28 255 résultats
2011réf. 80783Berkeley CA.: University of California Press. Very Good. 2011. Hardcover in Dust Jacket. This book is hard-bound in green cloth with gilt stamping on the spine in a dust jacket with light edge-wear. The binding is solid. The contents are bright and clean with illustrations in black & white and color. . University of California Press hardcover books
réf. 15723BAROQUE AND ROMANTIC STAGE DESIGN. New York: Beechhurst Press 1955. 4to. Cloth dust jacket xiv 26 pages 122 plates. Second edition. Being a collection of plates of designs of Baroque and Romantic European theatres. Very good in a worn dust jacket. unknown books
réf. 32547DESIGN AND WORK; A HOME AND SHOP COMPANION. Volume I. London: G. Purkess 1876. 4to. Publisher's blue cloth. xi 476 pages. First edition. This is the first volume of a London weekly periodical with the same name as a Manchester monthly. The London work is not cited by OCLC the NUC or RIBA. Our volume contains the first thirty issues from 13 May through 2 December 1876. Articles cover mechanics construction building design technology and inventions including "Practical Wood-turning" "The Telescope" "Our Steam Velocipede" "Miniature Railroad Train" and "The Megascope." Advertisements appear for each issue. Covers moderately worn. unknown books
réf. 10411DESIGN IN GREECE 1/1970-2/1971. Athens: N.P. 1971. 4to. Self-wrappers. 290 pages. First edition. An annual periodical of Architecture in Greece with illustrations and texts written in Greek and English. Covers worn else good. unknown books
1989réf. 1003894The Children's Book Council 1989. Color poster depicting a grandmother sharing a book with her grandson created by John Steptoe. In 1989 the Children's Book Council commissioned four posters on the theme of "Families Reading Together" from children's illustrators Steptoe Donald Carrick Peter Sis and David Wiesner. Proceeds from their sale supported literacy and reading programs around the world. Raised in Brooklyn Steptoe was a pioneering illustrator of sixteen children's books twelve of which he wrote. He centered African-American children in his work beginning with Stevie 1969 which was published in Life magazine and then by Harper & Row when he was still a teenager; Stevie would be memorably read aloud by Gordon on Sesame Street. Steptoe received Caldecott Honors twice for The Story of Jumping Mouse 1985 and Mufaro's Beautiful Daughters 1988. This poster was among the last of his works to be published before his untimely death from AIDS at the age of thirty-eight. After his death the American Library Association established the John Steptoe New Talent Award in his honor. A fine example of a scarce poster. Color poster measuring 19 x 13 inches. The Children's Book Council unknown books
1967réf. 1003475Brooklyn: Hanging Loose 1967. Second number of this long-running little magazine devoted to emerging and underrepresented writers founded in 1966 at the Brooklyn apartment of poet and contributing editor Denise Levertov who had taught Jarrett and Laurie. Simultaneously democratic and ephemeral its original format a sheaf of loose mimeographed sheets tucked in a mailing envelope inspired its name: "If you liked a poem you could pin it to the wall. If you didn't like a poem you could use it as a napkin." This number features poems by Marge Piercy and a story by Elia Katz among others. The envelope illustrated by Mimi Gross is addressed to Indiana writer and early subscriber Roger Pfingston. Over the following decades Hanging Loose would publish new writing by Dorothy Allison Ha Jin Wayne Koestenbaum Audre Lorde Eileen Myles and a teenage Emma Straub and publish the first books of Sherman Alexie Eula Biss Kimiko Hahn and Maggie Nelson under its Hanging Loose Press imprint. An early and complete issue scarce in commerce of this landmark Brooklyn poetry 'zine. Forty-four mimeographed typed pages measuring 9 x 6 inches. Loose as issued in original pictorial mailing envelope with address label; index card inscribed "compliments of the editors" initialed by Dick Lourie laid in. Light shelfwear. Hanging Loose unknown books
