811 résultats
réf. BN44063Japanese Photo Book unknown
1885réf. 53168London: Frederick Bruckmann 1885. Hardcover. vg to vg. Quarto. 31pp. interleaved with 15 mounted photographs. Original period lavish brown cloth boards with decorative tooling lettering and ruling in black and gilt on the front cover and spine. Back cover blind-stamped. Edges in gilt. Lustrous textured thick white endpapers. Issued by the London branch of the pioneering art publishing house of Friedrich Bruckmann Frederick Bruckmann 1814-1898. The work contains 15 examples of clothing styles from various traditional ethnic and national fashions and clothing styles from around the world. Each style is exemplified by an original albumen photograph mounted on heavy stock paper accompanied by 1-2 pages of text which is decorated with large initials and engraved head and tailpieces. The regions shown are Alsace Lorraine Suabia Austria Denmark Bohemia Poland Russia Bulgaria Italy Spain Egypt Turkey Syria and China. Binding with only the most minor rubbing to corners. A few minor scratches on the back cover. Book block tight. Interior with minor to light sporadic foxing. Blind stamp on the front free endpaper. Period inscription in ink dated to 1885 preceding the title page. Light age toning to the edges of a few pages. Interior overall quite clean especially the photographs. Binding in very good interior in very good good condition overall. Frederick Bruckmann hardcover
1788réf. 42077London: Fores 1788. Framed and glazed. Fores unknown
réf. BN127099Springer-Verlag GmbH & Co. KG. Stochastic Processes in Demography and Their Computer Implementation Stochastic Processes in Demography and Their Computer Implementation Mode C. J. Springer-Verlag GmbH & Co. KG unknown
1938réf. mon0000074189London. Ed. George G. Harrap & 1938-01-01. Hardcover. Like New. in x in x in. 1938 edition without jacket on brown cloth will send out 1 st class post - rare and collectable London., Ed. George G. Harrap & hardcover
1920réf. 17641n.p. France: n.d. ca. 1920s architecture styles of historical periods in various geographical regions to the fashion styles of those periods. Styles illustrated include those of Greece Rome Egypt and Persia; late medieval Europe; the reign of Louis XIV; traditional Japanese attire; and fashionable 1920s dress. The background illustrations include a Roman archway seventeenth-century furniture and even a classical Greek vase that frames an illustration of three women. The fashion illustrations reflect certain design elements in the background illustrations for example the patterned fabric in the ancient Egyptian fashions match the decorative style of the columns in the background of the illustrations. . Original blue stiff paper folder with ribbon binding at spine. . 9 x 12 in. With twenty-eight pages of beautifully painted fashion designs dresses hats Greek chitons etc. from throughout history some with background elements furniture and architecture and two with real fabric accents pasted down and two pages of manuscript text explaining architectural and sculptural styles. Some of the fashion designs are captioned in manuscript. Also with eight tracing paper leaves illustrated in ink overlaying matching designs below one with pencil annotations noting types of fabric and other design elements. Some soiling to folder. Some offsetting and some foxing. Very good. We could not locate any information on Josette Eynac the student who illustrated this album though she was clearly a capable artist.
