29 158 résultats
1908réf. 884571908. DESIGN Sugiura HISUI designer. MITSUKOSHI; MITSUKOSHI TIMES; OSAKA MITSUKOSHI Tokyo & Osaka 1908-1923. Western-style magazines 24.9 x 18.4 cm decorated wrappers. Lovely covers most by Sugiura Hisui 1876-1965 or designed under his supervision. Hisui is the most important figure in the development of Japanese commercial art in the 20th century the progenitor of "Taisho Chic" and a force to be reckoned with as a practical designer at Mitsukoshi and an educator at the Japan School of Art the Imperial School of Fine Art and the Tama Imperial School of Art which he co-founded. He even spent two years in Europe in the early 20s researching design. He created many portfolios of design examples for professionals wrote treatises on the principles of design and was a tireless creator of posters and magazine covers. He began work at Mitsukoshi in 1908 as a design consultant in charge of cover art for the house organ MITSUKOSHI TIMES. When MITSUKOSHI magazine began in 1912 he had already been promoted to head of design for the company a year earlier and stayed in that position for decades. His artwork graced the covers of many magazines over the years but it was his work for MITSUKOSHI and MITSUKOSHI TIMES and OSAKA MITSUKOSHI that began his design career. We are offering here a group of issues of those magazines most with his brilliant cover art. The magazines as a form of trade catalog and guide to fashion for the well-heeled clientele of Mitsukoshi department store were intrinsically ephemeral. They are hefty magazines a vade mecum for the bon ton with pictures of summer frocks kimono fabrics morning coats shoes - with instructions on how they should be cleaned stored worn. With pictures and prices and order sheets. Useful and used then thrown away they are seldom found today. A gathering of this size is quite unusual especially as it begins with issues of MITSUKOSHI TIMES from 1908 - the year that Hisui took over design reponsibilities for the house organ. The issues: MITSUKOSHI TIMES 11 issues from 1908-13 Oct & Nov Meiji 41 1908; V.8 #s 4 & 6; V.10 #s 9 & 11; V.11 #s 4 7 11 & 14 V.12 #3. MITSUKOSHI 31 issues from 1912-1923 V.2 #4; V.4 #s 5 6 7 & 8; V.5 #s 4 5 7 & 8; V.6 #s 2 & 11; V.7 #s 6 7 & 8; V.8 #s 2 3 4 5 & 7; V.9 #s 4 5 6 7 9 & 12; V.10 #s 4 6 & 12; V.11 #11`; V.12 #3; V.13 #6. OSAKA MITSUKOSHI 2 issues V.4 #8 1915 a. unknown books
réf. 166381Tokyo: Fukusha Shudan Geribara 1973. First Edition. Softcover. First Edition one of 1000 copies. INSCRIBED in the year of publication from Nobuyoshi Araki to Nobuaki Sakamoto on the front endpaper. The third volume in Araki's following "Sentimental Journey" 1971 and "Okinawa: Sentimental Journey: Continued" 1971. A collection of photographs of women masturbating each image presented just below a photograph of Tokyo crowds waiting for the traffic light to change at crosswalks. A worthy follow-up to Araki's 1971 breakthrough collection "Sentimental Journey." Very Good plus in perfect-bound wrappers in a custom cloth folding case with bone clasps in the Japanese style. Parr and Badger I. Roth The Open Book: A History of the Photographic Book from 1878 to the Present. 802 photo books from the Auer collection. Araki: Self Life Death. A Book of Araki Books! 1970-2005. Japanese Photo books of the 1960s and '70s. Japanese Photo books 1912-1990. Fukusha Shudan Geribara unknown
réf. 166381Tokyo: Fukusha Shudan Geribara 1973. First Edition. Softcover. First Edition one of 1000 copies. INSCRIBED in the year of publication from Nobuyoshi Araki to Nobuaki Sakamoto on the front endpaper. The third volume in Araki's following "Sentimental Journey" 1971 and "Okinawa: Sentimental Journey: Continued" 1971. A collection of photographs of women masturbating each image presented just below a photograph of Tokyo crowds waiting for the traffic light to change at crosswalks. A worthy follow-up to Araki's 1971 breakthrough collection "Sentimental Journey." Very Good plus in perfect-bound wrappers in a custom cloth folding case with bone clasps in the Japanese style. Parr and Badger I. Roth The Open Book: A History of the Photographic Book from 1878 to the Present. 802 photo books from the Auer collection. Araki: Self Life Death. A Book of Araki Books! 1970-2005. Japanese Photo books of the 1960s and '70s. Japanese Photo books 1912-1990. Fukusha Shudan Geribara unknown books
