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2021ref. SBBI-mon0000140648Independently published 2021. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Independently published paperback
2017ref. SBBI-mon0000080091MACMILLAN USA 2017. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. MACMILLAN USA paperback
1975ref. SBBIH-FQVTOR2TMYPJHarperCollins Distribution Servi 1975. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. HarperCollins Distribution Servi hardcover
2021ref. SBBIH-YT6BTVZPMPRFWeidenfeld & Nicolson 2021. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Weidenfeld & Nicolson paperback
1872ref. 6400London: F. Harvey 1872. Second edition. Number 6 of 50 copies printed. Small quarto 8 1/4 x 6 inches; 210 x 152 mm. ii blank vi 160 i 3 blank. Etched half-title drawing by William M. Thackeray. Five full-page etchings on india paper by George Cruikshank. Bound ca. 1920 by Rivière & Son stamp signed on verso of front endpaper in full dark blue crushed levant morocco. Both covers richly decorated in gilt with triple borders each surrounding one hundred and seventy nine floral tools in a geometric design; spine with five raised bands richly decorated and lettered in gilt with the same floral tools; double-ruled gilt board edges decorative turn-ins all edges gilt. Front and rear outer joints repaired. "Sir William Fraser 1816-1898 was a genealogist archivist and Scottish historian. Trained as a solicitor his professional involvement with peerage cases began a lifetime of research into the genealogy of Scotland's most prominent landed families" Edinburgh University Library. His Colia's Whispers is a collection of poetry inflected by Victorian tastes for historicism and revivalist styles. The text is accompanied by five George Cruikshank etching on India paper are five out of eight compartments of a large plate etched by G.C. for Sir William Fraser in 1870 for Poems by the Knight of Morar. "Only fifty numbered copies were issued of this edition and consequently it is scarce" Cohn. George Cruikshank 1792-1878 was one of the most famous British caricaturists and illustrators during the Regency period. He would form a friendship with Charles Dickens illustrating many of his books and later in life would be active in the temperance movement. "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. F. Harvey unknown
1835ref. 6796London: Taylor and Hessey and Edward Moxon 1835. First edition and second edition. Fine. Lamb's Essays of Elia and Last Essays of Elia finely bound by Riviere & Son in full dark brown morocco with a dark green morocco pull-off case. Two volumes octavo. vi 341; xiii 295 pp. complete. Elaborate gilt spines in six compartments with raised bands. Gilt rule to boards and gilt turn-ins. All edges gilt. Teal coated endpapers. Small twentieth-century bookseller's ticket to lower flyleaves. A Fine fresh set in a beautiful binding. First edition second issue of Essays of Elia with both the Fleet Street and Waterloo addresses in the imprint bound without the terminal publisher's ads. Second edition of Last Essays of Elia which was first published by Edward Moxon in 1833. Lamb's accessible and conversational essays were published under the pseudonym Elia inspired by an Italian man that Lamb had known at the South Sea House and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness Charles Lamb 1775 - 1834 would be celebrated for his literary contributions producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Fine. Taylor and Hessey [and] Edward Moxon unknown
1872ref. 6400London: F. Harvey 1872. Second edition. Number 6 of 50 copies printed. Small quarto 8 1/4 x 6 inches; 210 x 152 mm. ii blank vi 160 i 3 blank. Etched half-title drawing by William M. Thackeray. Five full-page etchings on india paper by George Cruikshank. Bound ca. 1920 by Rivière & Son stamp signed on verso of front endpaper in full dark blue crushed levant morocco. Both covers richly decorated in gilt with triple borders each surrounding one hundred and seventy nine floral tools in a geometric design; spine with five raised bands richly decorated and lettered in gilt with the same floral tools; double-ruled gilt board edges decorative turn-ins all edges gilt. Front and rear outer joints repaired. "Sir William Fraser 1816-1898 was a genealogist archivist and Scottish historian. Trained as a solicitor his professional involvement with peerage cases began a lifetime of research into the genealogy of Scotland's most prominent landed families" Edinburgh University Library. His Colia's