6.399 resultados
1838ref. 37994Paris Imprimerie de Wittersheim 1838 placard in-folio carré (44 x 43 cm) en feuille
ref. 23220A Paris, Chez Panckoucke, A Liège, Chez Plomteux, 1784-1788. With one large folding engraved table. 4 volumes. (2), vi, 760 pp.; (4), 757, (1) pp.; (4), 787, (1) pp.; (4), 840 pp. 4to. Contemporary marbled calf, spines richly gilt with red and green labels, gilt lettering, all edges red, upper compartment of volume 4 with small damage. Kress B.574; Goldsmiths 12380; INED 1340; not in Einaudi. First edition. The Encyclopédie Méthodique was a reworking of the famous Encyclopédie of Diderot and d'Alembert, containing most of the articles from that work with additions and corrections. Its chief novelty was that the whole work was divided into subject categories, making every subject thus more accesible. All these parts form an independent work on particular subjects. The major part of the work was done by Demeurier who was assisted by Desbois de Rochefort and Grivel. The major subjects here are agriculture, population and political economy.
1834In 16o, pp. 26. Aggiunta manoscritta alla carta bianca finale 'Aggiunta alle opere di classici autori'. Br. ed. muta. Riduzione del precedente catalogo generale pubblicato nel 1832 e contenente 1300 opere. Questa versione ridotta contiene un florilegio di circa 300 stampe, aumentato delle nuove acquisizioni. Interessante anche l'aggiunta ms. con tavole di Domenichino, Perugino ecc. Il catalogo contiene: Antichita' di Roma e altri luoghi; Roma moderna; Vedute di Roma; Paesaggi di vari autori: Pitture di: Andrea del Sarto, Annibale Carracci, Correggio, Peruzzi, Garofalo, Zampieri, Albani Guercino, Michelangelo ecc. Accanto ad ogni tavola o volume di tavole sono indicati i prezzi di vendita. Le incisioni sono opera di incisori come Volpato, Parboni, Testa, Morghen, Fontana ecc. La calcografia camerale venne fondata da Clemente XII nel 1738 all'atto dell'acquisizione del ricchissimo patrimonio di lastre calcografiche della Stamperia di De Rossi, patrimonio che stava per essere acquisito da compratori inglesi. Nel 1837 fu terminato poi il palazzo della Calcografia, opera del Valdier, architetto e direttore della calcografia.
1785ref. 2936Parmae, ex Regio Typographeco, s.d. (1785) ; in-4 ; plein veau havane moucheté, dos à nerfs, caissons décorés, pièce de titre rouge, triple filet doré d’encadrement des plats, toutes tranches dorées, roulette décorative dorée d’intérieur (reliure de l’époque) ; (2) ff. de titre et dédicace, XCIV pp., 100 pp., (1) f. d’achevé d’imprimer, portrait gravé d’Anacréon à la page de titre et vignette gravée par Cagnoni en tête de la dédicace.
1783Spesso vol. in-4° (cm. 28.1x20,1), pp. (8) + le suddette TAVOLE incise in rame dotto la direzione di BENARD. Mz. pelle coeva, 5 nervi, tit. oro su due tass,arancione e verdecupo, piatti in carta decorata; allentati gli ottimi interni, "papier gran raisin fin double"; vignetta tonda in rame al front, finalino xilogr.81d), solo le tavole doppie impeccabilmente montate su brachette, le altre cucite ai bordi interni ma con buon margne. Le tavole sui cannoni e sulle tegole non sono disposte nell'ordine, ma ci sono tutte. Aiguillier - Aiguillier-Bonntier (1 doppia., 1 singola), Alun 1s, Amidonnier 1s, Ancres (Forge des) 4d, 2s, Ardoiserie d'Anjou 1d, 5s, de la Meuse 1d, 3s, Argenteur 2s, Armurier 2s, Arquebusier 1d, 5s, Armes (fabrique des) 1d, 4s, Artificier (fuochi d'artificio) 6s, Balancier 1d, 2s, Métier à faire des bas - telaio per calze 9d, 1s. Batteur d'or 1d, Boisselier 1d (zoccoli, secchi ecc.), Boucher 2s, Bouchonnier (tappi) 1s, Boulanger 1s, Boutonnier 3s, Brasserie (birrificio) 5s, Briqueterie (mattoni) 1s, Tuilerie (tegole) 3s . CANONS (6d, 18s), IMPRIMERIE 6s di fonderie de caractères et poinçons, 25d di ALFABETI, Carreleur (piastrellista) 2s, Carrier-Platrier e - Chaufournier 3s, Cartier 5s (su 6: MANCA la prima), Cartonnier 2s, Chainetier (catene)2sm Chandelier 2s, Charbon de terre, de bois 2s 1d, CHARPENTE per edilizia, imbarcazioni ecc.12d 18s, Charron 2d, Chaudronnier 4s, Cidre 2s, Cirier 1d,7s, Ciseleur-Damasquineur 2s, Cloches 8s, Cloutier grossier et d'éplngles 4s, Coffretier 3s, Confiseur 5s, Coutelier 2s, Couvreur (tetti) 1d,1s, Cuisinier-Patissier.Traiteur-Rotisseur 2s, Cuivre 6s. In tutto 69 TAVOLE DOPPIE e 157 TAVOLE singole (su 158, ne manca solo una, del Cartier).