réf. 9380New York: Crown Publishers 1976. Full Leather. Fine binding. Octavo. 160 pp. illus. First edition first printing thus. Full bound in burgundy morocco with blind-tooling sanding and dyed and acrylic-toned goat onlays. Top edge gilt with sgraffito designed. Hand-woven silk endbands. Housed in clamshell box. In this binding Brenda Gallagher has drawn from Boyce's erotic illustrations to render a beautifully blind-tooled drawing spanning both covers. Stamped onlays and sanded details bring the binding into perfect union with the text. Gallagher has subtly titled the cover by embedding both the author's name and title within the blind tooling. A remarkably designed and excellently executed binding capturing the spirit of Nin's prose and quite directly the character of Boyce's drawings. Gallagher is a design bookbinder and a graduate of the American Academy of Bookbinding. Crown Publishers unknown
1961réf. 10424San Francisco: Grabhorn Press 1961. Folio. 4 46 2 blank pp. illus. Limited edition one of 180 copies. This copy bound by Katy Starr-Baum in full black calf with inlays of sanded aluminum and pained paper as well as onlays of buffalo watersnake and stone veneer all arranged in a coronal design from front board to rear; graphite top edge with sprinkled palladium; handsewn silk endbands; hand-painted endpapers echo the cover design. Housed in clamshell box. A beautiful and fitting binding on one of the Grabhorn Shakespeare series with colored woodblock illustrations by Mary Grabhorn. A bold design using material that speaks to the time-stone and metal. The hand-painted endpapers evoke the night sky and have an iridescence that is dynamic when one opens the cover the light catching the paint shifts as the board moves. While boldly monochromatic what color there is in the binding the leather onlays and the painted paper picks up the pastels of Grabhorn's illustrations. The coronal design speaks to the backdrop of this play Henry IV holding onto power amidst treachery and Prince Hal's coming into the crown. But as Starr-Baum notes the design has a more potent deeper meaning: "the circular shape . represents familial cycles: the traits and behaviors that are passed down from one generation to the next and the transformation of Prince Hal into King Henry." A powerful binding by one of the most recent recipients of the Fine Binding Diploma of the elite American Academy of Bookbinding. Grabhorn Press unknown
1933réf. 274DB(Wien, 1933-1938). 8°. (32) Seiten ohne Umschlag., 1
réf. 016890Special 60th Anniversary Edition. Handmade Box Set published in a limited roman-numbered hand signed edition of 60 copies in 2015 to mark Peter Christopherson's 60th birthday. This copy II/LX and is signed by Thighpaulsandra. 'The Set comprises one of 60 copies set aside from the original first special edition of both books and 6 individually numbered and stamped fine art photographic silverprints on 300gr Hahnemuhle paper Ilford MG Art presented in a folder.' - colophon. This box also includes the 'Bonus Item' booklet. The main book published in 2014 compiled by Xavier Laradji Claus Laufenburg and Thighpaulsandra. Layout and design by Valnoir with the editors. Fine copy apart from small scratch to front cover of main book special edition book still sealed. More photographs available on request. All books dispatched same or next working day in robust packaging. Heavy item will require extra postage for overseas purchase. Timeless hardcover
réf. 55284Magdeburg: Verein für deutsche Werkkunst printed by W. Pfannkuch & Co. 1929. Octavo unfolded: 20.9 × 29.8 cm. Tri-fold prospectus lithographed to recto and verso. Very good; in protective mylar. Original promotional leaflet for the Magdeburg stop of the international exhibition "Fotografie der Gegenwart" Contemporary Photography organized by the Folkwang Museum Essen in conjunction with the Magdeburg exhibition office and curated by Kurt Wilhelm-Kästner. Playing a key role in cementing photography's role within modern art and visual culture the exhibition was originally shown at the Museum Folkwang in Essen and later in Hannover Berlin Dresden Magdeburg and London among other locations. In particular it highlighted the achievements of Neue Sachlichkeit and "Neues Sehen" with its connections to the Bauhaus. Among the contributors were major figures such as Herbert Bayer Karl Blossfeldt Hans Finsler John Heartfield Germaine Krull Man Ray Moholy-Nagy and Lucia Moholy Albert Renger-Patzsch August Sander as well as schools and organizations such as the Voks Soviet-Film-Photo agency among many others. The importance of the Magdeburg location as a regional center for avant-garde design architecture and photography is underscored by the fact that Moholy-Nagy himself opened the Magdeburg leg of the exposition with a lecture cf: Landeshauptstadt Magdeburg Magdeburg: die Stadt des neuen Bauwillens p. 42. Like the poster for the exhibition which was created using linocut the brochure was designed by Walter Dexel "Entwurf Dr. Dexel". A German painter graphic designer and art historian Dexel 1890-1973 . As of January 2026 KVK OCLC trace two copies one in Spain and one in Switzerland with none recorded in North American libraries although MoMA does appear to own a copy as part of the Tschichold Collection. unknown
