Cuba

Cuba — marelibri

Cuba Deployments in the Early Twentieth Century U.S. Army Cavalry Service Photo Archive of Soldier Harold Howard 1910s

1909réf. 224671909. Soldier Harold Howard's person documentaation of service in the 11th U.S. Cavalry during the period of American military occupation and intervention in Cuba following the Spanish American War. These photographs place an enlisted cavalryman within the broader framework of U.S. expansionist policy in the Caribbean under the Platt Amendment when American troops were repeatedly deployed to Cuba to oversee political stability infrastructure and economic interests. The archive includes identified images of Sgt. Harold Howard and captures both formal military organization and informal daily life offering a ground-level record of U.S. cavalry presence during a period of continued occupation and reintervention including the second U.S. occupation of Cuba from 1912 to 1913. Archive of nine vintage silver gelatin photographs ranging approximately from 3.5 x 5 inches to 10 x 13 inches many mounted to original photographer boards and some annotated in ink or pencil. Two large-format formal group portraits depict Troop K 11th U.S. Cavalry at Fort Oglethorpe Georgia 1913 showing soldiers in full dress uniform arranged in tiered formation with visible regimental flag marked "11" and "K" with Howard identified in one image. Smaller photographs include a group portrait of U.S. cavalrymen in Pinar del Río Cuba dated 1908 showing soldiers in campaign dress posed near a stable as well as candid camp scenes featuring cooking areas barracks life and assembled troops. Two photo postcards function as personal correspondence with handwritten messages from Howard dated April 1 and September 9 1913 addressed to Mrs. A. L. Howard in Maine referencing weather conditions and upcoming exhibition drills providing direct evidence of mobility and routine within cavalry service. Additional images include a cabinet card of two uniformed soldiers and a scene depicting Black Cuban civilians posed near a thatched structure situating U.S. military presence within local social environments. Taken together the archive documents the lived experience of a U.S. cavalryman operating within the infrastructure of American imperial policy in the Caribbean linking domestic military bases such as Fort Oglethorpe with overseas deployment in Cuba. The photographs record both the formal visual culture of the U.S. Army and the everyday conditions of enlisted service while the inclusion of Cuban subjects and locations underscores the entanglement of military occupation with local populations. General edge wear throughout with occasional pinholes adhesive remnants and minor chipping to mounts; some toning to boards. Photographs remain clear and stable with annotations legible. Overall very good condition. unknown

Max Rambod Inc. · États-Unis750,00 $US≈ 668,75 €

[Cuba Photographica]:Biblio.com

CAMP DEER POINTS sic GUANTANAMO BAY CUBA. FEBRUARY 6th TILL 19th.

1910réf. 55308Havana: American Photo Co. 1910. The Early American Presence at Guantanamo Bay An impressive view of sailors and marines from the United States' Atlantic Fleet assembled on the parade grounds of Deer Point Camp Guantanamo Bay. Well over five hundred officers seamen and marines are in formation with encampments on both sides of the grounds. In the background looking out into the harbor nineteen ships are visible in the water including the four listed on the photo: Minnesota New Hampshire Mississippi and Idaho. One camp building with a wide veranda is behind and to the left of the sailors. U.S. forces with their Cuban allies first occupied Guantanamo Bay in 1898 during the Spanish American War creating a forward-operating base in their effort to wrest Spanish control of the island. In 1903 the U.S. leased forty-five square miles of land and water at Guantanamo Bay from the newly-independent Cuban government and built the Deer Point Camp to support naval operations in the Caribbean. The American facilities at Guantanamo Bay are in use to this day. The American Photo Company advertised itself as "the best equipped commercial photographers in Cuba." It established a commercial network in Havana that distributed images of Cuba on a worldwide scale. This photo is rare. We found no records of it at auction and no copies in OCLC; however the Naval History and Heritage Command lists a copy in their collections. Panoramic photograph image 7¼ x 47¼ inches on sheet 10 x 49 inches. Printed caption title below image. Publisher and date written in negative at lower right corner; in the lower left corner is written: "#5 2d Regiment U.S. Atlantic Fleet Deer Point Camp Guantanamo Bay Feb. 13 1910. 'Minnesota' 'New Hampshire' 'Mississippi' 'Idaho.'" "Printed in Germany" printed below image at lower left. Some light soiling minor fading to right side of photo some rumpling from previous rolling. Very good. "US Naval Station Guantanamo Bay Cuba" UA 571.45 copy of this image Washington Navy Yard D.C.: Naval History and Heritage Command Naval Heritage Foundation online. unknown

William Reese Company · États-Unis850,00 $US≈ 757,91 €

[Cuba]. Tennemann, Wilhelm GottliebBiblio.com

Resumen de la Historia de la Filosofia Estractado del Manual de Mr. Tennemann. Traducido del Frances por J.M.V.

