8,930 results
1936ref. 233041936. Springfield Massachusetts flood photographs documenting the March 1936 Connecticut River disaster in western Massachusetts with direct evidence of how floodwater moved through streets bridges utility plants churches and commercial blocks in one of the worst flood events in regional history. Images record the city at the point where river flooding became an urban systems failure not only inundating homes and business districts but also interrupting power transport and street circulation in a manufacturing center already under Depression era strain. The 1936 flood in Springfield formed part of the larger New England catastrophe that left 15000 city residents homeless and pushed federal and local authorities toward new flood control measures including the broader post 1936 buildout of levees dikes and river management works under the Flood Control Act of 1936. Photo archive of 16 sepia photographs with printed captions on lower margin 3.25" x 4.75" Springfield Massachusetts 1936. The photographs are captioned beneath the image area with specific locations including "North Main St. Flood Scene" "Plainfield Street" "Flood Barricade Telephone Bldg." "St. James M.E. Church" "U. E. Light Power Plant" and "Railroad Bridge Conn. to name a few. Several views show entire streets turned into waterways with tree trunks porches and first floors standing in still floodwater. One Plainfield Street view shows two men navigating a rowboat between commercial buildings. The Telephone Building appears protected by sandbags stacked across low window openings showcasing emergency defense. The St. James M.E. Church photograph shows water standing nearly to the base of the windows around the church grounds. Memorial Bridge and the railroad bridge are both shown against a swollen Connecticut River while the riverfront and power plant views place industrial and utility structures at the flood edge. The Locust and Main Street image shows crowds boats automobiles and rescue activity gathered at a flooded intersection and the State Street at Main view shows a truck moving through deep water in the downtown business district. The South Main Street and South End views extend that disruption into retail and industrial blocks where storefronts sidewalks and roadbeds disappear under the flood. The flood followed a severe winter deep snowpack frozen ground and heavy March rain across the Connecticut River Valley. In Springfield and nearby West Springfield existing dikes were overtopped undermined and eroded while floodwater cut off neighborhoods and disabled normal traffic. The Connecticut River Valley was a manufacturing corridor the surrounding area was still recovering from the Great Depression; this economic downturn resulted in greater structural change. The disaster helped drive the Flood Control Act of 1936 and in West Springfield the U.S. Army Corps of Engineers began a local protection project in 1939 to enlarge and rehabilitate flood defenses completed in 1942. Light wear and mild toning; captions remain clear and the photographs present well. Overall very good condition. A visual documentation of the flood that forced Springfield to reshape the infrastructure of their river front environment. unknown
1906ref. 74THE DENVER & RIO GRANDE RAILROAD. 20th ANNUAL REPORT TO THE STOCKHOLDERS OF THE DENVER and RIO GRANDE RAILROAD COMPANY For The Fiscal Year EndeD June 30 1906 Denver Colorado: The Smith-Brooks Printing Company 1906 Original printed burnt orange wrappers front and back Very good plus to near fine condition; one small chips on lower margin of back cover; spine reinforced with special conservation tape; interior pages and map very good plus to near fine; several tiny splits in map folds conserved. Publication dimensions:6 inches by 8-7/8 inches46 pages Map dimensions:20 inches by 15 inches COLORADO ARTIFACTUAL The Smith-Brooks Publishing Co. paperback
1934ref. 158567N.p.: N.p. 1934. Vintage photographic print of a portrait of Mexican-American actress Dolores del Rio circa 1933-1934 created by painter and film director Hugo Ballin. Stamp of photographer Clyde Stoughton on the verso along with the stamp of Acme Engraving Company and annotations in manuscript pencil regarding cropping. New York-born artist and muralist Hugo Ballin began working for Goldwyn Studios in 1917 in New Jersey as an art director and production designer moving to Los Angeles in 1921 at the request of Samuel Goldwyn. He enjoyed a brief career as a director writer and producer of silent films but decided to return to painting upon the advent of sound films. He is best remembered for his murals many of which still stand today throughout Los Angeles. 8 x 10 inches. Very Good lightly edgeworn and age toned with a short closed tear at the top edge. N.p. unknown
1879ref. 89341Paris: Au siège de la société d'acclimatation 1879. Fine. Au siège de la société d'acclimatation Paris 1879 17.5 x 28 cm Relié First edition illustrated with 62 figures in the text or full-page included in the pagination.Half green oasis morocco spine with five raised bands marbled paper sides endpapers and pastedowns of marbled paper original wrappers and spine preserved top edge gilt modern binding signed Laurenchet.A few small spots of foxing manuscript ex-dono at the head of the front wrapper.A pleasing copy. Au siège de la société d'acclimatation hardcover
1984ref. 48501Paris: Gallimard 1984. Fine. Gallimard Paris 1984 15 x 22 cm broché First edition of the French translation one of 20 numbered copies on Hollande tirage de tête. A very good copy. Gallimard unknown
1867ref. 50353J. Rotschild, éditeur 1867 In-4 27,5 x 17 cm. Reliure demi-maroquin cerise, dos à nerfs, caissons ornés à froid de motifs floraux, X- 286 pp. 75 planches lithographiées en couleurs sous serpente, 112 figures. Très légèrs frottements. Infimes rousseurs.
