261 043 résultats
1979réf. 2110502151002264Masterpiece publisher 1979. Soft Cover. Fine. Number of books: 52 Masterpiece publisher paperback
1920réf. 59766Portland OR New York & Hollywood & Los Angeles CA: Earl Mossman Revue and Productions ACME Commercial Studio Allara Blixt Braun Bruno Allen J. De Lay Photo-Art Commercial Studio et al ca. 1920-1976. Three vols. Thick 4to. 179; 124; 117 leaves unnumbered. all archival mylar sleeves some 2-pocket for 5 x 7 in. material most for holding 8 x 10 in. images. With 425 photographs sized from 4 x 4 in. up to 8 x 10 in. over 90% are 8 x 10 in. most images w/ photographer’s imprints on versos many w/ pencil annotations editing notes camera-ready copy several are negative contact print sheets a few colour images many are signed some have minor tears or creasing a few show remnants of old scrapbook leaves together with several newspaper and magazine clippings printed promotions holiday leaflets. All preserved in three black cloth 3-ring clamshell binders an excellent archive. This unequaled archive of photographs chronicling the successful and colourful Vaudeville and entertainment career of Earl Mossman reveals wealth of musical and theatrical history from the Pacific Northwest during first album in this archive is largely devoted to Earl Mossman’s contributions and managing of his the first half of the 20th Century as well as impact on historic events. The chorus-line all-girl revue shows at the Frontier Village during the 100 day run of the Oregon Centennial Exposition. This re-created town from the 1870’s Old West featured the Golden Nugget dance hall & saloon as well as livery stable church post office and hotel and proved to be the most successful attraction. Mossman’s Can-Can girls put on daily shows and held dances where the daringly dressed women would dance with visitors and hired actors. The 1859-1959 Centennial Exposition lasted from June 10 to Sept. 17 on 65 acres along the Columbia River formerly Vanport wiped away in the tragic 1948 flood and also featured a Gayway Amusement Park Garden of Tomorrow & Adventureland. The photos depict not only Mossman’s Can-Can girl revue but also steam locomotives Modernist sculptures and murals by Louis Bunce and other Oregon artists as well as photos of the Mid-Century Modern Lumber Industry Pavilion and the striking Hall of Religious History in the Garden of Tomorrow which featured murals of Carl Morris. Also shown are neon sculptures the filled arena showing the opening ceremonies which featured actor Raymond Burr as master of ceremonies the Nelson Picket Dancers the Golden Nugget and Frontier Trading Post from the air and more. The second album includes as well more images from the Centennial as well as many from Earl Mossman’s “Productions” talent agency and entertainment group who supplied vaudeville dance and music acts such as Beverly Short Eleanor Malcolm Gary Marvin Ginger McClane Gwen Gibson Jerry Brown Freddie Keller’s Orchestra and Maury Meriweather’s Band to Portland OR and surrounding Pacific Northwest clubs and venues. Photos included here depict as well the Nelson Pickett Dancers The Glenns “originating new tricks in a dancing mood;” The Carsony Brothers; the Earl Mossman Girls featuring models from the Gloria LaVonne modeling agency; along with Walter Blacke Jacqueline Clark Earl Mossman’s Dolls for “Delta Dome” and more. Other notable names include Billy Daniels d. 1988 with photos of his ‘The Masculine Touch” recorded live at the Mocambo on the Sunset Strip well-known African-American singer form the mid-1930’s to 1986 who launched his career in the Harlem Renaissance; along with Jeanne Gayle who sang with Bob Crosby and starred in the Great Gildersleeve 1954 Jack Nagel and even Shirley of the Hoti PocaDot Bikini Contest.The many photos also depict Mossman meeting and greeting celebrities rolling into Portland running for mayor of Portland OR he never won: touting and promoting the “Straw hat day May 15” by not only wearing straw hats himself but inducing his all-girl revues to wear as well along with leading parades including the 1972 Merrykhana Parade where he was appointed “King of the Parade.” Many of the images show him with many different canes drawn from his large collection signing contracts for the American Legion seated in limousines and Porsches and even attending dinners. One photo includes dinner guests of Miracle Oxygen which featured the editor of The Oregonian Dick Nokes Paul Hauron stage feature writer the Todds and others. Of additional interest are the photos of Mossman showing off his scrapbook filled with images from his long career as well as images while convalescing with his bevy of beauties in the Shriner’s Hospital in Portland OR. Mossman 1894-1976 was an Oregon native and grandson of Isaac Mossman who had fought in the 1855-1856 Indian Wars rode with the Washington Territory’s Pony Express out of Walla Walla and was the first Washington Territorial librarian in 1870. Earl Mossman began running away from home as a young boy to perform in taverns and saloons in downtown Portland later worked for Pacific Power & Light Co. as an office boy and in 1913 after marrying his childhood sweetheart Catherine Groos launched his career on the Vaudeville Circuit. He initially played with the Basco Comedy Co. and later with Connie & Mack’s and the Bert Levy Circuit. Walter Winchell coined him as the “Beau Brummel of Broadway” during the 1920’s and by the 1930’s was performing with Norma Lawton in Broadway productions such as “The Dancing Producer” and performed with his partner Ray Vance at the Lotus Isle Amusement Park and the Peacock Ballroom. He would marry five different times performed at civic activities Rose Festivals and beauty pageants across the Pacific Northwest.Over half the photographs in this collection were shot by Allen J. De Lay photographer with The Oregonian from 1947 until the newspaper strike of 1960 who was not only an extraordinary photographer but also musician and competitive swimmer. He is perhaps best remembered for his photographs of the darker seamier side of Portland in the post-World War II era. Other Oregon photographers represented include Maxwell Allara Paul Blixt Kirk Braun Bill Gray Hodge Kennell-Ellis Verne Lewis Alfred Monner Dick Slater Don Thompson Donald Wilson and others. Of particular interest are noted theatrical photographers such as Bruno in Hollywood and James J. Kriegsmann 1909-1994 celebrity & theatrical photographer from 1929 to the 1980’s. We could find no similar archive of Mossman related photos in any institutional holdings except for a few images. See: Ellis Lucia Earl Mossman Oral History Recording pacific University Archives 1914-1918 Washington County Oral Histories; Walkathons - Dance Marathons Al Painter’s Lotus Isle Walkathon Organization PDX History 2022; David Kludas Centennial Exposition of 1959 Oregon Encyclopedia 2022. Earl Mossman Revue, and Productions, ACME Commercial Studio, Allara, Blixt, Braun, Bruno, Allen J. De Lay, Photo-Art Commercial hardcover