1845réf. 5307Havana: Imprenta del Gobierno y Capitania General por S.M. 1845. Good. 684pp. Disbound. Some insect damage to gutter of title page ample staining throughout mostly minor foxing. A very rare mid-19th century Cuban imprint translating into Spanish a work by German philosophical historian Wilhelm Gottlieb Tennemann entitled Manual of the History of Philosophy. Tennemann originally published the work in 1812 as a much-abridged history of philosophy after authoring a massive multi-volume work on the subject. According to the translator's note at the beginning of the text the present work was produced in order to provide a text in Spanish for those studying the history of philosophy "at the Royal Academy and in the private schools of the island of Puerto Rico." The translator also notes that the history of philosophy is "one of the subjects.of the general plan of education that must be taught." The work itself is organized as a series of lectures detailing the history of philosophy chronologically from ancient Eastern and Egyptian times through the Greeks Pythagoras Socrates Plato Aristotle and many others concluding with modern thinkers such as Descartes Espinosa Hume Kant Hegel and others. The work ends with an Index and an Errata page. "Wilhelm Gottlieb Tennemann 1761–1819 German historian of philosophy was born at Erfurt. Educated at his native town he became lecturer on the history of philosophy at Jena in 1788. Ten years later he became professor at the same university where he remained till 1804. His great work is an eleven-volume history of philosophy which he began at Jena and finished at Marburg where he was professor of philosophy from 1804 till his death. He was one of the numerous German philosophers who accepted the Kantian theory as a revelation. In 1812 he published a shorter history of philosophy which was translated into English in 1852 under the title Manual of the History of Philosophy" - Encyclopedia Britannica. No copies located in the United States. Three copies found in OCLC -- two in Chile and one in Spain. Imprenta del Gobierno y Capitania General por S.M. unknown

McBride Rare Books · États-Unis850,00 $US≈ 757,91 €

[Cuba] [Intellectual History]Biblio.com

Collection of 36 Postcards Written by Cuba's Intelligentsia to an Enigmatic Lady in Havana

1903réf. 6457V.p. 1903. 36 postcards all completed in manuscript generally very good or better with some wear and rounded corners. A fascinating assemblage of cards written by Pre-Castro intellectuals to a Maria de Serra though a few are written to other women. It is difficult to pin down de Serra though we do know she was highly educated and very well-known and connected. It makes sense to us that she is perhaps the Maria de Serra mentioned by William Wells Brown in his important work The Rising Son or the Antecedents and advancement of the Colored Race 1874. On pg 260 Brown writes: "The free blacks in Cuba form an important element in her population and these people are found in all the professions and trades. .one of the best young ladies' academies at present existing at Havana is personally conducted by an accomplished negro woman Maria de Serra to whom many a lady of high rank owes her social and intellectual accomplishments." Further research may be fruitful in retrieving more information on this Maria de Serra. It goes without saying that the sentiments and signatures are the most appealing part of this collection. Many of the cards appear to contain original verse and all are quite legible and well preserved. Equally as lovely are the cards themselves many being of exceptional beauty as they were all chosen by artists and intellectuals. All in all a remarkable set worthy of further research. The correspondents are as follows: Diego Vicente Tejera; one of the most famous turn-of-the-century Cuban poets but also known as a short story writer orator and political activists. Nestor Cargonell; famous poet and writer. His son went on to become a Hollywood star. Conde Kostia pseudonym of Aniceto Valdivia; writer journalist poet critic lecturer dramatist founder of newspapers and Cuban diplomat. Rafael Maria Merchain; very influential poet and philosopher Enrique Fontanills; very prominent Cuban journalist. Florimel: great Cuban journalist writer and poet who died early in life. Manuel Raul Blanco Belmonte; Cuban poet. Ramon Meza; One of the most important Cuban writers of his time. Many of his books are considered classics and remain in print. Aurelio Cancio; Cuban journalist who founded "La Discusion" newspaper. Manuel Serafin Pichardo; one of the most popular Cuban poet of the 1900s. Frederico Mendes Cobos; a Cuban politician who became a a senator in 1902. Juan Maria Alberti: influential Cuban politician. Manuel Marquez Sterling; fine writer and politician. Jose Manuel Govin; journalist and director of the popular newspaper "El Munto" Cesar Cancio; Very popular Cuban poet born in St Spiritus. Pablo Bonachea; great Cuban journalist and director of "La Discussion" newspaper for one year. Jose Ernesto Trian; Cuban writer with political connections. Was ambassador to Venezuela. Manuel Tierso; Romantic Cuban poet Alvaro de la Iglesia. revered Cuban writer who penned the great "Cuban Traditions" Frederico Ledesma Balsunde: journalist and editor at "El Lucero." Fabio Fiallo; a leading Dominican writer poet and politician. He died in Cuba. Dulce Maria Borrero de Lujan; the most important Cuban woman writer and poet of her time. Frederico Hermida; author of any Cuban novels in the 1900s. Mariana Comas; Cuban essayist Joaquin Lopez Sena; renown Cuban poet and a politician from the 1900s to the 1920s. Eliseo Giberga; a very powerful and influential Cuban politician of the early 1900s. Manuek Coronado; an important Cuban journalist. Antonio San Miguel; Cuban writer and journalist. Pablo Santi Rois; Poet and respected journalist. Armando Celorio; One of the finest Cuban poets. Jose Maria Carbonell; famous Cuban poet and writer. Marcos Trazivark; famous Cuban writer and Musician. Esteban Joven; Cuban writer poet and essayist. Narciso de Puso; famous poet well entrenched in Cuban high society. Eduardo Mencis Capote; Cuban journalist popular among the elite. Lorenzo Frau Marsal; respected Cuban journalist . unknown

