47 623 résultats
réf. 30636S.l., 1626. 1 fort vol. in-4°, parchemin souple, titre écrit à la plume au dos. Reliure de l'époque, petit manque de vélin à l'angle sup. du premier plat, qq. cahiers déboîtés. Bon exemplaire. (4) ff., 678 pp., (8) ff. de table. Manque le dernier feuillet blanc, plusieurs passages soulignés à l'encre brune, qq. mouillures claires en tête, galerie de vers dans la marge int. sans atteinte au texte.
1892réf. 103596Paris, Calmann Lévy, 1892, in-8, II-235 pp. 15pl. carte dépliante, Demi-maroquin à coins brun, doubles filets dorés sur les plats, dos à nerfs, tête dorée, couverture conservée, Édition originale de ce récit de chasse au tigre. Il est illustré de 15 planches par Riou, L. Fillol et d'une carte dépliante en couleurs du Népaul gravé par R. Hausermann et imprimé par Lemercier. Un des 200 exemplaires hors commerce, seul tirage annoncé. Cet exemplaire comporte un envoi autographe signé de l'auteur au comte de Treveneuc. Rare. Thiébaud, 706. Dos un peu insolé, petites épidermures, 1 coin émoussé. Couverture rigide
1999réf. 26184Roma: La Librericciuola 1999. Quartini sciolti in custodia in tela loose as issued in original cloth slip-case. Perfetto Mint. Sette acquaforti/acquatinte originali a colori cm 18x18 di Achille Perilli numerate e firmate. Sette testi di Philippe Lacoue-Labarthe. La Librericciuola N. 13. 8vo cm 25 x 23. pp. 36. Perfetto Mint. Prima ed. di 50X es. numerati e firmati dagli A. La Librericciuola, hardcover
1980réf. 86791S. n. | s. l. s. d. [ca 1980] | 14.50 x 21 cm | 1 page
1910réf. 41086Paris Eugne Fasquelle 1910 In-12, demi-maroquin rouge coins, plats de papier marbr, dos quatre nerfs; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (Semet et Plumelle).Edition originale. Un des 13 exemplaires numrots sur papier de Hollande, seul tirage sur grand papier.
1603réf. 69413Par la veuve Mamert Patisson | à Paris 1603 | 8 x 13 cm | relié
1994réf. 86312Sous étui et sous chemise avec dos de maroquin noir doublée. Reliure plein maroquin bleu souple. Sur le premier plat étiquette de peau avec titre et ornementation aquarellée à la main par Baltazar, dos lisse muet. Reliure signée Renaud VERNIER-1995.
1991réf. 26349Uzerche Editions Ponty 1991 In-4 l'italienne, en feuilles, couverture muette. Embotage de l'diteur illustr d'une porcelaine originale incruste sur le premier plat.Edition originale, illustre par Jol Capella de lithographies originales en couleurs. Tirage unique limit 60 exemplaires numrots sur vlin, comportant une aquarelle originale en couleurs signe par Capella, et illustrs sur l'embotage d'une porcelaine originale galement signe par l'artiste.
réf. 19392S.l., [1966 ?] In-4, [9] ff., en feuilles (3 minuscules déchirures marginales).
réf. 93483Paris, Bernard Grasset, 1925, 1 volume in-8 de 192x120 mm environ, 288 pages, reliure moderne signée Schlissinger, plein maroquin orné de lignes et titres rouge sous étui cartonné, gardes de couleurs. Exemplaire sur CHINE n° 10/13, numérotés de 1 à 10 (premier papier).Rares rousseurs en début de volume, petite mouillure très claire sur la première garde blanche, sinon parfait état.
réf. 540962 pages in-8 sur papier vert d'eau, l'en-tte de l'Htel Continental Mnchen, avec l'annotation autographe jusqu'au 7 mars.Philippe Soupault donne ses rflexions aprs le refus mis par Saint-Lger Lger (Saint-John Perse), Vildrac et les surralistes de paratre dans l'Anthologie nouvelle de la posie franaise laquelle il collabore avec Lon Pierre-Quint, Francis Grard et Mathias Lbeck, et qui parut chez Simon Kra en 1924 : Je suis d'avis de ne pas faire une nouvelle prface mais d'ajouter seulement une page (...) Je considre qu'il est parfaitement incorrect de publier sous une forme et sous une autre sans consentement de St Lger ou Vildrac. Ils ont refus: il n'y a qu' s'incliner sous peine d'tre mal lev (...) Il ne s'agit pas de me fcher avec les surralistes. Je considre qu'ils ont formellement refus et que cela les regarde. J'estime en outre que Desnos, Pret et Baron ont raison de suivre "l'ordre" que vous dites venir d'en haut (Philippe Soupault fait probablement rfrence Andr Breton, le chef de file du mouvement surraliste dont il fut un des cofondateurs).
réf. 229297Paris, Firmin Didot, 1873 8 vol. in-8, portrait photographique en frontispice du tome I et fac-similé, demi-chagrin rouge à coins, dos à nerfs orné de fleurons dorés, tête dorée (reliure de l'époque). Qqs épid.