1970réf. 48478Istanbul Turkiye: Tannerie Kazlicesme 1970. Very Good. Istanbul Turkiye: Tannerie Kazlicesme n.d. ca. 1970s. Quarto 25.5cm; publisher's brown post-bound card wrappers printed in gilt; title page and thirty 30 leaves of stiff black stock to which are mounted twenty-eight gelatin fashion photographs captioned in white ink manuscript. Wrapper margins a bit rubbed occasional white ink splatters else Very Good contents just about fine. Fun and fashionable trade catalog of Turkish leather goods especially outerwear and knee-high boots priced for the tourist market in US dollars. The tannery was located in Kazlicesme Istanbul's center of leather production since the middle of the 15th century when it was assigned for slaughtering tanning and chandlery by Mehmed the Conqueror. The first twenty-one images in this catalog feature the same young woman modeling seventeen different coats. The reminder feature a male model who got to try on just four leather coats a pair of patent leather loafers and a travel bag. Not separately catalogued in OCLC as of August 2026. Tannerie Kazlicesme unknown
1960réf. 56965Pasadena CA: n.p. ca. 1960. Folio. 14.5 x 20 in. Twelve original gouache paintings on thick artist’s board 10 of them either w/ typed or manuscript labels 1 entitled “Garden Party” written in manuscript at upper fore-edge 8 preserving their cloth fabric swatch samples some w/ designer’s notes trimmings etc. All are preserved in a gray linen clamshell case minor edgewear rubbing wear to corners still a well-preserved fine set of paintings. This nicely executed set of fashion designs were apparently created for a Civil War theatre production in Southern California around 1960 with characters named Florence Bagshot Mrs. Ludley Bagshot Agatha Mrs. W.D.P.S. and Mrs. Forbes. The designs primarily focused on the women characters including one of a nurse standing in costume in gray striped dress apron and cap with Confederate cavalry trooper in kepi astride his horse and hatless officer with sash standing in the background. Many of the designs reflect the colour palate of the early 1960’s with avocado green vivid blues solid brown earth tones and bright nearly neon orange gauze fabrics in the renderings and samples which would not have been common in those combinations during the Civil War era. Still most of the dress designs incorporate the hoop skirts of the period often with crinoline and/or crinoline cage hoop skirts and high collars with ties and ribbons at the neck and trim patterns typical of the period. The design for Florence Bagshot’s bedroom wear incorporates elements of Mid 20th-Century design and sensibilities rather than the more common chemise and sturdy cotton for the 1860’s. The Confederate Nurse design was painted on “Brownie Board Cold Pressed Duncan Vail Co. Los Angeles” which appears in California art supply advertising from about 1960-1963. We were unable to identify the production after an extensive search through contemporary theatre production trade magazines newspapers and other industry publications. n.p., hardcover
1977réf. 17682New York: Viking 1977. Hardcover. SIGNED. First edition first printing. Inspired by an exhibition organized by Diana Vreeland for the Metropolitan Museum of Art Penn photographed the fashions of the masters of early 20th century couture--Paul Poiret Madeleine Vionnet les Callot Molyneux Paquin Coco Chanel Alix and Elsa Schiaparelli--with accompanying commentary by Vreeland. Photographs by Irving Penn; text by Diana Vreeland. SIGNED BY PENN on the half title and inscribed. 96 pages; 72 full-page b&w plates 3 text illustrations; 10.5 x 10.5 inches. Condition: Fine clothbound hardcover in a Near Fine dust jacket with light traces of soiling to the back panel and one tiny tear. A nice copy. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Viking hardcover
2008réf. BN512443Antwerp / MoMu Fashion Museum 2008. 2008. Maison Martin Margiela. 20. The Exhibition. Maison Martin Margiela. 20. The Exhibition. Mode - Bob Verhelst and Kaat Debo Antwerp / MoMu Fashion Museum unknown
