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1831Very Good Turkish, Ottoman (1500-1928) Original manuscript autograph handwritten document sealed 'Hüsrev Mehmed' sent to (and responded by) Serkâtib Mustafa. Written in special paper with 'ahar'. 39x21 cm. In Ottoman script. Slightly tear on folded place and slightly stains. Otherwise a very good manuscript paper. The document was written in accordance with the Ottoman state correspondence tradition prior to modernization. However, it is an indication of modernization that it is written to the serkâtib of Humâyûn (head clerk of the Ottoman / Turkish court) and not to the Sultan directly. The importance of this document is that it has many hints of modernization movements of the last period of Empire, depiction of the division of the first modern Ottoman army (Asakir-i Mansure-i Muhammediye) that's before one year of Egyptian Campaign by Koca Husrev Pasha and before eight years of proclamation of Reform (Tanzimat) and after only 22 years of Turkish Magna Carta (Sened-i Ittifak). Husrev Pasha was 'serasker' (commandant and head) of Assakir-i Mansure-i Muhammediye Army in that year. Husrev's text starts as 'Devletlü, inayetlü, atufetlü, oglum.." in 'Elqab'. In the Ottoman diplomacy, first person who used 'oglum' [i.e. my son] in elqab of the documents was Koca Hüsrev Pasha. (Source: Osmanli Arsiv Belgeleri, Orhan Sakin). Koca Hüsrev Pasha (Khosrew Pasha) was an Ottoman Kapudan Pasha ("Grand Admiral") of the Ottoman Navy and statesman who reached the position of Grand Vizier rather late in his career, between 2 July 1839 and 8 June 1840 in the reign of Abdülmecid I. However, during the 1820s, he occupied key administrative roles in the fight against regional warlords, the reformation of the army, and the reformation of Turkish attire. In 1801, Hüsrev Pasha commanded the 6,000 Ottoman troops who assisted the British in removing the French from Rashid (Rosetta). For this, he was made governor of Egypt Eyalet (province), in which position he was charged with assisting Hüseyin Pasha in the killing or imprisoning the surviving leaders of the Mamluks. Many of these were freed by or fled with the British, while others held Minia between Upper and Lower Egypt. [.] He was later made governor again by Muhammad Ali for 2 days [.] After Diyarbekir and Salonica, in 1806 he was governor of Bosnia Eyalet, before being reappointed as governor of Salonica in 1808. Hüsrev Pasha held the rank of Kapudan Pasha of the Ottoman Navy from 1811 to 1818. He was then appointed governor of the Eyalet of Trabzon twice, during which time he conducted for the Black Sea region of Turkey the struggle the central Ottoman state was waging against local feudal rulers (Derebeys). During the Greek War of Independence, he was appointed Kapudan Pasha again in the end of 1822. In 1826, Husrev Pasha played vital roles both in the Auspicious Incident (the annihilation of the Janissary Corps in 1826) and in the formation of the new "Mansure Army" modeled after those of European Powers. Appointed as seraskier (commander the army) of the Mansure in May 1827, Husrev reformed and disciplined the corps. Himself ignorant of modern military methods, he assembled a staff of foreign experts and other personnel to assist him, the "Seraskeriye", which constituted the first staff in Ottoman history. Due to his early championing of military reform and virtual control over the new Ottoman army, Husrev was able to install many of his protégés in senior military positions. Husrev Pasha was also instrumental for the near-abandonment of the turban and the adoption of the fez as a universal headgear for Muslim men of the Ottoman Empire (excluding the religious classes) under Sultan Mahmud II. (Wikipedia). Möltke talks about him in famous book includes his personal letters as 'he is more powerful than sultan'. Following the suppression of the Janissaries in 1826, Sultan Mahmud II transferred the functions of the old Agha of the Janissaries to the seraskier.