1999réf. BN694747Paris Bruxelles / AAM Editions. Archives dArchitecture Moderne ASBL 55 rue de lErmitage 1050 Bruxelles Belgique. Archieven voor Moderne Architectuur Kluisstraat 55 1050 Brussel België. www.aam-editions.com/ media@aam-editions.com 1999. 1999. Ibiza. Le palais Paysan. Essai sur les formes et les techniques dans l`habitat archaique. Ibiza. Le palais Paysan. Essai sur les formes et les techniques dans l`habitat archaique. Joachim Ferdinand / Rotthier Philippe Paris, Bruxelles / AAM Editions. Archives dArchitecture Moderne ASBL, 55, rue de lErmitage 1050 Bruxelles, Belgique. Arch unknown
1986réf. BN713732De Gruyter 1986. 1986. Proceedings of the Third Symposium Lyon France June 2628 1985 Marker Proteins in Inflammation Band 3 Proceedings of the Third Symposium Lyon France June 2628 1985 Marker Proteins in Inflammation Band 3 Laurent Philippe A. Grimaud J. and Jacques Bienvenu De Gruyter unknown
2007réf. BN333723Honor Champion 2007. 2007. Hardcover. Dictionnaire de Michel de Montaigne: Nouvelle édition revue corrigée et augmentée Dictionnaire de Michel de Montaigne: Nouvelle édition revue corrigée et augmentée Philippe Desan Honor Champion hardcover
1996réf. BN333702Guy Trédaniel éditeur 1996. 1996. Pharmacopée chinoise et Acupuncture : Les Prescriptions efficaces Pharmacopée chinoise et Acupuncture : Les Prescriptions efficaces Philippe Sionneau Guy Trédaniel éditeur unknown
1688réf. 59323Seconde édition, 1 vol . in-12 reliure postérieure milieu XIXe dem-chagrin marron, dos à 4 nerfs, Chez Jean Baptiste Deville, Lyon, 1688, 11 ff. (frontispice, titre, Epistre, Avis au Public et Avis nécessaire), 444 pp., 2 ff. n. ch., et 1 f. manuscrit, avec 3 figures gravées dont 2 hors texte (la figure en frontispice du thé étant comprise dans la pagination)
réf. 5437Manuscript letter single folio sheet dated 16 February 1716 signed Louis in the hand of Louis XV's secretary countersigned by Louis Phélypeaux Marquis de La Vrillière Secretary of State addressed to Cardin Le Bret member of the parliament of Provence and nephew of the regent the Duc d'Orléans stating that a royal edict has been sent to the parliament of Provence 'which explains the circumstances in which merchants of my Kingdom must obtain passports from me to which edict I append a declaration forbidding any of my subjects to conduct commerce in the South Seas'; the verso with address of Le Bret; the document is complete legible and remarkably fresh with original folds. In France the period 1715-1723 is known as the Régence during which time Philippe Duc d'Orléans was in charge of the country's affairs owing to the fact that Louis XV was still a minor. In 1716 when this letter was written the War of the Spanish Succession had only recently ended and a member of the French House of Bourbon Philip V was now on the Spanish throne. The royal edict alluded to in the present letter ostensibly forbidding French subjects to conduct trade in the Pacific was typical of French diplomacy towards Spain in the early part of the eighteenth century. It was designed to allay Spanish fears that its monopoly of the rich resources along the western seabord of the Americas - namely the silver mines of Mexico and Peru - was under threat from the French but in reality the situation was quite different. While flattering the Spanish and officially appearing to discourage this type of trade France turned a blind eye toward its own merchants rounding Cape Horn and from the end of the seventeenth to well into the eighteenth century French private companies including the Compagnie de la Mer Pacifique or Mer du Sud and other private adventurers out of ports such as St Malo and La Rochelle conducted many voyages to the west coast of the Americas. These merchants carried royal passports which described the purpose of their voyages as being non-commercial in nature - they were simply exploring or acquiring scientific knowledge. Paradoxically these voyages proved so lucrative resulting in massive volumes of silver bullion for the French coffers that a genuine voyage of exploration in the Pacific was not carried out by the French until Bougainville 1766-69. Throughout this period England the new rival of France as a maritime superpower adopted an official policy towards the Spanish similar to that of the French - one of non-interference with the Spanish trading empire on the Pacific seaboard of the Americas - and it was not until the voyages of Wallis Carteret and Cook that it undertook serious exploration of the Pacific. unknown
1973réf. 2100NY: Doubleday 1973. First edition. Hardcover. Fine/Very good. Second printing with number line to 2. Signed and dated in 1977 by Cousteau on the front free endpaper and thus uncommon. Part of his Undersea Discoveries series. An oversized octavo with 124 photographs in color and an illustrated glossary at rear. A fine book in blue cloth in a very good jacket on account of some very thin soiling to edges and a little crimping along an inch of the top edge; also a small price sticker over the original price on the front flap. Since the publication of this book we've only continued to learn how cool and intelligent these animals are. Doubleday hardcover