réf. 54527Brno: self-published 1935. Oblong quarto 21.5 × 30 cm. Original pictorial wrappers; 100 1 pp. With fifty illustrations mostly maps printed in blue black and red a few reproductions from photographs. Additional graphs and charts throughout. Signed and inscribed by the author to Adolf Benš. Very good. A striking work of infrastructure cartography and visual communication by architect and urban planner Bohuslav Fuchs 1895-1972 with Zdeněk Rossmann's design throughout in red and black and the maps and plans printed mostly in blue and red. With Fuchs's dedicatory inscription to the functionalist architect Adolf Benš dated 1951. This study by Fuchs and the architect Jindřich Kompošt was a response to the call to lift the country out of the 1930s economic crisis through a progressive system of transportation infrastructure. By the late 1920s a modern internal transportation infrastructure for Czechoslovakia was being considered with the aimr of increasing the role of automobile transportation which the existing network of roads no longer accommodated. The need for new long-distance roads and a new form of road was further compounded by the absence of roads connecting lands that had not been strongly historically linked: the very lands that made up the new country in 1918. Yet this grandiose project did not acquire its specific contours until 1935 when the first studies were drawn up by two independent teams of planners. The study of the first group led by engineer Stanislav Bechyně designed the Plzeň - Košice national road to take the shortest route meaning through the middle of the country. The authors of the second plan Brno architects Fuchs and Kumpošt designed the trunk road from Cheb via Košice all the way to Chust in Carpathian Ruthenia. This would consist of two roads a "northern" and "southern" route. The northern route was to provide a transportation route for key centers of heavy industry and would lead to Košice via Hradec Králové Zlín and LevoÄa. The southern route was intended to help bring economic prosperity to regions with an inadequate network of roads and led around Plzeň through TřebÃÄ Hodonín Banská Bystrica and Rožňava. "Both plans were enthusiastically received by the Czechoslovak public but state officials rejected them claiming that it would mean the use of an extremely high amount of public funds for something that was not all that urgent" Bartlová Building a State: The Representation of Czechoslovakia in Art Architecture and Design 2016. One of 600 copies. Rare; as of August 2024 KVK OCLC show two copies outside the Czech Republic one in the UK and one in North America. unknown
1949réf. 3479New York 1949. First edition. Folding prospectus forming a large poster when unfolded central folds. Very good condition. First edition. Folding prospectus forming a large poster when unfolded central folds. Scarce poster-prospectus for the 1949 Kootz Gallery exhibition of the "Intrasubjectives" marking an early formation of Abstract Expressionism. Exhibition prospectus for the Kootz Gallery presentation of the "Intrasubjectives" documenting an early moment in the emergence of what would later be termed Abstract Expressionism. The publication announces and frames the work of artists including Willem de Kooning Arshile Gorky Robert Motherwell Jackson Pollock Ad Reinhardt and Mark Rothko at a stage before the movement had acquired its later critical designation. Texts by Harold Rosenberg accompany the presentation situating the group within a developing discourse of postwar abstraction. The design-by William Baziotes Hans Hofmann and Adolph Gottlieb-reflects the close alignment between artistic production and exhibition graphics characteristic of the New York avant-garde of the late 1940s. . unknown