réf. 1002995France nineteenth century. Large fragment of an original embroidery design likely for a shawl or tablecloth executed in red watercolor. The stylized parrot snail and lizard are meticulously plotted out by hand stitch by stitch against a background of oak leaves and acorns. This design is plotted on "papier quadrillé" manufactured by the Paris publisher Chavant & Dessaigne. Fleury Chavant was an industrial designer who issued a number of influential pattern books in the 1830s and 1840s. In addition to finished patterns his company offered a range of these printed grid papers with gauges corresponding to every kind of needlework enabling those at home to produce their own designs. A striking survival. Original watercolor executed on two sheets of printed "papier quadrillé" joined together entire piece measuring 15 x 32 inches. Publisher information printed at base of sheets: "8 en 10: à Paris chez CHAVANT & DESSAIGNE Rue Cléry No 19 / No. 23." Several pale pink areas where paint spread; trace of glue along seam; later pencil notes to verso. unknown books
réf. 1002576France: no publisher no date early twentieth century. Striking hand-colored sheet of six "images d'Épinal." Inexpensive broadsides like these were hugely popular in France in the nineteenth century: naïve woodcuts brightly colored featuring images of Catholic saints Napoleonic battles and storybook characters. By the turn of the twentieth century lithography had emerged as the primary printing process and the range of subjects had greatly expanded but there was still a market for images printed in the old style a graphic tradition that influenced modernists from Henri Rousseau to Alfred Jarry. This group of six separate images printed from blocks on a sheet of Ingres d'Arches paper may be a publisher's proof. The domestic and religious subjects include a young woman reaching for a flower the devotional image of Christ in the winepress and an angel watching over the city gates. A fine example. Single sheet of six woodblock prints printed recto only and colored en pochoir measuring 14.75 x 19 inches. no publisher unknown books
1897réf. 25091602Chicago: Way & Williams 1897. First Edition. Hardcover. Very good . First printing small octavo size 351 pp. A fictitious story taking place in the ancient past with a striking binding design by William Henry Bradley 1868-1962. "Nicknamed the 'Dean of American Designers' by The Saturday Evening Post Bradley was the highest-paid American artist of the early 20th century" n.b. quote from Wiki. ___DESCRIPTION: Double-cover design by Bradley in red and deep gold on black cloth top edge gilt fore- and bottom edges uncut prior owner name in a vintage hand with the date "Feb 8/98" at the top of the front free endpaper frontispiece a map this the only plate in the book title page in red and black with publisher's logo prominently set forth the copyright page with the date of 1897 matching the date on the title page the colophon with the printing date of August 1897 no mention of subsequent printings; binding small octavo size 7 5/8" by 5" 351 pp. ___CONDITION: A bit better than very good the boards clean straight corners with light rubbing a strong square text block with solid hinges the interior is clean and bright and in addition to the prior owner marking mentioned above another prior owner name at the top of the rear pastedown; some wear to the head and tail of the spine with the cloth at the head beginning to fray. ___CITATIONS: Bambace no. A31; Krause no. 44 which states that the plates other than the initial frontis map "were purchased in 1898 by Way & Williams and used in later printings.". ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Way & Williams hardcover books
1895réf. 231128031London: Kegan Paul Trench Trubner & Co 1895. Hardcover. Very good. Thomson Hugh. Small octavo size 120 pp. A lovely collection of poems by Henry Austin Dobson 1840-1921 which speak of a simpler time. With illustrations throughout by Hugh Thomson 1860-1920; Irish by birth he lived most of his life in England and was known as "an instinctive artist with little formal training". His style which he founded is referred to as "The Cranford School" distinctive for its "nostalgic affectionate and slightly whimsical approach to historical themes." As such he was the perfect artist to illustrate "The Story of Rosina" as well as the works by Jane Austen among many others. ___DESCRIPTION: Bound in full red cloth this title was also issued in green cloth the front and spine lavishly decorated with gold after illustrations by Thomson top edge gilt Thomson's black-and-white line drawings throughout many being full-page others half-page others being chapter head-pieces; binding small octavo size 7 3/4" by 5 1/2" 120 pp. ___CONDITION: Very good the boards clean straight corners with light rubbing a strong square text block with solid hinges the interior is clean with a few spots of foxing and entirely free of prior owner markings; light wear at the head and tail of the spine and the bottom edges of the boards the spine lightly sunned foxing to the text block edges and the volume slightly cocked; even with its few faults still a lovely copy. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Kegan Paul, Trench, Trubner & Co hardcover books
