael Birk in 1879, designed for the private use of a single client. 8vo. 580 pages of text [double-leaf pagination tallies 290], xxxi (index), plus 20 pages colour chromolithographed frontispiece illustrations of sample labels ads - some of which are fold-outs, plus 9 pages of actual label samples mounted to the leafs. Text is complete in four languages - German, English, French, and Spanish, with the foremost leaf of proprietorship adding also Portuguese. Publisher's original illustrated binding, brown cloth titled in gilt and black lettering to front and spine, "Mich.Birk. Tuttlingen Deutschland. Katalog No.4." Occasional finger markings in the margins of five leaves only, specifically from the person who manually mounted the adhesive labels, otherwise in Near Fine condition, seldom seen complete, and in such pristine never-used condition, an exceedingly scarce volume in this state. Volumes such as this would have been issued to a specific client, for their own reference only. The following simple agreement is printed in five languages to the first leaf: "This list is to remain the property of the firm of Mich. Birk of Tuttlingen and only Mr._______ has been entrusted with the sole use of it. Reprints prohibited, will be prosecuted by law." The present volume was not assigned to anyone and remains as new, in original condition. Interestingly, the "Terms of Business" which prefaces the first section of product, is written in such a way that reveals the very personalized service offered by the owner of the firm, in spite of being an international success by this time. A pleasing repository of 1920s marketing of products from around the globe offered by the respected long-standing and leading packaging firm of Michael Birk - from a brief period when they also offered medical and surgical instruments, equipment and even laboratory furniture. It was in 1920 that Michael Birk expanded his export trade overseas and established offices in Mexico and South America, at the same time offering global distribution of products and instruments for the medical technology industry, from renowned manufacturers located in Tuttlingen, Germany. He also introduced significantly advanced offerings to his clients, such as grease-proof cardboard ointment containers, embossed colour labels according to individual customer requirements. [After the Second World War, global economics caused the firm to return its focus entirely to the development and production of packaging.] The present volume is a fine survivor of this pinnacle period in the firm's history, and an exceedingly scarce find in its pristine condition.
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Anon.
Illustrated Latin Manuscript Leaf, Hand Painted With Symbolism of Anti-Slavery, Introducing an Early Work of Translation by a Franciscan Friar of the Third Order.
Manuscript leaf introducing an early work of translation by a Franciscan Friar of the Third Order, hand painted in full colour and featuring fascinating symbolism. Text is in Latin. Leaf measures approximately 34 x 49 cm. One soft fold, minor age-toning, otherwise in very good condition, a beautifully preserved hand painted document made at the turn of the 18th century. The present document suggests that as membership of the Franciscan Third Order grew rapidly, and no formal papal education was being received by those preaching in the streets, there was a need for some form of instruction or guidance. As such, some of the key and simple canonical documents began being written for the laymen/women to understand the principles. The symbolism features intimation of anti-slavery. Purposed with works of teaching the gospel, providing charity, and social well-being for the public, early members of the Franciscan Third Order were a community focused on truth and humility, striving to emulate Christ and model a pure life. The symbolism in the manuscript illustration of the present document is fascinating and enlightening, in particular the focal image top and center. This is an armorial motif depicting slavery, rather the Catholic church's purported desire to slavery. Unlike the standard Moor's head seen in the papal coat of arms seen since early days, the imagery here features an African tribal warrior chief, all seen but his legs, with a confident stance and holding a spear up high in declaration; this is drawn inside of a gold shield topped with the pope's mitre simplex headdress. As a whole, this could be interpreted as the Franciscan Third Order's support to abolish slavery. Some of the more common instances of symbolism are the red ribbons to signify the Blood which Christ, and the laurel leafs in a circular placement as in the ancient Greek custom of symbolising victory, honor, and peace, in this case being victory over sin, honor to the Holy one, and peace on earth. There are also two large gilt fleur-de-lis, which is often said to from 1244 in the arms of the Kings of France, although clearly used earlier as this document precedes the latter event by 40 years. In early Catholic-based examples such as the present leaf, the fleur-de-lis is believed to represent either the Trinity, or the lancehead of a spear such as which would have pierced the side of Jesus on the Cross. Manuscript
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Anon
Lot of 6 Issues of Germany's First Published Aviation Magazine, Der Flieger, Featuring WWI Flying Aces .
Lot of 6 issues of Germany's first published aviation magazine, Der Flieger, published by the founder Kurt Tucholsky during the Great War, these issues featuring flying aces such as the Red Baron Manfred von Richthofen and leading tactical pioneer of aerial formations Oswald Boelcke, and notable events taking place in the air and on the frontlines of the Great War. Octavo. Illustrated field newspapers, issues number 19, 22, 23, 34 from 1917, issue number 29 dated May 1918, and issue number 1 dated October 1918 Text is in German. Magazines vary slightly in size, the smallest measuring approximately 26 x 35 cm and the largest measuring approximately 27 x 38 cm. Some chips and small tear at extremities, otherwise in very good condition, nicely preserved. Der Flieger was published by Kurt Tucholsky (1890-1935), who became one of the most important journalists of the Weimar Republic. Der Flieger was a field newspaper, now remembered as the oldest German aviation monthly periodical. From 1915 to 1917 Tucholsky served in the artillery flying school East I in Alt-Autz. From 26 November 1916 to November 1918 he published the field newspaper Der Flieger. Tucholsky was one of the most important journalists of the Weimar Republic Early issues of Der Flieger are exceedingly scarce. The present lot features Richthofen's 75th victory described by one of the very first men with whom Richthofen shared the details only two hours after the bold action, not long before he lost his own life in combat, an account of how in 1916 Oswald Boelcke earned the award "Pour le Mérite" along with Max Immelmann, an aviator's aerial view of Verdun shortly after the great battle of 1917, and more. Richthofen's 75th victory, a most notable attack which earned him a prestigious chivalry award, is recounted by one of the very first men who heard the details firsthand from the gallant aviator himself - only a couple of hours after the incident. Flying Ace Manfred von Richthofen, the famed Red Baron, is featured in the issue of 12 May 2018 with an article titled "Wie Richthofen seinen 75. abschoß [How Richthofen Shot Down his 75th." Richthofen had died in air combat only six weeks earlier on 21 April 1918, being the highest-scoring ace of the war, eventually being credited with 80 official victories. The account is written by a Lieutenant Lampel, who had only just met the famous ace for the first time on 2 April 1918. Only a couple of hours earlier Richthofen had claimed his 75th victory, by taking the lives of 19-year-old Second Lieutenant E.D. Jones and Second Lieutenant R.F. Newton. Flying ace Oswald Boelcke is featured with a portrait sketch on the front of the October 1918 issue, which is followed by an article describing the event that earned him the prestigious award "Pour le Mérite" being the second Great War aviator to receive the honor, immediately after and on the same day as Max Immelmann. Published for German aviators and frontline fighters alike, the issues center on matters timely and relevant to those who were directly involved in the monarch's scheme for economic and political domination of central Europe and the creation of a German colonial empire.
