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1875Best.-Nr. 36204Moscou: P.J. Jürgenson 1875. Folio. Original publisher's mid-blue decorative printed wrappers. Vol. I: 125 pp. Contains opp. 5 6 7 nos. 1 and 2 14 15 16 nos. 1-3 19 and 29 Vol. II: 126-262 pp. Contains opp. 25 28 29 30 33 nos. 1-3 and 35 Book 1 Vol. IV: 263-399 pp. Contains opp. 62 Book 5 67 Book 6 72 82 83 85 Book 7 Vol. V: 536-608 pp. Contains opp. 102 Book 8 104 Books 1 and 2 105 and 106 Each volume with a collective title and index. Provenance American composer and pianist Edward Julius Biedermann 1849-1933 with his signature to upper wrappers of three volumes inscribed "To my old friend Chas. B. Hughes." Partially disbound; wrappers torn or lacking. Four of 5 volumes lacking Vol. III. Some minor wear browning and staining. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. P.J. Jürgenson unknown books
1878Best.-Nr. 35280Leipzig: Breitkopf & Härtel PN M.B. 85 1878. Folio. Original publisher's gray wrappers with titling within decorative border. 1f. recto title verso blank 1f. contents 328 pp. Engraved. Text in German. In the series: "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger. Serie 13. Oratorien. Partitur." From the Breitkopf edition of Mendelssohn's Complete Works No. 85. Provenance Composer Horace Middleton 1879-1961 with his small handstamp to upper wrapper and title. Small oval handstamp of Novello to upper wrapper and blank foot of title. Wrappers rather worn; corner of upper lacking; lower detached. Occasional light foxing heavier to some leaves; edges somewhat soiled; some signatures split. MWV A14 p. 19. Paulus an oratorio to a libretto by Julius Schubring after Acts was first performed as part of the Niederrheinische Musikfest in Düsseldorf on 22 May 1836. Simrock printed the first edition of the piano-vocal score in December 1836 and the full score the following spring. "Mendelssohn distinguished himself in many fields and his contributions to sacred choral music are no exception. He was the most prominent advocate for the music of J.S. Bach reviving the St. Matthew Passion in 1829 and helped to reestablish the oratorio by providing two superb examples: St. Paul 1836 and Elijah 1846. From Bach's Passions and Handel's oratorios Mendelssohn borrowed the use of the traditional narrator to relate in recitatives the dramatic action of the work. Conspicuously Bachian are the chorales interspersed throughout the oratorio to demarcate the principal structural divisions diffusing according to Carl Klingemann 'a calmness through the whole'. On the other hand a debt to Handel is revealed in the rich variety of the choruses which include several that directly engage in the dramatic action and several cast in a variety of fugal styles. Prefacing the oratorio is an overture that evokes Paul's struggle for spiritual awakening by means of the chorale Wachet auf and a dissonant fugue with its subject derived from the first strain of the chorale." R. Larry Todd in Grove Music Online Middleton a British-born composer served on the faculty of Bennett College from 1919 to the mid-1930s; he was best known for the music he composed for the Greek plays performed at there. See his obituary Millbrook Round Table November 23 1961. Breitkopf & Härtel [PN M.B. 85] unknown books
1851Best.-Nr. 40963Bonn . London: bei N. Simrock . bei J. A. Novello PN 3383 1851. Folio. Disbound. Contemporary dark blue paper wrappers with manuscript title label to upper. 1f. recto title verso blank 3-19 i blank pp. Wrappers worn and detached. Moderate foxing throughout heavier to margins. First German edition later issue. MWV SD 23 p. 478. Krause 227. Hoboken 10 222. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven . . The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online. bei N. Simrock ... bei J. A. Novello [PN 3383] unknown books