Whispers is a collection of poetry inflected by Victorian tastes for historicism and revivalist styles. The text is accompanied by five George Cruikshank etching on India paper are five out of eight compartments of a large plate etched by G.C. for Sir William Fraser in 1870 for Poems by the Knight of Morar. "Only fifty numbered copies were issued of this edition and consequently it is scarce" Cohn. George Cruikshank 1792-1878 was one of the most famous British caricaturists and illustrators during the Regency period. He would form a friendship with Charles Dickens illustrating many of his books and later in life would be active in the temperance movement. "The Riviere Bindery was one of the most notable and prolific shops in London's West End from about 1840 through 1939" Princeton. Bath-based Bayntun Bindery acquired the firm in 1939 transforming into the "Bayntun-Riviere bindery" which is still in existence and family owned. F. Harvey unknown books
1835ref. 6796London: Taylor and Hessey and Edward Moxon 1835. First edition and second edition. Fine. Lamb's Essays of Elia and Last Essays of Elia finely bound by Riviere & Son in full dark brown morocco with a dark green morocco pull-off case. Two volumes octavo. vi 341; xiii 295 pp. complete. Elaborate gilt spines in six compartments with raised bands. Gilt rule to boards and gilt turn-ins. All edges gilt. Teal coated endpapers. Small twentieth-century bookseller's ticket to lower flyleaves. A Fine fresh set in a beautiful binding. First edition second issue of Essays of Elia with both the Fleet Street and Waterloo addresses in the imprint bound without the terminal publisher's ads. Second edition of Last Essays of Elia which was first published by Edward Moxon in 1833. Lamb's accessible and conversational essays were published under the pseudonym Elia inspired by an Italian man that Lamb had known at the South Sea House and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness Charles Lamb 1775 - 1834 would be celebrated for his literary contributions producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Fine. Taylor and Hessey [and] Edward Moxon unknown books
1710ref. 252472London: John Morphew 1710. Second edition of vol. I first edition of vol. II. Frontispiece in vol. I. ii vi 246; xvi 380 pp. 1 vols. 8vo. Contemporary panelled calf vol. I rebacked preserving most of original black morocco label corners repaired hinges strengthened. Bookseller's ticket on rear pastedown. Vol. II with later spine label binding rubbed. Second edition of vol. I first edition of vol. II. Frontispiece in vol. I. ii vi 246; xvi 380 pp. 1 vols. 8vo. This famous attack scandalized virtually every member of the Whig Party and led to Mrs. Manley's arrest. A friend and collaborator of Swift's she succeeded him as editor of The Examiner and exercised some influence on Defoe. ESTC N47961; ESTC T106837 John Morphew unknown
1710ref. 252472London: John Morphew 1710. Second edition of vol. I first edition of vol. II. Frontispiece in vol. I. ii vi 246; xvi 380 pp. 1 vols. 8vo. Contemporary panelled calf vol. I rebacked preserving most of original black morocco label corners repaired hinges strengthened. Bookseller's ticket on rear pastedown. Vol. II with later spine label binding rubbed. Second edition of vol. I first edition of vol. II. Frontispiece in vol. I. ii vi 246; xvi 380 pp. 1 vols. 8vo. This famous attack scandalized virtually every member of the Whig Party and led to Mrs. Manley's arrest. A friend and collaborator of Swift's she succeeded him as editor of The Examiner and exercised some influence on Defoe. ESTC N47961; ESTC T106837 John Morphew unknown books
ref. 06566London: Methuen & Co. Ltd. 1928. A Milne Classic in a Fine Rivière Binding "Christopher Robin Is Six" - A Superb Decorative Copy MILNE Alan Alexander. Now We Are Six. With decorations by Ernest H. Shepard. London: Methuen & Co. 1928. Fourth edition. Small octavo 7 5/16 x 4 3/4 inches; 189 x 121 mm. xi 1 blank 103 1 1 printer's imprint pp. With numerous black and white illustrations in the text. Elegantly bound ca. 1928 by Rivière & Son in full blue polished calf covers double-ruled in gilt the upper cover pictorially stamped in gilt with five charming figures from the text surrounding the title all within a fine gilt frame. Spine with five raised bands richly tooled in gilt in compartments with two red morocco labels lettered in gilt. Blue marbled endpapers all edges gilt. The original peach pictorial endpapers printed in black bound in at front and rear. Spine very slightly