1949réf. 1414420London: The Grey Walls Press Ltd 1949. First British Edition Second Impression. Hardcover. Small Octavo 189 pages. In Very Good condition with a Very Good dust jacket. Spine pictorial with red lettering. Dust jacket protected with a mylar covering price uncut: "8s. 6d." small chips missing to head and tail of spine light shelfwear and rubbing. Light toning to endpapers from glue. Shelved showcase. 1414420. Shelved Dupont Bookstore. The Grey Walls Press Ltd hardcover books
1894réf. 013830Boston: Copeland and Day 1894. First Edition Thus. Hardcover. Very Good. As stated on the colophon the first complete edition this one of 500 copies on French paper with lettering and decorations by Bertram Grosvenor Goodhue in a custom inlay leather binding by Virginia Chester signed and dated 1911. Full dark green crushed morocco elaborately decorated front and rear covers and their versos aeg. Executed in Art Nouveau style perfectly appropriate to Goodhue's decorations. Signed by Chester with gilt pressed conjoined initials VC flanked by 19 and 11 for 1911 at the bottom of the rear inside cover. Spine moderately worn corners worn joints too more noticeably to front and shallow loss at spine ends more noticeably at top. Chester dropped out of university in Illinois in 1902 due to illness and took up bookbinding as a hobby. She never returned to college but continued professionally with bookbinding studying in Chicago with Gertrude Stiles in New York with Helen Haskell and in Paris with Henri Mulhae and Jules Domont. Around 1912 or so she returned to the Chicago and opened her own bookbinding studio in the Fine Arts Building. Penciled at the bottom of the fly leaf is perhaps her notes or a collector's: "Virgina Chester / Chicago/ 1024 Fine Arts Bldg/ code/ 11/28/13/ code". This binding appears to have been influenced by French design and technique. Copeland and Day hardcover books
1972réf. 013777Perishable Press 1972. First Edition Limited. Hardcover. Fine. Brown quarter-morocco over marbled boards title stamped in black on spine. Number 96 of 120 copies on Shadwell paper. Signed by J.V. Cunningham on leaf following title page. Walter Hamady 1940-2019 was an American artist book designer papermaker poet and teacher. He is especially known for his innovative efforts in letterpress printing bookbinding and papermaking. In the mid-1960s he founded The Perishable Press Limited and the Shadwell Papermill and soon after joined the faculty at the University of Wisconsin-Madison where he taught for more than thirty years. Colophon states that the paper created for this book included bedsheets from the poet himself. Perishable Press hardcover books
1938réf. 55160МоÑква Moscow: Музеиа-Ð’Ñ‹Ñтавки Охраны МатеринÑтва и МладенчеÑтва Museums and Exhibitions of Motherhood and Childhood Protection 1938. First edition. Hardcover. g to vg-. Folio. Unpaginated 113 double-sided leaves. Original blue cloth with gilt lettering and yellow circular embossed bas-relief on the front cover designed by Anna Yuzhakova. Spine with blind-stamped illustration and lettering. Binding protected in modern mylar. Housed in its original blue cloth slipcase with a circular windowed cutout for the bas-relief. Photo-illustrated endpapers. The title page is a double-page spread with modernist typography and title text appearing in 10 additional languages including Ukrainian Belorussian Bulgarian Armenian Georgian Turkmen Azerbaijani Uzbek and others. Following the title page are four pages of introductory text and then a fold-out with woodcut illustrations in black by Nikolai Piskarev 1892-1959 showing images of the Russian revolution revealing photographic portraits of Lenin and Stalin when opened. The work is profusely illustrated throughout with countless photographic images beautifully printed in b/w and sepia-toned gravure. The book's overall design and layout was the work of Yakov Babushkin b.1907 which displays a wide variety of artistic and conceptual flourishes. Throughout the book are many smaller half-width multipage inserts artistic insets and fold-outs as well as extensive photomontages and large double-page spreads. Final leaf contains extensive contributor's credits. The publication features the work of a long list of contributors including noted photographers such as Olga Ignatovich 1905-1984 and Elizaveta Ignatovich 1903-1983 - both sister of