réf. 141846N.p.: N.p. 1970. Archive of 16 photographs seven double weight and ten single weight of rock performers circa the late 1960s and early 1970s. Struck by photographer Jim Marshall circa 1990s most with his stamp and manuscript identification number on the verso. Artists represented include Bob Dylan The Rolling Stones The Who Bob Dylan Joni Mitchell Sly and the Family Stone Santana Jim Morrison Tina Turner The Allman Brothers Band including standalone shots of Duane Allman and others. The Santana photos are especially notable as the band already a live sensation is performing at Woodstock just ahead of the release their first album. As a photographer for both record labels and magazines such as "Rolling Stone" Jim Marshall was one of the most prolific and influential chronicles of rock music during the 1960s and 1970s. Among his most iconic photographs are images of Jimi Hendrix setting his guitar on fire at Monterey Pop Johnny Cash performing at San Quentin and The Beatles backstage at their final live concert at Candlestick Park. In 2014 he was posthumously awarded a Lifetime Achievement Grammy the only photographer to be so honored. Photographs variously 5 x 7 inches and 8 x 10 inches. Fine overall. For details please inquire. N.p. unknown
réf. 141846N.p.: N.p. 1970. Archive of 16 photographs seven double weight and ten single weight of rock performers circa the late 1960s and early 1970s. Struck by photographer Jim Marshall circa 1990s most with his stamp and manuscript identification number on the verso. Artists represented include Bob Dylan The Rolling Stones The Who Bob Dylan Joni Mitchell Sly and the Family Stone Santana Jim Morrison Tina Turner The Allman Brothers Band including standalone shots of Duane Allman and others. The Santana photos are especially notable as the band already a live sensation is performing at Woodstock just ahead of the release their first album. As a photographer for both record labels and magazines such as "Rolling Stone" Jim Marshall was one of the most prolific and influential chronicles of rock music during the 1960s and 1970s. Among his most iconic photographs are images of Jimi Hendrix setting his guitar on fire at Monterey Pop Johnny Cash performing at San Quentin and The Beatles backstage at their final live concert at Candlestick Park. In 2014 he was posthumously awarded a Lifetime Achievement Grammy the only photographer to be so honored. Photographs variously 5 x 7 inches and 8 x 10 inches. Fine overall. For details please inquire. N.p. unknown books
réf. 51-4349Netherlands: Late 16th-early 17th Century. Original engraving on old laid paper. 211 x 279 mm. Thread margins. Watermark of a bugle surmounted by a crown JPG Turner as 1616; not located in Briquet or Heawood Ref: The Prints of Peter Bruegel the Elder by René van Bastelaer and Susan Gilchrist San Francisco Alan Wofsy Fine Arts 1992;no. 106 state A before the text in the cartouche; De Ramaix and Lebeer 49; Lari 103. Netherlands: Late 16th-early 17th Century. unknown
1845réf. 61443Wetumpka Alabama: Printed and published by Charles Yancey 1845. First edition originally published serially in Charleston SC in "The Magnolia" Jan. -- Oct. 1841; the original manuscript was destroyed when the author's Savannah house burned and had to be reconstructed for the serial publication. 8vo. iv 248 pp. Noted as "Two Volumes in One" on the front wrapper with a separate title page for volume two but continuous pagination and chapter numbering throughout. A novel of colonial Virginia Governor Alexander Spotswood's service 1710-1722. Harper had published Caruthers' earlier novels but his loss of the original manuscript in the fire combined with the 1837 economic crash closed that door; after the serial publication he looked south to Charles Yancey brother of congressional firebrand William Lowndes Yancey in the boomtown of Wetumpka Alabama "about to try very patriotically to establish a Southern Publishing House for ourselves." Hubbell "The South in American Literature p. 497: "His best novel." BAL 2795: "Written not later than July 1838." Wright I 495 noted in the University of Virginia online catalogue description as one of 45 novels published in the South among the 2775 entries in that volume covering 1774-1850. Ellison 530 calling for 246 pages. For a full account of the book's writing publication and reception see Curtis C. Davis "Chronicler of the Cavaliers" Richmond 1953. Gift inscription at the head of the front wrapper: "C. B. Adams Daily Journal / from T. H. Pease. / July 16 1847." After studying at Yale and Amherst Charles Baker Adams 1814-1853 became State Geologist of Vermont; Thomas H. Pease was a mid-century bookseller and publisher In New Haven Connecticut. RARE in trade we were unable to find a copy sold at auction in ABPC 1976-2022 or on RareBookHub. Scattered foxing but still a very good copy. Original printed blue-green wrappers soiled some old insect damage at lower front corner spine ends show a little wear.9756. Printed and published by Charles Yancey unknown