mellowed otherwise an exceptionally fine copy. Housed in a blue cloth slipcase. A most attractive and unusually well-preserved example of Now We Are Six the third volume in A. A. Milne's beloved Winnie-the-Pooh series published at the height of his literary partnership with Shepard. Issued two years after Winnie-the-Pooh 1926 the present volume continues the gentle poetic chronicles of Christopher Robin's imaginative world - poems that balance whimsy with a quiet often wistful awareness of childhood's passing. Shepard's illustrations - already inseparable from Milne's text by this date - appear here in their original black and white form capturing with remarkable economy the personalities of Pooh Piglet and their companions. The famous vignette of Christopher Robin "going on an adventure" appears on the cover in gilt lending this binding a particularly appropriate decorative coherence. The binding executed by Rivière & Son at the end of the 1920s is characteristic of their finest work of the period: crisp gilding harmonious proportions and a sensitive integration of illustrative motifs into the design. The retention of the original pictorial endpapers is an especially desirable feature preserving an important element of the book's first issue character within an elevated binding. A charming and highly desirable copy of one of the central works of 20th-century children's literature - both a cornerstone of the Milne canon and a beautifully presented example of English decorative binding at its best. London: Methuen & Co. Ltd., 1928 unknown
ref. 06566London: Methuen & Co. Ltd. 1928. A Milne Classic in a Fine Rivière Binding "Christopher Robin Is Six" - A Superb Decorative Copy MILNE Alan Alexander. Now We Are Six. With decorations by Ernest H. Shepard. London: Methuen & Co. 1928. Fourth edition. Small octavo 7 5/16 x 4 3/4 inches; 189 x 121 mm. xi 1 blank 103 1 1 printer's imprint pp. With numerous black and white illustrations in the text. Elegantly bound ca. 1928 by Rivière & Son in full blue polished calf covers double-ruled in gilt the upper cover pictorially stamped in gilt with five charming figures from the text surrounding the title all within a fine gilt frame. Spine with five raised bands richly tooled in gilt in compartments with two red morocco labels lettered in gilt. Blue marbled endpapers all edges gilt. The original peach pictorial endpapers printed in black bound in at front and rear. Spine very slightly mellowed otherwise an exceptionally fine copy. Housed in a blue cloth slipcase. A most attractive and unusually well-preserved example of Now We Are Six the third volume in A. A. Milne's beloved Winnie-the-Pooh series published at the height of his literary partnership with Shepard. Issued two years after Winnie-the-Pooh 1926 the present volume continues the gentle poetic chronicles of Christopher Robin's imaginative world - poems that balance whimsy with a quiet often wistful awareness of childhood's passing. Shepard's illustrations - already inseparable from Milne's text by this date - appear here in their original black and white form capturing with remarkable economy the personalities of Pooh Piglet and their companions. The famous vignette of Christopher Robin "going on an adventure" appears on the cover in gilt lending this binding a particularly appropriate decorative coherence. The binding executed by Rivière & Son at the end of the 1920s is characteristic of their finest work of the period: crisp gilding harmonious proportions and a sensitive integration of illustrative motifs into the design. The retention of the original pictorial endpapers is an especially desirable feature preserving an important element of the book's first issue character within an elevated binding. A charming and highly desirable copy of one of the central works of 20th-century children's literature - both a cornerstone of the Milne canon and a beautifully presented example of English decorative binding at its best. London: Methuen & Co. Ltd., 1928 unknown books