1984ref. 4656DB1984. 4°. Leoporellobindung mit 52 und 58 Seiten. Schwarze Orig.-Leinenbände in Pappschuber. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4656DB 2 Bände.
1971ref. 59362Offenbach am Main, Wilhelm Kumm Verlag / Verlag Darmstädter Echo, 1971. Begründet von Wilhelm Kumm, herausgegeben von Hans A. Halbey je 12 Blatt + Beiblatt (42x30 cm) Ringbuchbindung mit Klarsichtfolienblatt
1785ref. PHO-1815Parme, Ex regio Parmensi typographio (Bodoni), 1785, grand in-4, 16ff.-(2)-XXXV-248pp.-110pp., relié pleine basane marron légèrement postérieure, filet à froid aux plats, tranches rouges, petits frottements, coins usés, mouillure marginale.
1789Un volume (24x33 cm) di (8)-312 pagine; duplice ritratto di Massillon in antiporta, uno “avant la lettre”. In barbe. In lingua francese. A pag. (6):”Cette èdition a été imprimée au nombre de 200 exemplaires, avec les nouveaux caractères de la fonderie de Didot l'Ainé, gravés par Firmin son second fils, sur du papier velin de la fabrique de MM. Dervaud et freres Henry, d'Angouleme”. Facente parte degli Ouvrages imprimés par ordre du Roi pour l'educationd e Monseigneur le Dauphin. Legatura coeva in solido cartonato blu d'attesa. - Nell'anno della Rivoluzione, Didot produce questa bellissima opera tipografica con i suoi nuovi caratteri per i “libri di testo” del Delfino. Il Petit Careme era stato scritto da Massillon per il piccolo Luigi XV (nonno del Delfino) nel 1718. -Referenza bibliografica: n. 258 Catalogue Renouard.
1803ref. 0056361803 Paris, Stéréotype d'Herhan, 1803-1804. Huit volumes in-12 (197 X 129 mm) veau fauve marbré, encadrement de guirlande et filet dorés sur les plats, dos lisse cloisonné et entièrement orné de filets, fers et fleurons dorés, pièces de titre maroquin rouge, coiffes et coupes filetées or, chasses ornées d'une grecque dorée, tranches dorées (Reliure de l'époque). Volume I : Portrait-frontispice, XXXVIII-148 pages - Volume II : (2) ff. de faux-titre et titre, 149-402 pages, (2) ff. dont un blanc - Volume III : XI-172 pages - Volume IV : (2) ff. de faux-titre et titre, 173-404 pages, (2) ff. dont un blanc - Volume V : (3) ff. de faux-titre, titre et avis sur cette édition, 388 pages, (2) ff. dont un blanc - Volume VI : XIV-290 pages, (2) ff. dont un blanc - Volume VII : (2) ff. de faux-titre et titre, 214 pages, (2) ff. blancs - Volume VIII : (2) ff. de faux-titre et titre, 217 -412 pages, (2) ff. dont un blanc. Accrocs à l'une des pièces de titre du volume "Théâtre" avec petit manque d'or à la lettre « H », quelques pointes de rousseurs, très éparses.