réf. 43456Augsburg: Christoph Mang. Photius I Saint Patriarch of Constantinople ca. 810 - 893. Bibliotheca; sive lectorum a Photio librorum recensio censura atque excerpta. Latin translation with notes by Andreas Schott S.J. 28 555 37 pages including final blank. Augsburg: Christoph Mang 1606. 312 x 201 mm. Vellum ca. 1606 spine ends restored inner hinges cracking vellum over covers wrinkled. Infrequent light marginal dampstaining but very good. Booklabel of Frederic Huidekoper on rear pastedown. First Edition in Latin of the chief work by this 9th-century Byzantine scholar and Eastern Orthodox church leader consisting of a critical account of 280 works read by him many of which are now lost. The Greek original text was first published in 1600. "To Photios we are indebted for almost all we possess of Ctesias Memnon of Heraclea Conon the lost books of Diodorus Siculus and the lost writings of Arrian. Theology and ecclesiastical history are also very fully represented but poetry and ancient philosophy are almost entirely ignored. It seems that he did not think it necessary to deal with those authors with whom every well-educated man would naturally be familiar. The literary criticisms generally distinguished by keen and independent judgment and the excerpts vary considerably in length. The numerous biographical notes are probably taken from the work of Hesychius of Miletus" Wikipedia article on Photius. Hoffmann III 91; Sarton I 594. . Christoph Mang unknown
réf. 43456Augsburg: Christoph Mang. Photius I Saint Patriarch of Constantinople ca. 810 - 893. Bibliotheca; sive lectorum a Photio librorum recensio censura atque excerpta. Latin translation with notes by Andreas Schott S.J. 28 555 37 pages including final blank. Augsburg: Christoph Mang 1606. 312 x 201 mm. Vellum ca. 1606 spine ends restored inner hinges cracking vellum over covers wrinkled. Infrequent light marginal dampstaining but very good. Booklabel of Frederic Huidekoper on rear pastedown. First Edition in Latin of the chief work by this 9th-century Byzantine scholar and Eastern Orthodox church leader consisting of a critical account of 280 works read by him many of which are now lost. The Greek original text was first published in 1600. "To Photios we are indebted for almost all we possess of Ctesias Memnon of Heraclea Conon the lost books of Diodorus Siculus and the lost writings of Arrian. Theology and ecclesiastical history are also very fully represented but poetry and ancient philosophy are almost entirely ignored. It seems that he did not think it necessary to deal with those authors with whom every well-educated man would naturally be familiar. The literary criticisms generally distinguished by keen and independent judgment and the excerpts vary considerably in length. The numerous biographical notes are probably taken from the work of Hesychius of Miletus" Wikipedia article on Photius. Hoffmann III 91; Sarton I 594. . Christoph Mang unknown books
1890réf. 1031341890. PHOTOCHROM ZURICH. Constantinople. Zrich: Photochrom Zrich circa 1890. Oblong folio 16 by 12 inches 30 photochrom images each measuring approximately 9 by 6-1/2 inches and mounted on heavy cardstock; original red velvet blue silk gilt-lettered title centerpiece on front cover brass cornerpieces. $4500.Rare photographic album of Constantinople circa 1890 by the renowned studio of Photochrom Zrich with 30 beautiful mounted vintage photochrom color prints offering exceptional views of majestic mosques palaces and plazas as well as the people of this great city in magnificent velvet binding with brass furniture.This splendid souvenir album of Constantinople contains exquisite color photographic prints of images taken at the turn of the 20th century produced by the revolutionary photochrom process. Photochrom also called the Ac process is ""a very successful form of color photolithography developed in the late 19th century by the Swiss firm of Orell Fssli and used mainly for topographical views; photochroms have almost the appearance of color photographs but through a glass will show a delicate ink pattern which was achieved by a combination of photographic and manual work on grained i.e. lithographic stones being a forerunner therefore of modern screenless offset lithography"" Gascoigne 206. In this process black and white photographic negatives were directly transferred onto lithographic printing plates to produce color prints. These photographs are a high point in late 19th-century photography when albums such as these captivated a world newly spellbound ""by photography's capacity to 'take them there' and bring them directly in contact with the long ago and far away"" Parr & Badger I:18. Each image captioned with a four-digit number followed by ""P.Z."" for Photochrom Zrich and then the title of the scene in French. A few instances of marginal spotting to mounts; photochrom prints clean and fine with vivid colors. Binding splendid. An about-fine copy of this lovely album. unknown books
1588réf. 0031131588 A Paris, Chez Hierosme de Marnef & la veufve Guillaume Cavellat, 1588. Petit in-quarto (165 X 222) veau marbré, double filet doré et guirlande dorée en place des nerfs, caissons dorés, pièce de titre maroquin grenat, encadrement de filet noir sur les plats, coupes filetées, tranches rouges (reliure XVIIIe) ; (1) f. blanc, titre, (11) ff. (épitre, préface, table et portrait), 468 pages, (1) f. (achevé d'imprimer et marque de l'imprimeur). Restaurations à deux angles et un mors. Exemplaire un peu court de marge en tête mais sans atteinte au texte, infime travail de vers dans la marge inférieure des premiers feuillets, à peine visible ; cerne de mouillure claire dans la marge inférieure des cinq premiers feuillets, minuscule manque de papier en pied des deux premiers feuillets (feuillet blanc et titre).