1941réf. 57736New York: Apparel Arts Esquire Inc. Esquire Building Madison at 46th March 1941. Folio. 10.75 x 14.25 in. 98 pp. Numerous colour plates many double-page colour photographs 23 of 30 fabric samples tipped-in photo illustrations colour photo illustrations. Quarter-blue cloth over colour-illustrated photo boards cover art of divers in swim suits from high dive platforms edgewear rubbing rubbing to corners some dustsoiling still VG- copy. First edition of this World War II-era trade magazine launched in 1931 in the depths of the Great Depression by Weintraub Smart & Gingrich from the Menswear Service Corporation. This issue features illustrations and advertisements by such artists as John Lagatta 1894-1977; Allen for Portis hats the modernist master Paul Rand’s 1914-1996 Summer 1941 poster the iconic fashion illustrator Laurence Fellows 1885-1964 and other mainstays. This installment features advertisements from such menswear brands as Botany Worsted Mills Jockey Manhattan Shirt Co. Dobbs Hats Hickok John Cyril Woolen Co. and even Pittsburgh Plate Glass Co. fashion displays. By the 1940’s the magazine was printed by Esquire Inc. issued 8 times a year continuing in print until replaced by Gentlemen’s Quarterly GQ in 1959. See: Marianne Brown Apparel Arts & Conde Nast May 10 2017. Apparel Arts, Esquire Inc., Esquire Building, Madison at 46th, hardcover
1996réf. 403084California 1996. Hardcover. Near Fine. A Collection of 100 used concert tickets featuring punk new wave and heavy metal bands performing in California from 1983 through 1996. The tickets vary in size from 3” x 2” to 5.25” x 2.5”. All items are near fine with light soiling and a modest amount of creasing except for three torn tickets and 4 tickets stubs from use. The L.A. and Bay Area rock scene started in the late 1970s until new wave and heavy metal bands became the central focus of the 1980s. Some of the bands include: Mötley Crüe Iron Maiden Guns N’ Roses Depeche Mode Fatal Attraction Porno for Pyros Billy Idol Culture Club and others. The tickets span from Los Angeles to San Francisco and cities in between from 26 different venues some of which include The Troubadour Coconut Teaszer The Stone Trocadero Transfer The Metro Cow Palace The Palomino and Filthy McNasty Station. Many of the tickets are bright colors with printed pictures and stamped band logos showing the typographic designs of the time frame. Many bands kicked off their careers in California during this time. Mötley Crüe a popular heavy metal band formed in Los Angeles in 1981 is featured here playing at Oakland stadium on October 10 1987. The band is well known for their heavy make-up shocking clothing high-heeled boots and their abuse of drugs and alcohol. In 1985 the band transitioned to a more glam metal style influencing the heavy metal signature look. Guns N' Roses formed in 1985 in Los Angeles and is featured here playing at the Warfield Theatre on February 5 1988. They are a hard rock band that quickly gained popularity after the release of their debut album “Appetite for Destruction” which has sold over 28 million copies worldwide. The band has been labeled as the "the most dangerous band in the world" due to their rebelliousness and were credited to the rekindling of rock music during a time of dance music and glam metal. 1n 1992 Porno for Pyros formed in Los Angeles as an alternative rock group formed out of Jane’s Addiction. They are featured here playing at the Trocadero Transfer on June 19 1996. Their shows featured props extras and pyrotechnics. The band lasted through the mid-1990s and mixed the sounds of grunge and rock together. In the 1980s California became the melting pot of music genres mixing in punk rock new wave and metal. Certain venues became synonymous with the music genres and bands of that time. The Stone opened in the 1980s and was linked to the Keystone Berkeley and Keystone Palo Alto. It was large enough for a capacity of 700 sold only hard liquor at the bar and attracted an audience with bigger hair bigger shoes and makeup. It featured many local and big name artists in its day and was an important part of the Bay Area rock scene in the 1980s. The Coconut Teaszer operated from the 1980s through the mid-2000s. It hosted bands from all genres and featured a downstairs acoustic bar named “8121”. Sawdust on the dance floor and giant goblets for draft beer were some of the popular trademarks of the venue. One of the notable and peculiar policies of the venue was “no open toe shoes” which was painted on the front door. The Troubadour which is still functioning today opened in 1957. New wave and punk was the main feature for The Troubadour in the late 1970s and early 1980s. Through the 1980’s the venue became synonymous with the heavy metal genre and glam bands during that time. Today The Troubadour is revered as one of Hollywood’s most respected places to see live music. An attractive collection of brightly colored concert tickets featuring popular heavy metal and punk bands from the 1980s through the mid-1990s displaying over a decade of music in California. hardcover