1845réf. 61443Wetumpka Alabama: Printed and published by Charles Yancey 1845. First edition originally published serially in Charleston SC in "The Magnolia" Jan. -- Oct. 1841; the original manuscript was destroyed when the author's Savannah house burned and had to be reconstructed for the serial publication. 8vo. iv 248 pp. Noted as "Two Volumes in One" on the front wrapper with a separate title page for volume two but continuous pagination and chapter numbering throughout. A novel of colonial Virginia Governor Alexander Spotswood's service 1710-1722. Harper had published Caruthers' earlier novels but his loss of the original manuscript in the fire combined with the 1837 economic crash closed that door; after the serial publication he looked south to Charles Yancey brother of congressional firebrand William Lowndes Yancey in the boomtown of Wetumpka Alabama "about to try very patriotically to establish a Southern Publishing House for ourselves." Hubbell "The South in American Literature p. 497: "His best novel." BAL 2795: "Written not later than July 1838." Wright I 495 noted in the University of Virginia online catalogue description as one of 45 novels published in the South among the 2775 entries in that volume covering 1774-1850. Ellison 530 calling for 246 pages. For a full account of the book's writing publication and reception see Curtis C. Davis "Chronicler of the Cavaliers" Richmond 1953. Gift inscription at the head of the front wrapper: "C. B. Adams Daily Journal / from T. H. Pease. / July 16 1847." After studying at Yale and Amherst Charles Baker Adams 1814-1853 became State Geologist of Vermont; Thomas H. Pease was a mid-century bookseller and publisher In New Haven Connecticut. RARE in trade we were unable to find a copy sold at auction in ABPC 1976-2022 or on RareBookHub. Scattered foxing but still a very good copy. Original printed blue-green wrappers soiled some old insect damage at lower front corner spine ends show a little wear.9756. Printed and published by Charles Yancey unknown books
1809réf. 375553London: Printed by T. Bentley Bolt Court Fleet Street for T. Cadell and W. Davies in the Strand and W. Miller Albemarle Street 1809. First Edition. Frontispiece and 3 other plates to volume I 7 plates to volume II 4 of them accompanied by plans headpieces vignettes and facsimiles to the text double page pedigree to volume. 375; 511 pp. 2 vols. Imperial Quarto. Contemporary full maroon straight-grained morocco flat bands title gilt direct to the spines compartments with nested concentric gilt panels centred on a rope-twist panel with a ship under sail centre tool in the first fifth and sixth compartments wide arabesque rolled panels to the boards enclosing ruled and foliate panels in blind dog-tooth edge-roll all edges gilt dog-tooth roll to turn-ins dun endpapers. First Edition. Frontispiece and 3 other plates to volume I 7 plates to volume II 4 of them accompanied by plans headpieces vignettes and facsimiles to the text double page pedigree to volume. 375; 511 pp. 2 vols. Imperial Quarto. "One of the main foundation stones of the Nelson legend" Wilson 'Nelson Apotheosised' in Cannadine ed. Admiral Lord Nelson "the 'official' biography" NMM. M'Arthur a former naval purser had served with Nelson in the Mediterranean and had already begun collecting material for a biography when he saw "an advertisement in the papers announcing that the Nelson family had selected a gentleman 'of high respectability and rank' to write the life and asking all who had letters . in their possession not to make their material available to anyone else." McArthur came forward claiming groundlessly that Nelson himself had asked him to write his life and that he had already incurred considerable expense in preparing the book including the commissioning of a set of paintings to be engraved as illustrations. An unseemly squabble ensued the outcome of which was fairly inevitable in that Earl Nelson was under pressure from the Prince Regent to commission his librarian and chaplain James Stanier Clarke to write the book. It was agreed that the authors would pool their efforts but not before they had further fallen out over whose name should come first on the title page. That we do not refer to McArthur & Clarke is a lasting memorial to the usefulness of a powerful patron. The finished work is wonderfully illustrated with anecdotal head-pieces and plates by Westall and battle-scenes by Nicholas Pocock. The subscribers list is a remarkable directory of the great and the good of Regency Britain with an inevitable emphasis on naval notables. William Beckford took a copy on vellum - one of two "one of which was burnt" - Sir Home Popham and Admiral Keats proof copies as also Admirals Cornwallis and Anson Earl St. Vincent and Lady Hamilton. Thomas Masterman Hardy had an ordinary copy as did the Sandwich Book Society and Leeds Circulating Library. Highly desirable thus. Cowie 137; NMM II 921 Printed by T. Bentley, Bolt Court, Fleet Street for T. Cadell and W. Davies, in the Strand and W. Miller, Albemarle Street unknown
1809réf. 375553London: Printed by T. Bentley Bolt Court Fleet Street for T. Cadell and W. Davies in the Strand and W. Miller Albemarle Street 1809. First Edition. Frontispiece and 3 other plates to volume I 7 plates to volume II 4 of them accompanied by plans headpieces vignettes and facsimiles to the text double page pedigree to volume. 375; 511 pp. 2 vols. Imperial Quarto. Contemporary full maroon straight-grained morocco flat bands title gilt direct to the spines compartments with nested concentric gilt panels centred on a rope-twist panel with a ship under sail centre tool in the first fifth and sixth compartments wide arabesque rolled panels to the boards enclosing ruled and foliate panels in blind dog-tooth edge-roll all edges gilt dog-tooth roll to turn-ins dun endpapers. First Edition. Frontispiece and 3 other plates to volume I 7 plates to volume II 4 of them accompanied by plans headpieces vignettes and facsimiles to the text double page pedigree to volume. 