ROSSINI, Gioachino.Livre Rare Book
21.998 resultados
ref. 93027A Paris, chez Troupenas, Editeur de Musique, Successeur de Mme Vve Nicolo, sans date (ca 1929), 1 volume in-folio de 350x270 mm environ, 393 pages, broché avec dos toilé. Des rousseurs, couverture avec bordures fendillées, petite galerie dans la marge des premières pages, quelques coins pliés.
Rivista trimestrale di musicologia, poesia, storia e cultura piemontese, cucina, curiosità, locali. Musicalbrandè, - Arvista Piemonteisa - Raccolta dei primi 40 fascicoli pubblicati, dall'anno I n. 1 Marzo 1959 all'anno X n. 40 Dicembre 1968. Circa 1000 pagine complessive con illustrazioni. Copertina rigida - Lingua italiana / Dialetto piemontese. Condizioni molto buone. Legatura e sguardie rifatte.
1880ref. 26822ABLeipzig, Breitkopf & Härtel, o.J. (um 1880). 4°. 10 S., 237 S. Leinenband der Zeit (berieben und bestossen).
ref. 7038, Luugd. Batav., Hackiana, 1677., Relie de l' epoque, plein maroquin, dos orne de fil. fleuronne dore, dos a nerfs (5), tranches anciennement jaspee, 12x20cm, (25) 596pp (36).
ref. 67123Berlin, B. Kahan, 1928 Cloth (yellow) 22x18cm. 90 pages, Illustrated. Text in German and Jewish, *interior in very good.
1808ref. 354London: Lowndes Printer 1808. First Edition. Broadside. Fine. Broadside approximately 11 1/2 x 8 1/2 inches untrimmed. Portion of bottom line of text unprinted. Small remnants of paper tape on verso else fine. Broadside advertising the twelfth performance of the opera KAIS OR LOVE IN THE DESERTS at Drury Lane starring and produced by the renowned English tenor John Braham. John Braham ca. 1774-1856 rose from poverty and orphanhood in London to the heights of European opera where he celebrated as one of the great voices of his age. As a British Jew he also represented a major shift in Jewish status and social potential in the late Georgian era becoming not only an artist of acclaim but also eventually the father-in-law of several English aristocrats. KAIS was based on the ancient Arabian love story of Layla and Majnun which had been adapted into a famous work by Persian Poet Nizami Ganjavi in the 12th century which in turn became the source for numerous later poets and mystics throughout the Middle East and Central and South Asia. The story gained great popularity in Europe after Isaac DIsraeli published an English translation in the early 19th century. It was upon this translation that Isaac Brandon based the libretto for KAIS. Braham and William Reeve composed the music for the opera which opened in 1807. Lowndes, Printer
1808ref. 354London: Lowndes Printer 1808. First Edition. Broadside. Fine. Broadside approximately 11 1/2 x 8 1/2 inches untrimmed. Portion of bottom line of text unprinted. Small remnants of paper tape on verso else fine. Broadside advertising the twelfth performance of the opera KAIS OR LOVE IN THE DESERTS at Drury Lane starring and produced by the renowned English tenor John Braham. John Braham ca. 1774-1856 rose from poverty and orphanhood in London to the heights of European opera where he celebrated as one of the great voices of his age. As a British Jew he also represented a major shift in Jewish status and social potential in the late Georgian era becoming not only an artist of acclaim but also eventually the father-in-law of several English aristocrats. KAIS was based on the ancient Arabian love story of Layla and Majnun which had been adapted into a famous work by Persian Poet Nizami Ganjavi in the 12th century which in turn became the source for numerous later poets and mystics throughout the Middle East and Central and South Asia. The story gained great popularity in Europe after Isaac DIsraeli published an English translation in the early 19th century. It was upon this translation that Isaac Brandon based the libretto for KAIS. Braham and William Reeve composed the music for the opera which opened in 1807. Lowndes, Printer books
1927ref. D12058Milan 1927. Ephemera. Very Good. Broadside advertisements for the performance of "Piccolo Harem" at Teatro Manzoni 4 large printed in color; 7 handwritten letters by Costa 5 of them signed with content related to the drama; 78-pp. typescript of the play in French "Petit Harem" signed by Costa; and 7 contemporary newspapers containing reviews. Condition is VG or better. The broadsides are particularly striking -- some flattened creases from folding but boldly designed and colors remain bright would display nicely. unknown