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Otto Sandkamp
Lot of Seven Monastic Manuscripts, with Watercolour Painted Illustration, Containing Eulogy, Hymns, and Poems.
Lot of seven monastic manuscripts, 1842-1844, hand coloured and illustrated by the writer, Otto Sandkamp, a German monk of the Catholic church, including a memorial to a notable Father Martin, verses to nature and specifically to the sun, and some hymns. 8vo. Seven manuscript documents on five leafs, two of which are signed by the author, four of which are dated. Text is in German. Leafs vary in size, the smallest measuring approximately 33 x 42 cm, and the largest measuring approximately 33 x 21 cm. Some age-toning and, otherwise in very good condition, beautifully preserved, clean and bright. One of the leafs is a eulogy-like dedication to Father Martin, possibly the respected Oblate who in 1838 was sent by the Bishop of Marseilles C.J. Eugene to Cotignac, in Provence-Alpes-Côte d'Azur, France. Built in the 12th century, falling into disrepair, and being confiscated by the State during the French Revolution, the chapel was finally restored and put back into use in 1840 owing to a generous donation by a German family. Father Martin's "Mission of Cotignac" began in February 1842, only a few weeks after the present document of 18 January 1842, for his mission at the Chapelle Saint Martin. Some further examples of the headings include Süße, heilige natur. [Sweet, Holy Nature.], An die natur. [To nature.], and Ossian an die Sonne. [Ossian on the Sun.] Manuscript
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Anon.
Manuscript Court Documents Pertaining to an American Merchant Ship Captured in 1801 by a Spanish Privateer and Recaptured Again by the American Crew.
Four manuscript court documents pertaining to an American merchant ship captured in 1801 by a Spanish Privateer while on a voyage to Barcelona and Malaga with valuable cargo, the subsequent recapture by the American crew, and claim for compensation from the salvage of her cargo. Three folio, one octavo, all single-leafs. Two documents are split at folds, one of which has very minor loss to text, otherwise the lot in very good condition, clean and legible, a most interesting record of the event and proceedings in the Admiralty Court. The American Brig Eliza, formerly Schooner Maria, whose homeport was Charleston and master was Captain Joseph Michael, was destined for Barcelona and Malaga in June 1801, with a cargo belonging to an American merchant named John Seamy. Near Tarifa, in Cádiz Province, on 10 July she was seized by Spanish privateers and ordered to the Port of Algeciras. While at anchor there, Captain Michael, with the help of his crew, in particular a Benjamin Hubble, managed to re-take the ship from the Spanish. They immediately proceeded across the Bay to Gibraltar with the intention of selling the ship and cargo for personal gain. Refusal to acquiesce to the Spanish privateers would have resulted in extreme retribution for the American captain and crew if they had not succeeded in their escape, as mentioned in the documents as a reason to disallow the captain of any monetary gains for the recovered vessel. There was also intense fighting around Gibraltar, involving the French, Spanish, and British, therefore the Spanish were well-positioned and well-armed. It was the Battle of Algeciras Bay taking place, having begun only 4 days earlier on 6 July 1801. (It would end on the 12th). Adding to the eminent danger for the Americans, when the United States had declared independence, British diplomats were quick to inform the Barbary States that U.S. ships were open to attack. In May 1801, some 6 weeks before the incident described in the present documents, the First Barbary War had begun, a war between the alliance of the United States and several European countries, against the Northwest African Muslim states known collectively as the Barbary States. Prior to independence, American colonists had enjoyed the protection of the British Navy. The British no longer offered protection. The Mediterranean Sea was now a precarious place for Americans to sail. On 4 December 1801, four members of the crew, Benjamin Huddle, Robert Sherington, Thomas William, William Sesten, engaged a proctor to recover the ship and her cargo. His compensation would be half of the value of the salvage. Following the recovery voyage, accusations flowed freely and, a few months later, in December 1801, a trial in the Admiralty Court ensued. The proctor presented his case for the claimants. The result of the trial is not identified herein, but can be assumed in favour of the claimants, based on the final document, which is a "release of all claims" by the ship's new captain, Nathan Ells, who was a mate under Captain Michael, employed on the ship during the event in question.
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Arnoux Hippolyte
Rare Uncut Albumen Photographs of the Suez Canal and Port Said.
Rare Arnoux Hippolyte albumen photographs of Port Said taken circa 1869, contemporary to the opening of the Suez Canal, and still on their original uncut albumen leaf. Together with a rare albumen carte-de-visite portrait photograph of Ferdinand de Lesseps taken in the acclaimed studio of Charles Reutlinger in Paris in 1863. The Port Said CDV size albumen photographs feature embedded manuscript captions in French, and measure approximately 9 x 5 cm, remaining together on the single uncut albumen leaf measuring 20 x 7 cm. The complete carte-de-visite of Ferdinand de Lesseps, having one round-trimmed corner, the photographer's two studio addresses and the coat of arms of the Kingdom of Great Britain printed to verso, measures approximately 6 x 10, and the mounted portrait photograph measures approximately 5,5 x 9. De Lesseps' biography annotated in manuscript in pencil to verso. Minor creasing to some corners of leaf, slight age-toning to De Lesseps photograph, otherwise the lot is in Very Good Condition. Uncut CDV Photographs are exceedingly scarce; early photographs of Port Said are also rare, making this a most uncommon and valuable addition to any photography collection. The uncut albumen leaf of 10 photographs is the work of acclaimed French photographer Hippolyte Arnoux who is best remembered for his superior photographic documentation of the construction of the Suez Canal from start to completion. This lot of photographs is especially reminiscent to the artist as he earned his fame with his important and stellar photography of the construction of the canal. Being in the form of an uncut leaf, as such preserved in its most original status, makes it an invaluable and remarkably scarce primary source artefact. The highlight of one of the photographs, which aids to date the images, is captioned "Fare de Port Saïd" and shows the iconic lighthouse designed by François Coignet. The city being only modestly developed at the time, two nostalgic photographs serve to memorialize the early days of what would become a global center; these are captioned "Port et Ville de Port Saïd" and "Entree du Canal a Port Saïd". At the dawn of a new era, we notice the large sailing vessels which would soon be replaced by steam powered steel cruisers. One of the photographs, captioned "Quay Mehemet Ali a Ismailia" shows the grand villa where de Lesseps was based, his residence and office at Ismailia. A close-up view of the aforementioned guard shelters and reception dock on the shore of the Suez Canal is seen in a photograph of one of De Lessep's first passenger steamers utilized on the canal. The vessel is approaching the residence of the viceroy and at least three individuals in a canoe are preparing to disembark. The photograph of Ferdinand de Lesseps was taken circa 1863 by Charles [Carl] Reutlinger (1816-1888) whose photography studio in Paris quickly rose to prominence, becoming the most notable studio of its day, and famous for its portraits of politicians, visiting dignitaries, royalty, actors, artists, musicians, composers, opera singers, ballet dancers, philosophers, members of clergy (Catholic, Jewish and Protestant), essentially all manner of notables of the period.