375; 511 pp. 2 vols. Imperial Quarto. "One of the main foundation stones of the Nelson legend" Wilson 'Nelson Apotheosised' in Cannadine ed. Admiral Lord Nelson "the 'official' biography" NMM. M'Arthur a former naval purser had served with Nelson in the Mediterranean and had already begun collecting material for a biography when he saw "an advertisement in the papers announcing that the Nelson family had selected a gentleman 'of high respectability and rank' to write the life and asking all who had letters . in their possession not to make their material available to anyone else." McArthur came forward claiming groundlessly that Nelson himself had asked him to write his life and that he had already incurred considerable expense in preparing the book including the commissioning of a set of paintings to be engraved as illustrations. An unseemly squabble ensued the outcome of which was fairly inevitable in that Earl Nelson was under pressure from the Prince Regent to commission his librarian and chaplain James Stanier Clarke to write the book. It was agreed that the authors would pool their efforts but not before they had further fallen out over whose name should come first on the title page. That we do not refer to McArthur & Clarke is a lasting memorial to the usefulness of a powerful patron. The finished work is wonderfully illustrated with anecdotal head-pieces and plates by Westall and battle-scenes by Nicholas Pocock. The subscribers list is a remarkable directory of the great and the good of Regency Britain with an inevitable emphasis on naval notables. William Beckford took a copy on vellum - one of two "one of which was burnt" - Sir Home Popham and Admiral Keats proof copies as also Admirals Cornwallis and Anson Earl St. Vincent and Lady Hamilton. Thomas Masterman Hardy had an ordinary copy as did the Sandwich Book Society and Leeds Circulating Library. Highly desirable thus. Cowie 137; NMM II 921 Printed by T. Bentley, Bolt Court, Fleet Street for T. Cadell and W. Davies, in the Strand and W. Miller, Albemarle Street unknown books
1916réf. 055955Istanbul: Istanbul Darülfünunu Tip Fakültesi Yayinevi Matbaa-i Âmire. AH 1332 1916 CE - 1928. 1916. Hardcover. Very Good. 8vo - over 7¾ - 9¾" tall. Contemporary black clothes and separate fascicles. Roy. 16x24 cm. In Ottoman script Old Turkish with Arabic letters. Richly illustrated. A good collection. Vol. 1: March 1332 / 1916 - August 1334 / 1918 = Complete set of issues 1-7 no 4 is not inserted into the volume; it is present separately as a fascicle. Vol. 2: August 1335 / 1919 - June 1336 / 1920 = Complete set of nos 1-6. Vol. 3: Between August 1336 / 1920 and April 1337 / 1921 five issues were published; of this volume the first number August 1336 / 1920 and the no 5 April 1337 / 1921 are missing. Nos. 2 3 and 4 are present in fascicle form. Vol. 4: August 1337 / 1921 - December 1338 / 1922 = Complete set of nos 1-9. Vol. 5: January-February 1339 / 1923 - December 1339 / 1923 = Complete set of nos 1-12. Vol. 6: January 1340 / 1924 - December 1340 / 1924. Vol. 7: January-February 1341 / 1925 - May-December 1341 / 1925. Vol. 8: Of this volume only the first number dated January 1926 is present; the remaining 11 issues are missing. Vol. 9: January 1927 - December 1927 = Complete set of nos 1-12. Vol. 10: Between January and February 1928 and November 1928 12 issues were published; nos 1-7 and 11-12 are present while issues 8-10 are missing. Extremely rare collection including 83 issues of 99 of this journal of the Istanbul University Faculty of Medicine. This is one of the seven important periodicals published starting in 1916 by the Istanbul Darülfünun which was the first Turkish academic institution in the modern sense. Due to World War 1 this journal was published at irregular intervals and after the Alphabet Reform 1928 it switched to the new script starting from the January-June 1929 issue. Therefore this collection consists entirely of early issues printed in Ottoman Turkish using the Arabic script. The journal published by the professors of the Faculty of Medicine included many prominent figures in its editorial board: Ziya Nuri Dean of the Faculty of Medicine and Professor of Laryngeal and Otic Diseases Ismail Dervis General Secretary of the Faculty of Medicine and Professor of Obstetrics and Midwifery Tevfik Recep Professor of Histology and Embryology and Sevki Professor of Philosophy. In the same issue Sadettin Vedat Assistant Professor of Surgery is also recorded as the Secretary. Over time these names underwent some changes. For example in Year XV No. 1-2 1933 under the heading of Editorial Board Nasir Heyeti the names Akif Sakir Akil Muhtar Hamdi Suat Ihsan Hilmi Kenan Tevfik M. Hayrullah Necmettin Rifat Neset Ömer Server Kamil Süreyya Ali Tevfik Recep Ziya Nuri Fazil Serafettin and Tevfik Remzi appear. In this issue Behçet Sabit and Muzaffer Esat Bey are also listed under the title of Editors-in-Chief Tahrir Müdürleri. Again on the inner title page of this issue there is a list of the Editorial Board Tahrir Heyeti composed of 36 members. Some examples of articles in the collection that can be considered scientific contributions to the literature: The first article published in the first issue How Digitalis Takes Effect by Akil Muhtar 1877-1949 immediately draws attention. In this important study known as the "Usskof Experiment" and recorded in Turkish medical literature Akil Muhtar Özden proved for the first time in the world that digitalis when taken orally begins to take effect after one and a half hours and reaches its maximum effect after three and a half hours. A summary translation by Mustafa Hakki of Celal Muhtar Özden's 1865-1947 famous article titled On the Trichophytosis of the Hands and Soles Rahatü'l-yed ve ahmasü'l-kadem trikofisisi originally published in Annales de Dermatologie et de Syphiligraphie No. 8 August 1892 was printed in AH 1340 Issue 78. In this renowned article Celal Muhtar identified the Trichophyton fungus as the cause of a skin lesion observed on the hands and feet and presented the cases of trichophytosis he had followed. Ad Istanbul Darülfünunu Tip Fakültesi Yayinevi, Matbaa-i Âmire., AH 1332 [1916 CE] - 1928. hardcover