1824ref. 24569London: William Pickering 1824. Pickering's Diamond Classics. Spine faded as usual spine label with chip. Bookplate. Pickering's Diamond Classics". Miniature book 3 1/2" x 2". 192p. In the publisher's original binding of cloth with paper spine label. Welsh 3564; Kelly 1824.3; Bondy p. 87; Keynes p. 73. William Pickering unknown
1885ref. 140511885. Neurdein Frères Paris Opera circa 1887 to 1890 documents the Palais Garnier and the concentrated carriage and pedestrian traffic surrounding one of the principal public buildings of late nineteenth century Paris. Completed in 1875 the opera house stood within the rebuilt urban landscape of the Second Empire and early Third Republic while the traffic visible before its façade records the everyday movement of people and horse drawn vehicles through the surrounding streets. Albumen print approximately 8 x 11 inches mounted on paper. The view centers on the elaborately ornamented façade of the Palais Garnier with numerous horse drawn carriages and pedestrians filling the foreground and the square before the building. The "X Phot." mark identifies the image with Neurdein Frères who used the mark from 1887. The firm produced extensive photographic views of Paris for circulation as tourist and architectural images including monuments civic buildings streets and other recognizable features of the capital. The combination of monumental architecture and active street traffic preserves both the appearance of the Palais Garnier and the transportation patterns of Paris before the widespread replacement of horse drawn vehicles by motor traffic. Excellent condition. A sharp late nineteenth century view combining architectural documentation of the Paris Opera with closely observed evidence of everyday movement through the surrounding urban space. unknown
1885ref. 140511885. Neurdein Frères Paris Opera circa 1887 to 1890 documents the Palais Garnier and the concentrated carriage and pedestrian traffic surrounding one of the principal public buildings of late nineteenth century Paris. Completed in 1875 the opera house stood within the rebuilt urban landscape of the Second Empire and early Third Republic while the traffic visible before its façade records the everyday movement of people and horse drawn vehicles through the surrounding streets. Albumen print approximately 8 x 11 inches mounted on paper. The view centers on the elaborately ornamented façade of the Palais Garnier with numerous horse drawn carriages and pedestrians filling the foreground and the square before the building. The "X Phot." mark identifies the image with Neurdein Frères who used the mark from 1887. The firm produced extensive photographic views of Paris for circulation as tourist and architectural images including monuments civic buildings streets and other recognizable features of the capital. The combination of monumental architecture and active street traffic preserves both the appearance of the Palais Garnier and the transportation patterns of Paris before the widespread replacement of horse drawn vehicles by motor traffic. Excellent condition. A sharp late nineteenth century view combining architectural documentation of the Paris Opera with closely observed evidence of everyday movement through the surrounding urban space. unknown books
ref. 68-8866Leicester UK: Royal Opera House 1960. Theatre Poster Broadside. 35 x 24.5 cm. Good with marginal tears and minor losses. Leicester, UK: Royal Opera House, 1960. unknown
1988ref. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown
1988ref. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown books
1954ref. 231274New York.: Ballet Theatre Foundation. 1954. Stapled wrap. Very light soiling and light wear to covers otherwise a very good copy. 4to. Signed by Igor Youskevich Alicia Alonso John Kriza Melissa Hayden Roy Fitzell and Job Sanders on their respective photographs. Program for 1954 series at the San Francisco War Memorial Opera House laid in. Numerous photographs of the performers. Ballet Theatre Foundation. unknown
ref. 2309Beijing, Peoples Art Publishing House, 1957. Edited by the Research Studio of the Northeast Drama Institute. Designs reproduced by Xia Yang, Lu Hua and Ma Qiang. 1 grand volume ef, 73 pp., bound in illustrated silk cover with original slipcase, presenting 73 coloured plates of Chinese Opera Costume. Lavishly decorated and nicely presented. This grand volume is in very good condition. Description in Chinese.
