5560 risultati
rif. 4774P., chez l'auteur, sans date. In 8 demi-chagrin dos à nerfs orné, VIII-276 pp. et 57 planches lithographiées (mouillures pâles sur certaines).
rif. 8250"Lyon, Ludovici Prost, 1627. In 8 vélin de l’époque, titre manuscrit effacé au dos, renforts sur les gardes, (16)-394, [14]-[8], 162, [6]-[8], 80 pp.; mouillures pâles tout du long."
1952rif. 3776Couverture rigide 1ère Édition Chambre suisse de l'horlogerie 1952 La Chaux-de-Fonds 23,5x16 cm
rif. 8251P., Chez l’auteur, 1817. In 8 demi-basane, dos lisse orné, 527 pp., table et errata, trois planches.
rif. 5861P., Delarue, sans date (1865). In 8 broché (dos fendu), 148 pp.
rif. 4269P., Bernard et Cie, 1903. In 8 broché, premier plat illustré, 366 pp. avec 25 planches et 102 figures.
rif. 7881Londres, Bernard Quariteh, 1890. In 4° demi-reliure, plats ornés, 103 pp.
rif. 8970Paris, 1891. Boîte à couvercle percaline rouge titre or partiellement effacé, 18 x 25 cm. Elle contient dans trois compartiments: 128 jetons. Un sachet en toile rouge. C’est un jeu de Loto à thème historique, qui peut aussi se jouer en patience. Instruire en s’amusant a été le mobile de l’éditeur de ce jeu, dont on n’a que les initiales. H.N.C. ou H.C.
rif. 9140"Montpellier; et P., Aubert; 1844. In 12 broché, dos renforcé, 68 pp. avec six planches. Nouvelle édition augmentée d’une préface par MM. Les Rédacteurs du Babillard."
1985rif. 4420Couverture rigide Signé par l'auteur 1ère Édition Wienand Verlag 1985 Cologne 21,5x14,5 cm
rif. 23344Paris, Barba, 1817. In-8, [8]-XIII-[1]-485 pp., demi-veau blond de Vermorel, filet à froid sur les plats, dos long orné de filets et arabesques dorés, pièce de titre brune, tête dorée (infimes épidermures, quelques taches, restaurations du papier).
rif. 4298P., Quantin, 1889. In 8 broché, couverture rempliée, 347 pp., portrait et XXIX planches.
2003rif. 1987160916176Leisure Arts Inc 2003-05-01. Paperback. Very Good. Nice looking pamphlet. Leisure Arts, Inc paperback
1894rif. 109541Paris, s. n., impr. Louis Boyer et Cie, à Asnières 1894 In-4 32 x 23,5 cm. Reliure demi-percaline rouge, dos lisse orné d’un petit fer doré, couvertures conservées, [256] pp. en pagination multiple 8 pp. par numéro, nombreuses gravures et cartes, table des gravures, table des excursions. Exemplaire en bon état.
1994rif. BN6717251994. 1994. Softcover. La vie de famille La vie de famille France Loisirs paperback
2010rif. BN554507Guides Gallimard 2010. 2010. Softcover. Chicago Chicago Gallimard loisirs Guides Gallimard paperback
rif. 22126Paris, Ém. Paul, L. Huard et Guillemin, 1894. 4 vol. in-4, XXIII-332 pp. + 482 pp. + 340 pp. + 524 pp., demi-toile verte, dos long, pièce de titre verte, tête mouchetée couverture conservée (petits frottements).
rif. 23635Paris, Schemit, 1928. 3 vol. in-folio, XXIV-200 pp. CLII pl. + pp. 202 à 389 pl. CLIII à CCLXXIII + pp. 394 à 567 pl. CCLXXIV à CCCXCIII, demi-maroquin rouge, plats de maroquin brique, dos à faux nerfs, pièce de titre écrue (infimes frottements ou épidermures, quelques taches éparses).