ref. 06530London: Printed for J. Johnston 1822. Johnny Newcome Returns: The Soldier's Comic Progress A Spirited Sequel to the Celebrated Naval Satire - With Fine Cruikshank Plates MITFORD John. My Cousin in the Army: or Johnny Newcome on the Peace Establishment. A Poem. By a Staff Officer. London: Printed for J. Johnston 1822. First edition. Octavo 9 x 5 5/8 inches; 228 x 143 mm. 4 316 pp. Sixteen hand-colored aquatint plates including frontispiece by Isaac Robert Cruikshank and Charles Williams. Plates watermarked 1821. A short marginal tear 3/4 inch to title slight creasing to plates opposite pp. 173 and 285 and a neatly restored outer blank margin to the plate opposite p. 313 loss minimal. Light offsetting from plates as usual and a few minor smudges. Handsomely bound in mid-twentieth-century full burgundy levant morocco by Rivière & Son stamp-signed on verso of front free endpaper covers with gilt double fillet border spine richly tooled and lettered in gilt in compartments gilt board edges and turn-ins marbled endpapers all edges gilt. Armorial bookplate of Harry Bradfer-Lawrence on front pastedown. An excellent copy. A lively and richly illustrated military satire My Cousin in the Army forms the companion volume to Mitford's earlier and highly successful Johnny Newcome in the Navy 1818 transferring the comic misadventures of the naïve recruit from sea to land. Cast in brisk octosyllabic verse the poem offers a vivid and often irreverent portrait of army life in the immediate aftermath of the Napoleonic Wars blending anecdote caricature and social observation in a manner closely aligned with the Regency taste for humorous narrative. The hand-colored aquatints by Isaac Robert Cruikshank and Charles Williams - both central figures in the golden age of British caricature - provide much of the work's enduring appeal. Their plates animated and theatrical capture the follies vanities and absurdities of military life with a sharp eye and a lively palette placing the work firmly within the tradition of illustrated comic narratives popularized by contemporaries such as the Doctor Syntax series and Life in London. Mitford himself remains one of the more colorful and tragic figures of the period: a former naval officer present at major engagements of the French Revolutionary Wars later reduced by dissipation and instability to a precarious literary existence. His writing - energetic unpolished and often drawn from lived experience - retains an immediacy that lends authenticity to the comic episodes described. A pleasing copy of a work that stands among the more engaging illustrated satires of the post-Napoleonic period enhanced by an attractive Rivière binding and distinguished provenance. Abbey Life 370; Tooley 166. London: Printed for J. Johnston, 1822 unknown
ref. 06530London: Printed for J. Johnston 1822. Johnny Newcome Returns: The Soldier's Comic Progress A Spirited Sequel to the Celebrated Naval Satire - With Fine Cruikshank Plates MITFORD John. My Cousin in the Army: or Johnny Newcome on the Peace Establishment. A Poem. By a Staff Officer. London: Printed for J. Johnston 1822. First edition. Octavo 9 x 5 5/8 inches; 228 x 143 mm. 4 316 pp. Sixteen hand-colored aquatint plates including frontispiece by Isaac Robert Cruikshank and Charles Williams. Plates watermarked 1821. A short marginal tear 3/4 inch to title slight creasing to plates opposite pp. 173 and 285 and a neatly restored outer blank margin to the plate opposite p. 313 loss minimal. Light offsetting from plates as usual and a few minor smudges. Handsomely bound in mid-twentieth-century full burgundy levant morocco by Rivière & Son stamp-signed on verso of front free endpaper covers with gilt double fillet border spine richly tooled and lettered in gilt in compartments gilt board edges and turn-ins marbled endpapers all edges gilt. Armorial bookplate of Harry Bradfer-Lawrence on front pastedown. An excellent copy. A lively and richly illustrated military satire My Cousin in the Army forms the companion volume to Mitford's earlier and highly successful Johnny Newcome in the Navy 1818 transferring the comic misadventures of the naïve recruit from sea to land. Cast in brisk octosyllabic verse the poem offers a vivid and often irreverent portrait of army life in the immediate aftermath of the Napoleonic Wars blending anecdote caricature and social observation in a manner closely aligned with the Regency taste for humorous narrative. The hand-colored aquatints by Isaac Robert Cruikshank and Charles Williams - both central figures in the golden age of British caricature - provide much of the work's enduring appeal. Their plates animated and theatrical capture the follies vanities and absurdities of military life with a sharp eye and a lively palette placing the work firmly within the tradition of illustrated comic narratives popularized by contemporaries such as the Doctor Syntax series and Life in London. Mitford himself remains one of the more colorful and tragic figures of the period: a former naval officer present at major engagements of the French Revolutionary Wars later reduced by dissipation and instability to a precarious literary existence. His writing - energetic unpolished and often drawn from lived experience - retains an immediacy that lends authenticity to the comic episodes described. A pleasing copy of a work that stands among the more engaging illustrated satires of the post-Napoleonic period enhanced by an attractive Rivière binding and distinguished provenance. Abbey Life 370; Tooley 166. London: Printed for J. Johnston, 1822 unknown books