réf. 0000007007Pen and Sword Books Ltd. No Binding. As New. New flawless: Isle of Man - Stone Age to Swinging Sixties - and oh yeah: also one 1977 PM Pobjoy Mint Isle of Man 1/2 Gold Sovereign MS 70 Grade. A pristine 2024 example of the best book there is on the Mystical Isle; the finest Mint State half soveriegn from the same inexplicable locale this one as rare as the place itself. Please review all images. 3.99 grams of which 3.6612 are pure gold - IE fineness is 916.7. A Nordic in fact Viking Warrior graces the obverse Brits might call it the reverse and Queen Elizabeth II is on the reverse. This is a genuine rarity even if it weren't in MS-70 "perfect" per grader's terms condition but it is. The two most respected grading / authentication / slabbing companies and most notably so for coins such as this are NGC Numismatic Guaranty Corp. and PCGS Professional Coin Grading Service. As of this listing NGC shows only 6 examples of this coin exist this being one of those that they have graded. PCGS appears to show none at all. No other such graded MS-70 appear anywhere internet or elsewhere - again as of this listing. But it's been that way for a long time. I've seen over the years some MS-68s and MS-69s listed in the range of $900 to $1200. But if you're even here looking - I don't have to tell you the magnitude of the value difference between a 69 and a 70 in the case of rare coins. But there is no true current market information on an MS-70. For now I have to leave this price as it is for now and either increase or decrease it if and when credible new information presents itself. The mystery in this one Just the mystery of the magical Isle of Man itself - which is a "British Crown Dependency" whatever that may be - small unique and full of folklore having arisen so they say from the antics of Buggane Fenodyree the Glashtyn the Moddey Dhoo - and no doubt more once lurked behind those. I personally feel the Tuatha Dé Danann must have started the whole thing. Can't guarantee that though. LSPC-0000007007 Pen and Sword Books Ltd unknown
1756réf. 2896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. 8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7. Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press. From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the “Salvioni bindery” this appellation is circumstantial: ”the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them” British Library Database of Bookbindings. Some of these “Vatican” bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar “spiraling” border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264. “Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality” Martin Breslauer Catalogue 107/428. Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other “Salvioni” bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. Gioacchino & Giovanni Giuseppe Salvioni unknown
1756réf. 2896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. 8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7. Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press. From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the “Salvioni bindery” this appellation is circumstantial: ”the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them” British Library Database of Bookbindings. Some of these “Vatican” bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar “spiraling” border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264. “Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality” Martin Breslauer Catalogue 107/428. Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other “Salvioni” bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. Gioacchino & Giovanni Giuseppe Salvioni unknown books
réf. 8050Hand-drawn double-page map of the Bonin Islands. 61 folding leaves. Large 8vo 268 x 200 mm. orig. wrappers stitched spine backed at an early date with matching paper. Japan: ca. 1860. An intriguing manuscript containing early Japanese translations of American reports drafted during Perry’s mission to the Bonin Islands Ogasawara-shima in June 1853 one month before he sailed into Edo Bay for the first time. It is a fascinating record of America’s colonial and commercial ambitions in the mid-19th century and Japan’s response. The volume’s upper wrapper bears the official seal onikki kata belonging to the Keeper of the Diary the functionary responsible for recording important events on behalf of the bakufu. We are uncertain how the Japanese obtained these secret American documents and when this manuscript was compiled. Perhaps it was composed after Japan’s 1860 Embassy to the United States when representatives were sent to Washington to negotiate a treaty between the two nations. Upon the return of Japan’s diplomatic mission the chief negotiator Yoshitake Kimura assigned a linguist Kudo Iwaji the task of translating the documents and books they had brought back. He also translated Perry’s Narrative of the Expedition of an American Squadron to the China Seas and Japan 1856; it remained in manuscript until 1912. Iwaji is mentioned twice herein as the compiler of our manuscript volume. Before Perry’s fateful incursion to Edo Bay in July he explored the Bonin Islands as a potential coal depot and resupply station for future travel and commerce between the United States and Asia. This manuscript is based on accounts of this expedition written by Anton L.C. Portman Perry’s Dutch translator and the American translator Samuel W. Williams 1812-84 an expert in Chinese and Japanese who are referred to several times in the text. Our high-level Japanese-government-produced report is divided into two sections based on these firsthand reports by Williams and Portman. At the beginning of the volume is a two-page manuscript map of the archipelago’s two main islands Chichi-jima and Haha-jima. The text offers a lengthy history of the islands and the various attempts by Britain and Russia to claim it. It is also filled with very detailed notes on the climate ecology natural resources etc. Portman’s portion has rather scholarly observations on some botanical specimens that were collected. All of this information on the archipelago would have been extremely useful to the Japanese when they made an official claim to it in 1862. Control of the islands was ceded to the United States after World War II and in 1968 returned to Japan. In excellent condition. Preserved in a chitsu. â§ Peter Booth Wiley Yankees in the Land of the Gods: Commodore Perry and the Opening of Japan 1990 pp. 204-14. The National Archives of Japan spring 2004 digital exhibition “Gekido Bakumatsu – Kaikoku no shogeki –” “The end of the turbulent Edo period – Impact of the Opening of the country” accessed 11 February 2022 was of great help as we wrote this description. unknown