ref. DADAX1421500663New unknown
2006ref. 2111902152907768Chusekisha 2006. Soft Cover. Fine. Size: 179x120mm Number of books: 18 books in total Chusekisha paperback
1679ref. 93517Lugduni, Joannis-Antonii Huguetan, & soc. 1679 In-folio 36 x 23 cm. Reliure de l’époque plein veau havane marbré, dos à nerf encadrés de fers dorés, sans pièce de titre, 10-604-32 pp., texte sur 2 colonnes, page de titre avec vignette gravée, bandeaux, lettrines. Reliure fatiguée, coins émoussés, manque frontispice, manque angulaire sur les 5 derniers feuillets de l’index, annotations de l’époque en dernière page de garde, intérieur correct. En l’état.
2010ref. 47950Robert Laffont Couvertures souples Paris 2010
ref. DADAX0870813013New unknown
2024ref. __1071923609Cq Pr 2024. Hardcover. New. 800 pages. 10.25x7.50x1.75 inches. Cq Pr hardcover
1870ref. List3896St. Paul Minnesota 1870. Carte de visite measuring 2 ½ x 4 inches captioned "Levee View-City of Saint Paul. / Whitney & Zimmeram Photographers St. Paul Minn. Excellent. A carte de visite photograph of steamboats on the levee in St. Paul Minnesota on the Mississippi River. By the time of Minnesota statehood in 1858 its Upper and Lower Levees together were one of the busiest ports in the country though activity was slowed by the 1862 Dakota War.1 The photograph is attributed to Whitney & Zimmerman. Joel E. Whitney 1822-d. born in Maine was the first photographer in St. Paul known for his portraits of Minnesota volunteers in the Civil War and of Indigenous Minnesotans.2 Charles A. Zimmerman 1844-1909 was a French-born photographer who immigrated to the US in 1848. The two worked as partners in the 1860s and 1870s and are together best known for their series of views of Minnehaha Falls.3 1 Joe Lepsche "The Upper Levee: Memories of Its People And Its Place in St. Paul History" Ramsey County History 33 no. 1 Spring 1998:18-21. 2 "Joel Emmons Whitney" The Autry Museum of the American West accessed May 28 2026 https://collections.theautry.org/mwebcgi/mweb.exerequest=record;id=PE65213;type=701. 3 "Charles A. Zimmerman" Smithsonian American Art Museum accessed May 28 2026 https://americanart.si.edu/artist/charles-zimmerman-7133. unknown books
1926ref. 156650Los Angeles: Fox Film Corporation 1926. Vintage press photograph from the 1926 silent film showing director Raoul Walsh posing with actors Barry Norton Leslie Fenton Edmund Lowe Dolores del Rio Victor McLaglen and others on the set. From the archive of film historian and author Joel Finler. During World War I a US Marine sergeant finds his budding relationship with a French innkeeper's daughter threatened by the arrival of his romantic rival a fellow Marine sergeant. The first Fox film to use the studio's new Movietone sound system and the first film ever to use "special effects" as a credit. Set in France. 10 x 8 inches. Very Good plus lightly edgeworn with adhesive residue on the verso. Fox Film Corporation unknown books
1909ref. 60789Milwaukie OR: Elvah Reck & Albert Reck 1909-1910. Tall 8vo. 6 x 9 in. 88 pp unpaginated. on blue ruled paper first 26 pp. filled out in two different manuscript hands in ink & pencil first part by Elva remainder by Albert of approx. 4500 words. Limp tan covers cloth backing & stapled at upper fore-edge center crease from folding to insert into backpack Arts & Crafts decorative borders light age toning still a VG exemplar. A concise and informative travel diary written by Elvah Reck and her husband Albert Reck a street car conductor for the PRL&P Co. and enthusiastic semi-professional photographer as they traveled on the ever-expanding railway network in and around Portland Oregon during the Progressive Era. Elvah notes that on the night before the family was to travel up the Columbia River Gorge “Bert came home at 1:16 AM developed negative of Oak Grove base ball boys and made preparations for the morning and retired at 3 AM.” Subsequently Bert and family overslept by an hour and raced to catch the train and managed to board the Baily Gatzert sternwheeler by 7:00 AM. “Bert took a picture of Rooster Rock and two pictures of Cape Horn.” Elvah makes frequent mentions of the beauty of the Columbia River and surroundings and was fascinated by the working of the Cascade Locks. They left the sternwheeler and packing three children