Luce, Henry R (Editor)Biblio.com
2 545 résultats
1938réf. 030447New York: Time - Fortune Inc. 1938. First Edition . Illustrated Wrappers. Very Good. 14" Tall. Spine Has Wear Split At Top 1" 1/2" Chip And Associated Tears And Wrinkling At Lower Tip Of Front Cover Faint Circular Glass Mark On Front Cover. Time - Fortune, Inc. unknown
1916réf. 029952London: East And West Ltd.1917 1916. 1st Edition . Soft cover. Good. 27 Pp. Orange Covers Printed In Black. Light Wear But Front Cover Neatly Detached Along Spine Thus Loose. A Few Hand Corrections Of Names And A Comment Correcting The Author's Final Statement By Reference To A Source Both By A 1962 Rhodes Scholar. East And West, Ltd.[1917?] paperback
1916réf. 029953London: East And West Ltd. 1916. 1st Edition . Soft cover. Good. 15 Pp. Orange Covers Printed In Black. Wear Small Chip At Upper Left Corner Of Front Cover. Last Sentence With Warning That The West "Will See What We Can Do To Our Foes Who Dare Think Of Humiliating Us". East And West, Ltd. paperback
1938réf. 029977Julia Ellsworth Ford 1938. 1st Edition . Soft cover. Near Fine. 74 illustrations and maps. 9 Pp. Yellow Card Wrappers Printed In Black. With Paste-On Printed Sheets With Additional Text On Inner Side Of Wrappers. Nerar Fine. Scarce; Only Two Examples In Worldcat. Her Archives Are At Yale And Presented There As "Julia Ellsworth Ford Was A New York Socialite Art Collector And Patron And Author Of Children's Books. She Was Married To Simeon Ford A Financier And Co-Owner Of The Grand Union Hotel In New York. Ford Presided Over A Salon That Included The Lebanese Mystic Kahlil Gibran Irish Poet W. B. Yeats And American Dancer Isadora Duncan. Her Published Works Include: Simeon Solomon: An Appreciation 1908 Imagina 1914 And Snickerty Nick 1919 Among Others." The Archive Apparently Does Not Include This Booklet. [Julia Ellsworth Ford] paperback
1973réf. 0285701973. 1st Edition . Hardcover. Fine/Near Fine. 152 Pp. 14" Tall Beige Buckram With Printed And Illustrated Dj And Printed Slipcase With Both The Chinese Language And English Language Inserts. Fine In Near Fine Dj Slipcase Has Light Wear No Names Or Marks. International Postage About $62. hardcover
1940réf. 026740Harmondsworth: Penguin Books 1940. First Penguin Edition First Printing . Printed Wrappers. Very Good/No Dust Jacket. First Penguin printing 1940 #310. From the collection of Ian Ballantine who was the American representative of Penguin Books prior to his founding of Ballantine Books in 1952. Each book from the Ballantine collection comes with a loose card indicating it is from the library of Ian and Betty Ballantine. Book has traces of wear at a few places on spine edges no other wear no fading but has a 1/2 tear at foredge of front cover with associated wrinkling lines extending 2" up the cover. Penguin Books unknown
1914réf. 020130Chicago / New York / Toronto / London / Edinburgh: Fleming H. Revell Company 1914. First Edition . Illustrated Cloth. Very Good/No DJ. Photographs of Hwang Hsing Etc. 142 Pp 2 Pp Catalog At Rear. Orange Cloth Stamped In Black And White With Allegorical Design. First Edition. Clean Lightly Used No Names Or Marks Hinges Solid Light Wear With Some Loss Of Lettering And Design In Black Ink On Front Cover But All Chalk Lettering And Design Present And Strong.Previous Owner's Name On Front Free Endpaper Signs Of Bookplate Removal On Facing Pastedown. Fleming H. Revell Company hardcover
1938réf. 024291New York: Dutton 1938. First Edition stated . Hardcover. Near Fine/No Dust Jacket. Photographs Large Folding Map. 322 Pp. Blue Silk Cloth Lettered In Red Yellow Endpapers. First Edition Stated. Cover Title: Silk Road. Lightly Used With Touch Of Rubbing At Bottom Corners Very Slight Aging To Spine Slight Foxing To Pastedowns Hinges Tight Contents Immaculate And Fresh No Names Or Marks. Dutton hardcover
1952réf. 019221Far Eastern Quarterly 1952. First Separate Edition . Stapled Sheets. Very Good. Offprint from Volume XI February 1952. Nicely inscribed to Professor Hammond Rolph. Far Eastern Quarterly unknown
2008réf. 022694New York: Spiegel & Grau 2008. First Edition First Printing . Grey Cloth / Boards. Fine/Fine DJ. Hardcover First Edition. First Printing. Signed And Dated By The Author In 2008 Otherwise As New. Spiegel & Grau hardcover