1933réf. 900971933. DESIGN FUJII Tatsukichi 藤井é”å‰ designer. SÔSAKU SENSHOKU ZUANSHÛ 創作染色図案集. A Collection of Designs for Dyework Tokyo & Osaka: Bungado Showa 8 1933. Large portfolio 41 x 31 cm. decorative cloth covered clasped chitsu case with a printed decorative label all enclosed in the publisher's folding cardboard outer box. A 4 page fascicle of preliminaries and a table of contents. With the chitsu design the cover design 3 preliminary page designs and 61 designs on the 50 content fascicles. The designs are primarily in color woodcut printed on both paper and occasionally cloth. A beautiful production here in almost perfect condition. Fujii Tatsukichi 1881-1964 was one of the most important reformers of the traditional arts in Japan. His creativity touched nearly every area: lacquer pottery papermaking dyeing - his influence was enormous. This scarce and lovely portfolio of his original designs helps to illustrate why he was so important. This deluxe production cost 25 yen in 1933 - a princely sum during the depths of the Depression in Japan. Complete. unknown
1933réf. 900971933. DESIGN FUJII Tatsukichi 藤井é”å‰ designer. SÔSAKU SENSHOKU ZUANSHÛ 創作染色図案集. A Collection of Designs for Dyework Tokyo & Osaka: Bungado Showa 8 1933. Large portfolio 41 x 31 cm. decorative cloth covered clasped chitsu case with a printed decorative label all enclosed in the publisher's folding cardboard outer box. A 4 page fascicle of preliminaries and a table of contents. With the chitsu design the cover design 3 preliminary page designs and 61 designs on the 50 content fascicles. The designs are primarily in color woodcut printed on both paper and occasionally cloth. A beautiful production here in almost perfect condition. Fujii Tatsukichi 1881-1964 was one of the most important reformers of the traditional arts in Japan. His creativity touched nearly every area: lacquer pottery papermaking dyeing - his influence was enormous. This scarce and lovely portfolio of his original designs helps to illustrate why he was so important. This deluxe production cost 25 yen in 1933 - a princely sum during the depths of the Depression in Japan. Complete. unknown books
1815réf. 832561815. DESIGN Matsuoka Tokikata; Honma Hyakuri. SHOKUMON ZUE. 7 vols. privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. 19.3 x 26.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Important and quite scarce as few sets were produced. Some worming otherwise the overall condition is very good. unknown
1815réf. 832561815. DESIGN Matsuoka Tokikata; Honma Hyakuri. SHOKUMON ZUE. 7 vols. privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. 19.3 x 26.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Important and quite scarce as few sets were produced. Some worming otherwise the overall condition is very good. unknown books
1924réf. 20052Wien, Würthle, 1924. 80 S., 16 nn. Bll. (Anzeigen) mit zahlr. Textabb. 8°. OKart. (kl. Restaurierungen, etw. gebräunt und bestoßen). [6 Warenabbildungen]
1923réf. 4485EBPlauen i.V., Christian Stoll, 1923. Groß-2°. 45,5 cm. Titelblatt, 20 lose Blatt. Original-Halbleinenmappe mit Titelschildchen und Schließbändern. [6 Warenabbildungen] Emile Alain Seguy, 1877-1951, war ein bedeutender französischer Künstler des Art Deco.
réf. 52019Bonlanden/ near Stuttgart: Edition Domberger 1973. First edition. Paperback. Very good- to fine condition. Folio 1971 17 x 11 3/4". 1 12/14pp.; Elephant Folio 1972 1972 19 1/4 x 16 1/2". 1 12/12pp. each. Spiral-bound calendars with original screen prints and black lettering on covers with additional screen printed mylar overlays. All calendars designed by Luitpold Domberger and printed at the Domberger KG Bonlanden Germany. All calendars are limited editions and hand-numbered on title page. The screen-printed mylar overlays create an op-art effect. The 1971 contains prints by Max Bill Herbert Bayer and Robert Indiana. 1971 558/2500: Cover and overlays with screen prints by Herbert W. Kapitzki; January: Max Bill; February: George Van der Sluis; March: Herbert Bayer; April: Robert Indiana; May: Müller-Brittnau; June: Allan d'Arcangelo; July: Horst Scheffler; August: Peter Stroud; September: Josef Levi; October: Sanford Wurmfeld; November: Erich Lethgau; December: Larry Zox. 1972 1754/3000: Cover and overlay with screen prints of Herbert W. Kapitzki; January: Stephen Edlich; February: Robert Indiana; March: Frank Werner; April: Josef Levi; May: Richard Anuszkiewicz; June: Luitpold Domberger; July: Nicholas Krushenick; August: Horst Scheffer; September: Hugo Dietz; October: Edna Andrade; November: Peter Stroud; December: Raimund Gierke. 1973 2107/2500: Cover and overlay with screen prints by Herbert W. Kapitzki; January: Walter Allner; February: Werner Berges; March: Allan d'Arcangelo; April: Julian Stanczak; May: Larry Stark; June: Ingrid Pohl; July: Rinaldo Paluzzi; August: Timo Kw. Heimann; September :Karel Novosad; October: Fritz Ruoff; November: Gerd Winner; December: John Willenbecher. Text in German. Printed overlay of the 1971 calendar partially separated from spiral. 