pioneering Soviet photographer and photojournalist Boris Ignatovich cinematographer and filmmaker Alexander Frolov 1904-1962 and Solomon Tules among many others. This lavishly produced piece of Soviet photo-propaganda praising the state's maternity and child-care institutions and services. Published on the 20th anniversary of the establishment of the department for the Protection of Motherhood and Infancy Okhrana Materinstva i Mladenchestva or OMM the book showcases the state's initiatives to support mothers and and their young children in the and promote the importance of Motherhood as a vital role within Soviet society. Documented are women's centers hospitals early childhood education and summer camps among countless other state-controlled entities from across many different republics of the Soviet Union Russia Ukraine Belarus Georgia Azerbaijan Armenia Kazakhstan Kyrgyzstan Uzbekistan and Tajikistan. The work one of 5 notable Soviet photo-books issued between 1933 and 1938 focussing on women and women's issues in the USSR. Binding with light bumping and rubbing to extremities including some light abrading to the very bottom of the front cover. Interior with starting at the interior front cover. Sporadic light staining to the endpapers and interior covers. Persistent light stain along the bottom of the book block visibly affecting the bottom of most pages throughout. Images are otherwise still mostly clean and vibrant. Binding fairly tight overall. Binding and interior in good to very good- condition overall. Scarce. Bibliographic reference: Heiting and Karasik The Soviet Photobook 1920-1941 p. 380. A scarce work with only 6 known copies woldwide on OCLC. Музеиа-Ð’Ñ‹Ñтавки Охраны МатеринÑтва и МладенчеÑтва (Museums and Exhibitions of Mother hardcover books
2010réf. 71588Created using the Blurb creative publishing service 2010. Hardcover. Very Good/Very Good. SIGNED. Short oblong quarto 21 cm x 25 cm Black cloth over boards. In the dust jacket with general moderate wear. Inscribed by John Hawkins the author and founder of Salt Lake City's Intermountain Guitar and Banjo on the front free endpaper: "To___ / Thanks for all the great / guitars and teaching me / about vintage guitars and the / vintage market. To a great / friend. / June 2010 / John Hawkins." Inscription also very faintly visible on title page. Created using the Blurb creative publishing service hardcover books
1992réf. 170910Houston TX: Alley Theatre 1992. Vintage photograph of director Robert Wilson and assistant director Ann Christin Rommen during a workshop for the premiere of the 1992 production of the 1794 play. Photograph with a mimeo snipe label and a photographer's label on the verso. The play premiered at the Alley Theatre in Houston Texas on October 30 and closed on November 14 1992. Wilson's staging of the canonical 1794 play was Wilson's first project as Artistic Associate of Houston's Alley Theatre and was produced after an eight month creative process led by Wilson as the production's director and designer. Set in during the French Revolution. 7 x 5 inches. Two small pinholes to the upper left margin else Near Fine. Alley Theatre unknown books
réf. 158941Detroit MI: General Motors 1980. Substantial archive of over 750 General Motors GM design assembly and advertising photographs 23 contact sheets of vehicles and parts photographs and 100 print advertising proofs and mockups from the Chevrolet Motor Division of General Motors dating from 1973 through 1980. Nearly all the materials in the archive are overlaid with Campbell Ewald Advertising Agency watermarks or bear GM Photographic stamps on the bottom margins or versos. Materials also frequently note catalog numbers and dates in manuscript pencil and ink. Detailed inventory and additional images available upon request. Please contact us directly. A vast and insightful archive of distinctly 1970s GM automotive design and marketing. The photographic prints in the archive include approximately 550 photographs and design renderings of vehicles parts and accessories as well as emblems and logos with material relating to the Bel Air Camaro Caprice Chevelle Chevette Citation Impala Malibu Monte Carlo Monza Nova and Vega models. Of particular note are 100 proofs and mockups for print advertisements for various Chevrolet vehicles markedly reflecting the era's fuel crisis and imposing international compact car market. Photographs largely 11 x 8.5 inches with some photographs 10 x 8 inches. Advertising proofs and mockups are all on standard letter-size paper. Near Fine overall with some light edgewear and light creasing at the corners. General Motors unknown books