1875réf. 170484Constantinople c. 1875. A superb photographic panorama A panoramic 360-degree view of the city. Towards the Golden Horn the Topkapi Palace and the city's great mosques can be seen including Hagia Sophia the Blue Mosque the Yeni Mosque and the Süleymaniye. Panoramas of this period usually favour the Galata Tower as a vantage point. The view is unsigned though likely from the studios of Pascal Sébah and Policarpe Joaillier or the Swede Guillaume Berggren. Both are renowned for their handsome panoramas of the city. In 1857 Sébah opened one of the first photographic studios in Constantinople. The business was taken over by his son Jean in 1883 who styled himself J. Pascal Sébah and went on to become a talented photographer in his own right. In 1888 he partnered with Policarpe Joaillier their firm becoming the official photographers of the Sultan. "From the 1870s Sébah and Joaillier were major suppliers of evocative imagery to the increasing number of people who undertook the Victorian Grand Tour" Hannavy p. 1261. Berggren moved to Constantinople in 1866 and opened his studio on Grand Rue de Pera in the early 1870s. His oeuvre included studio work a remarkable series of documentary portraits of working people and the eternalising of the construction of the Anatolian Railway. Oblong quarto concertina 290 x 255 mm. Comprising 8 mounted albumen prints each 165 x 248 mm together approximately 165 x 1984 mm mounts captioned in manuscript red and blue ink. Contemporary dark brown pebbled paper over bevelled boards later blue paper on verso of mounts. Minor loss to corners and edges of boards a few surface scratches; prints yellowed and faded in margins some a little creased at folds: a very good example. John Hannavy ed. Encyclopaedia of Nineteenth-Century Photography Vol. I 2005; Engin Özendes From Sebah & Joaillier to Foto Sabah: Orientalism in Photography 2004. hardcover
réf. 86461The Hague Jean Neaulme 1737. . First edition first issue; Small 8vo 15.5 x 10.5; iv 164 viiiadspp. title printed in red and black with engraved device small stain to title light waterstain to inner upper margin bound in later green morocco backed marbled boards spine gilt lettered very good. This account describes the two rebellions which broke out during the unsettled period following the victories of Nadir Kuli Khan of Persia against Turkey during September 1730 and which brought to and end the 'Tulip Period'. On the 20th of that month a minor riot developed into a full scale insurrection and Sultan Ahmet III was forced to abdicate in favour of his nephew Mahmoud I. The janissaries were led by one of their own an Albanian by the name of Patrona Halil and for two months the empire was in the hands of the insurgents. They were eventually overthrown by the Grand Vizier the Mufti and Aga of the Janissaries with the help of the Khan of the Crimea and Patrona and 7000 of his supporters were put to death. The first issue has the title printed in red and black as here. Atabey 1026; Blackmer 1407. The Hague, Jean Neaulme, 1737. hardcover