their belongings and camera equipment they secured a camping spot. However their daughter Norma climbed on an old stump to get a better view and “put her foot in a yellow-jacket nest and the way she climbed down from there and screamed was enough to bring everyone from the other camps . . . we fought yellow-jackets and ran a half mile to keep up with Norma.” The family does manage to find an abandoned house to camp in manage their breakfast and then hike and travel along the rim into Oneonta Gorge and decided later to return back home “on account of Elvah’s back.”Reck records one of his many photo shoot excursions when on April 3 1910 he takes off with fellow enthusiast and machinist Ed Leppert to take photos at Cazadero OR at the time a stop on the Estacada Interurban Railway Line of the PRL&P Co. catching Train No 62 shot logging pictures below Boring OR and then fishing near the Clackamas River at Eagle Creek OR. Leppert 1867-1934 was a fellow Ohioan at the time working for PRL & P Co. as well as in the Albina shipyards and 3 years later moved to Ogden UT before returning to Portland. Aug. 28 1910 they took Ed along with the family for a week vacation at Seaside OR after loading the camera “and all manner of junk into one back-pack two baskets and a suitcase.” Once again the family was running late missed the connection and barely made Union Station in time to catch the 9:15 train on the Astoria & Columbia Railway to Seaside in three hours along the scenic River. Bert writes they secured a “Furnished Tent” for $ 7.00 for the week and began shooting photos along the beach of the bathers the ocean the Hotel Moore and the breakers and did some crab fishing. One of the days the sun was out so Ed and Bert “loaded up our stereo camera & tripod and started down the beach.” They trekked along the sand and rocks “watched a number of porpoises or ‘sea hogs’ sporting in the Ocean a short distance off shore. . . and wished for a telephoto lens.” By the time the pair had lugged their camera to the lighthouse the fog had rolled in obscuring the scenery. Elva Reck 1877-1955 according to census records and street directories had opened a “Racket Store” by 1920 which she operated for a few years. Bert Reck 1877-1972 had moved his family from Ohio by 1903 where he began a lifelong career as a streetcar motorman as well as shooting and selling photos of hikes on Mt. Hood digging clams visiting Nye Beach in Newport Depoe Bay and other areas around the PNW. He frequently took photos along the line he ran from Sellwood to Cazadero to the dam. See: History of Estacada Faraday and Cazadero Oregon Pacific Northwest Photoblog Aug. 7 2014; Portland Railway Light & Power Co. Interurbans PDXHistory 2017. Elvah Reck & Albert Reck, hardcover
1895ref. 163631895. Painting. Very good overall. Shute was a well known illustrator from Brookline Mass. who worked for Stratemeyer until his death in 1906. This is a gouache on stiff board illustration in shades of black and white depicting Native Americans in canoes approaching Henry Hudson's Half Moon. Signed at the left A. B. S. and with two spaces at the lower left and upper right and marked mortise in pencil. Image size 10 1/4 x 16". Paperboard size: 15 x 20 unknown
1870ref. List3896St. Paul Minnesota 1870. Carte de visite measuring 2 ½ x 4 inches captioned "Levee View-City of Saint Paul. / Whitney & Zimmeram Photographers St. Paul Minn. Excellent. A carte de visite photograph of steamboats on the levee in St. Paul Minnesota on the Mississippi River. By the time of Minnesota statehood in 1858 its Upper and Lower Levees together were one of the busiest ports in the country though activity was slowed by the 1862 Dakota War.1 The photograph is attributed to Whitney & Zimmerman. Joel E. Whitney 1822-d. born in Maine was the first photographer in St. Paul known for his portraits of Minnesota volunteers in the Civil War and of Indigenous Minnesotans.2 Charles A. Zimmerman 1844-1909 was a French-born photographer who immigrated to the US in 1848. The two worked as partners in the 1860s and 1870s and are together best known for their series of views of Minnehaha Falls.3 1 Joe Lepsche "The Upper Levee: Memories of Its People And Its Place in St. Paul History" Ramsey County History 33 no. 1 Spring 1998:18-21. 2 "Joel Emmons Whitney" The Autry Museum of the American West accessed May 28 2026 https://collections.theautry.org/mwebcgi/mweb.exerequest=record;id=PE65213;type=701. 3 "Charles A. Zimmerman" Smithsonian American Art Museum accessed May 28 2026 https://americanart.si.edu/artist/charles-zimmerman-7133. unknown