1954réf. 160645Loudonville OH: The Flxible Company 1954. Archive of 22 vintage photographs of the Flxible Land Cruiser motorhome circa 1954. Of the 22 photographs in the collection 17 bear stamps on the versos six bear annotations noting serial number and descriptions and eleven bear stamps noting the serial number model and company. The collection includes one photograph of the exterior of the motorhome and 21 photographs of the very mid-century modern interior frequently with models in various positions demonstrating the vehicle's comfort and luxury. Eight of the photographs note a serial number beginning with "B53" and one photograph notes a serial number beginning with "B54" likely indicating production in 1953 and 1954. Founded in 1913 in Loudonville Ohio Flxible was a manufacturer of motorcycle sidecars funeral cars ambulances intercity coaches and transit buses. In 1948 Flxible introduced its Land Cruiser model a standard 29 passenger Clipper shell with an elaborately furnished interior heralding a new era in recreational vehicles and introducing the motorhome to the American public during the automobile boom of the 1950s and 1960s. Notably the vehicle proved popular with R&B and country musicians providing a comfortable and practical vehicle for touring preceding the arrival of the modern tour bus. The company sold its Land Cruiser division to Custom Coach Corporation in 1955 and discontinued marketing the finished conversions while continuing to manufacture the shells of the vehicles. The last Flxible vehicles were produced in 1995 and the company declared bankruptcy in 1996. 10 x 8 inches. Very Good plus with approximately half the photographs with faint cracking to the emulsion and four with even toning. The Flxible Company unknown books
1922réf. 156616St. Louis MO: Lippman Kamprite Trailer Company 1922. Vintage oversize double weight composite retail display photograph showing 18 images of the Lippman Kamprite Trailer circa 1922. Originally produced in 1921 in St. Louis Missouri the Lippman Kamprite Trailer was one of the earliest self-contained travel trailers. Advertised as "a real camp home in three minutes" the trailer boasted beds for four a privacy partition hammocks for clothes and a tail lamp. The composite photograph on offer here displays the assembly and functionality of the trailer in eighteen charming images and was almost certainly used for retail display. As production-line manufacturing of affordable automobiles began in the early twentieth century and car ownership boomed the production of auto trailers and goods and amenities for auto touring followed close behind. A number of creative and unusual apparatuses marketed for auto touring appeared in the 1910s including bed kits for car interiors bed and tent kits which mount to the running board and about the car as well as a variety of early auto trailers. The following decade the 1920s would be a golden age for motor camping with the refinement of the design of tent trailers and the advent of travel trailers. A charming relic of the golden age of motor camping. 13.5 x 19.5 inches. Very Good plus with a small closed tear to the top margin two modest chips to the bottom margin and a modest chip to the bottom right corner repaired with cello tape on the verso. Clean sharp and unfaded. Lippman Kamprite Trailer Company unknown books
réf. 156601N.p.: N.p. 1980. Archive of 133 vernacular photographs from an custom automotive upholstery shop the "Auto Seat Cover Co." located in Harrisburg Pennsylvania housed in acrylic photo sleeves in a photo album circa 1961-1983. The majority of the photographs in the archive appear to date from the 1970s capturing before and after photographs and ornate custom automotive upholstery in acrylic cloth and leather. Archive also includes six photographs of the company's trade show booth circa late 1960s four photographs of the interior of the business circa early to mid 1960s as well as five photographs of the flooding of the business likely the Harrisburg flood of 1972 and three photographs of a home upholstery job circa early 1970s. 3.5 x 2.5 inches to 4.5 x 3.25 inches the majority approximately 3.5 x 3.5 inches. Very Good plus to Near Fine overall. Photo Album 12.75 x 8.5 inches. Near Fine. N.p. unknown books