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Anon.
Two Signed Membership Documents Pertaining to the Acceptance of Monica Mary Cole, an English Geographer, into Two Scientific Societies.
Two signed membership documents formally accepting English geographer Monica Mary Cole into two scientific societies for the learned, the Royal Geographical Society and the Geologists' Association, respectively. 8vo. Two separate printed documents, three leafs combined, each document completed, signed and dated by the respective society's secretary. Leafs measure approximately 20,5 x 26 cm. Creasing to one document, otherwise in very good condition. Monica Mary Cole (1922-1994) was an English geographer, lecturer, and author, an intellectual woman and polyglot, whose legacy has been described by her colleagues as "a leader in her chosen field of academic research" who "scaled the heights of a profession that, even today, finds too few women as the incumbents of chairs." She left the Royal Geographical Society £10,000 for it to establish a research travel grant for young female physical geographists. The Archives of the Royal Holloway, University of London holds a collection of papers relating to Cole. They include her personal papers and objects connected to her career as a geographer between 1967 and 1970. During her distinguished career she produced pioneering works in the fields of biogeography and geobotany, remote sensing and terrain analysis, and mineral exploration. Her research spanned Central and Southern Africa, Brazil, Venezuela, Australia, China and Finland. Cole was not the archetypal quiet and contemplative academic. She was a larger-than-life character, and people loved to be around her. She was elected as a Fellow in the Royal geographical Society on 22 June 1942. The following year, on 6 December 1943, she also became an elected member of the Geologists' Association of London. The present documents are her official membership declaration papers from each of these societies. In 1947, Miss Cole was appointed geography lecturer under Bill Talbot at the University of Cape Town. She conducted a detailed land utilisation survey on the soils and crop yield affected by climate anomalies in Elgin, Western Cape, which was called "one of the most thorough and useful land utilization surveys carried out anywhere in South Africa" by Stanley Jackson, in The Geographical Journal.
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DIESEL, Rudolf
Signed Manuscript Letter in German By the Inventor of Diesel Engine, Concerning About the Installation of His Prototype Diesel Engine.
[Berlin], 22 February [1895]. Rudolf Diesel's retained copy of his own signed manuscript letter to Samuel Breslauer, following up on previous correspondence concerning the installation of his prototype diesel engine, during the design stage. Text is in German. 4to. Single leaf, 4 lines of text on onion skin paper measuring approximately 30 x 24 cm. Minor age-toning, otherwise in very good condition. Rudolf Christian Karl Diesel (1858-1913), needing no introduction, was a German inventor and mechanical engineer who is world-famous for having invented the Diesel engine. At the time of this letter, Diesel was diligently working on altering and perfecting his 1893 engine design. This design would later be known as the diesel engine. The first prototype Motor 150/400, had been completed 12 July 1893. Initial tests proved it to be a successful concept. By October 1895, after the first prototype had been converted into the second prototype Motor 220/400, it had become clear that, a completely new engine had to be designed from scratch. On 20 February 1896, Krupp, Maschinenfabrik Augsburg, and Diesel, decided to start the development of the new engine. The new engine was supposed to be a 250 mm bore engine with a 400 mm stroke. On 5 March 1896, Diesel filed a patent application for supercharging; on 26 March, it was decided to build the new engine with a supercharger. In order to improve the efficiency of the development process, a new design bureau was built directly into Diesel's Augsburg testing laboratory. Several young engineers worked there, including Imanuel Lauster. On 30 April 1896, after Lauster had completed the drawings, the workshop at Augsburg began making parts for the engine. The first successful Diesel engine Motor 250/400, designed by Rudolf Diesel, was officially tested in 1897 by German industrial engineer Moritz Schröter. Schröter concluded, "we are beholding a quite marketable machine that has been thoroughly designed with great attention to every single detail." At this time, several firms bought licences for building legal copies of the Motor 250/400. It is now on display at the German Technical Museum in Munich. The recipient of the correspondent is Samuel Breslauer (1870-1942), a lawyer, journalist and editor, who rose to be head of the Politics department for the Berlin newspaper "Berliner Lokal Anzeiger", a daily newspaper with one of the highest national circulations of its time. Breslauer is remembered as one of the numerous Jews who were captured and deported camp during the holocaust. Surely his public role would have made him an immediate target by the German extremist leader. In August 1942, Breslauer and his wife Bertha were taken to the Theresienstadt concentration camp where they both died, she within four days.
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Diesel, Rudolf
Signed Manuscript Letter in German By the Inventor of Diesel, Concerning the Installation of a Gas Engine.