1956réf. 14629AB1956. Vienna 1956-1958. 47 : 32 cm. 64 pencil drawings of special paper. Womans dresses from the 1950-ties also designs for hats shoes etc. From a pupil of the prestigious Viennese fashion-school housed in the castle of Hetzendorf a suburb of Vienna which was founded in 1846 in an 1694 build castle and which is now famous worldwide. Gives a good inside of the designs and fashion the in the late 1950-ties. unknown
1956réf. 18448AB1956. Vienna 1956-1958. 47 : 32 cm. 64 dibujos en lapiz en papel especial. Vestido de mujeres de los años 1950 tambien diseños para sombreros zapatos etc. Hechos por una alumna de la prestigiosa escuela de moda 'Hetzendorf' en las afueras de Viena la cual fue fundada en 1846 en un castillo que fue construida en 1694 y que ahora esta famoso en todo el mundo. Transmite una buena ojeada sobre la moda de los años 1950. unknown
réf. 21925From Brockwood Park Bramdean Hampshire and Ojai California. Between 1978 and 2008. A total of twenty-eight items of correspondence comprising: nineteen Autograph Letters Signed two on the backs of cards two Typed Letters Signed and seven Autograph Cards Signed. In good condition. All signed 'Mary' and the large part addressed to 'Christopher' with a few to 'Kit' and one to 'Dear Phyl i.e. Fry's wife Phyllis dear Christopher'. The correspondence indicates a deep affection and long-standing intimacy. In 1987 she transcribes entries from her diary of 1958 regarding dinners in Rome between the Frys and Zimbalists while Fry was working on the script of the film 'Ben Hur' which Sam Zimbalist produced commenting: 'it is startling to find how these pale ink lines evoke us then – almost 20 sic years ago'. Later in the letter she states: 'I wish I could have seen the tv broadcast of The Lady and hope you have a video recording of it. It is like wanting to again hear the English language rising and thundering like winter surf and pure as a Bach prelude. Since Christopher Fry this does not happen these days.' In 1997 she writes: 'So many things hovered in my head all night some of them reaching back to Italian summer days when you and Phyl and Sam and I were together. An unbroken line began then for me of feeling whenever I was with Phyl and you that all was well with the world. That has continued ever since – something wondrously enduring.' And in 2000 she tells him that hearing his news 'is a sort of centre of gravity'. Topics include: her pleasure in his messages and calls texts he has sent her 'What you have said about death and love touches so many things I feel profoundly and the eloquence is no less than the truth.' her admiration for his work 'Language is such a root of human understanding. Other writers seem to be stuttering alongside the eloquence of your plays. Your language unfolds in breadth in splendour a music of the mind. It is as if you are creating language of a different order new and yet with its original and intrinsic meaning freed.' her travels her health in 1988: 'I seem to be hobbling about with little grace but ground-covering success' the taking of vitamins a centenarian's death. In 1999 she comments on a list of 'Krishnamurti books' she is sending him concluding by noting that 'Krishnamurti's Notebook' is 'one that is not personal for a time a daily recording of consciousness. In it he notes the curious physical pain he called “the process”. It had begun with extreme severity in 1922 after a spiritual experience that altered his life and continued to manifest from time to time with differing intensity. He did not consider it as physical illness but as having to do with perceptive ability. He never took anything to mitigate or affect it and seldom spoke of it.' From Brockwood Park, Bramdean, Hampshire, and Ojai, California. Between 1978 and 2008. unknown
1940réf. D12397America c. 1940s. Group of approximately 30 costume and fashion designs for women; on a variety of papers or board ranging in size from about 8x10 to 15x21 inches; using chalk crayon watercolor ink and even a bit of collage. Includes dresses hats and gowns -- many possibly for Advance Patterns Fashions and Fabrics. Some dated all signed by the artist. Some a little worn along the edges but condition is VG or better overall suitable for display. Much of Teed's original artwork is now in the collection of the Museum of Fine Arts in Boston. This diverse group shows glamorous fashion in a variety of illustrative styles from spare line drawings on black paper to gowns trimmed in paper doily to finished and highly detailed watercolors. unknown