1973réf. 024280Beijing 1973. First Edition . Cloth. Fine/Near Fine Slipcase. 14" Tall. Color and B/W Plates. 152 pp loose 19 pp booklet same title with English translation of text for plates another 15 pp booklet same title with Chinese text and the catalogue of "The Exhibition of Archaelogical Finds of the People's Republic of China" 60 pp. Book is fine clean and unworn and unmarked slipcase has a touch of bumping and original owner's personal information on rear panel. International postage at cost of Priority Mail and insurance. hardcover
1960réf. 025662Hong Kong: Hong Kong University Press / Oxford University Press / Institute of Pacific relations 1960. First Edition First Printing . Hardcover. Near Fine/Near Fine Dustjacket. Xiii 247. Orange Cloth. One Of 2000 Copies Of The First Printing But This Copy With Printed $5 Us Price At Bottom Of Front Flap So Perhaps An American Issue. Slight Signs Of Usage To Book And Dj. Inscribed To Mr. And Mrs. Z. T. Nyi Zau Tsung Nyi Of Los Angeles "With High Esteem And Respect". Information From His Archives At Usc: Theodore H.E. Chen Ph.D. 1939 Was Chairman Of Usc's Department Of Asian Studies From 1940 To 1968 And From 1960 To 1971 He Directed The East Asian Studies Center In Support Of Which He Had Obtained The First Federal Grants. Chen Also Secured Outside Funding For A Project To Help Train And Advise High School Teachers Of Chinese And Japanese. A Native Of Fuzhou China Chen Was President Of Fukien Christian University In 1946 And 1947 While On Leave To Participate In Postwar Rehabilitation. He Also Helped Organize Tunghai University In Taiwan As A Representative Of The United Board Of Christian Colleges. He Was The Author Of Nine Books Including Thought Reform Of Chinese Intellectuals And Maoist Educational Revolution And Chinese Education. Dr Chen Hits An Easy Target; The Worst Governments Are Those Who Try To Control What And How People Think And How And Where They Communicate Because Their Leaders Have An Excess Of The Oldest Disease Of Officials Crap-In-The-Brain Which Prevents Them From Engaging In Exchanges Of Facts And Ideas. Hong Kong University Press / Oxford University Press / Institute of Pacific relations hardcover
1983réf. 019568Westbury: About Face Press 1983. First Edition . Cloth. Fine/Fine DJ. 146 Pp. One Of The Author's Copies With Her Name And Address Written On Front Endpaper And Again Beneath Her Printed Name On The Title Page. Inscribed With Compliments From The Author On The Front Pastedown. With A Presentation Letter Dated 1984 Attached To Front Endpaper And A Loose Letter Discussing Her Book Etc. With Copies Of Two Letters From Prof. H. G. Creel Commenting Favorably Upon It Also. A Fine Book And Dj With A Few Pencil Emphasis Marks In The Text Pp 22-25. About Face Press hardcover
1929réf. 018231Chicago: The American Journal of Sociology / The University of Chicago Press 1929. First Edition . Printed Wrappers. Very Good. 177-351 Pp Ads At Front. Complete A Few Pencil Notes In One Article 1/2" Chip And 1 1/2" Tear At Bottom Of Spine. The American Journal of Sociology / The University of Chicago Press unknown
1985réf. 020353Taipei 1985. First Edition . Soft cover. Near Fine. Color Plates Throughout. 58 Pp Catalog All Text In Chinese. 11" Tall. Signed And Dated By The Artist. He Devoted Himself To Traditional And Contemporary Ink Painting Inherited The Essence Of Chinese Millennium Painting And Calligraphy And Opened Up Opportunities For The Reform Of Contemporary Ink Painting Which Set A Paradigm For New Ink Painting In The World Of Chinese Art For This Century. He Taught In Taiwan For Half A Century And Cultivated Countless Art Students. His Influence Is Profound. paperback
2026réf. x-1966932332Almenara 2026. Hardcover. New. 316 pages. Spanish language. 6.14x0.88x9.21 inches. Almenara hardcover
2026réf. x-1966932200Almenara 2026. Paperback. New. 316 pages. Spanish language. 6.14x0.71x9.21 inches. Almenara paperback
1905réf. BK0085Havana Cuba: Carlos Gómez 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana. Image somewhat faded with scattered surface wear and an area of loss at upper right; mount worn at edges good overall. A studio portrait of a young woman posed beside a wicker rocking chair wearing a light-colored dress with high collar and puffed sleeves and looking directly toward the camera. The photograph is notable in the context of Afro-Cuban portraiture around the turn of the twentieth century a period when Havana supported a large commercial photographic trade serving an increasingly broad urban clientele. The sitter is unidentified and no inscription survives to provide further biographical information. Carlos Gómez Guardiola was operating a photographic studio at 149 Neptuno by 1902 when a contemporary Havana newspaper noted that he had already established a reputation despite having been in business only a short time. Gómez's work appears in Juaco López Ãlvarez's Fotografía de Asturianos en américa with an identical "Carlos Gómez / Fotógrafo / Neptuno 149 / Habana" imprint; Ãlvarez dates it to about 1905 and we date the present portrait accordingly. 1 Juaco López Ãlvarez Ed. Fotografía de Asturianos en américa 2000 222. . Carlos Gómez unknown