réf. 054919Paris Chez de Bure 1749 in 12 (17x10,5) 3 volumes reliures plein veau fauve de l'époque, dos à nerfs ornés de caissons dorés, pièces de titre de maroquin rouge, pièces de tomaison de cuir beige, tranches teintées rouge. Tome 1: XXXVI et 391 pages. Tome 2: XVII et 579 pages. Tome 3: IX et 559 pages, et 17 pages de catalogue des livres de l'éditeur in fine. Edition originale. Superbe exemplaire, reliures très fraîches ( Photographies sur demande / We can send pictures of this book on simple request )
1835réf. PHO-1982Paris, Bellizard, Barthes, Dufour et Lowell ; Londres, Bossange, Barthes et Lowell ; Saint-Petersbourg, Fd. Bellizard et Cie, 1835-1844. 18 volumes de texte in-8 et un atlas in-folio. TEXTE : 18 volumes in-8, relié demi basane et coins moderne, dos lisse orné avec pièces d’auteur, titre et tomaison noires, frottements et épidermures, défauts d’usage, rousseurs dans le texte, tampon et étiquette du relieur. ATLAS : Paris. Bellizard, Dufour etc. 1844. Imprimé chez Thierry Frères. Demi basane et coins à long grain grenat, dos à nerfs avec titre et auteur, In-folio (520x345mm), IV-82pp.-40 planches, il est composé du Commentaire sur l’Atlas de l’Empire Ottoman, d'une liste des cartes, d'une carte générale de l'Empire Ottoman (690x550mm), de 22 cartes particulières (dont une sur 2 feuilles) (815x850), de 13 plans de batailles ou de siège, et de 4 plans de villes dont un grand plan dépliant de Constantinople (690x670mm), le plan de Vienne est en 2 états, par G. Heck et Plée et gravé par U. Muschani, roussurs éparses, 2 cartes uniformément brunies avec réparations, mouillure claire en marge, tache sur les 16 premiers feuillets en tête et en fin d’ouvrage en pied. Provenance : collection de S.A.R. le Prince Osman Ibrahim d'Égypte (1951-2025), fils de S.A.R. le Prince Amr Ibrahim d'Égypte et de S.A.I. la Princesse Nejla Hibetullah Sultan (Necla Osmanoğlu) de Turquie, petite-fille du dernier calife Abdulmejid II et du sultan Mehmed VI, avec sa marque au tampon.
1782réf. 1183461782,1809,1822 in-folio A Paris, chez J. J. Blaise, 1782-1809-1822, 5 volumes grand in-folio comprenant 3 titres gravés, 1 portrait d'après Boilly, deux cartes dépliantes de la Grèce non numérotées, le tableau dépliant de" La Race de Dardanus" et 284/285 vues (numérotées de 1 à 126, SANS la 110; de 1 à 157 dont deux "bis").Tome I : (4) ff. (faux-titre, page de titre, frontispice, explication du frontispice), XII (discours préliminaire), 204 pages, 125/126 planches - Tome II, en 4 volumes en pagination continue, 159 planches (157+2 bis). Première partie : (4) ff. (faux-titre, page de titre, explication du frontispice), 1-176 pages; 177-346 pages; Seconde partie : 347-448 pages; XII, 449-518 pages (MANQUENT 2 feuillets, p.469 à 472). INCOMPLET mais tout de même rare ensemble. Reliure d'attente, papier à la colle, en mauvais état (dos d'un volume manquant, autres dos réparés avec scotch blanc etc). Quelques rousseurs, le volume II.2 particulièrement dégradé par le travail d'humidité et les traces de mouillures, sinon intérieur en bon état général. PRÉVOIR POUR EXPÉDITION : plus de 18 kg sans emballage.