1939réf. 63709Aussig Usti Nad Labem Czechoslovakia & Vienna: C. Wolfrum ca. 1939. Folio. 50 leaves. 1 leaf with type-written explanation of all the fashions illustrated in the catalogue. 44 hand-coloured pochoir fashion designs on translucent paper each with item number printed below 5 leaves with printed designs showing the backs of all the fashions some pencil shading and details added. Original textured beige softcovers embossed WMI Wolfrum Manufacturing on front cover metal spiral bound as issued some dustsoiling & wear to fore-edges of covers very slight bumping to couple corners still a VG copy w/ beautifully illustrated fashion designs. First edition of this exceedingly scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia for its Vienna Austria market around the time of the forced annexation of the Sudetenland by Nazi Germany in 1939. The firm was famed for its woolen & silk textiles for women’s fashions and their catalogues were very desired. This catalogue includes fashions for silk rayon & wool women’s dress suits leisure suits formal evening dresses & winter coats all evoking the fashion trends of the period. The designs in the catalogue reflect the rising influence of militaristic styles and fascism with square-edged shoulder pads the plate hats as well as the emphasis on tight waists and long skirts. There are a couple designs with distinctive chocolate brown for leisure wear reflecting the heavy Nazi-influenced fashion design of the period. In addition the slim lines were enhanced by cutting clothes across the fabric avoiding bunches of gathers at the waist for full skirts allowing material to flow. In addition the evening wear dresses emphasized low or no backs and hair was to be grown long and worn swept up. This catalogue also includes a few evening formal dress designs clearly inspired by the dresses worn by Vivien Leigh in the 1939 Gone With the Wind Movie with the puffed sleeves polk-a-dot patterns and fabrics. No copies in Worldcat. C. Wolfrum, paperback
1927réf. 57311Graz Austria: Richard Neurath Kaiserfeldgasse 19 und 21 1927. Two vols. 1st - Folio. 11 x 13.75 in. 45 1 pp. on thick boards. With 246 tipped-in fabric samples of wools wool blends 27 fashion plate illustrations 2 for women’s coats w/ price list and letter to salesmen dated August 1927. Original quarter-black cloth over embossed & decorated boards flaps at fore-edges w/ handle and clasp raised gilt lettering on front cover minor shelfwear rubbing clasp guard repaired & reinforced still VG complete exemplar retaining the original button clasp; together with 4to. 8.25 x 11.25 in. 4 pp unpaginated. w/ 16 additional wool and wool-blend samples tipped-in self-printed covers rounded corners. First edition of this unusually rare fashion salesman sample catalogue for men’s suits and sporting wear during the Roaring 20’s with many of the suits sporting vests while also featured are shooting & hiking suits sportswear and a rich array of fabrics drawing upon English fashion designs. Following World War I there was a concerted move away from starched collars and formal three-piece suits towards soft collars one- or two-button suit jackets and even often worn without a waistcoat. Also featured in this catalogue are many examples of the plus-fours developed out of ordinary knickers these short-legged pants were a baggier version of their predecessors and proved popular for hikers golfers and other outdoors activities. Also featured are winter coat fabrics and designs for women in velour and thick felt twill. The laid-in additional catalogue promoted the latest Loden Merino wool fabrics and thick camel hair woolens. Neurath 1882-1948 operated a successful mail-order tailoring business until the 1938 Anschluss when the Nazi’s annexed Austria and forced the April 10 plebiscite. He survived the War and later died in Tel Aviv Israel in 1948. The building which housed his offices and tailoring facilities in Graz is now the home of the popular Cafe Kaiserfeld. No copies in Worldcat. Richard Neurath, Kaiserfeldgasse 19 und 21, hardcover