2005Best.-Nr. Q-184449490xOmnibus Press 2005-05-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Omnibus Press hardcover
Best.-Nr. DADAX0195149742New unknown
Best.-Nr. 42455024-nnew. unknown
1991Best.-Nr. Q-0486268284Dover Publications 1991-08-08. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1989Best.-Nr. x-081917016XUniv Pr of Amer 1989. Paperback. New. 174 pages. 9.00x5.75x0.75 inches. Univ Pr of Amer paperback
Best.-Nr. DADAX0415978157New unknown
2006Best.-Nr. Q-1596150092Music Minus One 2006-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Music Minus One paperback
1952Best.-Nr. 048597London Uk: Doubleday 1952. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. Vi 132 Pp. Blue Cloth Gilt. First Printing. Near Fine Book Slight Usage No Markls. Dust Jacket Price Clipped Some Wear Tear Chipping Borownig Light Soiling. Doubleday hardcover
Best.-Nr. 1138568716.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1975Best.-Nr. Q-0275642305Greenwood Publishinggroup Inc 1975-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Greenwood Publishing*group Inc paperback
2002Best.-Nr. Q-0755310136Headline Book Publishing Ltd 2002-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Headline Book Publishing Ltd hardcover
Best.-Nr. SONG0521028892Used: Good unknown
1974Best.-Nr. Q-0030322162Praeger Publishers 1974-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Praeger Publishers hardcover
2019Best.-Nr. x-1138568716Routledge 2019. Paperback. New. reissue edition. 241 pages. 8.25x5.50x0.75 inches. Routledge paperback
Best.-Nr. 43822745like new. unknown
1958Best.-Nr. 1650DB1958. Zürich Max Niehans 1958. 8°. 384 S. Mit 7 mont. Portraits dv. 1 als Frontispiz und 3 farb. Abb. nach Aquarellen auf Tafeln 1 Notenfaksimile sowie 1 Abb. nach einem Albumblatt von Goethe. Orig.-Pappband mit Rückenvergoldung in Pappschuber Rücken leicht gebräunt. Nr. 58 von 300 Ex. GA 350 Ex. auf Bütten. - Vorsätze minim stockfleckig. unknown
Best.-Nr. 3368616048.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 3386538355.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1966Best.-Nr. 12328BHildesheim, Georg Olms, 1966. (Nachdruck der Ausgabe: Leipzig 1863/1867)., Gr.-8°, 452; VIII, 374 Seiten OLn
Best.-Nr. 1k5339Reprint bei Olms Hildesheim 2004. XIII/545/VIII/574 S. Leinen. - Neuwertig ungelesen. Nach der Ausgabe Leipzig 1870. Bewahrte Kultur. Ein Reprintprogramm zur Sicherung gefährdeter und seltener Bücher. 1.: Von der Eroberung Konstantinopels durch die Türken bis zur Seeschlacht bei Navarin/2.: Von der Übernahme der Verwaltung durch Kapodistrias bis zur Großjährigkeit des König Otto - unknown
Best.-Nr. ALDR0688Frankfurt und Leipzig ohne Verl. 1777. Kl.-8°. XXII 278 u. 2831 S. Mit je e. Titelvign. in Holzschnitt. Schmuckloser Pappband der Zeit m. Resten v. 2 alten goldgepr. Rüschi. Sprengschnitt. Einband mit starken Gebrauchsspuren angeschmutzt berieben. Bezugspapier am Rü. unvollständig Namenseintrag auf vord. Spiegel flieg. Vorsatz entfernt teilweise wasserrandig. Goed. IV/14886. - Nachdruck der im gleichen Jahr in Berlin erschienenen 3. und verb. Aufl. Die erste Ausgabe erschien 1761 ebenfalls in zwei Bänden. Der erste Teil enthält eine Sammlung bereits früher einzeln erschienener Abhandlungen der zweite unter dem Titel 'Rhapsodie oder Zusätze' eine Ergänzung zu einer 1755 erschienenen Schrift 'Briefe über die Empfindungen' des bemerkenswerten Philosophen und Begründers der jüdischen Aufklärung M. Mendelssohn 1729-1786. Frankfurt und Leipzig, ohne Verl. 1777. unknown
Best.-Nr. 1736Berlin und Stettin Nicolai F. 1769. . Guter Zustand. S. Mit gestochenem Frontispiz. . Halblederband der Zeit mit Rckengoldtitel und -verzierungen Berlin und Stettin, Nicolai, F., 1769. unknown