1971 bound with two duplicate pages of calendar January and October without graphic. Front cover of 1972 with three inch crease at bottom right of front cover not affecting screen print. Generally some minor wear. Screen prints in fine condition. Calendars all protected in modern mylar. Luitpold Poldi Domberger was a pioneer of screen-printing in Germany. He established his first printing studio in 1949 in Stuttgart. His neighbor at the time was Willi Baumeister. His son Michael Domberger joined him developed and continued his legacy to the present day. Edition Domberger is at the forefront of screen-printing and continues to develop and promote the medium. Amongst the artists collaborating with Edition Domberger are Josef Albers Josef Beuys Keith Haring Claes Oldenburg Robert Indiana Antoni Tapies Cy Twombly among many others. "For decades the Domberger brand has been synonymous with excellence in screen printing. The print workshop is open to artists and publishers providing a wide range of technical possibilities alongside seasoned expertise. It offers the highest level of craftsmanship in both digital- and screen-printing. The exceptional quality of the prints produced by Domberger have made it one of the leading print workshops in the world" Edition Domberger. Edition Domberger paperback
réf. 52019Bonlanden/ near Stuttgart: Edition Domberger 1973. First edition. Paperback. Very good- to fine condition. Folio 1971 17 x 11 3/4". 1 12/14pp.; Elephant Folio 1972 1972 19 1/4 x 16 1/2". 1 12/12pp. each. Spiral-bound calendars with original screen prints and black lettering on covers with additional screen printed mylar overlays. All calendars designed by Luitpold Domberger and printed at the Domberger KG Bonlanden Germany. All calendars are limited editions and hand-numbered on title page. The screen-printed mylar overlays create an op-art effect. The 1971 contains prints by Max Bill Herbert Bayer and Robert Indiana. 1971 558/2500: Cover and overlays with screen prints by Herbert W. Kapitzki; January: Max Bill; February: George Van der Sluis; March: Herbert Bayer; April: Robert Indiana; May: Müller-Brittnau; June: Allan d'Arcangelo; July: Horst Scheffler; August: Peter Stroud; September: Josef Levi; October: Sanford Wurmfeld; November: Erich Lethgau; December: Larry Zox. 1972 1754/3000: Cover and overlay with screen prints of Herbert W. Kapitzki; January: Stephen Edlich; February: Robert Indiana; March: Frank Werner; April: Josef Levi; May: Richard Anuszkiewicz; June: Luitpold Domberger; July: Nicholas Krushenick; August: Horst Scheffer; September: Hugo Dietz; October: Edna Andrade; November: Peter Stroud; December: Raimund Gierke. 1973 2107/2500: Cover and overlay with screen prints by Herbert W. Kapitzki; January: Walter Allner; February: Werner Berges; March: Allan d'Arcangelo; April: Julian Stanczak; May: Larry Stark; June: Ingrid Pohl; July: Rinaldo Paluzzi; August: Timo Kw. Heimann; September :Karel Novosad; October: Fritz Ruoff; November: Gerd Winner; December: John Willenbecher. Text in German. Printed overlay of the 1971 calendar partially separated from spiral. 1971 bound with two duplicate pages of calendar January and October without graphic. Front cover of 1972 with three inch crease at bottom right of front cover not affecting screen print. Generally some minor wear. Screen prints in fine condition. Calendars all protected in modern mylar. Luitpold Poldi Domberger was a pioneer of screen-printing in Germany. He established his first printing studio in 1949 in Stuttgart. His neighbor at the time was Willi Baumeister. His son Michael Domberger joined him developed and continued his legacy to the present day. Edition Domberger is at the forefront of screen-printing and continues to develop and promote the medium. Amongst the artists collaborating with Edition Domberger are Josef Albers Josef Beuys Keith Haring Claes Oldenburg Robert Indiana Antoni Tapies Cy Twombly among many others. "For decades the Domberger brand has been synonymous with excellence in screen printing. The print workshop is open to artists and publishers providing a wide range of technical possibilities alongside seasoned expertise. It offers the highest level of craftsmanship in both digital- and screen-printing. The exceptional quality of the prints produced by Domberger have made it one of the leading print workshops in the world" Edition Domberger. Edition Domberger paperback books