1954réf. 162882N.p.: N.p. 1954. Vintage borderless oversize satin finish portrait photograph of actress and singer Eartha Kitt in 1954. Stamp of noted Latvian-American photographer Philippe Halsman on the verso. Photographer Philippe Halsman began his career working for French fashion magazines such as "Vogue" gaining renown for his unusually close-cropped sharp portraiture. During World War II he would flee to the United States and began working with "Life" magazine in 1942. He is perhaps best remembered for his work with surrealist artist Salvador Dalí in the late 1940s and for his photographs of celebrities in the 1950s jumping which he called "jumpology." From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 13.5 x 11 inches archivally mounted in a white mat measuring 20 x 16 inches. Very Good plus. N.p. unknown
1954réf. 162882N.p.: N.p. 1954. Vintage borderless oversize satin finish portrait photograph of actress and singer Eartha Kitt in 1954. Stamp of noted Latvian-American photographer Philippe Halsman on the verso. Photographer Philippe Halsman began his career working for French fashion magazines such as "Vogue" gaining renown for his unusually close-cropped sharp portraiture. During World War II he would flee to the United States and began working with "Life" magazine in 1942. He is perhaps best remembered for his work with surrealist artist Salvador Dalí in the late 1940s and for his photographs of celebrities in the 1950s jumping which he called "jumpology." From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 13.5 x 11 inches archivally mounted in a white mat measuring 20 x 16 inches. Very Good plus. N.p. unknown books
1815réf. M9661Brussels c.1815. Very Good. Notes: Map of the northern half of Sumatra from the early 19th century. The map shows topographical features and has a short history of the island . Philippe Vandermaelen 1795-1869 was an eminent Belgian geographer and cartographer famous for having founded the geographical establishment of Brussels. Size : 480x570 mm 18.90x22.44 Inches Coloring: Hand Colored Category: Maps Asia South East Indonesia & Papua New Guinea; unknown
1967réf. 152020New York: N.p. 1967. Vintage borderless photograph of Richard Nixon playing the piano in 1967. With the stamp of photographer Philippe Halsman on the verso along with manuscript pencil annotations regarding cropping. Russian-born Halsman began working as a photographer in Paris in the 1930s later moving to the US and producing reportage and covers for many major American magazines including a substantial 101 covers for Life magazine. Halsman became well known in his later career for his "jump pictures" a playful series capturing mid-century celebrities such as Marilyn Monroe the Ford family the Duke and Duchess of Windsor and Maria Felix in the act of jumping for the camera. 10.5 x 11.25 inches. Near Fine. N.p. unknown
1967réf. 152020New York: N.p. 1967. Vintage borderless photograph of Richard Nixon playing the piano in 1967. With the stamp of photographer Philippe Halsman on the verso along with manuscript pencil annotations regarding cropping. Russian-born Halsman began working as a photographer in Paris in the 1930s later moving to the US and producing reportage and covers for many major American magazines including a substantial 101 covers for Life magazine. Halsman became well known in his later career for his "jump pictures" a playful series capturing mid-century celebrities such as Marilyn Monroe the Ford family the Duke and Duchess of Windsor and Maria Felix in the act of jumping for the camera. 10.5 x 11.25 inches. Near Fine. N.p. unknown books
1827réf. 36277Brussels Belgium: Lithographed By H. Ode. Very Good. 1827. Map. Map # 46 A Very Good primitive and early map showing the northern California coast with San Francisco and Monterey. Map has wonderful color and many small text descriptions of the coast lines. Latitude of the map is 36 degrees to 42 degrees and longitude is 120 degrees to 150 degrees. Of course almost all localities shown are French or Indian names. The atlas from which this is extracted is extremely rare and originally composed 6 volumes this map being from the North America volume. Lithographer Ode and Cartographer Vandermaelen produced the first lithographed atlas ever done. Condition is overall Very Good. Browning to the centerfold crease caused by glue used in attaching the tab to the original volume the two page spread measures 21" x 26 1/2" when opened out. Topigraphical features are accentuated see image. Shipping will require extra care and cost due to insurance. Photo available upon request. ; 21" x 26 1/2"; 1 pages . Lithographed By H. Ode unknown