Rudolf Diesel's retained copy of his own signed manuscript letter to Samuel Breslauer, concerning the installation of a gas engine. Text is in German. 4to. Two single leafs, 2 pages of text on onion skin paper measuring approximately 30 x 24 cm. Minor age-toning, otherwise in very good condition. In this correspondence, Diesel describes alterations being made to the design of his first prototype, making comments on the compressor, transmission, and the lighting system (ignition), among other things. The second prototype, described here, would be built by October the same year. The specific plan for this engine model is noted in the upper margin: Plan F.B.930. Rudolf Christian Karl Diesel (1858-1913), needing no introduction, was a German inventor and mechanical engineer who is world-famous for having invented the Diesel engine. At the time of this letter, Diesel was diligently working on altering and perfecting his 1893 engine design. This design would later be known as the diesel engine. The first prototype Motor 150/400, had been completed 12 July 1893. Initial tests proved it to be a successful concept. By October 1895, after the first prototype had been converted into the second prototype Motor 220/400. After testing, and always seeking to improve, again it was decided that a completely new engine had to be designed from scratch. On 20 February 1896, Krupp, Maschinenfabrik Augsburg, and Diesel, decided to start the development of the new engine. The new engine was supposed to be a 250 mm bore engine with a 400 mm stroke. On 5 March 1896, Diesel filed a patent application for supercharging; on 26 March, it was decided to build the new engine with a supercharger. In order to improve the efficiency of the development process, a new design bureau was built directly into Diesel's Augsburg testing laboratory. Several young engineers worked there, including Imanuel Lauster. On 30 April 1896, after Lauster had completed the drawings, the workshop at Augsburg began making parts for the engine. The first successful Diesel engine Motor 250/400, designed by Rudolf Diesel, was officially tested in 1897 by German industrial engineer Moritz Schröter. Schröter concluded, "we are beholding a quite marketable machine that has been thoroughly designed with great attention to every single detail." At this time, several firms bought licences for building legal copies of the Motor 250/400. It is now on display at the German Technical Museum in Munich. The recipient of the correspondent is Samuel Breslauer (1870-1942), a lawyer, journalist and editor, who rose to be head of the Politics department for the Berlin newspaper "Berliner Lokal Anzeiger", a daily newspaper with one of the highest national circulations of its time. Breslauer is remembered as one of the numerous Jews who were captured and deported camp during the holocaust. Surely his public role would have made him an immediate target by the German extremist leader. In August 1942, Breslauer and his wife Bertha were taken to the Theresienstadt concentration camp where they both died, she within four days.
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Matthiae Dögens - DOEGEN - DÃGEN
Heutiges Tages Übliche Kriges Krieges Bau-kunst mit vilen ausserläsenen, so wol alten als neuen, geschichten bewähret und mit den vornämsten Fästungen der Christenheit lehr=bilds=weise Aufsgezieret
Bound in Continental full vellum. The engraved title depicting the author showing a geometrical drawing to William Prince of Orange. Engraved title. (6),475 pp. and 70 double-page engraved plates. Bottom Margin of title page with old owners name clipped. This was the largest work hitherto published on fortification, and it is specially interesting for containing 29 plans of European fortresses. It was originally published in Latin the year before and a French translation appeared the same year as this German edition. (Willems, Les Elzevier No 1064). - Sotheran Second Suppl. No 20981 (French edition) - Brunet II:788. - Klaus Jordan No 911. - Sloos, Warfare and the Age of Printing, 8029
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BIRAGO Francisco Mediobarbo
Imperatorum Romanorum Numismata a Pompejo Magno ad Heraclium ab Adolfo Occone Olim Congesta. Augustorum Iconibus; perpetuis Historico-Chronologicis Notis pluribusque Additamentis jam Illustrata
very good copy bound in full blind stamped Italian vellum.Frontispiece illustration. Title in red and black. [23], 624 pages, 235 copper engraved illustrations of Roman coins. "Bonne edition." - Brunet IV, page 151; Lipsius, page 293. An important reference for Roman coinage from Pompeji and Heraclium. First published by Plantin in 1579 (without the illustrations), the work was later edited by Francesco Mezzabarba of Milan in 1683. Adolph Occo was a physician, philosopher and archeologist who established helped Roman numismatics as a field. This work was "one of the landmarks in the evolution of numismatics into a science." - Dumbarton Oaks. Titel in Rot und Schwarz. Mit gest. Frontispiz, gest. Porträt, gest. Titelvignette und 235 gest. Münzabb. mit Kaiserporträts. 15 Bll., 624 SS. Folio. Kalbldr. d. Zt. über 7 Bünden mit goldgepr. Supralibros auf Vorderdeckel. Von Francesco Mezzobarba Birago und Filippo d Argelati neu herausgegebene und überarbeitete Ausgabe der Geschichte der kaiserlich-römischen Porträtmünzen des Pharmazeuten und Numismatikers Adolf Occo (1524 1606).
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Anon
Rare Slavery Document: Wisselbrief [Bill of Exchange, Promissory Note].
A numbered (278) and printed document granting financial compensation to a slave owner in Suriname, by the Dutch government, signed in the original by numerous parties including the Gouverneur de Kolonie Suriname [Governor of Suriname] Van Lansberge, the Administrateur van Financienvan Het Ministerie van Kolonien te s-Gravenhague [Finance Administrator for the Ministry of the Colonies, at The Hague], and the recipient of the funds who is not only a slave owner but well-known chirurgeon A.D. Charlouis. Text is in Dutch. With steel engraved colonial coat of arms, official ink stamps, the embossed stamp of the "Klein Kolonie Suriname" government. Single leaf measuring approximately 26,5 x 13 cm. Very good condition, beautifully preserved, a scarce and historical slavery document with notable signature. The present document is interesting, as is was made almost two years after the official abolition of slave ownership in Suriname, which reveals the lengthy time period over which this process was stretched. The government's primary concern was not the freedom of the enslaved people; it was the preservation of the plantation economy, lest there be a mass exodus of workers leaving the plantations. The latter was cited as the reason and justification for the mandatory employment contract which accompanied 'free status' of a slave. Chirurgeon Andries Daniel Charlouis (Emden, Lower Saxony 1820 - Paramaribo, Suriname 1880) is the recipient of this compensation. Historical evidence reveals that he had more slaves than what is represented with this document, and that he released them gradually. He was well-known in the field of medical science, particularly for his studies on medicinal matters and the indigenous people of South America; his name appears in numerous medical journals of the period. Reinhart Frans Cornelius van Lansberge (1804-1873), whose signature authorizes this document, was the Governor-General of Suriname from 1 August 1859 to 29 June 1867. Slavery was abolished in the Dutch West Indies during his governorship. Previous to this post, he was Governor of Curacao from 1855 to 1859, and formerly Dutch Consul-General Venezuela. Doctor Charlouis, whose original signature is found to verso, received 1935 guilders with this promissory note effective 15 August 1865. This figure represents the release of approximately 6 slaves. A manuscript annotation to upper left margin, penned in a West Germanic language, refers to the abolition act: "Opheffing der slavernij... 1863" [Elimination of slavery... 1863]. Red ink annotations reveal that this document was registered on 16 September 1865, and signed by a Geregistreerde referendaris J.C. Jaunen [registered secretary]. Additional annotations to the upper margin suggest that the funds were cashed in on 16 October 1865 "Betaalbaar te Amsterdam" [paybale to Amsterdam]. Also interesting to note, two of the signed annotations to verso, those of Charlouis and a witness, make reference to German plantation owner, banker Wilhelm Eduard Ruhmann at Paramaribo. As such, this transaction was most likely transacted at Surinaamsche Bank which had been founded earlier the same year, and the funds dispatched from there to the Dutch government in The Netherlands. The Netherlands abolished the Atlantic slave-trade in 1814. However, localized slavery continued for over half a decade. Slavery was finally abolished in Suriname and the Dutch West Antilles on 1 July 1863 with the Emancipation Act. On that day, about 35,000 slaves in Suriname and 12,000 slaves on the Dutch islands in the Caribbean were given their freedom, or rather a modified version of freedom. Freed men in Suriname come under state supervision for ten years with a mandatory employment contract on the plantations. The slave owners received financial compensation from the government upon releasing their slaves to this system. The Dutch government paid 300 guilders per slave to the owner for the "lost property". (In the Dutch East Indies, payments were far lower, 50 to 350 guilders depending on the age of the slave). The abolition of slavery was referred to as 'emancipation'. Parties were organized in which King William III was presented as a key figure and benefactor of the freed slaves.