1939réf. 53215New York: Singer Sewing Machine Manufacturing Co. Departamento de Educacion January 1941; 1939. Two vols. 1st - Tall 8vo. 225 1 pp. Over 150 colour and black & white photo illustrations diagrams. Black textured softcovers gilt lettering & decoration printed on front cover edgewear bumping to corners minor soiling old tape repairs to front cover still G- copy; 2nd -- Oblong 4to. 12 x 7.75 in. 54 pp. on pink-tinted paper with 57 tipped-in fabric embroidered sewing samples including over on linen silk lace satin and wool textiles each w/ school stamp approving sample. Half-blue cloth post-binder over blue goards gilt lettering stamped on front cover sewn at gutter margin w/ white silk ribbon soiling minor dampstain curving to covers from the bulk of the tipped-in samples on the leaves still a VG exemplar. Both preserved in blue textured cardboard box & lid minor edgewear faint tidemark to lower fore-edge 1 corner. Fourth revised edition of this well-illustrated embroidery guide on stitches to be learned and executed on Singer Sewing Machines together with a beautifully done sample book showing Ms. Alos’ skills in learning the necessary skills in her Singer school in Villa Canas Argentina. The Singer Sewing Machine company developed special Singer Sewing Academia in Argentina Mexico and many other South American countries as well as Spain between the World Wars. These special private schools for professional dressmakers using the Singer manuals allowed female-owned dressmaking businesses to grow and create professional spaces separte from men. In addition these academias allowed women to pay by the class and embroidery was one of the advanced skills which commanded higher wages for women at the time. Singer actively encouraged this movement in order to develop home-based businesses and academias which in turn increased their sales of sewing machines. The sample book begins with a number of decorative types of embroidery stitches monograms and then displays floral patterns spider-web patterns laces a beautifully embroidered red roses and carnations on purple silks and satins. Worldcat locates 2 copies of the Libro Singer Bibliotecas del Tecnologico de Monterrey Mexico; British Library 3rd editions; See: Ketteler Sewing through the years in art women and society; Paula de la Cruz-Fernandez Atlantic Threads: Singer in Spain and Mexico 1860-1940 pp. 198-210. Singer Sewing Machine Manufacturing Co., Departamento de Educacion, paperback
1984réf. 8829New York: Museum of Modern Art 1984. Hardcover. SIGNED by both. First edition. The catalogue published in conjunction with an exhibition of work by Irving Penn 1917-2009 at the Museum of Modern Art NYC September 12 - November 27 1984; one of the best collections of Penn's work. Photographs by Irving Penn; edited and with an overview of the artist's career by John Szarkowski. SIGNED BY PENN and inscribed on the half-title page; SIGNED BY SZARKOWSKI on the title page. 216 pages; 156 photographic plates 21 in color with 35 text illustrations 7 in color; 11 x 12.5 inches. Condition: Near Fine clothbound hardback with very light wear in a Very Good dust jacket with light soiling. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Museum of Modern Art hardcover
1911réf. 51747England: n.p. 1911. Tall 8vo. 5 pp. on thick card stock printed in gilt & black 7 x 10.24 in. with 240 vegetable ivory buttons all with stock numbers below and to the side many in the dark brown patterned material some jet black and many with incised or woven patterns each page with padded pink silk leaves to protect the buttons each of the cards has some contemporary ink annotations below the buttons or along the side in the margins. Quarter-black calf over black pebbled cloth gilt lettering & design on front cover spine minor chipping & tearing to head of spine affecting lettering slight shelfwear still a VG- exemplar with the buttons entirely complete and in perfect condition. First edition of this very scarce and beautiful Edwardian button sample catalogue. Included are a number of different styles of buttons in vegetable ivory for clothing coats sportswear and more which were sold by this English manufacturer for export. Vegetable Ivory is a very dense material that is manufactured into buttons from the Corozo nut that grows on the Tague Tree a type of Palm. It was named Vegetable Ivory in the 19th Century because it resembles real ivory but was not as heavy or dense. These types of buttons were first introduced at the 1862 International Exhibition in England and then reached full popularity at the 1867 Paris Exposition. The sample buttons preserved here come in pressed carved and fine lined patterns some of them painted with a dark flat black other shiny black and many with a beautiful rich shiny mottled effect. During the Victorian and Edwardian periods and prior to the growth in production and popularity these were the buttons of choice for men’s suits. No copies located in Worldcat. n.p.], hardcover