18738vo., First US Edition [Later Issue]; original pictorial mustard cloth blocked and lettered in black, backstrip lettered in gilt and black, very neatly rebacked with old backstrip laid down, original printed endpapers wholly preserved, covers very lightly age-soiled (but every detail of the blocking bright and clear), corners very lightly bruised without material damage, a remarkably bright, clean copy. HARDY'S FIRST BOOK PUBLISHED IN THE US AND THE SECOND EDITION OF THE WORK OVERALL. Hardy's second novel 'Under the Greenwood Tree' was first published by Tinsley in 1872, one of the 'best press-noticed' books sold by that publisher. Under the terms of Tinsley's new agreement with Holt of New York it was then issued by the latter in their popular 'Leisure House' series in June 1873, the first of Hardy's works to be so issued in the US. His first novel 'Desperate Remedies' (1871) did not appear in the series until March 1874. From the series catalogue present on the front endpapers it is clear that this is a later issue (at least 1881 since the list includes 'A Laodician'). Most volumes in the 'Leisure Hour' series were severally reissued with updated endpapers. This copy has been expertly rebacked. The original, elaborately blocked, backstrip is virtually complete with just a few millimetres missing at extreme head and tail. The original endpapers, which carry a detailed catalogue of the 'Leisure Hour' series catalogue printed in red, are all complete and virtually unmarked. The top edge is mildly dust-soiled but this does not extend to the text, which also shows practically no trace of the usual foxing and spotting. A NOTABLE COPY AND A RARE SURVIVAL. See Purdy, p.8 et seq. NCBEL III 981.
1930rif. 221561930. This Photo Album captures a series of trips across California Mexico Dominican Republic Cuba Panama and other U.S. and North American travel documents the coastal and cross-border tourist experience of an American social group during the 1930s through the early 1950s.The album records a continuous itinerary of domestic and international travel with dated captions such as "July 19 1938 / On Board S/S Dixie from New Orleans La" situating the group within organized steamship routes linking the United States to Caribbean destinations. Oblong photograph album measuring approximately 11.5 x 15.25 inches containing 218 silver gelatin photographs mounted on black pages with images ranging from approximately 2.25 x 2.75 inches to 4.5 x 5.5 inches. Photographs are captioned on album pages and occasionally on versos identifying locations and dates. California scenes include Los Angeles Hollywood Olvera Street Pasadena gardens San Diego Balboa Park Mission Beach La Jolla Catalina Island and the Hotel del Coronado with recurring images of beaches coastal views small boats and leisure activities such as bathing and sightseeing. Additional images depict San Francisco landmarks including Alcatraz Island and Muir Woods. Travel beyond the United States includes Tijuana Mexico; Havana Cuba; Santo Domingo Dominican Republic; and Panama City with scenes of street activity ruins courtyards and waterfronts. A sequence from Catalina Island emphasizes seaside recreation while Caribbean and Central American images show plazas tropical vegetation and urban environments including Afro-Caribbean individuals in public spaces. Additional photographs document travel to New Orleans Utah Salt Lake City Nova Scotia and a location labeled "Indian Island." This album documents patterns of American tourism during the mid-twentieth century when organized travel by rail and steamship enabled access to domestic resorts and international destinations across the Americas. The combination of coastal California imagery with Caribbean and Latin American scenes reflects a broader گردش of leisure travel that emphasized climate landscape and cultural difference within reachable distance of the United States. The presence of consistent captions and chronological markers provides a structured record of travel routes and destinations contributing to research on tourism history visual culture and cross-border movement in the pre-jet era. Light wear to album and photographs with minor handling marks; overall very good condition. A substantial visual record of American travel practices and geographic mobility across the Americas in the mid-twentieth century. unknown
1930rif. 221561930. This Photo Album captures a series of trips across California Mexico Dominican Republic Cuba Panama and other U.S. and North American travel documents the coastal and cross-border tourist experience of an American social group during the 1930s through the early 1950s.The album records a continuous itinerary of domestic and international travel with dated captions such as "July 19 1938 / On Board S/S Dixie from New Orleans La" situating the group within organized steamship routes linking the United States to Caribbean destinations. Oblong photograph album measuring approximately 11.5 x 15.25 inches containing 218 silver gelatin photographs mounted on black pages with images ranging from approximately 2.25 x 2.75 inches to 4.5 x 5.5 inches. Photographs are captioned on album pages and occasionally on versos identifying locations and dates. California scenes include Los Angeles Hollywood Olvera Street Pasadena gardens San Diego Balboa Park Mission Beach La Jolla Catalina Island and the Hotel del Coronado with recurring images of beaches coastal views small boats and leisure activities such as bathing and sightseeing. Additional images depict San Francisco landmarks including Alcatraz Island and Muir Woods. Travel beyond the United States