1870In folio (39×58 cm). Croquis par Ciardi, Dessinè sur pierre pad A. Lebedeff. Una mano coeva ha scritto con matita rossa il nome di Leschetizky al margine basso della tavola. Bellissima caricatura del celebre pianista, compositore ed insegnante di piano nato a Lancut nel 1830 e morto a Dresda nel che fu insegnante del grande musicista e diplomatico polacco, Ignacy Jan Paderewski, Teodor Leszetycki trascritto anche come Theodor Leschetizky o Theodor Leschetitzky (Lancut, 22 giugno 1830 – Dresda, 4 novembre 1915). Leszetycki fin da bambino dimostrò grandi doti di musicista tanto da essere ritenuto un bambino prodigio. Studiò pianoforte a Vienna con Carl Czerny e Simon Sechter. Già a 14 anni divenne insegnante di pianoforte. A diciotto anni era già un noto virtuoso di pianoforte nei circoli musicali viennesi. All’attività di virtuoso nei teatri di Vienna e d’Europa affiancò ,in modo sempre più importante, quella di insegnante fino ad essere con Rubinstein, cofondatore del conservatorio di San Pietroburgo. Fra i suoi allievi più celebri Fanny Bloomfield Zeisler, Katharine Goodson, Ignaz Friedman, Paderewski, Artur Schnabel, Alexander Brailowsky, Ossip Gabrilowitsch, Mark Hambourg, Elly Ney, Severin Eisenberger, Mieczyslaw Horszowski e molti altri. Molti dei suoi allievi divennero noti insegnanti di pianoforte a loro volta, come Isabelle Vengerova, Anna Langenhan-Hirzel, Richard Buhlig and Czeslaw Marek. La caricatura è opera del celebre compositore, flautista e caricaturista fiorentino Cesare Ciardi (Firenze, 28 giugno 1818 – Strel’na, 13 giugno 1877). Dopo una grande carriera in Italia ed in Francia nel “…1853 Ciardi partì per l’estero: Parigi e poi Pietroburgo dove resterà per anni come flautista dello Zar, direttori dei Teatri Imperiali e successivamente docente di flauto al neonato Conservatorio di Pietroburgo creato da Anton Grigorevic Rubinštejn; lì, per due anni (come scrive Fabbri, 1999), Pëtr Il’ic Cajkovskij studia flauto con Ciardi diventandone sincero amico; anche il celebre clarinettista Ernesto Cavallini lavorava nella stessa città entrando spesso in contatto con Ciardi. L’ultimo rimpatrio di Ciardi è del 1867 documentato dal programma di un ‘Gran Concerto Vocale e Strumentale’ a Prato dove Ciardi si esibì trionfalmente”. Esemplare in buone-ottime condizioni di conservazione. Raro.
1914ref. 76891914 Paris librairie Fischbacher 1914-19 In12 relié demi basane bleue dos lisse 1 fleuron titre frappé 146 pages
1930ref. 64011930 éditions Kra collection poivre et sel 1930 In8 broché 142 pages
1933ref. 3319Couverture rigide 1ère Édition Editions centrales 1933 Lausanne 27x21 cm
ref. DADAX0199773726New unknown
ref. 100074Rivista trimestrale di musicologia poesia storia e cultura piemontese cucina curiosità locali. - Musicalbrandè - Arvista Piemonteisa - Raccolta dei primi 40 fascicoli pubblicati dall'anno I n. 1 Marzo 1959 all'anno X n. 40 Dicembre 1968. - Circa 1000 pagine complessive con illustrazioni. - Copertina rigida - Lingua italiana / Dialetto piemontese. - Condizioni molto buone. Legatura e sguardie rifatte. unknown
ref. Fromonot, FrançoiseIn near perfect condition. unknown
ref. 129638aafParis, Marcel Sautier, s. d., (vers 1945), gr. in-8vo, 192 p., avec dessin original au crayon de Mariano Andreü (’46), ill. par des lithographies originales de Mariano Andreü, Ex. sur vélin pur fil à la forme des Manufactures de Lana nº 281 sur 310, reliure en plein cuir (sans la pièce de titre au dos) dos légèrement insolé, tranche supérieure dorée.
ref. 11723Paris, Olivier Perrin 1951 - 1956 315x240mm, 1200pages, env., nombreuses illustrations n/b et couleurs, reliure cartonnage sous jaquette illustrée. Avec un supplément: Tableau des pièces créées à Paris de 1951 à 1956. Quelques pages glacées avec des traces de mouillures sans gravité. Quelques jaquettes défraichies, volume II: il manque 1,5 cm au dos supérieur.