Peruse the Stacks · États-Unis950,00 $US≈ 847,08 €

CARIBBEAN - CUBA - ST THOMAS - PUERTO RICOBiblio.com

Interesting Album with ca. 260 Original Gelatin Silver Photographs of the Caribbean Taken and Collected during a Cruise of S.S. “Moltke” with Amateur Snapshot and Studio Photos of Destruction of St. Pierre Martinique after the Eruption of Mount Pelee in May 1902 and Lively Views of Havana Cuba Charlotte Amalie Saint Thomas San Juan Puerto Rico Fort-de-France Martinique Nassau Bahamas Portraits of the Locals and Tourists &c. Ca. early 1910s.

réf. PD19Oblong Folio album ca. 285x36 cm. 49 black paper album leaves. With ca. 260 mounted gelatin silver photographs of various size including ca. 20 large photos from ca. 245x32 cm 9 ½ x 12 ½ in to ca. 155x225 cm 6 x 8 ¾ in and 21 panoramas ca. 85x29 cm 3 ¼ x 11 1 /2 in or slightly smaller. The rest of the photos are from ca. 12x17 cm 4 ¾ x 6 ¾ in to ca. 4x6 cm 1 ½ x 2 ¼ in; most photos are ca. 8x14 cm 3 ¼ x 5 ½ in. No captions. About twenty photos with period ink notes “D.K.M. 10” in the corners. Period style black half morocco with cloth boards; decorative gilt-tooled borders on both boards and spine. Album leaves brittle several with tears and losses on extremities two large photos with tears and losses on extremities two small photos with losses of one corner each one photo has been apparently previously removed a few photos smildly faded or with mild silvering but overall a very good album of interesting photos. Historically significant album with lively amateur snapshots and original studio photos taken and collected by a family of American tourists during a Caribbean cruise in the early 1910s onboard the steamship “Moltke” of the Hamburg America Line Hamburg-Amerikanische Packetfahrt-Aktien-Gesellschaft or HAPAG. Launched in 1901 S.S. “Moltke” went on regular cruises around the Caribbean and the Mediterranean until it was seized by Italy in 1915 in the course of WW1. Her Caribbean or West Indies cruises departed from New York and included stops in Cuba Puerto Rico Jamaica Panama Canal Venezuela Trinidad Barbados Martinique St. Thomas Dutch West Indies Bermuda & Bahamas. The album opens with several large views and panoramas of Havana harbour and waterfront featuring Castillo del Morro the iconic building of Lonja del Comercio commodities and stock exchange and S.S. “Moltke.” The other photos show Havana streets and passers-by the interior of a Catholic church &c. Over twenty photos are the views of the city and harbour of Charlotte Amalie on St. Thomas Island – then the capital of the Danish West Indies since 1917 the U.S. Virgin Islands. The images show the city harbour from the distance and close-up a sign of “St. Thomas Bay & Rum Co.” is seen on one of the photos the statue of King Christian IX erected in the Emancipation Garden in 1909 removed in 2021 streets residential neighbourhoods on sloping hills a local market an official residence with the waving Danish flag garden of a Catholic convent with one of the monks posing alone and with a young tourist &c. Over thirty identified views of Puerto Rico a U.S. colony since 1898 a Commonwealth controlled by the U.S. since 1952 show San Juan: Plaza de Armas with the City Hall completed in 1842 Palacio de la Real Independencia now housing the Department of State of Puerto Rico Castillo San Felipe del Morro in the San Juan Bay Plaza Colon with Christopher Columbus monument San Juan harbour city streets and shops building of the “Hotel y Banos” a passenger train with the travellers walking at the front native cart drivers passers-by &c. A large group of photos ca. sixty depict the French Island of Martinique with a series of views of Fort-de-France: statues of Empress Josephine erected in 1859 destroyed in 2020 and Victor Schloelcher erected in 1904 removed in 2020 St. Louis Cathedral with the spire still under construction city streets and harbour “Hotel de l’Europe” distinctive cliffs on the coast near Fort-de-France &c. The views of Martinique include over twenty images of the ill-fated town of St. Pierre which perished during Mount Pelee’s eruption in May 1902. The photos include one view of