1915ref. 53159Denver: Carson - Harper 1915. 1915. YELLOWSTONE NATIONAL PARK. 20" x 32" sheet printed on two sides and folded to 10" x 4." One side contains sixteen 10" x 4" panels with 8 panels in the center of a color map of Yellowstone National Park that shows topographical features stage roads and principal points of interest; two panels show a color map of the Grand Canyon of the Yellowstone as a side trip; two panels show a map of a side trip to the Mammoth Hot Springs; and four panels provide railroad information and fares to Yellowstone Station. The other side also contains sixteen 10" x 4" panels with 14 panels full of text and pictures of Yellowstone and its many attractions and sights. Information is provided regarding Marshall Pass Black Canon of Gunnison Eagle River Canon Tennessee Pass Grand Junction Green River Mammoth Hot Springs Yellowstone Lake etc. and many pictorial scenes of the area. The remaining two panels are the front and rear color covers. Covers are lightly rubbed at the spine else a very good clean copy of an attractive booklet. Carson - Harper, 1915]. unknown
1899ref. 39127Denver: Denver and Rio Grande Railroad 1899. 1899. COLORADO NEW MEXICO UTAH. First edition. 8vo.8" x 4 1/2" color pictorial wrappers 57 3 pp. introduction index illustrated map. Information provided on destinations in Colorado New Mexico and Utah including the number of miles from Denver the elevation and a brief description of the destination. Many places are described with attractive views shown of Manitou Springs Palmer Lake Pike's Peak Santa Fe Indian pueblos Toltec Gorge Cliff Dwellings Glenwood Springs Castle Gate Salt Lake City Saltair Beach and much more. Also provided is a listing of hunting and fishing grounds mountain peaks and passes and a "Stage Lines Run in Connection with the Denver & Rio Grande System." This latter service provides the time of service availability point to point information the distance the fare for both one way and round trip and baggage allowed and cost. A few upper corner pages have been creased else a very good copy. Denver and Rio Grande Railroad, 1899. unknown
1926ref. 156650Los Angeles: Fox Film Corporation 1926. Vintage press photograph from the 1926 silent film showing director Raoul Walsh posing with actors Barry Norton Leslie Fenton Edmund Lowe Dolores del Rio Victor McLaglen and others on the set. From the archive of film historian and author Joel Finler. During World War I a US Marine sergeant finds his budding relationship with a French innkeeper's daughter threatened by the arrival of his romantic rival a fellow Marine sergeant. The first Fox film to use the studio's new Movietone sound system and the first film ever to use "special effects" as a credit. Set in France. 10 x 8 inches. Very Good plus lightly edgeworn with adhesive residue on the verso. Fox Film Corporation unknown
ref. 1734Lyon: Aime Delaroche 1741. The very rare first edition of this comprehensive guide to Lyon with extensive historical notes on the streets churches and other landmarks as well as capsule biographies of notable sons of the city. xvi 283 3 pp. Beautifully printed on fine laid paper. 8vo. Bound in contemporary half sheep and boards. Decorated spine. All edges flecked in blue. An excellent copy with no wear to the binding. Internally clean and bright. Barbier I 896. Lyon: Aime Delaroche, 1741 hardcover
1951ref. 18183Charles C. Thompson. Very Good with no dust jacket. Second Edition. Hardcover. Navy cloth cover has wear to corners and spine caps but clean and in very good condition. Boards and spine are straight. Binding is tight. Former owner's name on front end sheet. Pages are clean and near pristine. Many photographic images many are disturbingly graphic. . 1951. Charles C. Thompson hardcover
ref. Z1-AA-003-00178Linford Western. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Linford Western unknown
1938ref. 54199BBParis, Emile-Paul, frères 1938. In-8°. 341 p. Broché couverture imprimée rose.