réf. 8050Hand-drawn double-page map of the Bonin Islands. 61 folding leaves. Large 8vo 268 x 200 mm. orig. wrappers stitched spine backed at an early date with matching paper. Japan: ca. 1860. An intriguing manuscript containing early Japanese translations of American reports drafted during Perry’s mission to the Bonin Islands Ogasawara-shima in June 1853 one month before he sailed into Edo Bay for the first time. It is a fascinating record of America’s colonial and commercial ambitions in the mid-19th century and Japan’s response. The volume’s upper wrapper bears the official seal onikki kata belonging to the Keeper of the Diary the functionary responsible for recording important events on behalf of the bakufu. We are uncertain how the Japanese obtained these secret American documents and when this manuscript was compiled. Perhaps it was composed after Japan’s 1860 Embassy to the United States when representatives were sent to Washington to negotiate a treaty between the two nations. Upon the return of Japan’s diplomatic mission the chief negotiator Yoshitake Kimura assigned a linguist Kudo Iwaji the task of translating the documents and books they had brought back. He also translated Perry’s Narrative of the Expedition of an American Squadron to the China Seas and Japan 1856; it remained in manuscript until 1912. Iwaji is mentioned twice herein as the compiler of our manuscript volume. Before Perry’s fateful incursion to Edo Bay in July he explored the Bonin Islands as a potential coal depot and resupply station for future travel and commerce between the United States and Asia. This manuscript is based on accounts of this expedition written by Anton L.C. Portman Perry’s Dutch translator and the American translator Samuel W. Williams 1812-84 an expert in Chinese and Japanese who are referred to several times in the text. Our high-level Japanese-government-produced report is divided into two sections based on these firsthand reports by Williams and Portman. At the beginning of the volume is a two-page manuscript map of the archipelago’s two main islands Chichi-jima and Haha-jima. The text offers a lengthy history of the islands and the various attempts by Britain and Russia to claim it. It is also filled with very detailed notes on the climate ecology natural resources etc. Portman’s portion has rather scholarly observations on some botanical specimens that were collected. All of this information on the archipelago would have been extremely useful to the Japanese when they made an official claim to it in 1862. Control of the islands was ceded to the United States after World War II and in 1968 returned to Japan. In excellent condition. Preserved in a chitsu. â§ Peter Booth Wiley Yankees in the Land of the Gods: Commodore Perry and the Opening of Japan 1990 pp. 204-14. The National Archives of Japan spring 2004 digital exhibition “Gekido Bakumatsu – Kaikoku no shogeki –” “The end of the turbulent Edo period – Impact of the Opening of the country” accessed 11 February 2022 was of great help as we wrote this description. unknown books
réf. 11430Seven vols. 8vo 260 x 148 mm. orig. semi-stiff wrappers with pasted-on title-slips orig. stitching. Shanghai: Xinzhongguo yixueyuan ca. 1941-42. A collection of textbooks issued by the New Chinese Medical College of Shanghai Xin zhongguo yixueyuan 新中國醫學院 established in 1935 as the city's third modern medical school. The teaching faculty including many leading figures in the modernization of Chinese medicine sought to integrate traditional Chinese and modern Western medicine within a coherent pedagogical system. Giving equal weight to the medical theories terminology and treatments derived from longstanding Chinese practices as well as modern scientific research these textbooks pioneered the Sino-Western hybrid approach of medical instruction zhongxiyi jiehe ä¸è¥¿é†«çµåˆ that was unusual at the time but has since become widely accepted. Copies of these textbooks printed by mimeograph for the students are difficult to find today: we do not locate any in WorldCat although a copy of the 1936 school code is held at Berkeley accession no. 46645586. The individual titles of the seven volumes are as follows. • Tonglun ke jiangyi 通論科講義 Lectures on General Theory. By Liu Zhongqi 劉仲çª. 22 28 34 23 5 folding leaves. • Yaowuxue jiangyi diyice 藥物學講義第一冊 Lectures on Pharmacology Vol. 1. By Zhu Zhicheng 朱志æˆ. 1 171 folding leaves. Final leaves wormed on upper corner. • Yaowuxue jiangyi dierce 藥物學講義第二冊 Lectures on Pharmacology Vol. 2. By Qian Jinyang 錢今陽. 1 94 1 43 unnumbered insert between ff. 20 & 21 1 34 folding leaves. Includes materials for the second year of the course. • Houke jiangyi 喉科講義 Lectures on Otorhinolaryngology. By Xu Banlong 許åŠé¾ author and Shen Zongwu æ²ˆå®—å³ instructor. 48 folding leaves. Followed by Zhenduanxue jiangyi 診斷學講義 Lectures on Diagnosis. Anonymous. 28 folding leaves. Followed by Zabing jiangyi 雜病講義 Lectures on Miscellaneous Diseases. By Qian Gongxuan 錢公玄. 30 10 folding leaves. Followed by Yaowuxue changshi 藥物學常識 Common Sense Pharmacology. 37 folding leaves. Final leaves wormed. • Erke jiangyi 兒科講義 Lectures on Pediatric Medicine. By You Xuezhou 尤學周. 92 folding leaves. • Fukexue jiangyi 婦科學講義 Lectures on Gynecology. By Jin Shaoling 金少陵. 1 152 folding leaves. Preface dated Minguo 31 1942. • Neijingxue jiangyi 內經學講義 Lectures on the Inner Canon. By Jin Shaoling 今少陵. 69 20 2 folding leaves. Postscript dated Minguo 30 1941. Divided into two years of instruction. Very good copies. Light worming foxing and staining appear throughout but rarely affect reading. Lightly annotated throughout in red and black. Blue collector's seals åœ‹è¯ and 國è¯è—書 appear at the beginning of volumes. â§ 裘沛然 et al. eds. æè‹‘鶴鳴:上海新ä¸åœ‹é†«å¸é™¢æ ¡å² 上海中醫藥大學出版社 2000 esp. pp. 58-67. unknown