St. Pierre before the destruction as well as general views of the ruins and desolation with posing tourists. Several images show the ruins of the Co-Cathedral of Our Lady of Assumption the downtown core with a grid of destroyed buildings and charred trees wrecked ships in the harbour a surviving bridge and the remains of the victims. A couple of images feature the top of Mount Pelee with a distinctive lava spine or the “Needle of Pelee” which was formed in October 1902 and collapsed in March 1903. Among the identified photos of Nassau Bahamas are the views of the famous silk cotton tree St. Matthews Anglican church completed in 1802 and the interior of Fort Charlotte. The other images show sugar cane plantations and native workers Caribbean residences streets and markets ports the American coastal steamer “Colonia” a series of scenes from a street carnival procession portraits of local market goers families diving children &c. Several images portray the tourists on board the S.S. Moltke including a group portrait with a lifebuoy of “Moltke Hamburg”. Overall a historically significant visual source on the history of American tourism to the Caribbean in the early 20th century with interesting views of the aftermath of the destruction of St. Pierre by the volcanic eruption. hardcover

Globus Rare Books & Archives · États-Unis1 000,00 $US≈ 891,66 €

[Cuba]. [Literary Manuscripts]Biblio.com

Flores Historicas. Extracto de la Obra Francesa de P. Larousse. Traduccion de A. Almeida. Copia de J.F. Pellon manuscript title

1884réf. 1574Habana 1884. Good plus. 2496 i.e. 498pp. Quarto. Contemporary calf gilt a.e.g.; rebacked with original spine laid down. Corners repaired with later black buckram; boards scuffed spine chipped. Hinges cracked repaired with later cloth and renewed endpapers. Minor scattered foxing and toning to text. Accomplished in a neat highly legible hand. A very attractive manuscript translation into Spanish of Pierre Larousse's well-known work on eminent and historical personages Fleurs Historiques des Dames et des Gens du Monde in a contemporary Cuban gilt goatskin binding. The manuscript connects three figures in the upper social echelons of Cuban society. José Fernandez Pellon the scribe of this volume is recorded as the Grand Master of Cuba's freemasons lodge the Gran Logia Unida de Colón y la Isla de Cuba. The translator Aurelio Almeida helped to found the organization in 1875 and at this time served as the Lodge Secretary. The initials E.D. gilt at the foot of the spine and the dedicatory inscription "A Eugenia Desvernine" refer to Eugenia Desvernine y Galdós b. 1865 daughter of the famous Cuban pianist Pablo Desvernine and Carolina Galdós y Echániz. She was also the niece of Benito Pérez Galdós the Spanish realist novelist who some authorities consider only second in stature to Cervantes. A contemporary social register remarks that Eugenia was one of the most beautiful women in Cuba perhaps an inspiration for the painstaking production of this manuscript. The original work by Larousse was a loose collection of religious parables classical myths biographies of ancient and modern historical figures. The title of the manuscript advises that is an extract and in the brief introduction Almeida explains his selection process writing that "He suprimido algunos artículos sobre cosas muy sabidas de la historia sagrada; y otros sobre la de Francia que mencionan frases ó personas casi ninca citadas ó citades solamente por las escritores francesas." He also notes several alterations and additions more relevant to Spanish history saying "En Cambio he agregado algunos artículos sobre historia de España que no están en el original y he tomado unos pocos de otra obra del mismo Mr. Larousse y de libros diversos." The result is an original amalgam of biographies historical episodes and religious parables. Interestingly we find no recorded printed editions of Larousse's work in Spanish so that the present manuscript is also an entirely original work of translation. A fascinating product of the cultural interests and mores of Cuban high society near the end of the Spanish colonial period. unknown