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Anon
Carte-de-visite Photograph and Obituary Notices for "Eccentric Joey Jones" [Joseph Jones].
Carte-de-visite photograph and obituary notices for "Eccentric Joey Jones" [Joseph Jones], who was well-known as an entertainer in the world of sport, particularly equestrianism, even to the Prince of Wales who saw his performances, mounted to a numbered leaf, with other texts and a green and white tobacco label from the Inland Revenue Division of Windsor, for 1 lb Canada leaf only, presumably what he enjoyed. Mounted to verso are two manuscript letters addressed to W.T. Roycroft, Esq., friend and supporter of the popular Joey Jones, who undoubtedly was the compiler of this memorial leaf. Leaf measures approximately 20 x 28 cm, chips to margins, loss to upper left corner, otherwise in very good condition, preserving the memory of a British Eccentric and holding a very scarce cdv portrait. Joseph Jones, better known as "Eccentric Joey Jones", a well-known attendant on race courses and at prize fights, where his sayings and doings amused all classes of society. He was also a talented equestrian and performed some remarkable feats of horsemanship. He was also fortunate in making money on horses, and was often chosen to be master of the ceremonies at benefits and other sporting events. His life was not by any means ordinary, nor was he, and he entertained people for decades, being a popular and familiar personality in the Victorian era. As a youth, he made his first appearance on Soap-yard, Borough Market, on 28 May 1816. [Borough Market is widely considered London's oldest retail and wholesale food market. It's been operating at its current site since 1756.] At age fourteen, he became a cabin boy on a sailing vessel engaged in trading between limerick and London. He did that for a few years, but being the highly social and charismatic person that he was, seafarring life was not to his liking. He subsequently joined a travelling circus, where he became a skilled equestrian and clever acrobat. Alas, he had a severe accident, and was forced to learn a new trade. With a natural affinity for entertaining, he joined a company of strolling players and eventually became famed for his comedic routines and antics. In 1846 he essayed the part of Orthello, though was not as successful as a tragedian. Later, he was engaged by "Lord Chief Baron Nicholson" [Renton Nicholson 1809-1861] as a mock advocate and in Ellington's year he rode down to the Derby in his wig and gown. [In partnership with Thomas Bartlett Simpson, Renton Nicholson 1841 he opened the Garrick's Head and Town Hotel in Covent Garden, and in a large room in this house, on Monday, 8 March 1841, established the well-known Judge and Jury Society, where he himself soon presided, under the title of 'The Lord Chief Baron.' Members of both houses of parliament, statesmen, poets, actors, and others visited the Garrick's Head, and it was not an uncommon occurrence to see the jury composed of peers and members of the lower house. The trials were humorous, and gave occasion for much real eloquence, brilliant repartee, fluent satire, and not infrequently for indecent witticism. Nicholson's position as a mock judge was one of the sternest realities of eccentric history. Attorneys when suing him addressed him as 'my lord.' Sheriffs' officers, when executing a writ, apologised for the disagreeable duty they were compelled to perform 'on the court.'] He entertained audiences during the Spring and Summer meetings at Epsom, south of London, and in his later years, earned a meager living by way of comic and other recitations at sporting reunions. At the time of his death, Jones was the oldest knight of the Royal Antediluvian Order of Buffaloes (RAOB), one of the largest fraternal movements in the United Kingdom. It was his 'brothers' within the fraternity, who organised a "respectable interment." Jones passed away 19 April 1889 and was buried at Nunhead Cemetery, one of the Magnificent Seven cemeteries in London, England. Located in Nunhead in the London Borough of Southwark, it was originally known as All Saints' Cemetery. It was consecrated in 1840 and opened by the London Cemetery Company. Several interesting figures are buried at Nunhead, including a Peninsular War soldier, actors and other performers, writers, noteworthy business owners, railway engineer Sir Charles Fox, Lord Mayor of London Sir Polydore de Keyser, etc. Falling to disrepair and total abandon, in the early 1980s, the Friends of Nunhead Cemetery was formed, to renovate and protect the cemetery. Today it is classified as a Local Nature Reserve. A fascinating memorial, with rare photograph, to a nineteenth century British Eccentric who make an impression in the equestrian and comedic realms of entertainment, famous and revered in his day.
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Anon.
Vintage Appointment Certificate for the Country of Londonderry, Northern Ireland.
Original certificate of appointment to His Majesty's Commission, naming a Justice of the Peace for the County of Londonderry. Printed document completed in typescript, featuring manuscript ink signature and the clerical red embossed stamp of the Clerk of the Crown. Single-leaf, watermarked, measuring approximately 33,5 x 21 cm. Minor creasing, otherwise in very good condition, clean and bright. From the brief 75-year existence of the Londonderry County Council, when the town of Coleraine was the seat of the County of Londonderry, completed and signed in the historic Coleraine Courthouse. Issued to a Henry Haslett Davison, Esq. of Owenroe, Dungiven, Northern Ireland, who is being appointed as a Justice of the Peace for the County of Londonderry, this document is signed in the original by A. Newton Anderson, Clerk of the Crown of Northern Ireland. Anderson, who was a recipient of the O.B.E., retained this role until at least 1944. Andrew Newton Anderson OBE (1880-1950) was born in Lurgen, Ireland. He was educated at Campbell College in Belfast. From 1915-1919 he served as a Lieutenant with the Royal Irish Rifles. He later became a Solicitor and Permanent Secretary of the Supreme Court of Judicature, Northern Ireland, subsequently Clerk of the Crown of Northern Ireland. In November 1944, he administered the Oaths for the Right Honourable William Lowry, A.C., M.P., who became His Majesty's Attorney General for Northern Ireland. Londonderry County Council was the authority responsible for local government in County Londonderry, Northern Ireland. The Council was formed under orders issued in accordance with the Local Government (Ireland) Act 1898 which came into effect on 18 April 1899. Also as a result of the Act, the city of Londonderry, now popularly referred to simply as Derry, was detached from the county for administrative purposes, becoming a separate county borough from 1899. As such, the county town of County Londonderry, and seat of the Londonderry County Council were therefore moved to the town of Coleraine. The Council was originally based at the Coleraine Courthouse, then moved to County Hall in Coleraine in 1970. The Council was abolished in 1973 in accordance with the Local Government Act (Northern Ireland) 1972. The Old Coleraine Courthouse, now a Grade B1 listed building, is a former judicial facility on Castlerock Road in Coleraine, County Londonderry, Northern Ireland. The foundation stone was laid by a local magistrate, Charles Knox, on 24 November 1850. Construction was completed in 1852. The building was originally used as a facility for dispensing justice but, following the implementation of the Local Government (Ireland) Act 1898, which established county councils in every county, it also became a meeting place for Londonderry County Council. An extensive programme of renovation works was completed in 1908. In the 1960s, county leaders decided that the courthouse was too cramped to accommodate the county council in the context of the county council's increasing administrative responsibilities, especially while the courthouse was still acting as a facility for dispensing justice, and therefore chose to move to County Hall, conveniently located just to the north of the courthouse in Coleraine, in July 1970.