réf. 11430Seven vols. 8vo 260 x 148 mm. orig. semi-stiff wrappers with pasted-on title-slips orig. stitching. Shanghai: Xinzhongguo yixueyuan ca. 1941-42. A collection of textbooks issued by the New Chinese Medical College of Shanghai Xin zhongguo yixueyuan 新中國醫學院 established in 1935 as the city's third modern medical school. The teaching faculty including many leading figures in the modernization of Chinese medicine sought to integrate traditional Chinese and modern Western medicine within a coherent pedagogical system. Giving equal weight to the medical theories terminology and treatments derived from longstanding Chinese practices as well as modern scientific research these textbooks pioneered the Sino-Western hybrid approach of medical instruction zhongxiyi jiehe ä¸è¥¿é†«çµåˆ that was unusual at the time but has since become widely accepted. Copies of these textbooks printed by mimeograph for the students are difficult to find today: we do not locate any in WorldCat although a copy of the 1936 school code is held at Berkeley accession no. 46645586. The individual titles of the seven volumes are as follows. • Tonglun ke jiangyi 通論科講義 Lectures on General Theory. By Liu Zhongqi 劉仲çª. 22 28 34 23 5 folding leaves. • Yaowuxue jiangyi diyice 藥物學講義第一冊 Lectures on Pharmacology Vol. 1. By Zhu Zhicheng 朱志æˆ. 1 171 folding leaves. Final leaves wormed on upper corner. • Yaowuxue jiangyi dierce 藥物學講義第二冊 Lectures on Pharmacology Vol. 2. By Qian Jinyang 錢今陽. 1 94 1 43 unnumbered insert between ff. 20 & 21 1 34 folding leaves. Includes materials for the second year of the course. • Houke jiangyi 喉科講義 Lectures on Otorhinolaryngology. By Xu Banlong 許åŠé¾ author and Shen Zongwu æ²ˆå®—å³ instructor. 48 folding leaves. Followed by Zhenduanxue jiangyi 診斷學講義 Lectures on Diagnosis. Anonymous. 28 folding leaves. Followed by Zabing jiangyi 雜病講義 Lectures on Miscellaneous Diseases. By Qian Gongxuan 錢公玄. 30 10 folding leaves. Followed by Yaowuxue changshi 藥物學常識 Common Sense Pharmacology. 37 folding leaves. Final leaves wormed. • Erke jiangyi 兒科講義 Lectures on Pediatric Medicine. By You Xuezhou 尤學周. 92 folding leaves. • Fukexue jiangyi 婦科學講義 Lectures on Gynecology. By Jin Shaoling 金少陵. 1 152 folding leaves. Preface dated Minguo 31 1942. • Neijingxue jiangyi 內經學講義 Lectures on the Inner Canon. By Jin Shaoling 今少陵. 69 20 2 folding leaves. Postscript dated Minguo 30 1941. Divided into two years of instruction. Very good copies. Light worming foxing and staining appear throughout but rarely affect reading. Lightly annotated throughout in red and black. Blue collector's seals åœ‹è¯ and 國è¯è—書 appear at the beginning of volumes. â§ 裘沛然 et al. eds. æè‹‘鶴鳴:上海新ä¸åœ‹é†«å¸é™¢æ ¡å² 上海中醫藥大學出版社 2000 esp. pp. 58-67. unknown books
1957réf. 410610Black Mountain NC: Black Mountain College 1957. Spine of issue 7 partly split wrappers slightly smudged; issues 3 and 4 with small stains on wrappers. Otherwise a fine clean set of this rare complete periodical. Complete set of 7 issues 4to and 8vo. Illustrated by FRANZ KLINE and RENÉ LAUBIÉS the first four with cover illustrations by K. KITASONO other illustrations by AARON SISKIND J.ALTOON D. RICE and E. CIRBETT. "It is difficult… to appreciate the excitement in certain very limited circles of course produced by the appearance of the Review." Martin Duberman 'Black Mountain: An Exploration in Community' 1972. With contributions by Robert Creeley publisher of Divers Press in Palma de Mallorca Charles Olson the College Rector Kenneth Rexroth Paul Blackburn Robert Duncan Denise Levertov William Bronk and Larry Eigner. The final issue was devoted to Beat authors and contains work by Jack Kerouac Allen Ginsberg Gary Snyder Philip Whalen and published a pre-publication excerpt from "Willam Lee's" Naked Lunch William S. Burroughs. Clay and Phillips p. 106ff: "The Black Mountain Review printed in Palma de Mallorca where Creeley was producing his Divers Press books developed from the friendship in daily correspondence between Creeley and Black Mountain rector Charles Olson who thought a quality literary journal might help increase enrollment. Black Mountain College unknown
1957réf. 410610Black Mountain NC: Black Mountain College 1957. Spine of issue 7 partly split wrappers slightly smudged; issues 3 and 4 with small stains on wrappers. Otherwise a fine clean set of this rare complete periodical. Complete set of 7 issues 4to and 8vo. Illustrated by FRANZ KLINE and RENÉ LAUBIÉS the first four with cover illustrations by K. KITASONO other illustrations by AARON SISKIND J.ALTOON D. RICE and E. CIRBETT. "It is difficult… to appreciate the excitement in certain very limited circles of course produced by the appearance of the Review." Martin Duberman 'Black Mountain: An Exploration in Community' 1972. With contributions by Robert Creeley publisher of Divers Press in Palma de Mallorca Charles Olson the College Rector Kenneth Rexroth Paul Blackburn Robert Duncan Denise Levertov William Bronk and Larry Eigner. The final issue was devoted to Beat authors and contains work by Jack Kerouac Allen Ginsberg Gary Snyder Philip Whalen and published a pre-publication excerpt from "Willam Lee's" Naked Lunch William S. Burroughs. Clay and Phillips p. 106ff: "The Black Mountain Review printed in Palma de Mallorca where Creeley was producing his Divers Press books developed from the friendship in daily correspondence between Creeley and Black Mountain rector Charles Olson who thought a quality literary journal might help increase enrollment. Black Mountain College unknown books
1933réf. 31883Elizabeth New Jersey: Charles D. Hornig 1933-1935. Darkening to cheap paper but pages quite supple the full set is attractively bound a full leather binding with front and spine stamped in gold. Complete sets are rare. 31883. Octavo 18 issues printed or self wrappers. The first important weird fiction fanzine and one of the most desirable of the fanzines of the thirties. For two years it published news and fiction related to the genre. Stories first published in THE FANTASY FAN include H. P. Lovecraft's "The Other Gods" and "From Beyond" Clark Ashton Smith's "The Epiphany of Death" "The Ghoul" "The Kingdom of the Worm" and "The Primal City" as well as tales by Robert Bloch August Derleth Robert E. Howard David H. Keller and others. THE FANTASY FAN was "an interesting mix of news articles stories poems and miscellany. Hornig however made an error in initiating a column of controversy entitled 'The Boiling Point' which quickly led to acrimonious letter exchanges between Lovecraft Forrest J. Ackerman Clark Ashton Smith and numerous others; the column was terminated with the February 1934 issue. Perhaps Hornig's greatest accomplishment was the serialization of the revised version of Lovecraft's 'Supernatural Horror in Literature' October 1933-February 1935. However the serialization proceeded at such a slow pace that it had reached only the middle of Chapter VIII before the magazine folded. THE FANTASY FAN also saw the first publication of Lovecraft's stories. 