McBride Rare Books · États-Unis1 250,00 $US≈ 1 114,58 €

[Cuba]: [Engineering]: [Education]: [Pennsylvania]: Guitart, Magdalena SofiaBiblio.com

El Album de Mi Padrino Album of My Godfather manuscript cover title

réf. 12844Various locations in Cuba and Pennsylvania: contents ca 1973. 25 leaves totaling 40pp. illustrated with thirty black-and-white and sepia-toned photographs with detailed manuscript captions plus seven large clippings from school publications and six additional ephemeral items. Oblong folio. Black cloth with alligator-patterned cloth on front board with manuscript title below a drawn representation of a small pennant for Lehigh University. Covers worn frayed and chipped alligator-style cloth curling a bit along fore edge. A few items loose from adhesive and a few with small tears scattered spotting and soiling. Overall very good condition with fascinating materiality. A lovingly-compiled photograph album and memorial book created by a young woman named Magdalena Sofia Guitart in tribute to her godfather Rafael Genó a Cuban engineer who studied at Lehigh University in Pennsylvania. Juan Rafael Genó Rizo was born in Santiago de Cuba in 1883. A doctoral thesis on Cuban architecture found online deems him one of the premiere Art Deco architects of Santiago and the only one to obtain a degree abroad. Genó graduated with a degree in Civil Engineering from Lehigh in 1909 and from the University of Havana in 1913. He died in Miami Florida in 1973. This doting scrapbook was compiled and heavily captioned in Spanish which we hereafter present in translation as a "Memorial which with love and pride I dedicate to my godfather and some of his works; a pale reflection of all the good he has done in his life" by Magdalena Sofia Guitart who was born in 1936 in Santiago and arrived in Miami in 1958. She includes photos of Genó as a baby and a boy of 11 "From a very young age as you can see here my godfather was a little gentleman" as well as in uniform alongside Mexican and Costa Rican comrades at Pennsylvania's Wayne Field. She lauds his "triumphs" and "genius" in "thousands of battles." Genó likely came to the United States following the Spanish-American War during the growth of Cuban immigration resulting from increased American attention of the island country. All of the content in the album is artfully presented within decorative rules or floral borders providing an unusual flair to the presentation. The book displays not only the hand-drawn Lehigh pennant on the cover but also large artistic renditions of the campus and an internal shot of its library clipped from school publications and comparing views from 1873 1909 and 1933 the relevance of Lehigh at the later date is unclear. Additional photographs and decorative designs share the story as "our engineer" returns to Cuba and "begins to demonstrate his knowledge" in the mines of Ponupo. Soon "his hard work integrity and honesty led him to be chosen" for other feats of engineering including "la Iglesia church Los Desamparados constructed by my godfather 1932" and a train terminal in Guantánamo. Images and a photographic clipping laud his renovations of "Colegio La Salle" in 1937. There are also six photos and a clipping showing Genó's work on the altar for the Eucharistic Congress held in Santiago in 1936 during which the original statue of Our Lady of Charity of El Cobre Patroness of Cuba was granted a canonical coronation by Pope Pius XI. The album also holds a clipping naming Genó as president of the Board of Directors of Santiago's Urban Property Center an inauguration ribbon and brochure for the Municipal Food Market in 1950 with which he was also involved and photos of the celebrated engineer later in life. A captivating and carefully-assembled homage created by a Cuban immigrant to the United States honoring a loved one who was educated in Pennsylvania and then returned to his home country to serve as a noted engineer during the first half of the 20th century. contents ca unknown