1821ref. M793Madrid 1821. Excellent. Size : 635x935 mm Coloring: Hand Colored Category: Maps West Indies Cuba & Bahamas; unknown
1798ref. M407Paris: Misitre de la Marine et des Colonies 1798. Excellent. Size : 435x585 mm 17.125x23 Inches Coloring: Hand Colored Category: Maps City Maps; Maps West Indies Cuba & Bahamas; Misitre de la Marine et des Colonies unknown
1985ref. 2091202133210234Yahata shoten 1985. Soft Cover. Fine. Number of books: 10 books in total Yahata shoten paperback
1921ref. 21568Paris: H. Floury 1921. Stiff Wraps. Orig. pictorial wrappers. Near fine. 273 pages. 26 x 20 cm. With the original dry point etching Delteil 8 third state "Jeune Filles Fleurissant leurs Chapeaux" hors-texte drypoint etching " and with lithograph "Tête de Jeune Fille". 95 heliogravure illustrations and 56 plates 12 in color. Table Des Gravures Hors Texte and Table Des Gravures Dans Le Texte. Crisp very clean interior binding tight head and foot of spine reinforced. H. Floury unknown
1921ref. 2880Paris: Floury 1921. FIRST AND ONLY EDITION of this classic memoir and study of Renoir. Profusely illustrated in black and white and color with many full-page plates including A BEAUTIFUL ORIGINAL DRYPOINT BY RENOIR Delteil 8: "Le chapeau epinglé" printed on fine wove paper. 4to. Uncut in original lithographed wraps. Wraps a bit worn at spine internally FINE AND BRIGHT. The drypoint missing from many copies of this book is in excellent condition. Floury paperback
1921ref. 21568Paris: H. Floury 1921. Stiff Wraps. Orig. pictorial wrappers. Near fine. 273 pages. 26 x 20 cm. With the original dry point etching Delteil 8 third state "Jeune Filles Fleurissant leurs Chapeaux" hors-texte drypoint etching " and with lithograph "Tête de Jeune Fille". 95 heliogravure illustrations and 56 plates 12 in color. Table Des Gravures Hors Texte and Table Des Gravures Dans Le Texte. Crisp very clean interior binding tight head and foot of spine reinforced. H. Floury unknown books
1927ref. 48940London: Published by Leonard and Virginia Woolf at the Hogarth Press 1927. Very Good. London: Published by Leonard and Virginia Woolf at the Hogarth Press 1927. First English-language Edition. Small quarto; original green cloth lettered in gilt; 88pp. 1 page advertisements. Mild shelfwear; general light spotting and scuffing; sunning to rear along spine. Binding sound; Blackwell's bookseller ticket to front pastedown; touch of off-setting to endpapers else unmarked; a Very Good and sound copy of Freud's foundational work on id ego and super-ego fundamental to the development of psychoanalysis. Originally published in German in 1923; copies of the Hogarth English-language edition uncommon in retail. Grinstein 121. Published by Leonard and Virginia Woolf at the Hogarth Press unknown
1927ref. 48940London: Published by Leonard and Virginia Woolf at the Hogarth Press 1927. Very Good. London: Published by Leonard and Virginia Woolf at the Hogarth Press 1927. First English-language Edition. Small quarto; original green cloth lettered in gilt; 88pp. 1 page advertisements. Mild shelfwear; general light spotting and scuffing; sunning to rear along spine. Binding sound; Blackwell's bookseller ticket to front pastedown; touch of off-setting to endpapers else unmarked; a Very Good and sound copy of Freud's foundational work on id ego and super-ego fundamental to the development of psychoanalysis. Originally published in German in 1923; copies of the Hogarth English-language edition uncommon in retail. Grinstein 121. Published by Leonard and Virginia Woolf at the Hogarth Press unknown books