réf. CJW1322Bern: Ertug & Kocabiyuk 2002. No. 46 OF 50 SPECIALLY BOUND COPIES of a total edition of 350. 670 x 508 mm. 26 3/8 x 20". 3 p.l. 10 pp. 63 leaves. Publisher's scarlet morocco by Buchbinderei Burkhardt AG covers with gilt-rolled border cornerpieces tooled in gilt upper cover with gilt calligraphic Arabic centerpiece lower cover with gilt central heraldic device marbled endleaves all edges gilt. With a portrait frontispiece of Emperor Selim III 48 DOUBLE-PAGE PLATES AND THREE DOUBLE-PAGE MAPS. ◆A virtually as-new copy. This is one of the deluxe copies of a modern facsimile of Melling's massive and magnificently illustrated work devoted to 18th century Constantinople a book that provided the earliest interior views and plans of the harems and palaces of Sultan Selim III when it was published in 1819. The illustrations remain the best and certainly most attractive record we have of the city during this era in its history. Our edition was produced from a copy of the elephant folio first printing in the collection of the facsimile's publisher Ahmet Ertug with images faithfully reproduced in their original mammoth size 650 x 970 mm. After his arrival in Constantinople in 1795 architect and painter Antoine Ignace Melling 1763-1831 was appointed imperial architect by Selim III. In the course of his duties he designed and landscaped a seaside palace for Selim's sister Princess Hatice and produced these striking panoramic views of the city and its environs. After completing the palace and a number of other building projects for Selim he returned to Paris and in 1804 issued a prospectus for this work. He established an engraving studio in 1809 to reproduce these drawings and began publishing the completed prints as a series of fascicles that were sent to subscribers. The last one appeared in 1819. The outstanding success of an exhibition of the paintings on which the "Voyage Pittoresque" was based earned Melling the rank of painter to the Empress Josephine. When "Voyage Pittoresque" was originally published booksellers in England sold copies for £84 a huge sum for a book at the time. The original edition in pleasing condition now fetches between $75000 and $100000. Our handsomely bound actual size facsimile offers an attractively priced alternative. Ertug & Kocabiyuk unknown
réf. CJW1322Bern: Ertug & Kocabiyuk 2002. No. 46 OF 50 SPECIALLY BOUND COPIES of a total edition of 350. 670 x 508 mm. 26 3/8 x 20". 3 p.l. 10 pp. 63 leaves. Publisher's scarlet morocco by Buchbinderei Burkhardt AG covers with gilt-rolled border cornerpieces tooled in gilt upper cover with gilt calligraphic Arabic centerpiece lower cover with gilt central heraldic device marbled endleaves all edges gilt. With a portrait frontispiece of Emperor Selim III 48 DOUBLE-PAGE PLATES AND THREE DOUBLE-PAGE MAPS. ◆A virtually as-new copy. This is one of the deluxe copies of a modern facsimile of Melling's massive and magnificently illustrated work devoted to 18th century Constantinople a book that provided the earliest interior views and plans of the harems and palaces of Sultan Selim III when it was published in 1819. The illustrations remain the best and certainly most attractive record we have of the city during this era in its history. Our edition was produced from a copy of the elephant folio first printing in the collection of the facsimile's publisher Ahmet Ertug with images faithfully reproduced in their original mammoth size 650 x 970 mm. After his arrival in Constantinople in 1795 architect and painter Antoine Ignace Melling 1763-1831 was appointed imperial architect by Selim III. In the course of his duties he designed and landscaped a seaside palace for Selim's sister Princess Hatice and produced these striking panoramic views of the city and its environs. After completing the palace and a number of other building projects for Selim he returned to Paris and in 1804 issued a prospectus for this work. He established an engraving studio in 1809 to reproduce these drawings and began publishing the completed prints as a series of fascicles that were sent to subscribers. The last one appeared in 1819. The outstanding success of an exhibition of the paintings on which the "Voyage Pittoresque" was based earned Melling the rank of painter to the Empress Josephine. When "Voyage Pittoresque" was originally published booksellers in England sold copies for £84 a huge sum for a book at the time. The original edition in pleasing condition now fetches between $75000 and $100000. Our handsomely bound actual size facsimile offers an attractively priced alternative. Ertug & Kocabiyuk unknown books
