12.514 resultados
1868ref. 560BG1868. Aqarell. Bildgrösse: 37 x 48 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild Holzrahmen mit Gebrauchsspuren.
ref. 135841aaf1930 - 1940 in-8vo, Konvolut Tourisme - Schweizerkarten zus., ill. OU.
1942ref. 1251461942 Paris, Librairie Plon - 1942 - In-12 broché, couverture illustrée - 214 pages - Avec 3 cartes dans le texte et 8 gravures hors texte - Feuillets non-coupés (ouvrage jamais lu)
1833ref. 163221833 21 sections montées sur toile et pliées formant une carte de 620 x 905 mm. P. Dépôt général de la Marine 1833
1993Trace of foxing to front edge. No inscriptions or marks. A very clean very tight copy with unmarked black cloth boards and no bumping to corners. Dust jacket not price clipped or torn with slight creasing to upper edge and traces of shelf wear. 244pp. Written very soon after German re-unification, this authoritative guide comprehensively describes the superb cities and towns, the exquisite countryside and the charming villages which had suddenly been re-opened to the rest of the world after being shut away for so long.
2017ref. 500137438Place victoires 2017 64 pages 24 8x26 4x1 4cm. 2017. Relié. 64 pages.
2017ref. 500394019PLACE VICTOIRES 2017 64 pages 24 8x26 4x1 4cm. 2017. Relié. 64 pages.
1991ref. 26434Carouge, Fondation du présent et les auteurs, 1991. Lot de 80 x la même grande carte (16x22), éditée à l’occasion de l’album collectif "Les aventures du latex", projet réunissant des auteurs européens autour du thème de la prévention et du préservatif. Illustration de Benoît Van Innis.
1870Pianta tratta dalla monumentale opera di Felix Benoist Rome dans sa grandeur. Vues, monument ancient et modernes stampata a Parigi in 3 volumi, da Henri Charpentier, nel 1870. La pubblicazione, illustrata da 100 litografie, fu preceduta da una campagna di disegni preparatori, a far data dal 1864 sino al 1869, eseguita soprattutto da Félix Benoist e in parte da Philippe Benoist. Alla vigilia del Concilio Ecumenico Vaticano I, l’11 agosto 1869, Pio IX decretava la realizzazione di una Esposizione romana delle opere d’ogni arte eseguite per il culto cattolico, che venne inaugurata, il 17 febbraio 1870, nel chiostro della Certosa di Santa Maria degli Angeli. In quell’occasione, vennero presentati i tre volumi in folio Rome dans sa grandeur. I volumi, rilegati in modo sfarzoso, con impresso al centro in oro, lo stemma di Pio IX, sono suddivisi in tre sezioni. Il primo volume tratta di Roma antica, il secondo, di Roma cristiana, ed il terzo, dei monumenti e le realizzazioni della Roma moderna. Una visione preziosa della Roma papale alla vigilia della profonda trasformazione di Roma in capitale dell’Italia unita. Un documento che evidenzia la notevole impronta lasciata da Pio IX nella Città Eterna. L’opera rappresenta il capolavoro dell’artista francese, dove ogni veduta è realizzata in litografia tinta, processo ottenuto usando un diverso numero di pietre. Il risultato è un’opera di grande effetto, tanto da porre il Benoist tra la schiera dei più grandi artisti di interni e vedute del suo tempo. Litografia tinta, finemente colorata a mano, in ottimo stato di conservazione. Map taken from the monumental work of Felix Benoist Rome dans sa grandeur. Vues, monument ancient et modernes printed in Paris in 3 volumes, by Henri Charpentier, in 1870. The publication, illustrated by 100 lithographs, was preceded by a campaign of preparatory drawings, from 1864 to 1869, executed mainly by Felix Benoist and partly by Philippe Benoist. On the eve of the First Vatican Ecumenical Council, August 11, 1869, Pius IX decreed the creation of the Esposizione romana delle opere d’ogni arte eseguite per il culto cattolico (a Roman Exhibition of the works of art created for Catholic worship), which was inaugurated on February 17, 1870, in the cloister of the Charterhouse of Santa Maria degli Angeli. On that occasion, the three volumes in folio Rome dans sa grandeur were presented. The volumes, magnificently bound, with the coat of arms of Pius IX stamped in gold in the center, are divided into three sections. The first volume deals with ancient Rome, the second with “Christian” Rome, and the third with the monuments and achievements of modern Rome. A precious vision of papal Rome on the eve of the profound transformation of Rome into the capital of united Italy. A document that highlights the remarkable imprint left by Pius IX in the Eternal City. The work represents the masterpiece of the French artist, where each view is made in tinted lithography, a process achieved by using a different number of stones. The result is a work of great effect, so much so as to place Benoist among the ranks of the greatest artists of interiors and views of his time. Tinted lithograph, finely hand-colored, in excellent condition.
1872ref. LBW-7281Nantes, Charpentier, [1872]. 287 x 403 mm.
1861ref. LBW-5515Paris, Henri Charpentier, [1861]. 279 x 357 mm.
1861ref. LBW-5513Paris, Henri Charpentier, [1861]. 290 x 363 mm.
ref. LBW-8153Paris & Londres, Goupil & C.e & E. Gambart, 1er mai 1855. 390 x 970 mm.
1861ref. LBW-5511Paris, Henri Charpentier, [1861]. 278 x 358 mm.
1840ref. LBW-5673[circa 1840]. 390 x 280 mm.
1864ref. LBW-7184Nantes, Charpentier, [1864]. 257 x 327 mm.
1863ref. LBW-7594Nantes, Charpentier, [1863]. 350 x 262 mm.
1864ref. LBW-7234Nantes, Charpentier, [1864]. 259 x 313 mm.
1864ref. LBW-7232Nantes, Charpentier, [1864]. 248 x 319 mm.
1863ref. LBW-7536Nantes, Charpentier, [1863]. 260 x 316 mm.
1864ref. LBW-7175Nantes, Charpentier, [1864]. 262 x 310 mm.
1863ref. LBW-7555Nantes, Charpentier, [1863]. 262 x 316 mm.
1864ref. LBW-7182Nantes, Charpentier, [1864]. 263 x 312 mm.
1864ref. LBW-7231Nantes, Charpentier, [1864]. 249 x 312 mm.
1860ref. LBW-6518[1860]. 252 x 340 mm.