1934réf. 1653411934. JAPANESE DESIGN. Juraku Cho. 3 volumes illustrated with a total of 90 colour and monochrome woodblock plates. Oblong folio 270 x 390 mm. bound in publisher's silk over boards in a new chitsu case. Kyoto: Unsodo 1934. A spectacular series of designs with superb colour woodblock plates with each volume devoted to a different motif. Volume 1 is Ryu no maki the dragon. Volume 2 is Hoo no maki the phoenix and Volume 3 is Shishi no maki the lion. Both the full colour plates and the monochrome plates facing them are masterpieces of the woodblock maker's art. Unsodo is the name of a large Japanese publishing company with branches in both Tokyo and Kyoto. Founded in 1891 this company is still in existence today. From the 1890s through the 1930s the Unsodo publishing house was involved in printing high quality pattern books for various crafts including textiles and lacquer.Some wear to the boards but otherwise a fine set. Rare with no listing on OCLC. hardcover
1934réf. 1653411934. JAPANESE DESIGN. Juraku Cho. 3 volumes illustrated with a total of 90 colour and monochrome woodblock plates. Oblong folio 270 x 390 mm. bound in publisher's silk over boards in a new chitsu case. Kyoto: Unsodo 1934. A spectacular series of designs with superb colour woodblock plates with each volume devoted to a different motif. Volume 1 is Ryu no maki the dragon. Volume 2 is Hoo no maki the phoenix and Volume 3 is Shishi no maki the lion. Both the full colour plates and the monochrome plates facing them are masterpieces of the woodblock maker's art. Unsodo is the name of a large Japanese publishing company with branches in both Tokyo and Kyoto. Founded in 1891 this company is still in existence today. From the 1890s through the 1930s the Unsodo publishing house was involved in printing high quality pattern books for various crafts including textiles and lacquer.Some wear to the boards but otherwise a fine set. Rare with no listing on OCLC. hardcover books
réf. 009472Teramachi Nijo Kyoto Japan: Yamada Unsodo Book. Very Good. Pictorial Paper Covered Boards. First Edition. Folio - over 12" - 15" tall. 37 pages held together with 2 brads top end. 35 pages with tissue guards over multiple lovely woodblock prints either 96 or 102 depending on how one repeated image is counted. With an additional full page black and silver woodblock print on rice paper 9" x 12 1/2" laid in. No date in English circa 1902-1905. Laid into original folio black paper covered boards printed in silver Art Deco design with title artist and publisher printed in English front and back. Front and back pages printed in Japanese. Very Good cloth at spine torn at top and bottom edges rubbing to boards at edges. Some tissue guards creased or torn the woodblock prints are all bright and Fine. Kamisaka Sekka 1866-1942 was aan important early 20th c. Japanese artist known as the father of modern Japanese design and the last great master of the Rinpa traditional school of art. RARE one copy found in current commerce lacking the additional woodblock print and 8 copies found at WorldCat. Yamada Unsodo Hardcover
réf. 009472Teramachi Nijo Kyoto Japan: Yamada Unsodo Book. Very Good. Pictorial Paper Covered Boards. First Edition. Folio - over 12" - 15" tall. 37 pages held together with 2 brads top end. 35 pages with tissue guards over multiple lovely woodblock prints either 96 or 102 depending on how one repeated image is counted. With an additional full page black and silver woodblock print on rice paper 9" x 12 1/2" laid in. No date in English circa 1902-1905. Laid into original folio black paper covered boards printed in silver Art Deco design with title artist and publisher printed in English front and back. Front and back pages printed in Japanese. Very Good cloth at spine torn at top and bottom edges rubbing to boards at edges. Some tissue guards creased or torn the woodblock prints are all bright and Fine. Kamisaka Sekka 1866-1942 was aan important early 20th c. Japanese artist known as the father of modern Japanese design and the last great master of the Rinpa traditional school of art. RARE one copy found in current commerce lacking the additional woodblock print and 8 copies found at WorldCat. Yamada Unsodo Hardcover books