1835réf. PHO-1099Paris, Bellizard, Barthes, Dufour et Lowell ; Londres, Bossange, Barthes et Lowell ; Saint-Petersbourg, Fd. Bellizard et Cie, 1835-1841. 18 volumes de texte in-8 et un atlas in-folio TEXTE : 18 volumes in-8, relié plein cuir tacheté époque, dos lisse orné avec pièce de titre rouge et auteur et tomaison vertes, filet sur les plats, adhésif, frottements, défauts d'usage .., rousseurs dans le texte. ATLAS : Paris. Bellizard, Dufour etc. 1844. Imprimé chez Thierry Frères. Reliure époque, dos lisse. Grand in-folio (555x375mm) il est composé d'un titre, d'une listes des cartes, d'une carte générale de l'Empire Ottoman avec les contours aquarellés (690x550mm), de 21 cartes particulières (dont une sur 2 feuilles et 2 à double page dépliantes représentant les états de l'empire ottoman et les états limitrophes (845x590mm et 845x545), de 13 plans de batailles ou de siège, et de 3 plans de villes dont un grand plan dépliant de Constantinople (690x670mm) par G. Heck et Lon. Plée et gravée par U. Muschani. Reliure avec défauts, réparation au dos, fente intérieure, petite mouillure angulaire, une carte et un feuillet détaché
2003As New English Original bdg. In publisher's original slip-case. Elephant folio. (66 x 50 cm). In French and English. Color and b/w ills. 144 p., 49 plates., 3 maps. Another superb facsimile edition of a very rare book by Ertug & Kocabiyik. In 1795 the Alsace-born Antoine Ignace Melling, who had come to Constantinople to seek his fortunes, was appointed imperial architect by the Ottoman Sultan Selim III. During his tenure in that position, he also designed and landscaped a seaside palace for Selim's sister, Princess Hatice. While in Constantinople, Melling executed a number of astonishing panoramic views of the city and its environs.Melling returned to Paris in about 1803. In 1809 he set up an engraving studio for the purpose of reproducing these drawings. The completed images were published as a series of fascicles that were sent out to subscribers. The last one appeared in 1819. The Ertug & Kocabiyik facsimile edition of the complete book is produced from the original "elephant folio", an unfolded first edition in the collection of Ahmet Ertug. The technical aspects of the project were done under the supervision of Mr. Ertug in Switzerland by some of the world's leading facsimile specialists. This outstanding facsimile edition is available in two different bindings. One is bound in sturdy Japanese cloth and the other is a very limited edition of only 50 copies bound in leather that is intended for connoisseurs of exceptionally fine books. The binding and decoration of all the leather-bound copies were done by hand. The book measures 50 by 66 cms. The foldout image plates are 65 by 97 cms. There are 48 views of Constantinople in the late 18th century and also three maps. The publishers also offer an edition of the unfolded image plates presented in a leather-bound case. Only 25 copies of this version have been produced. The text for this edition is bound separately and presented in a pocket in the leather case. The descriptions of the views in the facsimile edition are in the original French and an English translation is also provided. The Ertug & Kocabiyik facsimile edition of "Voyage pittoresque" is an outstanding achievement and one that is certain to appeal to collectors of rare books and to those who admire beautiful art objects.
1815réf. 0005071815 Paris, H. Nicolle, 1815-17. Trois volumes in-8 (135 X 200 mm) et un atlas grand in-folio (433 X 570 mm) demi-veau vert empire, dos lisse cloisonné de chainettes et filets dorés, guirlandes dorées en queue et tête, fleuron doré dans les compartiments, pièces de titre et de tomaison veau noir, date dorée en queue, coiffes filetées, tranches mouchetées (reliure moderne). Tome I : (2) ff. de faux-titre et titre, 438 pages - Tome II : (2) ff. de faux-titre et titre, 467 pages - Tome III : (2) ff. de faux-titre et titre, 476 pages - Atlas : (2) ff. de faux-titre et titre, 10 pages d'explication des planches, 25 planches (dont 4 à double page). L'intégralité des feuillets et planches de l'atlas ainsi que quelques feuillets des volumes de texte ont été lavés, tache claire en marge latérale des premiers feuillets de texte de l'atlas et de la première planche, sans atteinte au texte ni à la gravure, quelques déchirures habilement restaurées, quelques taches essentiellement dans les marges, rousseurs aux volumes de texte.