includes Tijuana Mexico; Havana Cuba; Santo Domingo Dominican Republic; and Panama City with scenes of street activity ruins courtyards and waterfronts. A sequence from Catalina Island emphasizes seaside recreation while Caribbean and Central American images show plazas tropical vegetation and urban environments including Afro-Caribbean individuals in public spaces. Additional photographs document travel to New Orleans Utah Salt Lake City Nova Scotia and a location labeled "Indian Island." This album documents patterns of American tourism during the mid-twentieth century when organized travel by rail and steamship enabled access to domestic resorts and international destinations across the Americas. The combination of coastal California imagery with Caribbean and Latin American scenes reflects a broader گردش of leisure travel that emphasized climate landscape and cultural difference within reachable distance of the United States. The presence of consistent captions and chronological markers provides a structured record of travel routes and destinations contributing to research on tourism history visual culture and cross-border movement in the pre-jet era. Light wear to album and photographs with minor handling marks; overall very good condition. A substantial visual record of American travel practices and geographic mobility across the Americas in the mid-twentieth century. unknown books
1925rif. 227841925. SS Resolute photo archive approximately 86 photographs dating to 1925 documenting a passenger voyage through the Hawaiian Islands and broader Pacific region during a period of expanding U.S. tourism and colonial presence. The material captures volcanic landscapes urban development agricultural activity and Native Hawaiian individuals providing visual evidence of both environmental features and social life. These images record the intersection of natural geography and emerging tourist infrastructure in Hawaii during the interwar period when the islands were increasingly integrated into trans-Pacific travel networks. Approximately 86 black-and-white and color photographs each measuring about 3.5 x 5 inches mounted on black album leaves with white ink captions identifying locations such as Honolulu Hilo Waimea Bay Kilauea Crater and the Royal Hawaiian Hotel. The archive includes multiple views of volcanic activity including lava flows associated with eruptions from 1868 1901 and 1924 as well as craters at Halemaumau and Kilauea steam vents and descending lava formations. Coastal landscapes and inland terrain of Oahu and the Big Island are represented alongside urban scenes in Honolulu including hotels streetscapes and institutional buildings such as the Moana Hotel and the Mormon Temple at Laie. Agricultural images show sugarcane cultivation and rural labor environments while market scenes and portraits depict local residents in daily settings. A group of photographs includes Duke Kahanamoku posed with a surfboard marked "DUKE" alongside additional images referencing Pacific locations such as Tutuila and Upolu indicating the voyage extended beyond Hawaii. Produced during the 1920s expansion of Pacific tourism these photographs document how Hawaii and surrounding islands were visually framed for travelers within a colonial and commercial context. The combination of landscape infrastructure and human subjects reflects both the promotion of the islands as a destination and the presence of established local communities and industries. The archive supports research into tourism history Pacific colonial networks environmental documentation and Native Hawaiian cultural representation. Mild toning and occasional rippling to prints with minimal edge wear; captions remain clear; overall very good condition. A comprehensive visual record of a trans-Pacific यातà¥à¤°à¤¾ and its documentation of Hawaii and neighboring islands in the early twentieth century. unknown
1925rif. 227841925. SS Resolute photo archive approximately 86 photographs dating to 1925 documenting a passenger voyage through the Hawaiian Islands and broader Pacific region during a period of expanding U.S. tourism and colonial presence. The material captures volcanic landscapes urban development agricultural activity and Native Hawaiian individuals providing visual evidence of both environmental features and social life. These images record the intersection of natural geography and emerging tourist infrastructure in Hawaii during the interwar period when the islands were increasingly integrated into trans-Pacific travel networks. Approximately 86 black-and-white and color photographs each measuring about 3.5 x 5 inches mounted on black album leaves with white ink captions identifying locations such as Honolulu Hilo Waimea Bay Kilauea Crater and the Royal Hawaiian Hotel. The archive includes multiple views of volcanic activity including lava flows associated with eruptions from 1868 1901 and 1924 as well as craters at Halemaumau and Kilauea steam vents and descending lava formations. Coastal landscapes and inland terrain of Oahu and the Big Island are represented alongside urban scenes in Honolulu including hotels streetscapes and institutional buildings such as the Moana Hotel and the Mormon Temple at Laie. Agricultural images show sugarcane cultivation and rural labor environments while market scenes and portraits depict local residents in daily settings. A group of photographs includes Duke Kahanamoku posed with a surfboard marked "DUKE" alongside additional images referencing Pacific locations such as Tutuila and Upolu indicating the voyage extended beyond Hawaii. Produced during the 1920s expansion of Pacific tourism these photographs document how Hawaii and surrounding islands were visually framed for travelers within a colonial and commercial context. The combination of landscape infrastructure and human subjects reflects both the promotion of the islands as a destination and the presence of established local communities and industries. The archive supports research into tourism history Pacific colonial networks environmental documentation and Native Hawaiian cultural representation. Mild toning and occasional rippling to prints with minimal edge wear; captions remain clear; overall very good condition. A comprehensive visual record of a trans-Pacific यातà¥à¤°à¤¾ and its documentation of Hawaii and neighboring islands in the early twentieth century. unknown books