1929ref. 67077London: Lanston Monotype Corporation, Fetter Lane, 1929. 8°, [45]pp, ohne Schutzumschlag gebundene Ausgabe, Halbleinen, Rückendeckel unten bräunlich,
1959ref. 109150Teufen, Niggli, 1959. 247 S., mit 432 Abbildungen und 12 Farbtafeln. Original-Halbleinwand in bedrucktem Schmuckschuber, gr.8°. Dreisprachig (Deutsch, Englisch, Französisch). Programmatische Bestandesaufnahme der Werbung in den 1950er Jahren. Gestaltet in der für diese Jahre in der Schweiz typischen Rigidität: Für das ganze Buch wurde nur Schriften aus einer Familie verwendet: Univers. Seltenes Werk, hier mit dem meistens fehlenden dreisprachig bedruckten Schuber. Hardcover Einband minimst berieben, Rücken etwas nachgedunkelt. Schuber etwas berieben und mit einem Feuchtigkeitsrand. Insgesamt gutes Exemplar.
1814In folio (mm451x311), pp. 32, cartonato marmorizzato. Titolo e testo incorniciati da elegante bordura tipografica. Ciascun foglio è impresso al solo verso. Dedica dei Tipografi Geminiano Vincenzi e Giuseppe Rossi a sua "Altezza Reale" con l'elogio alla stampa, nata in Germania ma propagatasi in Italia con lo studio degli Aldi, de' Giunta, de' Comini ed ultimamente spinta al grado della perfezione dal genio immortale Bodoni. I due Tipografi modenesi con questo Saggio offrono al Duca una prova della loro eleganza tipografica attraverso i dodici sonetti di: Amarilli Etrusca, Paolo Baraldi, Ab. Angelo Bonicelli, Santo Fattori, Antonio Gallinari, Pietro Gandini, Domenico Gazzadi, Giuseppe Lugli, Ab. Giovanni Moreali, Marcantonio Parenti, Giuseppe Riva, Lorenzo Rondinetti. Elegantissima pubblicazione con la quale il Vincenzi, a Modena, cercò di "Competere" con l'illustre tipografo Parmense. . .
1985ref. 39846Versch. Formate. Rund 1950 Blatt. Verschiedene Orte und Verlage. [ca. 1936 bis 1985].
ref. 14782A Amsterdam, Chez Z. Chatelain, H. Uytwerf, F. Changuion, J. Wetstein, P. Mortier, Arkste et Merkus, M. Uytwerf, et M.M. Rey, A La Haye, Chez P. de Hondt, 1750-1756. Titles printed in red and black, engraved title-vignettes. 4 volumes. Folio. Contemporary polished calf, spine with raised bands, labels with gilt lettering, somewhat worn, corners bumped, some damage to head and foot of spines, one joint weak. Brunet, i, 1826; Conlon 50:438. First edition. Jacques-Georges Chauffepié (9 November 1702, Leeuwarden - 5 July 1786, Amsterdam) was an 18th-century French biographer and calvinist minister and preacher. He added some 1400 articles to Bayle's dictionary. He spend many years preparing the work and showed an enormous learning. It was, together with Bayle's dictionary, one of the earlier dictionaries in Europe published in vernacular to make an impact on the European world of letters."The project of a supplement to the dictionary of Bayle was conceived at the death of the philosopher, but was not executed. After some English people of letters gave an English translation of the book by Bayle in 40 vol, with considerable additions, it was proposed to Chauffepié to translate into French the additions made in England. These additions consisted either in addition to articles by Bayle, either new articles, He devoted many years to this work, and made himself new additions and new articles. Out of nearly fourteen hundred items found in his dictionary, more than six hundred, almost all English, are translated without additions from Chauffepié; about two hundred and eighty are reworked by him, some five hundred items are entirely his. Chauffepié has neither the piquancy nor cynicism of Bayle. He meets the character of Minister which he was invested with. He sometimes straightens English authors, and shows great erudition. Only in a work of this scope can we afford the explanatory notes of the text, or dissertations on some curious history or literature points" (Wikipedia).