réf. 10426Provo UT: Tryst Press 2011. Full Leather. Fine binding. Quarto. 32 pp. illus. Limited edition one of 160 copies this copy out of series. Bound by Katy Starr-Baum in tan goatskin; textblock is sewn on meeting guards with hand-embroidered silk endbands; binding with Hebrew lettering made up of hand-tooled gold dots which extend to the top edges of boards and headcaps; edge-to-edge hand-painted doublures and free endpapers. Housed in clamshell box. A fine copy. A lovely book by Robert Buchert at his Tryst Press printed on purpose-made paper by the printer with a barley ear watermark and in Buchert's Psalter type. The colophon reports that this is the first book employing Buchert's typeface. Many in-text woodcuts some full page embellish the book. Here beautifully bound in a meaningful way by Starr-Baum who having over the course of a few years learned of her Jewish roots and converted to Judaism like Ruth that first convert before her. The Hebrew rendered in gold on the binding reads in the King James version: "And Ruth said Intreat me not to leave thee or to return from following after thee; for whither thou goest I will go; and where thou lodgest I will lodge: they people shall be my people and they God my God; Where thou diest will I die and there will I be buried; the Lord do so to me and more also if ought be death part thee and me." Starr-Baum has been binding books for more than 20 years and is among the most recent recipients of the Fine Binding Diploma of the elite American Academy of Bookbinding. Tryst Press unknown
réf. 9379Old Stile Press 2009. Full Leather. Near Fine binding. Folio. 56 pp. illus. Limited edition number 193 of 195 copies signed by Onken at the colophon. A skilled and imaginative design binder and a graduate of the American Academy of Bookbinding fine binding program Brenda Gallagher has engaged with this modern telling of a story that comes from a long tradition of Celtic and Norse selkie stories. Full bound in green goat with onlays in fish leather that capture the movement of the waves in green blue and gray. Gallagher's binding wonderfully complements the tale both thematically and artistically as her bold stylized cover shares a harmony with Onken's woodcuts. But even subtler details bring this text and binding together like her skillfully woven silk endbands and the painted top-edge a lovely sea-green with the suggestion of vegetation as though looking down on the top-edge of the book is to look down into the sea. Housed in clamshell box. A finely printed and illustrated selkie story written by Brown in 1984 and first published here by the Old Stile Press. The cuts by Onken are beautifully done and are indispensable in conveying this story of a selkie who has been separated from her seal skin by a fisherman trapping her in her human form. Perhaps the most striking of Onken's cuts is only found on the publisher-issued binding as a pictorial pastedown on the front board. Gallagher whose engagement with this text is not limited to the binding relays the tale of disappointment when purchasing this book unbound and necessarily without this woodcut—perhaps the woodcut that resonated with her the most. Since the printer had no extra copies of the illustration Gallagher was driven to locate and contact Onken who had neither print nor the block from which the illustration was printed. Instead he offered to lend her a good drawing of the image. From this image Gallagher cut her own linoleum block and printed the illustration remarkably true to the original. That print serves as the front fly leaf in her binding—a one of one lino print. An exceptional designed binding by an American binder coming into her own. Old Stile Press unknown
réf. 000700For consideration: These wall coverings could be framed for display. Newark DE/ Scottsdale AZ: Schumacher Co./ Frank Lloyd Wright Foundation. Frank Lloyd Wright: Wallcoverings title from cover Wright. Trade catalogue.- Newark DE/ Scottsdale AZ. Schumacher Co./ Frank Lloyd Wright Foundation. There are seventy pages that are numbered corresponding to listed samples. There are 17 unpaged samples which are borders that go along with the wallpaper samples. Then there are six interior scenes showing of the wallpaper and other Wright inspired designs. Then there are another eleven pages of textile designs for sheers panels prints wovens and rugs. Extremely rare to find a wright Catalog with actual samples. We did not find a date but it appears based on research that this is from the 1980's. Wright catalogs are EXTREMELY RARE. Condition:The book is in Very Good condition. It measures 9 inches by 12 inches. The covers have minor edge wear. The contents are tightly bound and secured with two metal bolts as issued. The contents are almost Like New. There is a very strong paint and wallpaper odor associated with this book when it is opened. There is no mold. The buyer would do well to let the book sit open. Please write with questions. First Edition. Hard Cover. Near Fine. Folio - over 12" - 15" tall. Schumacher Co./ Frank Lloyd Wright Foundation. hardcover