1905réf. BK0086Havana Cuba: A. Sainz 1905. Cabinet photograph measuring 4 x 5 ½ inches on photographer's mount measuring 4 ½ x 6 ½ inches with imprint "A. Sainz / Reina 67 / Habana. Some fading and spotting to image with wear and small losses to edges of mount; good overall. A formal studio portrait of a young Black man seated in a wicker chair beside an elaborate wicker table and floral arrangement. He wears a light-colored suit and holds his hat in his lap posed directly toward the camera. The mount identifies the photographer as A. Sainz of 67 Reina Street Havana. Contemporary Havana advertisements from July and August 1905 place Sainz's photographic studio at this address providing a useful basis for dating the portrait. An appealing example of Black portraiture in early twentieth-century Havana. A. Sainz unknown
1823réf. BK0184Middletown Rhode Island 1823. Autograph letter signed three pages on a folded sheet with integral address panel to Charles E. Dudley in Albany and Newport postal markings. 7 ¾ x 9 ¾ inches. Old folds scattered staining and some marginal losses a few affecting text. Good to very good. A letter from Newport mariner John Wood concerning his acrimonious departure from the DeWolf family's Mary Ann plantation in Cuba and the ensuing legal dispute with James DeWolf and Charles Collins. Wood was almost certainly the same John Wood whose signature appears on an 1806 Newport agreement for an illegal voyage transporting enslaved Africans from Cape Coast to Havana now held by the Smithsonian's National Museum of African American History and Culture.1 By 1823 he was residing on the Mary Ann plantation one of several Cuban estates belonging to the DeWolfs among the most prominent families involved in the American slave trade. His relationship with DeWolf and Collins had evidently collapsed over his obligations on the estate resulting in what he describes as his forced departure from Cuba under apparently dangerous conditions with his family and a contentious effort to settle their accounts. Writing to his friend Charles E. Dudley then mayor of Albany and a New York state senator Wood reports that three mechanics who had resided with him on the plantation had recently given depositions in Bristol Rhode Island. Two of the three had testified in his favor though all had been called by DeWolf. Wood was particularly incensed by the circumstances surrounding his family's departure from Cuba writing: "I must acknowledge that myself & family have been most shamefully abused & for no provocation we were set adrift liable to be murdered & robbed on Shore My Wife & Daughter exposed at Sea to be captured By pirates and in case of Capture to suffer more than Death; Not content in what they have done but still persevere in wishing to rob me of all I possess a Respectable Character. The assassin will stab you in the dark but the Wretch who will traduce and injure an Innocent family is worse than an assassin." Wood goes on to describe receiving two writs from DeWolf and Collins and transcribes an August 8 letter from James DeWolf explaining his decision to pursue legal action despite their previous discussions of an amicable settlement: "Lest you should think me inconsistent in causing an action to be brought after the last conversation we had I take leave to explain my wishes to come to an amicable settlement by referring to men as we talked remains the same my object is to put the business in a legal and proper train for bringing it to a close . & to enable me to avail of the testimony of the people who were on the Estate with you." Wood expected the Rhode Island Supreme Court meeting at Bristol the following month to appoint referees to settle the accounts. The precise origin of the disagreement is not stated though the depositions of the mechanics and the references to outstanding accounts suggest a dispute over Wood's contractual obligations or activities on the plantation. Wood 1770-1826 was a Newport merchant and captain with longstanding connections to Atlantic commerce. He died at Cape Coast West Africa in 1826 three years after writing the present letter. James DeWolf 1764-1837 then serving in the United States Senate had amassed a substantial fortune through the slave trade and his Cuban plantation interests. Charles Collins his brother-in-law had served as collector of customs at Bristol from 1804 to 1820 an appointment closely connected to the family's slave-trading operations. The Mary Ann plantation is documented in the DeWolf Papers at the Rhode Island Historical Society which include inventories from 1818 and 1820 and contemporary plans of the plantation grounds. The present letter preserves Wood's account of his treatment by the DeWolf family together with his transcription of DeWolf's explanation for pursuing legal action. 