A. SÜHEYL ÜNVER.MareMagnum
2 103 résultats
1996Fine English Original cloth bdg. Roy. 8vo. (22 x 17 cm). In Turkish. 2 books (38 p.; [114] p.), color plts. First Edition. Fatih'in defteri. Edited by Ismail Kara, Salih Pulcu. TURKISH AND ISLAMIC ARTS Traditional arts History of art Ottoman culture II. Mehmet Constantinople Istanbul Miniature Turkish painting Ottoman calligraphy Calligrapher Illumination.
2000New New English Original binding with original dust wrapper. 4to. (30 x 24 cm). Turkish Edition. 3 volumes set: ([xi], 1182 p. in total). 2400 postcards. Born in 1852 in Kalucz, a town on the eastern border of the Austro-Hungarian Empire, Max Fruchtermann came to Istanbul in 1867 and two years later opened a picture framing shop in the city. Having decided to have the first Ottoman Postcard Series printed at Breslau in 1895, he ensured through his cards, which number in the millions, that the name "Turkey and the multifarious images associated with it" spread throughout the entire world from Canada to New Zeland. In 1966 when Fruchtermann's daughter-in-law Anna, before closing down the establishment, sold her remaining stock (subsequently realized to number around 600,000) to a secondhand dealer for 2500 liras, she probably never imagined the importance of her father-in-law's postcards. They are not simply photographs of landscape panoramas monumental buildings and people of the time. They are individual documents that reflect in their human types and cross-sections of everyday life the noteworthy political incidents of the late 19th and early 20th centuries and the ethnic and cultural diversity embodied in the Ottoman identity. As such they have acquired significance far in excess of original expectations. It always comes as a pleasant surprise to collectors to see that ordinary objects left to us from the past, and usually assumed to be of mere functional value, in time acquire special significance. For us, however, far more than a pleasant surprise these postcards are a door opening up on our recent history. The places, incidents and types that Fruchtermann saw and appraised with his own eyes have been given new life and brought together as a whole thanks to this study and up-to-date treatment by Mert Sandalci.
2014New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In English. 375 p., color and b/w ills. "The rose is known and loved by the entire world. Smelled by sovereigns, this flower is the symbol of love, of belief and of beauty. It is the richest inspiration for all arts, the sultan of gardens and poetry and the eternal yearning of the nightingale. From the beginning of civilization the rose has adorned the lives of man. For thousands of years countless cultures have turned to the rose as a way of expression, they have held on to it, interpreted it, and enjoyed its beauty while enduring its thorns. Süleyman the Magnificent wrote poetry using the pseudonym Muhibbî and understanding the value of this special flower he placed it on the emerald throne of the meadow. 'The rose sits on the emerald throne and becomes a sultan It gathers all the sweet basil to commence the council.' Ahmet Hamdi Tanpinar said of the rose, "The dream of eternity fitted into a moment." This book is written to provide a stroll into the imaginary and actual rose garden of humanity and enable the gathering of a most colourful bunch. Those who turn the pages will relish the rosy world of nature and roses, the history of the rose, the name of the rose and the smell and taste of roses; the rose in art and rosy pictures, rosy tiles and rosy fabrics, rosy carpets, rosy stones and rosy woods, rosy jewellery and rosy glass, the rose in poetry and the rose in music, wearing the rose and the rose gardens of our lives. With this book the writer of the TULIP book, Gül Irepoglu has taken a new look at the ROSE and embraced it.".
2014New New English Original bdg. Dust wrapper. 4to. (32 x 22 cm). In Turkish. 375 p., color and b/w ills. "The rose is known and loved by the entire world. Smelled by sovereigns, this flower is the symbol of love, of belief and of beauty. It is the richest inspiration for all arts, the sultan of gardens and poetry and the eternal yearning of the nightingale. From the beginning of civilization the rose has adorned the lives of man. For thousands of years countless cultures have turned to the rose as a way of expression, they have held on to it, interpreted it, and enjoyed its beauty while enduring its thorns. Süleyman the Magnificent wrote poetry using the pseudonym Muhibbî and understanding the value of this special flower he placed it on the emerald throne of the meadow. 'The rose sits on the emerald throne and becomes a sultan It gathers all the sweet basil to commence the council.' Ahmet Hamdi Tanpinar said of the rose, "The dream of eternity fitted into a moment." This book is written to provide a stroll into the imaginary and actual rose garden of humanity and enable the gathering of a most colourful bunch. Those who turn the pages will relish the rosy world of nature and roses, the history of the rose, the name of the rose and the smell and taste of roses; the rose in art and rosy pictures, rosy tiles and rosy fabrics, rosy carpets, rosy stones and rosy woods, rosy jewellery and rosy glass, the rose in poetry and the rose in music, wearing the rose and the rose gardens of our lives. With this book the writer of the TULIP book, Gül Irepoglu has taken a new look at the ROSE and embraced it.".