ref. 1653801London : Printed for Henry Eversden at the Greyhound in Pauls Church-yard 1657. Hardcover. Used-Very Good. Small 4to. 20 236 257-267 278-417 6 pp. Collation: pi4 a6 B-Gg4 Hh2 Ll-Fff4 Fff3. Two folding plates. Expertly rebound preserving much of the original blind-ruled leather covers; spine and board corners are new. Spine is decorated in blind. Some general age-toning in the text but always very legible. Like the copy in the Univ. of Bristol Library the source text for online editions this copy has continuous text in spite of some oddities in pagination. Compared to that copy however it does have one additional blank leaf at the end. Two ownership inscriptions one the earlier in several places. A very good copy of an uncommon work the first English version of Riviere's treatise. London : Printed for Henry Eversden at the Greyhound in Pauls Church-yard, 1657 hardcover
1820ref. C8881xvi17-340 pages with frontispiece and diagrams. Octavo 8" x 5" bound in half leather with marbled boards and gilt lettering to spine. Translated from the Italian of Ercole dal Rio by J S Bingham. To which is prefixed an Essay on the origin of the game by Eyles Irwin. Whyld: 1820:14 Translated from Il guioco incomparablile degli schcchi 1769 by Ponziani here erroneously attributed to Ercole del Rio. J S Bingham is a pseudonym of Captain John Smith RN "Quotes and queries" British Chess Magazine November 1978 page 523. Irwin's "Essay on the origin of the game is a paper on Chinese chess cited as Whyld 1795:3. Domenico Lorenzo Ponziani was an 18th-century Italian law professor priest chess player composer and theoretician. He is best known today for his chess writing. Ponziani was friends with fellow Modenese chess players and writers Ercole del Rio and Giambattista Lolli and collectively the trio are known as the Modenese Masters. In 1769 Ponziani published the first edition of Il giuoco incomparabile degli scacchi The Incomparable Game of Chess. As Ponziani did not include his name in the work Opera d'Autore Modenese it was identified to the Anonymous Modenese. The second edition in 1782 was much improved and laid out the principles of the Italian school of chess as exemplified by 17th-century Italian masters such as Gioachino Greco. Although Ponziani identified himself in the second edition the 1820 translation by English naval officer J. B. Smith using the pen name J. S. Bingham The Incomparable Game of Chess attributed the work to del Rio. Ponziani's work is the best practical guide produced by the Modenese Masters. Like writings by del Rio and Lolli Ponziani deals only with the opening and endgame with no discussion of the middlegame. Murray H. J. R. 1913 A History of Chess Condition: End papers renewed former owners solutions to problems tipped in at gutter next to problems. Point rubbed with some rubbing to boards. A very good copy of a scarce item. J J Stockdale hardcover
1820ref. BOOKS008881xvi17-340 pages with frontispiece and diagrams. Octavo 8" x 5" bound in 3/4 leather with marbled boards and gilt lettering to spine. Translated from the Italian of Ercole dal Rio by J S Bingham. To which is prefixed an Essay on the origin of the game by Eyles Irwin. Whyld: 1820:14 First English edition.Translated from Il guioco incomparablile degli schcchi 1769 by Ponziani here erroneously attributed to Ercole del Rio. J S Bingham is a pseudonym of Captain John Smith RN "Quotes and queries" British Chess Magazine November 1978 page 523. Irwin's "Essay on the origin of the game is a paper on Chinese chess cited as Whyld 1795:3.Domenico Lorenzo Ponziani was an 18th-century Italian law professor priest chess player composer and theoretician. He is best known today for his chess writing. Ponziani was friends with fellow Modenese chess players and writers Ercole del Rio and Giambattista Lolli and collectively the trio are known as the Modenese Masters. In 1769 Ponziani published the first edition of Il giuoco incomparabile degli scacchi The Incomparable Game of Chess. As Ponziani did not include his name in the work Opera d'Autore Modenese it was identified to the Anonymous Modenese. The second edition in 1782 was much improved and laid out the principles of the Italian school of chess as exemplified by 17th-century Italian masters such as Gioachino Greco. Although Ponziani identified himself in the second edition the 1820 translation by English naval officer J. B. Smith using the pen name J. S. Bingham The Incomparable Game of Chess attributed the work to del Rio. Ponziani's work is the best practical guide produced by the Modenese Masters. Like writings by del Rio and Lolli Ponziani deals only with the opening and endgame with no discussion of the middlegame. Murray H. J. R. 1913 A History of ChessCondition:End papers stained previous owner's old signature on front end paper. Spine renewed with original spine label to spine. Points rubbed and bumped some soiling to else a very good copy of a scarce item. J J Stockdale hardcover