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Anon.
Britain's Cottons: Vintage Sample Box by the Cotton Board Home Trade Department.
Boxed samples supplied by the Cotton Board Home Trade Department, containing cotton samples in seven formats at different stages of production, thirteen unique fabric swatches made from said cotton, each of the samples and swatches accompanied by a text description on a blue card. Together with the original photographic pictorial insert printed recto and verso to illustrate industrial cotton processing and provide statistics to entice commercial buyers. Original blue cardboard box measuring approximately 32 x 16 x 4 cm, with six box compartments within it serving to neatly separate and display the contents, and paper label to front. Wear and pierce marks to box, otherwise in excellent condition, its contents well preserved, an intact and complete item. Samples show cotton at various stages, including: An American Cotton Boll, Cleaned Cotton (Scutcher Lap), Carding (Card Silver), Slubbing, Roving, a Mule Cop of weft yarn ready for use in a loom shuttle, a Ring Tube of weft yarn suitable for warp in the weaving process, 13 finished woven fabric swatches, most of which are dyed. Statistics printed on the inserted leaf, reveal that in the year 1960, the United Kingdom exported cotton goods amounting to a value of £63,000,000 while local consumers purchased approximately 1,800 million square yards of cotton textiles. Further listing all the countries from where raw cotton and the like was imported, the United Kingdom purchased 822 million lbs. From this, the finished product of cotton textiles exported to Africa, Australia and New Zealand, America, and Western Europe, amounted to 327 million square yards exported. An astounding 222,720 workers were employed in the United Kingdom Cotton Industry, mostly in Lancashire, but also including the neighbouring districts of Yorkshire, Derbyshire and Cheshire. The Cotton Board was an organisation to oversee the organisation, research, marketing and promoting the cotton textile industry mainly based in Lancashire and Glasgow. A voluntary Cotton Board was set up in 1940 to "promote the welfare of the industry by internal reorganisation, by the development of export trade, scientific research, propaganda and other means." The board was given statutory status from 1948 to 1972 under the Industrial Organisation and Development Act 1947, and was known in its last years as the Textile Council. The Board had equal representation from industry and trades unions, with four members each, plus three independent members. It was given the power to levy up to £250,000 a year from the industry. Its headquarters was in Manchester, together with the "Colour, Design and Style Centre", which became the public face of the board. Between 1956 and 1962, the Cotton Board organised promotions to try and increase sales of Lancashire cotton within the UK, using generic marks, particularly the slogan "Buy British Cottons" - as seen on the leaf in the present display box. Its initiatives included new methods for utilising labour, recruitment and training, the encouragement of collaboration within the cotton industry, and design innovations. British fashion designs and fabrics were showcased at national and international exhibitions, ranging from an exhibition on the history of the cotton mills and a display of 1960s children's clothing to soft furnishing promotions at large stores and national fashion shows. Initiated by the Cotton Industry Act 1959, the Board engaged in a major attempt to reorganise the cotton industry, which entailed "the scrapping of machinery and compensation for redundant workers in the industry, which was carried through with great success and great expedition". Regrettably, a combination of reduced consumer demand, poor marketing and cheaper Commonwealth imports during the period of reorganisation created, a reduction of confidence in the industry, according to the Board's chairman Lord Rochdale. This both reduced the amount asked for by industry and invested by the government and resulted in machinery being installed in mills that either closed or became idle. Furthermore, because of the need to replace machinery on a ten-year cycle, idleness was likely to mean that investments would not be recouped. The Board funded research into cotton fabrics via an industry-wide levy. This was undertaken by the British Cotton Industry Research Association (BCRIA), better known as the Shirley Institute. By the 1960s, research also involved man-made fabrics, whose manufacturers began to pay a research levy to the Cotton Board from 1961. Meanwhile, from 1946, the British Rayon Research Association (BRRA) was formed by the British Rayon Federation and others, to investigate the chemical and physical properties of rayon and rayon fabrics, using a wide range of laboratory and theoretical methods. It became clear that a merger between the BCIRA and BRRA was needed, and in 1961 the two joined together as "The Cotton, Silk, and Man-Made Fibres Research Association in 1961", still popularly referred to as the Shirley Institute. In 1967, the Cotton Board was renamed the Textile Council. Between 1967 and 1969, the Textile Council conducted an enquiry into the productivity of the industry, and produced a major report. The report ultimately recommended a move away from cotton import quotas to imposition of tariffs on cotton goods imported from the British Commonwealth and elsewhere, to protect British industries. The recommendation was accepted by Wilson's Labour government and its Conservative successor. The Textile Council was dissolved in 1971-2, at its own request, as it was felt the work would be better handled by a new voluntary British Textile Council.
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Uchiyama, Takeo
Japanese Artists in Europe
This is a very good softcover copy with light wear. Completely clean inside and out. Text in English and Japanese. Essay by Takeo Uchiyama. Illustrated in black & white and color. Fold-outs. 29 Japanese artists working in Europe in the mid 20th century are profiled here. 10" square, 49 pages.
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Pagé, Suzanne & Michel Winock, Eric Michaud, et al.
