2310 resultados
ref. Z1-C-084-01763Wiremill Publishing Ltd. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear and may have sticker on cover but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Wiremill Publishing Ltd unknown
1976ref. 64220Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 174 pp. With 104 ills. 25 x 19 cm. -- with a bonus offer-- . 1976. Gallery paperback
2012ref. 100713The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 348 pages; well-illustrated in color and black and white. -- with a bonus offer--; October Books; In a career that spanned five decades most of them spent in San Francisco Bruce Conner 1933--2008 produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films hallucinatory ink-blot graphics enigmatic collages or assemblages from castoffs Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry punk music and underground film circles he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his "retirement." In this first book-length study of Conner's enormously influential but insufficiently understood career Kevin Hatch explores Conner's work as well as his position on the geographical cultural and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work reflecting a struggle between private unknowable interior experience and a duplicitous world of received images and false appearances. The profane and the sacred the comic and the tragic the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work. Generously illustrated with many color images of Conner's works Looking for Bruce Conner proceeds in roughly chronological fashion from Conner's notorious assemblages BLACK DAHLIA and RATBASTARD among them through his experimental films populated by images from what Conner called "the tremendous fantastic movies going in my head from all the scenes I'd seen" his little-known graphic work and his collage and inkblot drawings. . 2012. 0262016818 . The MIT Press hardcover
2012ref. 97824The MIT Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 354 pp. ; 104 illus. 55 in color. -- with a bonus offer--; October Books; In a career that spanned five decades most of them spent in San Francisco Bruce Conner 1933--2008 produced a unique body of work that refused to be contained by medium or style. Whether making found-footage films hallucinatory ink-blot graphics enigmatic collages or assemblages from castoffs Conner took up genres as quickly as he abandoned them. His movements within San Francisco's counter-cultural scenes were similarly free-wheeling; at home in beat poetry punk music and underground film circles he never completely belonged to any of them. Bruce Conner belonged to Bruce Conner. Twice he announced his own death; during the last years of his life he produced a series of pseudonymous works after announcing his "retirement." In this first book-length study of Conner's enormously influential but insufficiently understood career Kevin Hatch explores Conner's work as well as his position on the geographical cultural and critical margins. Hatch finds a set of abiding concerns that inform Conner's wide-ranging works and changing personas. A deep anxiety pervades the work reflecting a struggle between private unknowable interior experience and a duplicitous world of received images and false appearances. The profane and the sacred the comic and the tragic the enigmatic and the universal: each of these antinomies is pushed to the breaking point in Conner's work. Generously illustrated with many color images of Conner's works Looking for Bruce Conner proceeds in roughly chronological fashion from Conner's notorious assemblages BLACK DAHLIA and RATBASTARD among them through his experimental films populated by images from what Conner called "the tremendous fantastic movies going in my head from all the scenes I'd seen" his little-known graphic work and his collage and inkblot drawings. . 2012. 0262016818 . The MIT Press hardcover
2015ref. 111497Chronicle Books. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2015. 1452134332 . Chronicle Books hardcover
2012ref. 98838Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 288 pp. ; 208 illus. 177 in color. -- with a bonus offer--; Were Thomas Jefferson to walk the grounds of Monticello today he would no doubt feel fully at home in the 1000-foot terraced vegetable garden where the very vegetables and herbs he favored are thriving. Extensively and painstakingly restored under Peter J. Hatch's brilliant direction Jefferson's unique vegetable garden now boasts the same medley of plants he enthusiastically cultivated in the early nineteenth century. The garden is a living expression of Jefferson's genius and his distinctly American attitudes. Its impact on the culinary garden and landscape history of the United States continues to the present day. Graced with nearly 200 full-color illustrations "A Rich Spot of Earth" is the first book devoted to all aspects of the Monticello vegetable garden. Hatch guides us from the asparagus and artichokes first planted in 1770 through the horticultural experiments of Jefferson's retirement years 1809–1826. The author explores topics ranging from labor in the garden garden pests of the time and seed saving practices to contemporary African American gardens. He also discusses Jefferson's favorite vegetables and the hundreds of varieties he grew the half-Virginian half-French cuisine he developed and the gardening traditions he adapted from many other countries. 20111020 . 2012. 0300171145 . Yale University Press hardcover
ref. Z1-C-026-00943Bibliolife. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Bibliolife unknown
2001ref. BRG-45_1_318White Wolf Publishing 2001-08-06. hardcover. Very Good. 8x0x11. Very Good condition.Crisp pages. Clean cover and pages. Book shows minimal shelf wear. No highlighting/marking. Not Satisfied Contact us to get a refund. White Wolf Publishing hardcover
ref. 14444New York: Hatch & Co. Lithograph of the handsome Hudson River steamer that was referred to in a NY Times article in July 1865 "We have been admitted to royal and imperial palaces in England France Holland Belgium Austria &c. without pressing carpets richer or more expensive than those which adorn the magnificent saloons of the Dean Richmond." 23.5x17.75" plus margins. Lightly & uniformly browned sml. watermark on right margin. In period brown painted frame with gilt inner margin. Frame measures 29.25 x 23.25 Hatch & Co unknown
1935ref. 3117276BOSTON: Little Brown and Company. Fine in Near Fine dust jacket. 1935. First Edition; First Printing. Hardcover. First edition. Fine in a near fine dust jacket. 243pp. 5 1/4" X 7 3/4" Jacket would be fine were it not for some spotting at bottom of spine on jacket and a couple spots on rear panel. Comes with the rare 4p. Advance promo for Eric Hatch's other titles. Made into one of the greatest of all screwball comedy films starring William Powell and Carol Lombard. Re-printed immediately and uncommon in the first printing. ; 5 1/4" x 7 3/4"; 243 pages . Little, Brown and Company hardcover