1964réf. 154557N.p.: N.p. 1964. Vintage oversize design illustration for an embroidered uniform patch worn by Burger Chef employees circa 1964. Sample patch affixed to the top left corner. The first Burger Chef restaurant was opened by Frank and Donald Thomas in Indianapolis in 1957. The chain quickly spread across the United States with 335 locations across the country in 1964. The restaurant gained popularity in the early 1970s for the Funburger and the Funmeal which included packaging decorated with stories about the company mascot Burger Chef his sidekick Jeff and their illustrated friends-predating the McDonald's Happy Meal by a number of years. Patch measuring 4 x 5 inches affixed to poster measuring 27.5 x 31 inches. About Near Fine with light age-toning and pinholes to the corners. Tennyson pp. 68-69 80. N.p. unknown books
1916réf. 143509N.p.: N.p. 1916. Vintage Swiss one sheet lithograph poster made to promote the 1916 opening of Speck's Orient-Cinema in Zurich during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. The poster's illustration portrays well-dressed clientele watching a Western movie likely meant to represent a US import. During this period there was a push in Zurich as in all large European and American cities to build lavish new cinemas to accommodate the constantly growing public demand for films and elegant movie houses in which to view them. 27 x 39 inches. Linen backed with no extra linen borders with slight restoration at the folds and edges. Archivally framed with UV plexi. N.p. unknown books
1947réf. D5138Albuquerque: Merle Armitage Editions 1947. Hardcover. Near Fine/Very Good. Black cloth stamped in red on upper board and spine; illustrated dust jacket. Aside from some light scuffing at extremities book is fine. Dust jacket a little rubbed and scuffed along the edges; spine sunned. An excellent copy. Merle Armitage Editions hardcover books
2013réf. 51839Halifax NS Canada: NSCAD Press et al 2013. A comprehensive collection of publications and other documents from the Nova Scotia College of Art and Design NSCAD an unexpected yet tremendously important center of conceptual art and postminimalism throughout the 1970s. Beginning as a nondescript art school in 1887 nothing about this small Halifax institution presaged the enormous international influence that the school would exert when Garry Neill Kennedy took over as NSCAD's president in 1967 at age 32. The school's subsequent and unprecedented creative direction must be credited to Kennedy who with a budget of $62000 turned the school away from its previous provincialism toward the influential international posture it would maintain for the next decades. This stature was due in no small part to the faculty and visiting artists that Kennedy brought to the school including Vito Acconci Sol LeWitt Dan Graham Martha Rosler Jenny Holzer Daniel Buren Hans Haacke Yvonne Rainer Robert Frank Robert Morris Dara Birnbaum Seth Seibelaub Lucy Lippard Robert Smithson Gerhard Richter Eric Fischl Lawrence Weiner Joseph Beuys and Claes Oldenburg among many others. The geographical location of NSCAD on the transatlantic route between New York and Europe aided in its access to the international scene. This brought many visiting artists who instead of appearing only for a talk or lecture used the opportunity for longer residencies exhibitions and collaborations with the school. Notably Joseph Beuys's first trip to North America was not to New York but to Halifax as a visiting artist at NSCAD. During its heyday between the late '60s and '70s NSCAD's teaching philosophy radically changed. Starting with the removal of a lettered grading system NSCAD became the first degree-granting art school in Canada advocating an intense engagement on all ends of the art-making spectrum between professional and student artists. NSCAD also documented its own significance through the publications of its press as well as the numerous invitations and catalogues produced by its galleries in conjunction with the shows and exhibitions it mounted during this period. This combination of publications exhibitions and collaborations generated by the school in many ways made it a contemporary Black Mountain College - and its subsequent influence has proved no less significant. Indeed in 1973 ART IN AMERICA proclaimed NSCAD "the best art school in North America" and thirty-five years later a major exhibition at the Art Gallery of Nova Scotia and publication by MIT Press wryly celebrated NSCAD as "The Last Art College." The NSCAD Press began operations in 1972. Initially led by Kaspar Koenig and then by Benjamin Buchloh the Press published 26 titles between 1982 and 1987 including now rare and important works by Jenny Holzer Steve Reich Michael Snow Donald Judd Dan Graham Martha Rosler Gerhard Richter Carl Andre Lawrence Weiner and others. All are present in this collection - many in their rare hardcover editions. The collection also documents two other canonical aspects of NSCAD. The first the "Projects Class" was developed by David Askevold one of Kennedy's new young hires. In the spirit of the school's new direction of dismantling traditional teaching methods the class invited artists to submit proposals for students to undertake under the artists' guidance. A rare complete set of cards documenting the first instantiation of this class from 1969 is present in its original envelope and includes submissions from artists Robert Barry Mel Bochner James Lee Byars Jan Dibbets Dan Graham Douglas Huebler Joseph Kosuth Sol LeWitt Lucy R. Lippard and Robert Smithson among others. The collection also includes materials from the Lithography Workshop under the direction of Gerald Ferguson who had insisted on hiring Askevold. The workshop's goal was not only to train students in printmaking but to produce prints for renowned artists both local and international. It allowed a space for NSCAD students to develop alongside professional artists taking their printmaking from initial concept to final execution. The workshop encouraged exploration of mediums and invited not only visual artists but performers writers dancers musicians and other famous and emerging creatives to make one-off projects. More than half a dozen pieces explicitly attributed to the workshop are present including work from Emmett Williams Huebler and Lawrence Weiner. But perhaps the most significant components of this collection are the ephemeral documents invitations flyers postcards posters catalogues produced by NSCAD's legendary Mezzanine Gallery which operated between 1970 and 1973 under the directorship of Charlotte Towsend-Gault. This remarkable program produced ground-breaking contemporary art projects exhibitions events and residencies by such artists as Bas Jan Ader Dan Graham John Baldessari "I Will Not Make Any More Boring Art" Tony Shafrazi Eleanor Antin Charlotte Moorman Sol LeWitt Martha Rosler Donald Judd On Kawara Martha Wilson and many others. These are almost to an item uncommon with most scarce and many quite rare. As a group the roughly 90 Mezzanine Gallery items included here would be virtually impossible to reassemble now. In 2006 Printed Matter NYC presented an exhibition of this material under the curatorship of AA Bronson. The present collection includes not only all of the material shown in that exhibition but other documents acquired subsequent to it. The collection also includes later ancillary and reference materials. Taken as a whole it documents all aspects of the most critical years at a key institution that served as both incubator and promoter for some of the most important and influential art in the second half of the 20th century. Some 155 items in all. Generally very good or better overall with most of the ephemera near fine or better. All carefully and neatly housed in a series of archival enclosures. A complete inventory is available. (NSCAD Press, et al) hardcover books
1930réf. 42955Philadelphia 1930. Very good. Extensive custom catalogue containing metal fixtures and display equipment for hardware stores published by David Lupton's Sons a steel company based in Philadelphia. The catalogue includes suggestions for store layout providing examples of merchandise display on Lupton display cases and shelving with extensive diagrams showing the proper distribution of for example various-sized shovels on a particular shelving unit. From a stamp appearing several times throughout the album and on a piece of laid-in marketing ephemera which reads "Bowes Hardware & Plumbing 425 Danforth Ave Toronto" this particular album was almost certainly compiled by Lupton for Bowes as part of its "Store Planning Service" referred to on the album's cover. A fascinating example of the marketing and merchandizing of U.S. hardware store equipment and a glimpse into the process of starting a North American small business during the height of The Great Depression. Hardcover. Oblong 4to. album. Screw-bound leather-covered boards with publisher's text in printed in gold to front cover. Holds photos diagrams text and paint swatches all affixed to 29 dark-gray stiff leaves divided into four sections. Appears almost entirely complete with corners of several captions torn off. Album about very good overall with many affixed papers toned from age or glue-stained but all remain readable. Sound overall. Additionally laid-in are 21 clippings and advertising ephemera relating to hardware stores including several in Toronto. hardcover books