The Joe Fay Company LLC · États-Unis1 250,00 $US≈ 1 114,58 €

Slavery in CubaBiblio.com

Pre-Abolition Spanish Colonial Cuba Bill of Sale for 4 Enslaved Creole and African Persons 1870

1870réf. 231221870. Slavery Cuba Spanish colonial slave sale manuscript recording the transfer of four enslaved individuals in Cuba in 1870. Produced within the official bureaucratic framework of Spanish colonial governance the document reflects the legal normalization of slavery in Cuba even as abolitionist pressures mounted across the Atlantic world. The document records the sale of four enslaved people described as "criollos" and African-born individuals situating the transaction within a labor system that combined locally born and imported enslaved populations. Created at a time when Spain had formally restricted the transatlantic slave trade but continued to permit slavery itself the manuscript demonstrates the persistence of legalized human commodification and the integration of enslaved labor into the island's economic structure sixteen years prior to abolition in 1886. Official Cuban slave contract documenting the sale of four enslaved individuals to Don Pedro Catasús by Don Enfemia Ochoa for the sum of 1100 pesos on November 29 1870. Single manuscript leaf written in Spanish cursive in black ink measuring 8.25" x 12". A green "50 cs de escudo" revenue stamp is affixed at the top center with a blind embossed Spanish crest at the upper left and a circular black ink government seal impressed at the lower left. Large vertical docketing appears on the verso. A stylized watermark is visible within the paper. The text organizes the enslaved individuals within a standardized transactional structure while the signatures of Enfemia Ochoa Pedro Catasús and A. Díaz de Rada authenticate the exchange and identify participants within the slaveholding economy. By 1870 Cuba remained a central node in the late Atlantic slave system with plantation agriculture especially sugar dependent on enslaved labor despite mounting abolitionist pressure. Although Spain had curtailed official slave imports earlier in the century illegal trafficking persisted into the 1860s and other coerced labor systems including the importation of Chinese indentured workers overlapped with slavery into the 1870s. The presence of both Creole and African individuals in this document reflects the layered composition of the enslaved population during this period. Light toning scattered foxing and edge wear visible. A closed wormhole extends from the upper right margin approximately five inches into the sheet resulting in partial loss of text. Evidence of prior tape reinforcement visible on the verso along with offsetting from previously adjacent material. Overall in very good condition. This document provides named transactional evidence of late-period slavery in Cuba offering concrete material for examining race labor and legal practice within Spanish colonial society. unknown

Max Rambod Inc. · États-Unis1 250,00 $US≈ 1 114,58 €

Slavery in CubaBiblio.com

Pre-Abolition Spanish Colonial Cuba Bill of Sale for Enslaved Creole Women and Children 1870

1870réf. 231191870. Slavery Cuba Spanish colonial manuscript documenting the late persistence of slavery in Cuba recording the sale of five enslaved Creole individuals including women and children 1870. Produced within the official bureaucratic framework of Spanish colonial governance the document reflects the legal normalization of slavery in Cuba even as abolitionist pressures mounted across the Atlantic world. The presence of multiple children within the transaction underscores the hereditary nature of enslavement and the commodification of family units offering direct material evidence of how slavery functioned socially and economically in its final decades on the island. Although Spain had formally ended the transatlantic slave trade earlier in the century illegal trafficking and internal slave markets persisted and slavery itself would not be abolished in Cuba until 1886 placing this document within a crucial transitional period marked by reform debates gradual emancipation laws and continued exploitation. Official Cuban slave contract recording the sale of five enslaved individuals identified as "criollos" including one adult woman and four children from Santiago Simón Fambi to Don Pedro Catasús for the sum of 1200 pesos on November 21 1870. Single page manuscript leaf measuring 8.25" x 12". The manuscript is written in Spanish cursive hand in black ink. The upper left bears a blind embossed crest of Spain while a circular black ink government seal is impressed at the lower left partially overlapping the text. The text enumerates the enslaved individuals with ages and names embedding human lives within the formulaic language of sale and valuation while the bold signatures of both seller Santiago Simón Fambi and buyer Pedro Catasús anchor the transaction in identifiable actors within the colonial economy. By 1870 slavery in Spanish Cuba remained central to the island's plantation economy particularly in sugar production which had expanded rapidly in the mid-19th century with industrialized mills and global demand. Enslaved people were primarily forced into agricultural labor under highly regimented and brutal conditions though others were used in urban domestic service skilled trades or as hired laborers generating income for their owners. This document exhibits light toning edge wear and scattered foxing throughout. A closed wormhole extends approximately two inches from the upper right margin inward not affecting legibility of the text. Minor losses and small tears along the edges. Overall in very good condition. Given that this document records a woman and four children the family was likely intended for a combination of field labor and domestic or auxiliary work with the children gradually incorporated into plantation labor as they aged reflecting the system's reliance on both immediate exploitation and the reproduction of enslaved labor over time. unknown