1985ref. 339DB(Wien, November 1985). 21,7 x 30,5 cm. Blaues Leinen mit montiertem Kleisterpapier und eigenhändigem Titel., 1
1928ref. 104735Berlin Der Sturm 1928 253x192mm Berlin, Der Sturm, décembre 1928, 253x192mm, 16p. numérotées de 313 à 328, 4p. de publicités, cousu sous couverture illustré d'un bois de August Cernigoj. (104735)
1918ref. 703502München, Piper, 1918. 4°. 4 nnr. Blätter, 281 Seiten, 3 nnr. Blätter. Zahlreiche Vignetten. Schlichter Halbpergamentband der Zeit mit goldgeprägtem Rückentitel. Kopfgoldschnitt. Rechte untere Ecke vom Vorderdeckel geknickt. Durch beigelegte Zeitungsausschnitte sind wenige Seiten etwas gebräunt. Sonst sauberes Exemplar.
1976ref. 19356AB1976. Dorog Szövorg 1976. 355 : 295 cm. 6 screen prints Loose as issued in original cardboard portfolio One of 250 numbered copie. With texts by Peter Mátyás and Lajos Kassak. - Binding a bit dusty spine and front board bit rubbed. unknown
First Edition, 2 vols., 4to, [ii], vi, 152; [ii], vi, 88, 40, [148], [4]pp., engraved frontispieces, 8 engraved plates, 27 folding tables, wide-margin copy, some light worming to inner margins (not effecting text), orig. marbled paper wrappers, unopened, uncut, a very nice set. "Arranged as a dictionary, defining printing terms and containing much practical matter. A collection of diagrams and folding sheets shows presses and tools, type-founding utensils and moulds, type-specimens, case-lay, and imposition. Several poems in praise of printing precede a form of ceremony for reception of a new member of a printers' guild."?A List of Printers' Manuals to 1850. JPHS, No. 4, 1968. Without the third volume which was published four years later in 1809. Bigmore & Wyman, III, p.2.
1939First and only edition. THE EXTRAORDINARILY RARE FIRST PUBLICATION (of a grand total of two) OF THE SOCIETE DE BIBLIOPHILES "LES PLAQUETTES", AN OUTSTANDING EXAMPLE OF FRENCH PRE-WAR FINE AVANT-GARDE TYPOGRAPHIC PRINTING. 2 blank leaves; 27 pp. This bibliophile society was conceived by Gaston-Louis Vuitton in 1929, and by 1932 it had 57 members but hadn't yet published anything. In that year it lost all of its funds when its bank went belly up. The Society got rolling again in 1938, and finally printed this gorgeous book in 1939. The text, of course, is about booklets, and their history in France and in the world. Shortly after this book was printed World War II and the German Occupation put a final end to this Bibliophile Society: its only other publication was an equally rare edition of St Francis' "Cantique du soleil", printed in 1943. (Fleuret died in 1945.) Notable avant-garde typographical design on cover. Edition limited to 111 numbered copies (but much rarer, as few if any copies were ever actually distributed to the members of the SociÈtÈ) beautifully printed with huge margins on fine Montval laid paper. Folio. Publisher's wraps. UNCUT AND UNOPENED, FINE AND BRIGHT, LIKE NEW WITH NO DEFECTS. Original paper knife laid in. An incredible survival, even more so in such pristine condition. The only copy in WorldCat is the one in the BibliothËque Nationale.
1984ref. 4656DB2 Bände. 1984. 4°. Leoporellobindung mit 52 und 58 Seiten. Schwarze Orig.-Leinenbände in Pappschuber.
1686ref. 42484Paris, André Pralard, 1686. In-8 à trois colonnes de (24)-530-(22) pp., tables, veau brun granité, dos orné à nerfs, pièce de titre en maroquin rouge, armorié en son centre de la croix de Saint-Cyr (reliure de l'époque).
1683ref. 14992La Correrie, Laurens Gilibert, 1683. 3 parties en 1 vol. in-8 de (8)-191-(5) pp. 93 pp. 95-(1) pp., tables, veau brun, dos à nerfs, triple filet d'encadrement sur les plats, tranches rouges (reliure de l'époque).
1802ref. 15330Paris, Baudouin, Renouard, 1802. In-8 de (4)-138 pp.CAMUS (Armand-Gaston). Histoire et procédés du polytypage et de la stéréotypie. Paris, Baudouin, an X (1802). In-8 de (4)-135 mal chiffré 335 pp. et 6 hors-texte. 2 pièces reliées en 1 vol. in-8, basane racinée, dos lisse orné, pièce de titre en maroquin rouge (reliure de l'époque).