1 "Agreement facilitating illegal trade of enslaved Africans" National Museum of African American History & Culture accessed October 12 2026 https://nmaahc.si.edu/object/nmaahc_2019.28.1. . unknown
1963réf. 87864Havana: Cuadernos de la Casa de Las Americas 1963. First Edition. First Impression one of 4000 copies. Slim octavo 24.25cm; original pictorial card wrappers stapled; Inscribed by the author on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto Marquez / apenas un libro cordialmente / Eduardo / 3/80." Light wear to extremities some oxidation to staples toning to rear wrapper with a faint crease to upper left corner; Very Good. The Cuban author's extended essay on the life and work of Afro-Cuban painter Wilfredo Lam 1902-1982. Uncommon inscribed. 87864. Cuadernos de la Casa de Las Americas unknown
1984réf. 88455Havana: Casa de las Americas 1984. First Edition. Slim quarto 23.75cm; original printed card wrappers with French flaps stapled; 16pp; text is entirely in Spanish. Inscribed by Morejon on the title page to Puerto Rican editor translator and literary critic Roberto Márquez and his family: "A Robert Márquez Maddie Maceo y Gaby / Con un hondo cariño familiar y suspiro de agradecimiento y un suspiro de agradecimiento / Nancy / La Habana / Sept/84." Trivial external wear and a hint of sunning to spine-fold; touch of oxidation to staples; contents fresh; Near Fine. Short collection of verse by the noted Afro-Cuban poet critic and essayist gathrering nine poems. A nice inscription connecting two prominent Caribbean literary figures. 88455. Casa de las Americas unknown
2004réf. 88456Buffalo NY: White Pine Press 2004. First Edition. First Printing. Small quarto 25.5cm; original glossy pictorial card wrappers; 910-1155pp; illus.; with parallel text in English and in Spanish. Inscribed by Morejon on the half-title page to Puerto Rican editor translator and literary critic Roberto Márquez and his wife: "Para Maddie y Roberto y los nenes que ya no lo son / Su negra / Nancy Morejon / 10/10/10." Hint of sunning to spine tiny crease to upper right corner of front wrapper; Near Fine. Collection of verse by the noted Afro-Cuban poet written between the summers of 1986-87 pairing her poems prose poems and vignettes with photos by Milton Rogovin. A nice inscription connecting two prominent Caribbean literary figures. 88456. White Pine Press unknown
1972réf. 88465Havana: UNEAC 1972. First Edition. First Impression one of 10000 copies. Octavo 21cm; original pictorial wrappers with French flaps; 89-897pp; text is entirely in Spanish. Inscribed by Retamar on the front endpaper to Puerto Rican editor translator and literary critic Roberto Márquez: "Para Roberto / Contento con haberlo rencontrado - y esperandolo en nuestra Cuba - Un abrazo fraternal del Roberto / Ap. 73." The recipient's pervasive ink annotations and markings appear throughout the text. Edgeworn a few tiny tears and creases and a 2" split at upper front joint; Very Good. Collection of four extended essays on Nicolas Guillen by the noted Cuban poet essayist and literary critic. A warm inscription and a nice association to Marquez a Guillen scholar and translator of his work. 88465. UNEAC unknown
1980réf. 88457Mexico City: Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México 1980. First Edition. First Impression one of 2000 copies. Small octavo 18cm; original pictorial card wrappers; 89-62pp. With a full-page inscription from Morejon to Puerto Rican editor translator and literary critic Roberto Márquez and his wife signed and dated in Havana 4 September 1981." Mild surface wear else a fresh very Near Fine copy. A collection of verse by the noted Afro-Cuban poet selected and edited by Mexican poet and journalist Efraín Huerta Roma 1914-1982. A nice inscription connecting two prominent Caribbean literary figures. 88457. Difusion Cultural Departamiento de Humanidades / Universidad Nacional Autónoma de México unknown