1969réf. 2091502133700842Kakusado Publishing Co. Ltd. 1969. Soft Cover. Fine. The book is in fine condition. Kakusado Publishing Co., Ltd. paperback
1930réf. 45898Troy NY: Arrow Shirt Co./ Cluett Peabody & Co. Inc. ca. 1930; 1955. Quarter-sawn oak salesman sample counter display case 18.75 x 6 x 6 ins. with glass top & front door in back with catch w/ original label at bottom of the display indicating that this case was only to be used for the display of the Company collars preserving two Arrow Shirt Co. Collars some scuffing and wear to label at bottom of case affecting lettering minor wear to sides of case together with original Leyendecker advertisement printed on canvas w/ oak frame 28.5 x 21.5 ins. the piece has been professionally cleaned and mounted on archival foam core and removed from the original bars which were damaging the image and placed back in the oak frame some sunning faint discoloration to upper left margin still remarkable pieces. A wonderful advertising display for Arrow shirts and collars including pre-World War II counter sample case and 1950s promotional ad reproducing one of the famed Leyendecker images. These pieces originally came out of a small men’s clothing shop in Bend Oregon. The Arrow collars grew from the marketing idea by Cluett Peabody & Co. in Troy NY that it gave women an easier way to clean their husbands’ stained shirt collars without having to wash the entire shirt. In addition the collars wore out a much faster rate than the rest of the shirts so these replaceable collars would extend the life of the garments. This style of detachable collars remained popular up until the mid-1930s and largely declined out of use by the end of World War II.Leyendecker 1874-1951 created the Arrow Collar Man which was an advertising campaign that ran from 1905 - 1931 and was perhaps one of the most successful product brands in history. He created 100s of images and many of them are still synonymous with men’s fashion and styles. This advertisement was part of a revived campaign by Arrow Shirt Co. in the 1950s through early 1960s as they revived the nostalgia of the Leyendecker ads and pushed their shirts with soft collars. Arrow Shirt Co./ Cluett, Peabody & Co., Inc., hardcover
1950réf. 206231950. Archive of three black and white silver gelatin photographs of black models dating from the 1950s-70s. Photographs measure approx. 8" x 10". This archive includes a press photo from 1974 showing model Beverly Bradshaw posed in front of a museum display of elephants wearing a traditional Nigerian Ibo wrapped dress designed by Angie Ihejirika. Article on verso from the Chicago Sun Times details Mrs. Ihejirika's demonstration of the art of African wrapping at the Field Museum of Natural History. Photo has a bald patch on left side not affecting subject matter. Also included is a print of twelve Kodak film cells showing actress and model Nancy Westbrook in a series of poses sitting within a large picture frame. Seven images show Westbrook in a bikini and five wearing only a fur stole. These photographs date to the early 1950s and least one the third down on the left appeared in Jet Magazine with a short profile of Ms. Westbrook in 1953. Another photograph undated shows a black model in profile from the neck up smiling in a sun hat tilted away from camera to frame her head with a halo-like effect. Modeling in fashion and print has historically been dominated by white women reflecting a bias in beauty standards in the United States. These images show black women claiming space in the often exclusionary fashion world of the mid-late 20th century. Overall very good condition. Three images of black fashion models in the US 1950s-70s. unknown
2000réf. 12513Hamburg: Kruse Verlag 2000. Hardcover. First edition. As New hardcover in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Corinne Day 1962-2010 taking off from Nan Goldin embodied the 1990s photographic fashion aesthetic defined by natural settings available light little or no makeup and young and seemingly unconcerned models. Her photos of a teenage Kate Moss for The Face set the tone and started the trend though her work in the same vein later brought her into conflict with the big fashion mags. The aesthetic quickly evolved into what became known as "heroin chic." This book presents her personal work over a number of years unflinchingly looking at the lives of herself including her run-up to surgery for a brain tumor and recovery thereafter and her friends some of whom would die of drug-related causes. 112 pages; color reproductions throughout; 9.25 x 11.25 inches. Kruse Verlag hardcover