Annees 30 En Europe Le Temps Menacant 1929-1939
This is a very good hardcover copy with almost no wear in blue pictorial boards, no dust jacket as issued. Completely clean inside and out. Text in French. Standard survey of the decade before World War II, surveying both fine and decorative arts. Covers painting, sculpture, photography, graphic design, film, decorative arts and furniture. This catalog was prepared to accompany the exhibition at the Musée d'Art moderne de la Ville de Paris in the spring of 1997. Illustrated in color and black & white. Bibliography. Chronology. Essays by more than a dozen scholars including Michel Winock, Eric Michaud, José Vovelle, et al. 11" high X 9" wide, 571 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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ANDERSON, Iain F., foreword by Kenneth Macleod
To Introduce the Hebrides
8vo [19.5 x 13.5 cm]; 307, [iv, ads] pp, frontis, illustrations from photos on plates, map endpapers, index. original cloth, title lettering on spine and cover, edges rubbed, cover a little faded, good copy. A picture of this book is available upon request by email. The author travelled extensively through these islands off the coast of Scotland, providing much on their history. There is a pencilled signature of "Miss MacLeod - A. G. M. B." but its is not known if there is any connection the author of the foreword.
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ANON [W. J. LEIST]
Royal Leamington Spa
12mo [13 x 19 cm]; 88 pp, illus, color plates, folding map, ads at rear. original wraps, slight aging but near fine. A picture of this book is available upon request by email. Leamington is 90 miles north of London and was a major attraction in its day, this item being a comprehensive handbook of the attractions
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AUSTIN, Alfred
Lamia's Winter-Quarters
8vo [23.5 x 17 cm]; xvii, [i], 164 pp, 16 colored plates including frontis, all by George S. Elgood, each with tissue guard with letterpress titles, other illus, head and tailpieces from pen & ink drwgs by William Scott. original red decorated cloth, title lettering on cover and spine, all edges gilted, spine faded, edges rubbed, front internal hinge cracking but firm, minor foxing on few leaves, clean and sound copy. A picture of this book is available upon request by em Views of Italy by the author of The Garden that I Love, which also had Elgood plates. Elgood was a popular and respected painter of view, member of the Royal Institute. First published in 1898 without the colored plates, this edition was in 3,000 copies. Inman 162.
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BADDELEY, Sir John James
The Guildhall of the City of London; Together with a Short Account of its Historic Associations and the Municipal Work Carried on Therein
8vo [21.5 x 14 cm]; [viii], 211 pp, frontis of City Archives, other illustrations from photos, plans, other illustrations from drwgs, index. original pictorial paper wraps, chipped at spine end and one corner, interior clean and very good. A picture of this book is available upon request by email. Includes the history, the great hall, monuments, public meetings, chambers, the library, museum, election of the lord mayor, insignia and household, banquets, sheriffs, their work, etc.
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BARROW, John
A Visit to Iceland by way of Tronyem, in the "Flower of Yarrow" Yacht in the Summer of 1824
12mo [21 x 13 cm]; xxiv, 320 pp, engraved frontis, 9 engraved plates (complete as per list), other engravings, engraved musical notation. original cloth, title printed on original paper spine label (bit worn), old joint repair, lightly foxed on some pages, very good clean copy. A picture of this book is available upon request by email. The author describes the people, towns, customs, and much on nature including two large chapters on geysers. Barrow described Iceland as "an island of deep interest, and one not easily accessible, where the grand agencies of Nature employed in creating, changing and destroying the earth's surface, are carried on to a greater extent probably than most other parts of the globe." National Maritime Museum 858. Catalogue of the Royal Geographical Society p. 31.
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BELL, J. J.
Scotland's Rainbow West
8vo [20 x 14 cm]; 372 pp, frontis, plates, folding map (short split), bibliog, index. original cloth, spine faded, inscribed on endpaper, very good copy, interior clean. A picture of this book is available upon request by email. Travels in the countryside of Scotland, including the Firth of Clyde, Oban, the Great Glen, the western islands.
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BERLEPSCH, H.
The Alps or Sketches of Life and Nature in the Mountains
8vo [23 x 15 cm]; iv, iv, 407 pp, tinted frontis and 16 plates, lightly tinted as issued. contemporary half green leather, gilt title lettering on spine, marbled boards and endpapers, top edge gilted, original ribbon bookmark, covers rubbed at edges, but very good with clean near fine interior, very minor foxing on some leaves. A picture of th BMC II:1044.637. The author describes the geography, forests, alpine roses, valleys, clouds, waterfalls, mountain snowstorms, red snow, avalanches, glacier, alpine summits, mountain passes and alpine roads, the hospices, chalet life, the Alp horn, Alpine feasts, village life in the mountains, etc, with excellent illustrations.
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BETHENCOURT, Jean de, Richard Henry Major (translator, introduction)
The Canarian, or Book of the Conquest and Conversion of the Canarian in the Year 1402
8vo [23 x 15 cm]; lv, 229 pp, frontis of Bethencourt & tissue guard, 2 plates, map, plate of orig title page from French edition, index. original blind-stamped cloth, gilt cover vignette, spine title lettering, bookplate removed from endpaper, spine faded, worn and with small hole, else very good, small stain on outer corner of few leaves but interior clean. A picture of this book is avail The editor provides a detailed historical introduction and biography. This is from the Hakluyt Society first series, scarce in any condition. Cox I, 399.
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BLACK, David (editor), illustrated by Stephen Lee
Carl Linnaeus Travels
4to [25 x 20 cm]; 108 pp, frontis (port), illus, mainly in color, some full-page, glossary, bibliog, classification diagrams. endpaper facsimiles of Linnaeus' handwriting. original cloth, gilt spine title lettering, dj (price clipped), fine, clean, unmarked. A picture of this book is available upon request by email. Extracts from three major expeditions made in Sweden by one of the greatest and most influential naturalists. Beautifully illustrated in color.
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BLACK, David (editor), illustrated by Stephen Lee
Carl Linnaeus Travels
sm 4to [25 x 20 cm]; 108 pp, frontis (port), illus, mainly in color, some full-page, glossary, bibliog, classification diagrams. ep facsimiles. original cloth, gilt lettering, dj (small crease), fine. A picture of this book is available upon request by email. Extracts from three major expeditions made in Sweden by one of the greatest and most influential naturalists.