1930rif. 223021930. Japan travel photograph album. 1930s. This album documents Western travel through Japan during a period of expanding imperial influence and managed international tourism recording temple architecture theatrical performance and curated cultural sites alongside limited family portraiture. The photographs provide primary visual evidence of how foreign visitors encountered Japan through established travel circuits that emphasized religious monuments scenic landscapes and staged cultural forms while also including a labeled image from Korea that situates the journey within the geography of Japanese colonial rule. Photo Album containing 22 silver gelatin photographs each mounted one per page with white ink captions identifying locations including "Nikko" "Kyoto" "Shochiku-za" "Koya San" "Akashi" "Takao" and "Korea." Three photographs depict members of a Western family posed in studio and outdoor settings including portraits in front of temple gates and residential entrances. The remaining images focus on architectural and cultural sites including temple facades with detailed ornamentation mountain and waterfall landscapes and a staged theatrical performance at the Shochiku-za theatre in Osaka showing performers in elaborate costume and makeup. One photograph labeled "Korea" depicts seated women wearing hanbok indicating travel beyond the Japanese home islands. The photographs are consistently sized at approximately 5 x 7 inches and mounted in an album measuring approximately 8.5 x 12 inches bound in cloth boards with decorative striping and cord binding. The album was produced during a decade when Japan promoted domestic and imperial sites as destinations for foreign travelers integrating religious landmarks urban infrastructure and colonial territories into a coherent tourist experience. Sites such as Nikko and Koya San were presented as emblematic of national heritage while theatrical venues and scenic locations formed part of structured itineraries. The inclusion of Korea reflects the extension of these travel routes into occupied regions where colonial subjects and landscapes were incorporated into representations of the empire. Photographs remain clear with strong contrast; minor wear to album consistent with handling; overall very good. A focused visual record of Western travel in 1930s Japan documenting how cultural sites and imperial geography were presented to foreign visitors. unknown
1930rif. 223021930. Japan travel photograph album. 1930s. This album documents Western travel through Japan during a period of expanding imperial influence and managed international tourism recording temple architecture theatrical performance and curated cultural sites alongside limited family portraiture. The photographs provide primary visual evidence of how foreign visitors encountered Japan through established travel circuits that emphasized religious monuments scenic landscapes and staged cultural forms while also including a labeled image from Korea that situates the journey within the geography of Japanese colonial rule. Photo Album containing 22 silver gelatin photographs each mounted one per page with white ink captions identifying locations including "Nikko" "Kyoto" "Shochiku-za" "Koya San" "Akashi" "Takao" and "Korea." Three photographs depict members of a Western family posed in studio and outdoor settings including portraits in front of temple gates and residential entrances. The remaining images focus on architectural and cultural sites including temple facades with detailed ornamentation mountain and waterfall landscapes and a staged theatrical performance at the Shochiku-za theatre in Osaka showing performers in elaborate costume and makeup. One photograph labeled "Korea" depicts seated women wearing hanbok indicating travel beyond the Japanese home islands. The photographs are consistently sized at approximately 5 x 7 inches and mounted in an album measuring approximately 8.5 x 12 inches bound in cloth boards with decorative striping and cord binding. The album was produced during a decade when Japan promoted domestic and imperial sites as destinations for foreign travelers integrating religious landmarks urban infrastructure and colonial territories into a coherent tourist experience. Sites such as Nikko and Koya San were presented as emblematic of national heritage while theatrical venues and scenic locations formed part of structured itineraries. The inclusion of Korea reflects the extension of these travel routes into occupied regions where colonial subjects and landscapes were incorporated into representations of the empire. Photographs remain clear with strong contrast; minor wear to album consistent with handling; overall very good. A focused visual record of Western travel in 1930s Japan documenting how cultural sites and imperial geography were presented to foreign visitors. unknown books