1986Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and abstract in English. [iv], 91 p., 19 folding plates. Süleymaniye suyollari.
2010New New English Original bdg. Dust wrapper. 4to. (29 x 21 cm). In Turkish. 1009 p., color and b/w ills. Istanbul ansiklopedisi.
2006Fine English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 512 p. B/w and color ills. Tarihi, kültürü ve sanatiyla X. Eyüpsultan sempozyumu. Tebligler 12-14 Mayis 2006.
2005New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 208 p., color ills. "An Orientalist painter who lived almost half a century in Istanbul up to his death, Leonardo de Mango is described by the art commentator Thalasso as, a painter through whom the East spoke. De Mango was born on 19 February 1843, the eldest child of a large family in the town of Bisceglie near Bari in Italy, where he honed his native talent for drawing up to the age of nineteen. In 1862, under the patronage of an aristocratic family of Bari, he entered the Academy of Fine Arts of Naples and studied there for eight years under Filippo Palizzi and of Domenico Morelli. Morelli was also a painter who treated exotic orientalist themes. During this period de Mango also worked with Saverio Altamura, Bernardo Celentano, Raffaele d'Auria, Federico Maldarelli, Raffaele Postiglione and Giuseppe Mancinelli. In 1883 De Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts. Forced to leave Istanbul briefly in 1911 during the Tripolitanian War, the artist returned to the city following the Treaty of Ouchy on 15 October 1912. De Mango was among the artists who, at the initiative of Alexander Vallaury, a teacher in the architecture department of the School of Fine Arts, and Regis Delbeuf, manager of the Istanbul daily Le Stamboul, organized the first painting and sculpture exhibition at Beyoglu in 1901, dubbed the 'Pera Exhibitions in the Passage Oriental', an arcade owned by the French merchant Bourdon. With 27 works, De Mango was the most well represented artist in the exhibition, as he was again in the 1920 exhibition when he was one of 36 artists, participating with 33 of his own paintings. De Mango also had 16 paintings in the last of the Pera exhibitions, which was held in 1903. He painted in the open air and in his workshop at Beyoglu, reflecting the daily life of the different districts of Istanbul until his death in 1930.". Contents: Erol Makzume "The 75th anniversary of the death of an orientalist painter from Pera, Leonardo de Mango"; Roberta Ferrazza "Leonardo de Mango and the Italian community in Istanbul"; Bianca Consiglio "Portrait Painter Leonardo de Mango"; Piero Consiglio - Giacinto La Notte "Leonardo de Mango stages in a life divided between East and West"; Catalogue.
1993Fine Fine English Original bdg. Dust wrapper. 4to. (29 x 21 cm). In Turkish. 2 volumes set ([viii], 233 p.; [vi], 223 p.), full page color ills. Catalogue of icons in Hagia Sophia Museum. A heavy set. Ikonalar. Ayasofya Müzesi'ndeki ikonalar katalogu. 2 volumes set.
2006New English Original bdg. In publisher's special slip-case. 4to. (32 x 24 cm). In Turkish. 3 volumes set: (272 p.; 272 p.; 272 p). Color and b/w ills. Istanbul tarihî çesmeler külliyati. 3 volumes set in special slip-case. The historical fountains of Istanbul (Constantinople). The most comprehensive inventory on Istanbul's fountains. A very heavy set. TURKISH AND ISLAMIC ARTS Ottoman architecture Fountain Architectural history of art Istanbul Constantinople Reference Inscriptions Inventory Epigraphy Calligraphy.
2004Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 29, [3] p., b/w plts. Architectural works in the period of Mehmed the Conqueror (Mehmet II). Fâtih devri mimarî eserleri.