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BROCKEDON, William
Illustrations of the Passes of the Alps, by which Italy Communicates with France, Switzerland and Germany
4to [30 x 22 cm]; 2 volumes, [vi], 92; [iv], 104 pp, complete with 96 fine engraved plates and 13 engraved maps including one folding, on heavy india proof paper. contemporary half red morocco, marbled boards, all edges gilted, gilt spine title lettering, joints rubbed and scuffed, some plates pulled but intact, internal hinge cracked but firm, very good, clean copy with only light foxing on a few plates. A picture A superbly illustrated work on 12 mountain passes including the Little Saint Bernard, the Mont Genevre, the Mont Cenis, the Mont Saint Gothard, the Great Saint Bernard, the Monte Stelvio, the Cornice, the Grimsel and the Gries, the Bernardine and the Splugen, the Brenner, the Tende and the Argentiere and the Simplon, each pass with a map. Neate B170. The painter Brockedon traversed the Alps 58 times, crossing more than 40 different passes, in the course of his researches. He had helped in the preparation of Murray's Swiss guidebook.
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BURLINGHAM, Frederick
How to Become an Alpinist
8vo [19.5 x 14 cm]; xii, 218, [x, ads] pp, frontis portrait, 63 photos on plates. original green cloth, gilt spine title lettering, gilt device on spine, small stain on spine, minor spotting on a few leaves, presentation bookplate, very good sound and solid condition. A picture of this book is available upon request by email. Neate B 217: 'Includes a good selection of photographs of early climbers; good chapter on early women climbers'. The author, called the man who cinematographed the Matterhorn, provides a chapter on filming Mont Blanc under difficulties, and on hints for alpine photography. Other chapters include How to Get Killed in the Alps, accidents on Mont Blanc, In an Avalanche Path, Playing with Death, Blizzards, etc.
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CAMPANA, Antonio; Juan Puig-Ferran
Gran Canaria
8vo; unpaginated, many color photos. original cloth, very good.. A picture of this book is available upon request by email.
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CASSON, Stanley
Greece and Britain
8vo [22 x 14.5 cm]; 112 pp, 11 colored plates including frontis, 64 other illus, double-page map. original pictorial blue cloth, signature on endpaper, clean and very good copy. A picture of this book is available upon request by email. From early accounts of Greek travellers to Britain including Pytheas, Byzantine influences on Anglo-Saxon culture and art, to more recent travels to Britain by Greeks and travels of British to Greece, and later political relations, and interesting work with good illustrations from early art-work.
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CASTELLAN, A. L. [Antoine Laurent]
Letters on Italy; Illustrated by Engravings
8vo [22 x 13.5 cm]; [ii], 108 pp, 4 engraved plates including frontis. later cloth and boards, title lettering on paper spine label, light spotting on cover, few margins with short tears, clean copy. A picture of this book is available upon request by email. The original edition of this narrative of travels through Italy. No copies were traced in Library of Congress although two copies traced in British Library.
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CATLOW, Agnes and Maria E.
Sketching Rambles; or, Nature in the Alps and Apennines
8vo [21 x 14 cm]; 2 volumes, xiii, 374, [ii, ads]; ix, 368 pp, hand colored lithographed frontis in each volume, plus 18 other tinted lithographed plates, from the paintings of the authors, with the half titles in each volume. original red pictorial gilt and blind-stamped cloth, gilt spine title lettering and design, spine ends and edge wear, presentation bookplate on endpaper, very good, unmarked and clean copy. A picture of this book is available upon request by email. Robinson 109: 'Armed with their sketch-books, the Catlow sisters, natural historian both, set out for the Alps. . . exploring the gentler slopes of Switzerland and Italy. Their illustrations are gentle, delicate landscapes; it is a very seemly book, this, written to encourage other in similar maidenly circumstances to travel too'. With their interesting detailed account of topography, geography and the peoples.
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CHASE, Ilka
Fresh from the Laundry
8vo [21.5 x 14 cm]; [viii], 230 pp, 57 photos on 24 pages of plates, pictorial endpapers. original brown cloth, gilt spine title lettering, dj (chipped at spine ends, price clipped), fine, clean and unmarked in good jacket. A picture of this book is available upon request by email. A narrative of the author's travels in the Balkans through Hungary, Bulgaria, Romania, Czechoslovakia, Yugoslavia, before the Soviet empire collapsed, paints interesting pictures of life, conditions, customs, etc. With good photos by her husband, Dr. Norton Brown.
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CHEEVER, George B.
Wanderings of a Pilgrim in the Shadow of Mont Blanc and the Jungfrau Alp
12mo [19.5 x 12 cm]; 2 volumes in one with continuous pagination, x, [11]-367 pp, engraved frontis view of Mont Blanc, manuscript index on rear endpaper in pencil. original cloth faded, spine gilt title lettering, spine ends frayed, front blank endpaper lacking, good sound copy. A picture of this book is available upon request by email. Travel through much of the Alps.
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COOLIDGE, W. A. B.
Alpine Studies
8vo [23.5 x 16 cm]; xiii, 307 pp, frontis, 16 plates from photos, index, list of illustrations with detailed description of each. original cloth, gilt spine title lettering, cover title lettering, lightly rubbed at edge, short tear at spine end, very good, interior clean and unmarked. A picture of this book is available upon request by email. Neate C126: 'invaluable for detail and accuracy'. Cox 23: 'Coolidge was considered a leading Alpine scholar, a supreme authority on all subjects relating to the Alps and Swiss history. . . He was one of the most distinguished climbers of the Silver Age of mountaineering and one of the last of the pioneers of Alpine travel and exploration.. . . He was the first American mountaineer to achieve fame in the Alps, and a pioneer of winter climbing.' He describes in this book, some of his many climbs from 1878, as well as some history of the Alps and Subalpine exploration.
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CRACIUNAS, Silviu
The Lost Footsteps
8vo [21.5 x 14.5 cm]; 318 pp, map endpapers showing routes. original red cloth, gilt spine title lettering, dj (spine a bit darkened, not price clipped), very good, clean and sound copy. A picture of this book is available upon request by email. An exciting narrative of adventure, intrigue, espionage, people smuggling, in Roumania, being caught and imprisoned, tortured, making escape to freedom. The foreword is by Salvador de Madariaga: 'a thriller. . . once you have opened it, you must read it through, page after page, egged on by a tension of interest no novel can give.'
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CRICHTON, A. W.
A Naturalist's Ramble to the Orcades
12mo [17 x 11 cm]; iv, 132, [viii, ads] pp, lithographed frontis of owl swooping over her nest by J. Wolf, tissue guard, engraved title page vignette. original green pictorial cloth with gilt picture of bird on cover, gilt spine title lettering in decorative border, rear cover slightly rubbed, near fine clean copy, gilt bright. A picture of this book is available upon request by email. Ripley 69. Wood 305 described as wanting. A narrative of the author's travels in the Orkney Islands north of Scotland in the summer of 1860, with much on nature, bird life, people he met, topography.
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