Max Rambod Inc. · États-Unis1 250,00 $US≈ 1 114,58 €

[Atlantic Slave Trade - Cuba - DeWolf Family] Wood, Captain JohnBiblio.com

Worse Than an Assassin": A Newport Captain Accuses the Enslavers James DeWolf and Charles Collins of Forcing His Family from Their Cuban Plantation and Describes Ensuing Legal Actions

1823réf. BK0184Middletown Rhode Island 1823. Autograph letter signed three pages on a folded sheet with integral address panel to Charles E. Dudley in Albany and Newport postal markings. 7 ¾ x 9 ¾ inches. Old folds scattered staining and some marginal losses a few affecting text. Good to very good. A letter from Newport mariner John Wood concerning his acrimonious departure from the DeWolf family's Mary Ann plantation in Cuba and the ensuing legal dispute with James DeWolf and Charles Collins. Wood was almost certainly the same John Wood whose signature appears on an 1806 Newport agreement for an illegal voyage transporting enslaved Africans from Cape Coast to Havana now held by the Smithsonian's National Museum of African American History and Culture.1 By 1823 he was residing on the Mary Ann plantation one of several Cuban estates belonging to the DeWolfs among the most prominent families involved in the American slave trade. His relationship with DeWolf and Collins had evidently collapsed over his obligations on the estate resulting in what he describes as his forced departure from Cuba under apparently dangerous conditions with his family and a contentious effort to settle their accounts. Writing to his friend Charles E. Dudley then mayor of Albany and a New York state senator Wood reports that three mechanics who had resided with him on the plantation had recently given depositions in Bristol Rhode Island. Two of the three had testified in his favor though all had been called by DeWolf. Wood was particularly incensed by the circumstances surrounding his family's departure from Cuba writing: "I must acknowledge that myself & family have been most shamefully abused & for no provocation we were set adrift liable to be murdered & robbed on Shore My Wife & Daughter exposed at Sea to be captured By pirates and in case of Capture to suffer more than Death; Not content in what they have done but still persevere in wishing to rob me of all I possess a Respectable Character. The assassin will stab you in the dark but the Wretch who will traduce and injure an Innocent family is worse than an assassin." Wood goes on to describe receiving two writs from DeWolf and Collins and transcribes an August 8 letter from James DeWolf explaining his decision to pursue legal action despite their previous discussions of an amicable settlement: "Lest you should think me inconsistent in causing an action to be brought after the last conversation we had I take leave to explain my wishes to come to an amicable settlement by referring to men as we talked remains the same my object is to put the business in a legal and proper train for bringing it to a close . & to enable me to avail of the testimony of the people who were on the Estate with you." Wood expected the Rhode Island Supreme Court meeting at Bristol the following month to appoint referees to settle the accounts. The precise origin of the disagreement is not stated though the depositions of the mechanics and the references to outstanding accounts suggest a dispute over Wood's contractual obligations or activities on the plantation. Wood 1770-1826 was a Newport merchant and captain with longstanding connections to Atlantic commerce. He died at Cape Coast West Africa in 1826 three years after writing the present letter. James DeWolf 1764-1837 then serving in the United States Senate had amassed a substantial fortune through the slave trade and his Cuban plantation interests. Charles Collins his brother-in-law had served as collector of customs at Bristol from 1804 to 1820 an appointment closely connected to the family's slave-trading operations. The Mary Ann plantation is documented in the DeWolf Papers at the Rhode Island Historical Society which include inventories from 1818 and 1820 and contemporary plans of the plantation grounds. The present letter preserves Wood's account of his treatment by the DeWolf family together with his transcription of DeWolf's explanation for pursuing legal action. 1 "Agreement facilitating illegal trade of enslaved Africans" National Museum of African American History & Culture accessed October 12 2026 https://nmaahc.si.edu/object/nmaahc_2019.28.1. . unknown

Auger Down Books · États-Unis1 750,00 $US≈ 1 560,41 €

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