'The Other Gods' November 1933 and 'From Beyond' June 1934 as well as reprints from amateur papers of 'Polaris' February 1934 and 'Beyond the Wall of Sleep' October 1934; it also published 'The Book' October 1934 'Pursuit' October 1934 'The Key' January 1935 and 'Homecoming' January 1935 from 'Fungi from Yuggoth.' Brief excerpts of Lovecraft's letters to Hornig appeared regularly in the magazine's letter column. The October 1934 issue was dedicated to Lovecraft. After the demise of THE FANTASY FAN numerous attempts were made to revive or succeed it but no magazine truly filled its place as a news organ a forum for the expression of fan's views and a venue for work by distinguished writers in the field" Joshi and Schultz An H. P. Lovecraft Encyclopedia pp. 90-91. "As a real help to the lover of weird and fantasy fiction Hornig's magazine reigned supreme in the field at that time . Almost every weirdist of importance in fandom was at one time or another represented in its pages. And as a love-feast for such fans it has never again been equaled" Moskowitz The Immortal Storm pp. 18-20. ". one of the legendary magazines of the 1930s . an extremely consistent and reliable magazine ." Tymn and Ashley eds. Science Fiction Fantasy and Weird Fiction Magazines pp. 822-23. According to Hornig writing in 1988 "THE FANTASY FAN was printed by Conrad Ruppett of Jamaica New York hand set. Julius Schwartz and I helped him collate and staple each copy every month for eighteen months. Except for the second issue 500 copies there were only 250 printed and the paid circulation never reached over 50. What happened to the residue Well I found someone to buy up most of the unsold copies and that was B. K. Gores of Austin Texas. I never heard from him before or since never knew him in fandom and don't know whatever happened to him. Somewhere there should be stacks of TFF unless they're destroyed." Reference: Joshi I-B-ii-232. Pavlat and Evans Fanzine Index 1965 p. 37. Charles D. Hornig unknown
1888réf. g5899London: Vizetelly & Co. G: in Good condition without dust jacket. Boards lightly rubbed and bumped with slight lean to spine. Tissue guard missing from frontispiece. Rear endpaper missing. 1888. Reprint unexpergated edition. Brown decorated hardback cloth cover with gilt titles. 190mm x 130mm 7" x 5". 392pp. This seemingly insignificant book is from the Mermaid Series of Best Plays of the Old Dramatists belonged to Aubrey Beardsley. On the ffep a hand drawn bookplate by Aubrey Beardsley is pasted dated Xmas 1888. On the half title page there is the signature A V Beardsley Xmas 1888. On the reverse of the frontispiece in the top corner is an ink stamp BEARDSLEY. . Vizetelly & Co hardcover
1670réf. 2080502106917709Not Available 1670. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2017réf. 2081502111907915Kaikyo Literary Publishing Company 2017. Soft Cover. Fine. The book is in fine condition. Kaikyo Literary Publishing Company paperback
1865réf. 2307060077Philadelphia: Swander Bishop & Co; Art Publishing Association 1865. First Edition. Art Prints & Posters . Very Good. 22 x 16 1/2 in. visible framed. Original Lithograph under glass. The words of Lincoln's two emancipation proclamations Sept. 22 1862 and Jan. 1 1863 written to form a portrait of the President. On the bottom border are two scenes. The left depicting 1860 has a tied kneeling slave being whipped by an overseer. The right has an emancipation scene of 1865 showing a victorious black Union soldier in uniform his sword held high freeing a slave. Eberstadt 48. Note: A copy of this lithograph sold in Swann Galleries' Printed & Manuscript African Americana sale Mar 29 2018 - Sale 2471. Also see Brown University's Swander R. Morris "Emancipation Proclamation" 1865. Philadelphia: Swander, Bishop & Co; Art Publishing Association unknown
1914réf. 39Smith Elder London 1914. First Edition. Hardcover Original Cloth. Very Good Condition/No Dust Jacket. 1st Limited Edition: This is copy 43 of a limited edition of 250. Original covers no dust jacket all page edges gilt. Copiously illustrated drawings in the text and full-page plates from sketches and paintings by E. Wilson and others. Gutta-percha binding very delicate with leaves just loosening. Gutta Percha was used as the binding glue in many early books it is not a difficult job to remove and reback using modern glues Ex Library with various library stamps on some pages. The South Polar Times was a magazine written and printed by the members of Antarctic Expeditions during the various voyages they undertook. The South Polar Times form what is perhaps the most personal of the printed documents to have come out of that most remarkable of periods of Antarctic adventures revealing so many often contradictory aspects of these men's various personalities. 'During the Antarctic winter of 1902 and 1903 the officers of the National Antarctic Expedition on board the Discovery among other diversions wherewith to lighten the long and dreary darkness brought out at monthly intervals a periodical to which they gave the name of "The South Polar Times" the contents of which range over a wide field grave and gay scientific and humorous prose and poetry. It contains a diary of the events of each month a record of the proceedings of the local Debating Society a monthly acrostic humorous notes besides articles of a more solid nature as well as stories sketches of various kinds and poems of a standard considerably above average.' One of the corner stones of an Antarctic collection. Volume 1 & 2 were Scott's 1st "Discovery Expedition" Special Limited Edition first issue in this format. Quantity Available: 1. Shipped Weight: Under 5 kilogram. Category: Arctic & Antarctic; Exploration. Pictures of this item not already displayed here available upon request. Inventory No: 39. . This book is extra heavy and may involve extra shipping charges to some countries. Smith Elder hardcover