2006Fine Fine English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In Turkish. 192 p., color and b/w ills. Hamidiye. Bâki kente âb-i kente. Bir su klasigi.
2016New English Original bdg. HC. 4to. (27 x 23 cm). In English and Turkish. [4], 198 p., color and b/w ills. A mansion in Sisli and architect Giulio Mongeri.= Sisli'de bir konak ve mimar Giulio Mongeri.
2001New New English Original bdg. Dust wrapper. 4to. (32 x 24,5 cm). In English. 175 p., color ills. "The book brings together the extant mosaics of the Great Palace (Büyük Saray Mosaic Museum), Hagia Sophia (Ayasofya Museum), the Virgin Pammakaristos (Fethiye Museum), St. Saviour in Chora (Kariye Museum) and Istanbul Archaeological Museums. Except for the few panels brought from elsewhere and now kept in the Istanbul Archaeological Museums, all of the mosaics in this book were made in Istanbul, known then as Constantinople. Chronologically, the earliest of these mosaics is from the late Roman period and the latest from the early fourteenth century. Even if they are far from giving the development of the art of mosaic in the capital these pavements reflect the importance that was afforded to this art. In this volume they are grouped under the name of the monument to which they belong. Constantinople suffered so many natural disasters and had to be rebuilt so many times that the mosaics which decorated the buildings of the late Roman/early Byzantine period, lie under modern buildings in the debris of fires and earthquakes. Unless some of these are encountered accidentally during construction work and salvaged, there is almost no hope of bringing them to light.".
2001New English Paperback. Demy 8vo. (22 x 15 cm). In Turkish. 112 p., b/w ills. Amcazâde Hüseyin Pasa Yalisi ve onarim serüvenleri ile Amcazâde Hüseyin Pasa manzumesi restorasyonu, (1957-1963).
1997New New English Original bdg. Dust wrapper. 4to. (32 x 24 cm). In Turkish. 351 p. Color and b/w ills. Biography of Turkish painter Ibrahim Çalli (1882-1960). First Edition. Çalli ve atölyesi.
2014New New English Original bdg. Dust wrapper. Folio. (34 x 24 cm). In English and Turkish. 143, [2] p., Ottoman documents. Social life and environment in erstwhile Istanbul under the light of 41 original documents.= 41 orijinal belge isiginda eski Istanbul'da sosyal hayat ve çevre. Prep. by Cengiz Dirimcan - Hüsnü Kiliç. Introductory essays in Turkish with English translation. Facsimiles of original Ottoman documents with modern Turkish translation.
2009Fine English Paperback. Pbo. 4to. (27 x 19 cm). In English and Turkish. 77, [1] p., color and b/w ills. Mevhibe Inönü: The story of a republic told by clothes.= Mevhibe Inönü: Bir cumhuriyet hanimefendisi. [Exhibition catalogue].
1931Very Good English In modern cloth bdg. Roy. 8vo. (24 x 17 cm). In Turkish. 72 p., b/w ills. Sinan the Architect. First Edition.
1999Fine English Paperback. Pbo. 4to. (34 x 22 cm). In Turkish. [30], 147, [3] p., color ills. P sanat, kültür, antika dergisi. No. 12. Moda ve sanat. Special issue, Fashion and art.
2002Fine Fine English Original bdg. Dust wrapper. 4to. (28 x 20 cm). In Turkish. 456 p., color and b/w ills. Saray-i Hümayun. Topkapi Sarayi tarihi, mekanlari, kitabeleri ve anilari ile. A study on Topkapi Ottoman Palace. Arctitecture, memoirs, Ottoman culture, history, harem etc.
1953Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 26 p., 1 color plate, 8 b/w plts. Ressam Levnî. Fatih Sultan Mehmed ve babasi ile oglu. Resimlerini yapan ressam Levnî ve biyografisi. A study on Sultan Mehmet II and Abdulcelil Çelebi Levni (was an Ottoman court painter and miniaturist).
1996Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 240 p. Antique shops and dealers in Istanbul from Ottoman Empire to Turkey.
1983Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 203, [9] p., 19 color maps and plans. Tarih boyunca Istanbul sulari ve Istanbul su ve kanalizasyon sorunu.
2008New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English and Turkish. 239 p., color and b/w postcards. Istanbul with postcards.= Kartpostallarda Istanbul. Eyüp - Bakirköy - Beyoglu - Kagithane.